Film Review: Host





I’m not a fan of the found-footage sub-genre in horror. In fact, I didn’t like The Blair Witch Project or Paranormal Activity (two films famous for being ground breaking for the sub-genre). So I wasn’t sure if I was going to enjoy Host, since it’s a found footage movie directed solely via zoom during the COVID-19 pandemic quarantine. I’ll have to admit that Rob Savage managed to create a very suspenseful and scary movie with the limited resources he had available.

The whole premise of the movie is that a group of friends decide to engage in a séance guided by a medium through zoom. But this being a horror movie, things obviously go wrong. The first fifteen minutes you’re wondering if anything is going to happen and when, but soon strange things begin to happen and the chill-factor rises exponentially.

This film was best made to be viewed using your phone or tablet (although I used my notebook), it won’t have the same claustrophobic chilling effect on a large screen TV. I really enjoyed Host, and at only 56 minutes it doesn’t overstay its welcome by trying to hit the 90-minute mark, which is something many horrors should do instead of trying to fill the last 30-minutes with filler.

Host managed to make me reconsider the found-footage subgenre, and I am curious what Rob Savage will come up next now that he has scored a three-movie deal with Blumhouse. The scariest is yet to come.

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Book Review: Unboxed by Briana Morgan

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What would you do for fame?

Release Date: July 25, 2020

Order on Amazon!

Price: $9.99 (paperback)

Plot Summary:

Greg Zipper is a paranormal vlogger whose livelihood relies on his online popularity. When a fight between him and his girlfriend goes viral for all the wrong reasons, Greg purchases a dark web mystery box in hopes of restoring his audience’s faith in him and hitting one million subscribers. But when Greg opens the box, he gets much more than he bargained for, including a Boxer who’s determined to stop him from taking his loved ones for granted. Now Greg must do all he can to stop the Boxer, or else he’ll lose his livelihood—along with the woman he loves.

Grade: A

Review:

I’ve previously read other works from Briana Morgan, but I strongly believe that she excels as a playwright. Unboxed has everything you’d want a traditional horror movie to have, the anticipation of dread, creepiness, and an overlying lesson meant to be learned the hard way. Although this is a play, I can see it becoming a movie in the vein of many Blumehouse movies (putting this thought out into the universe cause you never know if wishing about it will make it happen!).

First of all, I’m not well-versed in the world of the dark web, but I enjoyed how Zipper explained it in the play to his girlfriend. I enjoyed the fact that the dialogue felt very realistic to how people speak and weren’t clunky or awkward at all.

The premise of the play is that a paranormal vlogger is so obsessed with reaching 1 million subscribers that the decides to film himself unboxing a mystery box bought from the dark web. Everything you can imagine about what could possibly grow wrong does in this play. It was a dark and twisted, but also packed an emotional punch where the protagonist had to learn a very difficult lesson, and would he be willing to lose everything he cared about for fame and fortune?

I enjoyed this very much and I don’t usually reach out to purchase plays, but the premise was intriguing and I wasn’t disappointed in the execution. Pick this up if you want to spend 45 minutes exploring the dark and twisted realms of the supernatural and the underbelly of notoriety.

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Film Review: Amulet

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Romola Garai is my spirit animal when it comes to writing because the wild, vindictive story she weaves in Amulet is one that I could’ve easily penned myself. Maybe it’s because I write feminist horror, but I found myself knowing exactly what direction the film was going in and to figure out exactly what dark secrets the protagonist Tomaz (Alec Secareanu) was withholding the whole time.

Amulet is Garai’s directorial debut, but audiences have seen her onscreen many times mostly in period dramas like Atonement, The Crimson Petal and the White, Emma, or on TV with the short-lived The Hour, although American audiences know her mostly for having been wooed by Diego Luna in Dirty Dancing: Havana Nights. Having been a fan of Garai as an actress I’ve seen her demonstrate a lot of range and in a perfect world, she would be embodying June in The Handmaid’s Tale because I think she would be perfect. But I digress.

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The film begins with Tomaz, a philosophy reading soldier guarding an outpost in the middle of the woods. At some point, he uncovers a strange looking amulet, that horror aficionados can easily envision it being a harbinger of bad omen. And ultimately, the amulet in question does bring bad luck, especially for Tomaz.

