Review: Twisted Wonderland Perfumery

Ever since I happened upon the Instagram page for Twisted Wonderland Perfumery, I knew that I wanted to try it. The aesthetics totally tugged at my dark heart. Perfume for those with Gothic tendencies? Lip balms inspired by horror movies? I’m in!

For my first order, I decided to go with a perfume and lip balm, although after visiting their website I noticed that they offer so much more (horror-themed soaps and bath bombs are just some of the other cool items they have).

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The perfume I selected was The Rest in Confetti, which is described as “A cup of white tea, elegant white musk, marshmallow buttercream cupcakes, and soft rose petals.” I expected this scent to be sweeter based on the marshmallow buttercream cupcakes description. Rather, it was a bit muskier (and smelled more like patchouli which I’m not a huge fan of). Overall, the scent isn’t annoyingly persistent and after awhile the muskier notes die out and you’re left with the sweeter notes (which is what I really wanted all along). Scent-wise this isn’t my absolute favourite but I’m willing to try out the other scents they have to offer cause the formula is definitely good.

Retails: $15

Now, anyone who knows me knows that I’m a lip balm addict. Since I consistently wear lipstick every day, all day long, it means that my lips need some major TLC come night. Part of my nighttime routine is to lather on about three thick layers of lip balm before my head hits the pillow for some serious z’s. This routine allows me to wake up with incredibly soft, smooth lips every morning. Which means that I am very picky when it comes to lip balms cause no simple lip balm will do.

There’s a certain formula/texture that I favour (meaning more of the thick and emollient kind) and I can testify that this lip balm certainly gets my stamp of approval! I choose the Friday the 13th inspired Jason Voorhies lip balm called S’More-Hees, cause I have an unhealthy obsession with all things s’mores and of course a lip balm named after a summer camp serial killer would smell like my favourite campfire treat! As an aside, I’ve never been to summer camp, nor have I ever been camping, so the only times I’ve had real S’mores in real life is whenever we’d have bonfires at the beach at night.

The scent of this lip balm is I-N-C-R-E-D-I-B-L-E! You’ll certainly feel like you’ve just smacked some marshmallows on your lips, and the feel of the lip balm is incredibly soft. Just watch out for any machete-wielding hockey-masked serial killers coming your way!

Retails: $4

Overall, this is a cool niche online shop for all things dark and bloody. I can see these items becoming awesome Halloween gifts or party favours for any horror-themed party!

Where you can buy these awesome items: Twisted Wonderland Perfumery site 

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Book Review: We Sold Our Souls by Grady Hendrix

souls

A girl with a guitar never has to apologize for anything.

Release Date: September 18, 2018

Order On Amazon

Price: $18.49 (hard cover)

Plot Summary:

Every morning, Kris Pulaski wakes up in hell. In the 1990s she was lead guitarist of Dürt Würk, a heavy-metal band on the brink of breakout success until lead singer Terry Hunt embarked on a solo career and rocketed to stardom, leaving his bandmates to rot in obscurity.

Now Kris works as night manager of a Best Western; she’s tired, broke, and unhappy. One day everything changes—a shocking act of violence turns her life upside down, and she begins to suspect that Terry sabotaged more than just the band. Kris hits the road, hoping to reunite Dürt Würk and confront the man who ruined her life. Her journey will take her from the Pennsylvania rust belt to a celebrity rehab center to a satanic music festival. A furious power ballad about never giving up, We Sold Our Souls is one woman’s epic journey to reclaim her life—and save her soul.

Grade: A+

Review:

Ever wonder what happens to musicians that don’t make it? Kris Pulaski was the lead guitarist for the heavy metal band called Dürt Würk in the late 90’s. Now, nearly two decades later, she’s a night manager for a Best Western. In other words, it’s hell and her life sucks, while the band’s original lead singer, Terry Hunt reinvented himself with a new sound (nu-metal) and band (Koffin) and became a rock icon. When Kris see s a billboard advertising Terry’s farewell tour, something inside of her sparks Kris to leave her sad life behind and seek out the remaining members of Dürt Würk to get them to confront Terry with her and demand answers over what happened the night the band broke up.

This book was everything you’d want a horror and rock band novel to be. There’s action, gore, and passion for music all woven into a kickass tale of what it means to fight for your dreams and to never give up hope. There were many times where Kris could’ve just given up her mission, but she always prevailed no matter how difficult the task seemed or physically ailing she was. This book isn’t just about some Faustian deal gone awry, the heart of this book is to take a hard look at yourself and see if you’re living for what you believe in or lie Terry, you have sold your dreams in exchange of a cozy life.

