PLOT SUMMARY:

Hazel Russon’s life in 1882 Utah territory is defined by three things: the Mormon church, polygamy, and the men who control both. She knows she’s supposed to suppress her sinful dreams of a monogamous life with her sweetheart, and her desire for the freedom to play her beloved piano. Every Mormon woman’s duty is to live obediently and meekly, devoted to her husband and her calling as a sister wife. Her eternal salvation depends upon it.

Commanded to become the fourth wife of a man she’s never met, Hazel is relieved that Jacob Manwaring is attentive and handsome. However, she is shocked to discover that instead of living separately as is custom, all of Jacob’s wives and children live in the same house—a large, dilapidated manor that inexplicably fills Hazel with dread.

Despite Jacob’s tenderness, Hazel senses dark secrets and resentments among her sister wives. She hears strange music, sees blood oozing from the very walls, and glimpses apparitions that grow more terrifying every day. And as her nightmares worsen, Hazel can’t be sure if she has more to fear from the living—including her mysterious husband—or from a sinister presence that seems to animate the house itself . . .

Drawing on little-known Mormon folklore and the author’s own polygamous ancestors, this fascinating, suspense-filled historical novel debut is by turns darkly romantic, spine-tingling, and wholly unforgettable.

GRADE: B

REVIEW:

I went into The Fourth Wife by Linda Hamilton knowing almost nothing about Mormons beyond the idea of plural marriage—and honestly, that alone hooked me. Add in the “historical horror” label, and I was all in.

The story follows Hazel, who agrees to become Jacob’s fourth wife after learning her longtime crush won’t marry her. It’s a desperate choice… and not a great one.

Jacob initially comes across as charming, but that illusion falls apart fast. When Hazel arrives at his home, she discovers the truth: instead of wealth and stability, she’s walked into a crumbling house shared with his three other wives—and possibly something else lurking there.

Here’s the thing: if you’re expecting a full-on haunted house story, this isn’t it. The ghostly elements are interesting but feel underused, popping in just enough to remind you they exist before fading into the background again.

That said, the central mystery is compelling, and I ended up enjoying the ride—especially in audiobook form, which kept me engaged throughout.

Overall, I liked it and would try another book by this author. Just don’t go in expecting true horror—this leans much more toward historical drama with a hint of the supernatural.

*Thank you so much to NetGalley & Recorded Books for the audiobook copy of this book in exchange for an honest review!

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