Flash forward to the present and now Tomaz is homeless living somewhere on the streets of London. A nun (Imelda Staunton) discovers him and soon gives him a new place of employment in exchange for food and a room free of charge. The gesture could almost seem lifesaving if the home Tomaz is asked to live in weren’t a decrepit looking slaughterhouse ala Texas Chainsaw Massacre, or if we didn’t find out that Sister Claire pressed the issue for him to remain at the home to help a young woman, Madga (Carla Juri) and her ailing mother, by withholding the wad of money he had been religiously saving up from odd jobs.

From the very get-go, we know this arrangement is bad. And I’m particularly suspicious of the food that’s served, maybe because the young woman who prepares it never seems to take a bite herself of the huge chunks of meat.

The film is a slow burn horror ala Hereditary with its own interesting mythology surrounding it. But there’s enough creep factor to keep the viewer feeling rightly unsettled. Kudos to Garai for using albino bats in the most terrifying manner possible. The setting and style evoke feelings of dread and you can’t help but draw parallels with the Grimm Fairytale, Red Riding Hood, because we’ve always been taught from a very young age that the woods are never safe for girls of all ages.

This film isn’t for the faint of heart and will surely leave a lot of men feeling very uncomfortable. And for that alone, I applaud it.

Amulet dares to press the issue that “moving on” simply isn’t possible depending on the severity of the crime. And for that reason, the wrongdoer has to pay for their sins in the most horrific ways. If there’s one thing that I walked away from this viewing is that Garai doesn’t want us to forgive and forget. Rather she wishes for us to remember, and enact sweet, sweet revenge.

Amulet can be found to rent on Amazon, iTunes, and Google. Check out the trailer here.

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Book Review: The Living Dead by George A. Romero and Daniel Kraus

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We had to devolve to realize we’d never really much evolved.

Release Date: August 4, 2020

Pre-Order on Amazon!

Publisher: Tor Books

Price: $27.99 (hardcover)

Plot Summary:

George A. Romero invented the modern zombie with Night of the Living Dead, creating a monster that has become a key part of pop culture. Romero often felt hemmed in by the constraints of film-making. To tell the story of the rise of the zombies and the fall of humanity the way it should be told, Romero turned to fiction. Unfortunately, when he died, the story was incomplete.

Enter Daniel Kraus, co-author, with Guillermo del Toro, of the New York Times bestseller The Shape of Water (based on the Academy Award-winning movie) and Trollhunters (which became an Emmy Award-winning series), and author of The Death and Life of Zebulon Finch (an Entertainment Weekly Top 10 Book of the Year). A lifelong Romero fan, Kraus was honored to be asked, by Romero’s widow, to complete The Living Dead.

Set in the present day, The Living Dead is an entirely new tale, the story of the zombie plague as George A. Romero wanted to tell it.

It begins with one body.

A pair of medical examiners find themselves battling a dead man who won’t stay dead.

It spreads quickly.

In a Midwestern trailer park, a Black teenage girl and a Muslim immigrant battle newly-risen friends and family. On a US aircraft carrier, living sailors hide from dead ones while a fanatic makes a new religion out of death. At a cable news station, a surviving anchor keeps broadcasting while his undead colleagues try to devour him. In DC, an autistic federal employee charts the outbreak, preserving data for a future that may never come.

Everywhere, people are targeted by both the living and the dead.

We think we know how this story ends.

We. Are. Wrong.

Grade: A+

Review:

It’s no secret that George A. Romero was pretty much the progenitor when it comes to the zombie genre. First in the films and then even in comic books and novels. If you’re a fan of George A. Romero, then you’re well aware that the iconic director’s zombie movies aren’t merely a gore fest. Instead, Romero uses the zombie genre to explore the human condition or reveal the incompetence of government or lack of empathy in humans. Ultimately, the real monsters in Romero’s movies are rarely the zombies, but rather the humans. We’re deadlier than the undead because we’ll turn on our own when the going gets tough. Unfortunately, Romero passed away in 2017 and never was able to complete the novel himself, so his widow asked Daniel Kraus to complete the novel using Romero’s notes. The end result isn’t disjointed nor can the reader tell where Romero begins and Kraus takes over. The writing style is seamless throughout the whole novel and doesn’t change.