I honestly love Kris so much in the novel that if it had been about anyone else, I don’t think the journey would’ve been as much fun or as meaningful. This book has seriously been one of the most fun to read this whole year, because even when there were moments of despair, there was always an underlining hope that maybe our heroine, Kris would save the day.

I highly suggest this book if you love horror, death metal, rock stars, and road trip stories.

*Thank you so much to NetGalley and Quirk Books for the digital copy of this book in exchange for an honest review!

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Cover Reveal: Betty Bites Back – Stories to Scare The Patriarchy

When I first saw the call for submissions last year for Betty Bites Back, I somehow saw it late (as in I had only ONE week to come up with an idea and write a short story). And I knew that it was almost impossible (especially to come up with a story worth publishing). Since I had time against me, I didn’t even have the time to send it to my friend Erica (who acts as a beta-reader for some of my stuff) for any feedback, nor did I have the time to send it to my go-to editor for any missed typos or grammar mistakes.

Essentially, I thought I had an awesome story (who wouldn’t love to read a story about a kickass Muslim gal who also ends up becoming a shapeshifter?), and prayed that that would be enough for me to be considered. Because, honestly, I wasn’t expecting to be published (I was going to be up against veteran YA authors who had agents and publishing deals! How could I possibly be on the same level?!).

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But the writing muses were kind to me that day as my story, Good Sister, Bad Sister was indeed considered, if only I was willing to make some edits. I can’t even begin to count how many edits have been made to this short story. There were moments where I thought, UGH IF I’M GETTING ALL THESE EDITING NOTES I MUST SUCK! Good thing my inner cheerleader was like, “Come on, these amazing authors wouldn’t be wasting their time GIVING YOU EDITING NOTES if they didn’t think the story was worth being published!” So thanks to my inner cheerleader, and my close Muslim friend, Derya (who have me invaluable advice on how to portray Dilay as authentically as possible.

What’s the point of this whole sweat and tears post my friends? WELL, to announce that you can now pre-order Betty Bites Back: Stories to Scare the Patriarchy (the book will officially be released September 16, 2019). And I’m not telling you to pick up this book just cause I’m in it (although my story is one of the best I’ve personally written so far) but it includes short stories from these amazing authors:

Liz Cole
Shannon Green
Elaine Griffin
Lindsey Klingele
Kamerhe Lane
Jenna Lehne
Demitria Lunetta
Emilee Martell
Tracie Martin
Cori McCarthy
Kyrie McCauley
Mindy McGinnis
Kate Karyus Quinn
Melody Simpson
Amanda Sun

Also, you should check out Mindy’s blog for a chance to win some fantastic swag!

Let me know which of these authors you’re looking forward to seeing some new stories from!

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Book Review: Here There Are Monsters by Amelinda Bérubé

monsters

They took my sister.
I’ll take her back.

Release Date: August 6, 2019

Pre-Order on Amazon

Price: $10.99 (paperback)

Plot Summary:

Sixteen-year-old Skye is done playing the knight in shining armor for her insufferable younger sister, Deirdre. And moving across the country seems like the perfect chance to start over as someone different.

In their isolated new neighborhood, Skye manages to fit in, but Deirdre withdraws from everyone, becoming fixated on the swampy woods behind their house and building monstrous sculptures out of sticks and bones.

Then Deirdre disappears.

And when something awful comes scratching at Skye’s window in the middle of the night, claiming Skye’s the only one who can save Deirdre, Skye knows she will stop at nothing to bring her sister home.

Grade: A-

Review:

I’ve waited a week after reading this novel to decide to write a review because I wanted to wait and see if my feelings for this strange little book would remain the same or somehow change. Thing is, I walked into this book thinking that I was getting something like The Blair Witch Project (or at the very least some sort of witchcraft) since it was advertised that way, but instead what I got was a strange tale of childhood monsters and magical kingdoms that come to life in the woods and a missing girl case.

So I’m going to divide this review into two sections: Pros & Cons.

Pros:

I love the dark, atmospheric imagery woven throughout the whole story. It was mighty creepy and rocked in all its dark gothic glory.

The characters reacted to situations in realistic ways (meaning that the characters didn’t give the protagonist Skye a free pass when she shared a very dark secret about her past).

It kept me invested in the story and I really wanted to know what was going to happen next.