Now, I don’t know how much Romero had completed before his death, but this novel is a horror saga (it’s over 600 pages!) but it doesn’t mean that there’s ever a moment of dullness, because there isn’t. There are so many diverse characters in this novel, much like how Max Brooks’ novel World War Z was fashioned. Third person omniscient works superbly as there’s so much ground to cover that we need to know what’s happening to everyone at any given time. Sure, there are some characters that I favoured over others, but the fact that Romero always managed to create characters that we cared about means that even when we know that most of them will face dire endings, in our heart of hearts we can’t help but hope that there’s another way out. But this novel isn’t about comfort, this novel is brutal. I don’t read many zombie books but since I am a huge fan of Romero’s zombies, I knew that I had to read this novel and I’m not disappointed. If you’re going into this book thinking it’s going to be full of zombies, you are correct. But you’re also going to walk away with a feeling that ultimately the book wasn’t about zombies, but it’s about us, and how much humans CAN be both resilient and full of heart.

For a book about the undead, you’ll depart the novel with all the feels. You’ve been warned.

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*Thank you so much to NetGalley and Tor Books for the digital copy of this book in exchange for an honest review!

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Coming Soon: Baby Teeth in Midnight in the Pentagram

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2020 has been both the best of times and the worst of times for me. Oddly enough, it’s been a most fortuitous year in regards to my writing. I signed two new contracts for short stories, have a short story coming out in June, and Strange Girls: Women in Horror Anthology had the best sales ever. The worst of times, of course, refers to all of us having to deal with a global pandemic and all the stress and worry that comes along with that.

Not to dismiss a serious topic aside, I do wish to focus on the positives. And one of the best thing that has happened this year so far is having my short story, Baby Teeth selected for the anthology Midnight in the Pentagram published by Silver Shamrock Publishing. These guys are total badasses when it comes to horror publications so I was over the moon at being selected.

Baby Teeth is the story of a young mother, Melissa, who begins to feel that there’s something seriously amiss with her new baby. I was slightly inspired by Rosemary’s Baby, but I was also fascinated with the notion of, what part is real and what part is merely Melissa suffering from post-partum depression?

It’s one hell of a twisted, scary treat and I’m looking forward to all of you getting a chance to read it soon. As of right now, I don’t have any official release dates, but I’m hoping for a Fall 2020 release as it seems the most appropriate.

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5 Paperbacks to Check Out This Summer

Summertime for many is when they love reading by a pool or at the beach. And since Kindles are basically useless under the sun, a paperback is the next best thing. Here are my top five paperbacks that I’ll be checking out this summer!

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Six Months by Natalie D. Richards

When Chloe fell asleep in study hall, it was the middle of May. But when she wakes up, snow is on the ground, and she can’t remember the last six months of her life.
Before, she’d been a mediocre student.
Now, she’s on track for valedictorian and being recruited by Ivy League schools.
Before, she never had a chance with sports star Blake.
Now he’s her boyfriend.
Before, she and Maggie were inseparable.
Now her best friend won’t speak to her.
What happened to her? Remembering the truth could be more dangerous than she’d ever imagined.

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Where She Fell by Kaitlin Ward

Watch your step.

Eliza knows the legends about the swamp near her house — that people have fallen into sinkholes, never to be seen again, maybe even falling to the center of the earth. As an aspiring geologist, she knows the last part is impossible. But when her best friends drag her onto the uneven ground anyway, Eliza knows to be worried.

And when the earth opens under her feet, there isn’t even time to say I told you so.
As she scrambles through one cave, which leads to another, and another, Eliza finds herself in an impossible world — where a small group of people survive underground, running from vicious creatures, eating giant bugs, and creating their own subterranean society. Eliza is grateful to be alive, but this isn’t home. Is she willing to risk everything to get back to the surface?

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Campfire by Shawn Sarles

While camping in a remote location, Maddie Davenport gathers around the fire with her friends and family to tell scary stories. Caleb, the handsome young guide, shares the local legend of the ferocious Mountain Men who hunt unsuspecting campers and leave their mark by carving grisly antlers into their victims’ foreheads.

The next day, the story comes true. Now Maddie and her family are lost in the deep woods — with no way out — being stalked by their worst nightmares. Because there were other, more horrifying stories told that night — and Maddie’s about to find out just how they end . . .

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The Afterlife of the Party by Marlene Perez

I didn’t even want to go to the party.

Seriously, I’d rather have stayed home with my librarian-witch grandmother and her mystical book club than go. But my best friend Skyler begged me. So I went.

And it was the worst party of my life. The last party of my life.

Not only was the band downright horrible, but the lead singer bit me afterward. And then stole Skyler.

Now I’m chasing down a band of angry vamps with my other best friend Vaughn in tow—and a buttload of feelings between us we can’t even begin to address. And worse, I’m changing into something else…

Let the afterlife begin.