Cons:

It wasn’t until halfway through the book that we finally received confirmation that something supernatural was indeed happening.

All the characters were unlikeable, except for William. The protagonist Skye, not only was she unlikeable, but she was also manipulative and had a cruel streak that she justified endlessly and blamed a lot of her actions on her sister.

Dead pets and other animals.

The ending. While it was realistic, it seemed to just end leaving a lot of questions unanswered.

Overall, this was a unique story and I did enjoy it, but I don’t know if it’ll be something that a lot of people could get into unless you’re into dark tales and don’t mind the somewhat slow pacing.

*Thank you so much to NetGalley and Sourcebooks Fire for the digital copy of this book in exchange for an honest review!

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What Does It Mean To Edit an Anthology? – The 10 Steps You Need to Take!

My American Nightmare 2

Two years ago I put together my first anthology, My American Nightmare – Women in Horror Anthology. I had always wanted to put together an anthology, and finally, after much thought and trepidation, I decided to bite the bullet and launch myself headfirst into this project.

The experience was both overwhelming and fulfilling. I got to read a lot of awesome horror short stories and in turn, meet new authors and become acquainted with their works.

Many people may not understand what exactly an anthology editor does, or may think that we simply select the stories, check for typos, and then slap our names on the cover. However, there’s a lot of work involved in the whole process and it’s a process that takes up several months, if not almost a year before the book is ready to be released to the world.

Now, for the second time, I’ll be putting on my anthology editor hat on and selecting stories for my upcoming anthology collection: Strange Girls – Women in Horror Anthology.

Below are the Ten Steps I do while putting together an anthology.

Step One. Select the Theme

For both anthologies, I knew that I wanted to help promote the writing of women in horror. Why am I closing the doors to the other half of the writing population? Simple. The horror genre has always been noted to be male-dominated, but women too have written some notable horror novels and short stories (from Mary Shelley, Shirley Jackson, Anne Rice, and Poppy Z. Brite just to name a few). For my first anthology, I knew that I wanted all the stories to have the U.S. as the setting, hence the title, My American Nightmare. For my current anthology, I knew that I wanted to explore the theme of Strange Girls, and what exactly it is about these girls that makes them strange.

Step Two. Advertise the Call for Submissions

After I select the theme, I write up an open submission call on my official author website and share the link on all my social media venues. Also, Stuart Conover from Horror Tree has been invaluable in his support by posting my submission call on his website, which has helped word of mouth travel extensively fast because of this. In the submission call, I not only state the guidelines and theme but also set a deadline and state the author’s compensation.

Step Three. Read the Short Stories

Once the stories start pouring in I begin reading right away (so that I’m not overwhelmed by reading a ton of short stories all at once) and also have found that this way it gives the stories time to marinate in my head and allow me to see which ones have remained memorable and which have become forgettable. By the deadline date, I usually have an idea of which stories will make the cut and which will not.

Step Four. Select and Reject Stories

This is where I make two lists, Accept vs. Decline, and start compiling which stories go where. Sometimes, I’ll put some stories in the Maybe file and read them over another two or three times before I decide if they’ll be a good fit for my theme. Once that’s complete, then I send out rejection and acceptance emails.

Step Five. Contracts & Issue Payment

Whenever you’re putting together an anthology it’s important to have each author sign a contract so that they are aware of their compensation and what to expect. This helps things become official and allows both you and the author to hold each other accountable to keep up both ends of the contract.

For payment, since it is an anthology and trying to figure out how to divide royalties evenly amongst a large group of people, I have found that a FLAT FEE is the best way to go. This is not to skimp out on the authors, it’s actually more in the authors best interest as if I were to divide the royalties, depending on sales they’d only be making a few cents. Besides, all money I made from My American Nightmare was used to cover expenses for the cover art, formatting, and promos, and to fund new future anthologies.

Step Six. Editing

Now the editing begins. Usually, there are three rounds and they go like this:

Developmental Editing: This is where you look for plot holes and what doesn’t make sense.

Line Editing: Checking if all sentences make sense.

Copy Editing: This is where you check grammar, spelling errors, and typos.

And then once the editing is over, that’s when you have to decide what order the stories go in. Again, this is kind of an art form that needs mastering. For my first anthology, I decided to start and end the anthology with what I thought were the strongest stories. Then I arranged others where I alternated between a long and short one and also if one was too similar in theme to another, I would space it out.

Step Seven. Choose The Cover

For my previous books, I’ve relied on James’ (goonwrite.com) graphics expertise. I can’t state how crucial it is to have an attractive book cover, cause people DO judge a book by its cover (at least on the first impact). The majority of the times, the cover alone will sell the book (not everyone reads the blurb or looks inside the book!). So, if you’re not competent or don’t have the means to design a book cover yourself, delegate this job to someone else who’s a professional. I REALLY RECOMMEND THIS.

Step Eight. Formatting the Book

Both ebooks and print require formatting the original file. I can’t stress how important this part of the process is, because if the book isn’t correctly formatted, then readers will have trouble reading your work, and if readers are having trouble reading, then you can bet they’re going to give up and leave a poor rating to boot! So, again, if you’re not competent with formatting digital or print files, then pay someone for this service. I’ve always done this and it’s one last thing I need to worry about.

Step Nine. Book Promos Ahead of Time & Send ARCS

Even before the book is released I begin contacting book bloggers for interviews or reviews, I book a book blog tour in advance (especially if you want them to coincide with your release date), sent out ARCS to reviewers, send out promo kits to the authors to help promote the book in their area. With My American Nightmare, I had both business cards and postcards made and also bought merch for an author in the anthology since she had gotten a table at a Halloween con in her area to help promote the book.

Ten. Upload & Publish the Book

Upload the book to retail sites (in my case I prefer to use Amazon) and contact any indie bookstores who may be interested in carrying a couple of copies of your book in their stores.

PHEW! So that’s the TEN STEPS required to do to publish an anthology! So if you’re interested in putting your own anthology together, this is pretty much a rough estimate of what you need to consider before you take the plunge!

Oh! And just as an FYI, I have funded these anthologies on my own (I know some like to have crowdfunding to help with expenses and that’s fine), but I don’t like having to worry about trying to raise money while also doing all those other steps in between!

Let me know if you’ve put an anthology together or are planning to put one together!

strangegirls

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Book Review: Lock Every Door by Riley Sager

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The next heart-pounding thriller from New York Times bestselling author Riley Sager follows a young woman whose new job apartment sitting in one of New York’s oldest and most glamorous buildings may cost more than it pays.

Release Date: July 2, 2019

Pre-Order on Amazon

Price: $17.10 (hardcover)

Publisher: Dutton

Plot Summary:

No visitors. No nights spent away from the apartment. No disturbing the other residents, all of whom are rich or famous or both. These are the only rules for Jules Larsen’s new job as an apartment sitter at the Bartholomew, one of Manhattan’s most high-profile and mysterious buildings. Recently heartbroken and just plain broke, Jules is taken in by the splendor of her surroundings and accepts the terms, ready to leave her past life behind.

As she gets to know the residents and staff of the Bartholomew, Jules finds herself drawn to fellow apartment sitter Ingrid, who comfortingly reminds her of the sister she lost eight years ago. When Ingrid confides that the Bartholomew is not what it seems and the dark history hidden beneath its gleaming facade is starting to frighten her, Jules brushes it off as a harmless ghost story . . . until the next day, when Ingrid disappears.

Searching for the truth about Ingrid’s disappearance, Jules digs deeper into the Bartholomew’s sordid past and into the secrets kept within its walls. What she discovers pits Jules against the clock as she races to unmask a killer, expose the building’s hidden past, and escape the Bartholomew before her temporary status becomes permanent.

Grade: A

Review:

Soon after reading The Last Time I Lied, I picked up Final Girls (I still need to read it) and of course requested a copy of Lock Every Door the second it was available on NetGalley. Luckily, I managed to snag a copy. There’s something about Riley Sager that I just LOVE. He always manages to incorporate some horror aspect into his thriller novels. For example, with Lock Every Door, Jules is a recently laid-off worker, and finds work as a housesitter in the exclusive Bartholomew Building (in which she and her sister used to obsess about since their favorite book was set there), and for some reason the book gave me some serious Rosemary’s Baby vibes. Maybe because of the uber-rich, yet creepy neighbors, or the fact that it’s alluded that the building is cursed and witches may be involved. However, this being a Sager novel means that although it may give you horror vibes, it never ventures off into supernatural.

I found Jules to be very relatable, as I think we can all identify with her. She was a hard worker in college, received a degree thinking she could better her social standing, instead, she ends up working a crummy office job in which she gets laid off from, and in her desperation to find a new living situation (her loser boyfriend cheated on her), she falls for an ad on Craigslist that is looking for a housesitter. Now, if Jules economic situation hadn’t been so fire, she would’ve bailed at the first inkling of something being amiss at the Bartholomew, but since beggars can’t be chooser’s, she sticks it out even when us readers are yelling, GET THE FUCK OUT!