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Heartwood Box by Ann Aguirre

When Araceli Flores Harper is sent to stay with her great-aunt Ottilie in her ramshackle Victorian home, the plan is simple. She’ll buckle down and get ready for college. Life won’t be exciting, but she’ll cope, right?

Wrong. From the start, things are very, very wrong. Her great-aunt still leaves food for the husband who went missing twenty years ago, and local businesses are plastered with MISSING posters. There are unexplained lights in the woods and a mysterious lab just beyond the city limits that the locals don’t talk about. Ever. When she starts receiving mysterious letters that seem to be coming from the past, she suspects someone of pranking her or trying to drive her out of her mind.

To solve these riddles and bring the lost home again, Araceli must delve into a truly diabolical conspiracy, but some secrets fight to stay buried…

What paperbacks are you looking forward to check out this summer?

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Film Review: Bethany

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Bethany wasn’t the usual jump-scare horror nor did it have any sort of boogie man so to speak. What I liked about Bethany is that true life trauma intermingled with a sense of dread. Claire (Stephanie Estes) is haunted by past childhood traumas that she endured at the hands of her cold, unfeeling mother (Shannon Doherty) who placed physical beauty above all. Young Claire is forced to compete in beauty pageants against her will and to obsess over her appearance, and somehow all this stress on physical perfection causes a terrible rift between mother and daughter.

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But after the passing of her estranged mother, Claire inherits her childhood home and decides to return to live there with her husband Aaron (Zack Ward). I’m still unsure why someone with such terrible PTSD linked to that particular house would want to return let alone start LIVING in said home, but the couple does just that. Unsurprisingly, Claire begins to be haunted by her past in more ways than one.

You see, as a child, she had an imaginary friend called Bethany that would speak to her from the wall. Was the friend real or had she always been a little crazy? These are the questions that surface throughout the course of this movie. There’s a creeping dread that follows the viewer and characters throughout the whole movie and I like it because it makes you question everything. You know that bad things are going to happen, but are those things merely imagined or are they really happening?

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Bethany is one trippy movie, taking you on this rollercoaster of black emotions. What is real? What is imagined? This is a slow burn horror where everything comes to a head when the climax is finally reached and the twist revealed. I was satisfied by the ending, but then again, I’ve always been a sucker for creepy dolls, childhood traumas, and flirting with schizophrenia. The film combines psychological suspense with the supernatural and the twisty reveal is one that many wouldn’t have seen coming.

Overall, if you’re a fan of the horror genre, then you will enjoy this movie as it has many things that horror junkies love such as: an old house, creepy dolls, and strange objects protruding from one’s flesh.

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Check it out, you’re in for a dark thrilling ride.

*Thank you to the director James Cullen Bressack for the free viewing of this movie for an honest review.

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Book Review: Lullabies for the Suffering: Tales of Addiction Horror

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Release Date: January 14, 2020

Order on Amazon!

Publisher: Wicked Run Press

Price: $14.95 (paperback)

Plot Summary:

Addiction starts like a sweet lullaby sung by a trusted loved one. It washes away the pains of the day and wraps you in the warmness of the womb where nothing hurts and every dream is possible. Yet soon enough, this warm state of bliss becomes a cold shiver, the ecstasy and dreams become nightmares, yet we can’t stop listening to the lullaby. We crave to hear the siren song as it rips us apart.

Six stories: three novellas, three novelettes, written by a powerful list of talent, all featuring the insidious nature of addiction–damaged humans craving for highs and wholeness but finding something more tragic and horrific on the other side.

Grade: B+

Review:

First of all, I’m going to admit that I absolutely LOVE how hauntingly beautiful the cover is. I would’ve noticed this anthology for the cover alone. Secondly, I’m a huge fan of the TV Series YOU, so knowing that Caroline Kepnes contributed to the anthology gave me the extra push I needed to pick it up.

All the stories in this anthology center around addition (something they’re drug-related other times it’s the addiction to something else that’s just as decremental to your health and turns you a slave). Most of the stories written for the anthology aren’t truly short stories but verge on the novella length, which I didn’t mind at all. With any anthology, there were some gems and some misses for me. Unfortunately, the anthology started off truly strong with “Sometimes They See Me,” by Kealan Patrick Burke, which is a tale about two addict and their crazy benders. There’s something truly haunting about it and one that will leave you questioning any painting or wallpaper you ever see again.

“Monsters” by Caroline Krepnes follows the same writing style as YOU (writing in the second person) at least when the story is narrated by a lonely young man who is accused of a crime he didn’t commit. I really enjoyed the story, but despite the narrator having been wronged, I still feel like he had very much Joe-vibes going on.

My absolute favourite story from the whole anthology was “Lizard” by Mark Matthews. It had everything I looked for in a horror addiction story. It showed the horrors of true addiction but it also had supernatural elements to it that I enjoyed very much. Also, it ends in a very ambiguous way ala “The Lady or the Tiger” where you’re left questioning what decision did the protagonist makes after all?

“The Melting Point of Meat” by John FD Taff started off very strong for me, but kind of took a Clive Barker turn towards the end that I wasn’t a fan of. I would’ve enjoyed this story better if it had another ending.

After that story, the anthology started going downhill for me. I didn’t particularly enjoy “Beyond the Reef” Gabino Iglesias nor “Love is a Crematorium” by Mercedes M. Yardley. I know that addiction usually ends with the addict’s death, however, Yardley’s story was more real-life horror than anything else. It was truly gut-wrenching but I suppose I was still waiting for horror (as in psychological, supernatural, or slasher) to happen. And I had a HUGE issue with the male protagonist Kelly, whom we’re supposed to see as some kind of Romeo, but honestly, he seemed perfectly OKAY allowing Joy (the girl he loved) to prostitute herself for food money. I don’t understand why he never tried to resolve their lack of cash problem or actually be of help rather than just be there but not really doing anything for Joy. I wouldn’t have run away with this dude, he really provided no resource at all, not even emotional support.

I recommend this anthology if you’re into tales of addiction with a dash of darkness.

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Excerpts From: Strange Girls: Women in Horror Anthology

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It’s officially Women in Horror Month and in less than two weeks, this anthology will be released (February 18!). You can pre-order the book in both ebook and paperback formats! If you’re from the Los Angeles area, then you can find signed copies of the book over at Skylight Books (1818 N. Vermont Ave.!).

Excerpt from Night Terrors by Angela Sylvaine

I wake up unable to move, pinned to my bed by an invisible force. I struggle against it but can’t even wiggle my little finger. Each beat of my pulse pounds through my veins. My eyes are wide open. I try to blink, but even my eyelids are frozen, immovable. With my head locked in place, I can only stare straight up at the ceiling. What’s holding me down? Why can’t I move?

The air is too thin. I can hardly breathe. Every muscle in my body tenses as I twist and strain, but it’s no use.

My vision is hazy as if my face is covered by a gauze veil. Blurred figures are visible in my peripheral. They wear light blue tops, surgical masks, hospital caps, and latex gloves. There are seven in all, three on each side of the bed and one at the foot. I want to open my mouth, to scream for help, but I can’t.

That figure at the foot of the bed speaks, his voice the low baritone of a man.
I strain to hear. Something about administering medication. The person closest to my head on the left responds, “Yes, doctor.” A woman. She has something in her hand. I focus on the object, try to see through the veil.

A syringe.

My breath catches in my throat. No. Leave me alone. Let me go!

Pain pricks the inside of my elbow, and a slow burn spreads through my veins, building into a raging inferno. Tremors shake my body, and a scream swells in my throat. Unable to open my mouth, the shriek stays locked inside, silently ripping through my brain.

Excerpt from Leda and the Fly by Marnie Azzarelli

But that noise, that thing on her wall was neither plain nor right. The thunder was spreading to her chest, walloping her ribcage with each loud boom. She got up achingly, her body accustomed to anything but her bed. She crouched when she got closer to the wall, her knees popping protest, but she knew she needed to be as quiet as possible.

She moved in closer to the ring of light and that terrible sound like a stalking cat ready to spring; her body taut and still, her eyes closed to slits. The thing started to flit in and out of the light, but Leda’s usually dulled senses were sharpening just by the sight of her prey. She could see it almost too clearly.

It was there staining her pristine wall with its filth covered feet, buzzing, buzzing, buzzing through the quiet of her mind.

A fly.
Musca domestica.

Six hair-covered legs, antennae, a small head with two compound eyes, prothorax, mesothorax, a large abdomen, and two transparent wings.

Its front two feet were probing the pure white of Leda’s wall, searching for sustenance only to buzz out its frustrations over the empty surface. Her frustration was built on its existence in her, once sacred, space. Her only solitude after her body had been hollowed out, wiped clean from the toxins and waste that fly thrived on.