Some aspects of the story seem kind of over the top, but I feel like it works, or at least Sager has enough thriller cred to make it work. This book is perfect any of you who love mysteries, thrillers, or horror (cause even though it’s not horror it DOES have a lot of horror vibes running throughout).

I really enjoyed this book a lot and have a feeling that Sager will become one of my fave new authors.

*Thank you so much to NetGalley and Dutton for the digital copy of this book in exchange for an honest review!

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Throwback Thursday: House

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From the very beginning, I was a horror fan and also a night owl, which made going to bed at a decent hour once I began school a difficult task for my parents to get me to accomplish. So, the only way they managed to get me to go to sleep on time was for them to promise me that they’d record on the VHS whatever horror movie was playing that night on either Cinemax or HBO so that I could watch it upon my return from school the following day.

One of the movies I loved as a child was House. It was a quintessential 80’s comedy horror with the awesome Kane Hodder (most famous for bearing Jason’s hockey mask in several Friday the 13th movies) as the stunt coordinator.

Not recalling much about this movie (I hadn’t seen it since I was about 6), I decided to take a trip down horror memory lane and see if a recent viewing would garner me with more insight than when I first saw it as a child.

The movie opens with horror writer, Roger Cobb who’s doing a book signing for his latest novel and it seems like they found every weirdo in Los Angeles to be an extra as a fan. His manager tells him he needs to write another book pronto as the fans are hungry for more, but Roger, a Vietnam vet is still plagued by the war and what happened to a fellow soldier, Big Ben. When his aunt commits suicide and he inherits a huge mansion, Roger sees that as an opportunity for him to finally work on his Vietnam memoir. However, thoughts of his missing son and ex-wife start to haunt him as well. Soon he has to deal with his PTSD, grief, and actual supernatural phenomena.

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I don’t know if it’s because it was the 80’s, but House’s supernatural elements come in the forms of campy looking gremlin-like creatures that look like they were repurposed from the set of Critters. However, the plot of juxtaposing supernatural horrors with the actual horror of war was brilliant, and something that I probably didn’t fully catch the meaning of as a child. After all, we’re a generation who’s been living with war for years now (Gulf War, Balkans Wars, War on Terror, etc.). We now know the full effects of PTSD and how that can be a lot scarier than say, having to live in a haunted house full of campy looking gremlins and closet monsters.

So overall, did I enjoy the movie? The short answer is, yes. With so many movies nowadays relying on CGI for special effects it’s nice to see movies where practical effects were used and skilled prop masters and makeup artists were needed to create the monsters that appeared in the movie. Sure, the movie hasn’t aged well when it comes to the campiness of how the characters act or using questionable soundtrack for a horror movie with songs like You’re No Good and Dedicated to the One I Love, just to name a few.

But if you’re not familiar with 80’s creature horrors, then I recommend you check out House. It’s not truly disturbing, being a horror comedy, so one could totally watch it as a Friday night family film.

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Film Review: US

US1

After seeing the trailer for Jordan Peele’s new film, I was left with this strange sense of unease. Something was off. I know, it’s a horror movie. It’s supposed to set an atmosphere of mental discomfort. But this was a subtle unease, like walking into your house and knowing something is amiss but you can’t put your finger on it. Then I saw the movie and realized the skewed detail I’d gotten hung up on was during the car scene where the Wilson family is listening to Luniz’s “I Got 5 On It.” The mother, Adelaide, tells her son to “get into rhythm,” and then proceeds to snap her fingers…off beat.

Huh?

At first, I thought it was just me but after reading up on it online, I realized it was actually a thing; a harbinger of truth pointing to Adelaide’s disturbing past. And that’s the beauty of “Us”. It’s going to toy with you, give you a few fake-outs and distractive ploys. Then it’s going to sock you in the gut with an intelligent sucker punch but for hours and days and weeks afterward, you’ll realize you actually got hit in the brainpan.

First, a brief synopsis: Adelaide Wilson takes a beach vacation to Santa Cruz with her husband, Gabe, and their two children. Haunted by a childhood trauma that occurred in a mirrored funhouse on the carnival pier, Adelaide begins to take notice of strange coincidences. She sees an odd vagrant with the sign, “Jeremiah 11:11”. Clocks read 11:11. A rogue Frisbee lands beside her, perfectly aligned with a polka dot on the towel pattern.