She felt the storm rage throughout her and let it out with a low moan, her vocal cords cracking to attention after months of disuse. She groaned softly at first, her knees starting to shake slightly. She took another step towards the fly and her voice came out louder, her legs ready to give out on her in any second.

The fly buzzed louder, startled by the other presence in the room. Its movements became a little more frantic as it bounced to different parts of the lit wall. Leda tried to follow, but she was so focused on that one spot, she couldn’t imagine it going anywhere else. But it decided to move and ruin more and more of her wall.

She started to cry, small tears hot and salty falling down her tingling face. Her nerve endings were all firing at once and she suddenly felt like she was dancing on a thousand pins and needles. Each step was another sharp stab to her that almost broke the skin but didn’t. Her legs finally gave out on her and she fell keening to the carpet.

Patterns of Faerytales by Azzurra Nox

A dreadful chill ran down his spine. It was like having a million spiders crawling down his back. He shivered. The last thing he wanted to do was lose his soul mate.
“So what exactly am I supposed to do with this box?”
“Keep it locked and away from Olivia.”
“Why haven’t you just buried it then?”
The look she gave Cillian was that of disbelief, almost as though he had suggested torching the damn box.
“You must never do such a thing!”
“Why not?”
“Because this is part of her, and you can’t bury it like it’s a box of bones you’re trying to get rid of!”
“What would happen?”
“There could be fatal consequences.” With that, she got up and handed the box to Cillian. “Be careful, and remember….never let her see the contents of this box! Keep it locked.” And with those parting words, Lydia left as swiftly as she had entered.

STRANGE GIRLS: WOMEN IN HORROR ANTHOLOGY DROPS FEBRUARY 18, 2020 BUT IS AVAILABLE FOR PRE-ORDER!

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Women In Horror: Top 5 Female Directed Horror Movies

The world of directing is still predominantly male, and so is the horror genre. But more and more women are trying to carve out their space in both directing and horror. Below are some of the best the world of horror has to offer when it comes to female directors. Many times women decide to tackle subjects that many men wouldn’t understand with the same amount of ethos. Women understand trauma, the fear of sexual assault, female friendships, and body horror more than men, and the movies I’ve selected all explore those themes.

RAW – directed by Julia Ducournau

Everyone in Justine’s family is a vet. And a vegetarian. At sixteen she’s a brilliant student starting out at veterinary school where she experiences a decadent, merciless and dangerously seductive world. Desperate to fit in, she strays from her family principles and eats RAW meat for the first time. Justine will soon face the terrible and unexpected consequences as her true self begins to emerge.

Honeymoon – directed by Leigh Janiak

Young newlyweds Paul (Harry Treadaway) and Bea (Rose Leslie) travel to remote lake country for their honeymoon, where the promise of private romance awaits them. Shortly after arriving, Paul finds Bea wandering and disoriented in the middle of the night. As she becomes more distant and her behavior increasingly peculiar, Paul begins to suspect something more sinister than sleepwalking took place in the woods. Treadaway (CONTROL) and Leslie (HBO’s GAME OF THRONES) give captivating leading performances as a couple that takes new love to disturbing depths. With romance slowing giving way to terror, writer/director Leigh Janiak puts her unique stamp on this intimate, chilling thriller.

Blue My Mind directed by Lisa Ivana Brühlmann

15-year-old Mia is facing an overwhelming transformation that calls her entire existence into question. Her body is changing radically, and despite desperate attempts to halt the process, she is soon forced to accept that nature is far more powerful than she.

M.F.A directed by Natalia Leite

An art student struggling with creativity is violently raped by a fellow classmate. After attempting the traditional routes to cope with her trauma, she impulsively confronts her attacker – a decision that has deadly repercussions. Her world is turned upside down as a chilling reality is uncovered: she is one of many silenced sexual assault survivors on campus. A vigilante is born- retribution is the inspiration she’s been waiting for.

Always Shine directed by Sophia Takal

Two friends, both actresses (Halt and Catch Fire’s Mackenzie Davis and Masters of Sex’s Caitlin FitzGerald), leave Los Angeles for Big Sur embarking on a weekend getaway to reconnect. Once alone, however, the two women’s suppressed jealousies and deep-seated resentments bubble to the surface, causing them to lose grasp not just of the true nature of their relationship, but also of their own identities.

What female-directed horror movies are your favourites?

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