That night, four trespassers show up on their driveway. After a tense invasion of the Wilson’s beach house, Adelaide and her family come face to face with their doppelgangers, each a dark, deranged version of themselves dressed in matching red jumpsuits. Adelaide’s double, Red, reveals they were the subjects of an inhumane and failed experiment of clones forced to play out every action of their above-ground counterparts. Armed with a dagger-sharp pair of golden scissors, she aims to free herself and her demented family as second-class shadow-people by killing the Wilsons and taking their place above ground. Thus, the “untethering” begins. Snip, snip.

As with his debut film “Get Out”, Peele is wedging open the door on a new subgenre: societal horror. The fear surrounding social issues that plague the public today is over-ripe for exactly this kind of creative commentary. These are the subjects that privileged society would like to sweep under the rug: topics including mental illness, racism, unconscious biases, and discrimination. These are not well understood and what’s worse, they are not well-accepted. 

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People lean on belief systems to help them make choices. These are personal life lessons, religious teachings, parental guidance, peer pressures to assimilate. All these experiences act as a moral barometer. Now show those belief systems from an opposite perspective and those same people are left feeling totally confused, attacked, angry, defensive, helpless and desperate. They target the catalyst that brought the issue forward and not the issue itself. And usually, this translates into immense pressure being put upon the victims to become “normal” in order to be accepted into society again. It’s now their responsibility to stifle their hurt so the rest of the world feels comfortable. Translation: fix yourself. And if you can’t fix yourself, please have the courtesy not to talk about it. 

Herein lies another hidden beauty about “Us”. It is the catalyst. It shows the basic human fear of accepting our own duality. It presents a stark and uncomfortable contrast of black and white, right and wrong, good and evil…our shadow selves versus the masks we show to the world. And how we react when there is a critical imbalance of this light and dark power: rejection, jealousy, suspicion, paranoia, anger, violence. These knee-jerk emotions drive the need to delineate the status of “us” versus “them”.

Peele records these primal fears places them in the hearts of seemingly normal characters and plays it back in a distorted, reflective environment. Indeed, mirrors and reflections play a key visual element. There’s the presence of a “twin concept”, especially in the number eleven as it pops up on television, the time on clocks, in Bible verse, sports scores, even in abstract shadows. While this doubling can be consumed quite literally, it is best appreciated after you’ve seen the movie and had time to reflect on the multi-faceted meanings. And I’m not just trying to be punny here. These coincidences lead the characters to discover how their actions have helped or harmed others despite their intent, even how their actions have contributed to their own entrapment.

In addition to the psychology of duality, there is the theme of the American dream. The “haves” and “have nots”. Class structures and, in the constant strive to keep up with the Jones’, society’s inability to appreciate what they do have in their lives. There is a moral price for naivety and social complacency and this transaction plays out between the Wilson family and their tethered family of clones (but with more melodrama and excessive blood spray, of course).

Refreshingly, a talented, diverse cast takes the main stage. I am not a POC but I can attest that the amount of stories I’ve watched about white people has fatigued my appreciation for an intriguing plot. Presented here is a unique, well-told story about characters of color even though the story isn’t specifically about race. “Us” allows a brilliant opportunity for discussion of Hollywood’s lack of diversity without pandering to the audience. Lupita Nyong’o’s performance is spell-binding, especially in her disturbing portrayal of Red. She files her voice to a raspy, jagged husk and moves like a caged but confident animal who has conquered the laboratory labyrinth. Winston Duke deserves praise as well for bringing humanity and humor to the father figure trying to protect his family.

As a writer, my brain is always in “plot & character” mode. I tend to be severely critical of books and movies that lack logic or at least a moderate attempt at believability. Plot holes, if small enough, are forgivable. Give me a good story and I’ll give appropriate credit for the effort.

But don’t pee on my leg and tell me it’s raining.

A good story doesn’t have to be airtight. In fact, if a movie is too clean this can be a bit condescending to the audience, as if the writer has said, “Here, I’ve done all the thinking for you in case you couldn’t figure it out.” Nor does a good story leave glaringly large voids that prevent the story from making reasonable sense. A smart writer knows how to leave just enough mystery without compromising a satisfying ending.

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So with that said, are there plot holes in “Us”? Yes. Don’t worry, I’ll keep this post-spoiler-free for those who have not seen the movie yet but just know that when the credits roll, you will have questions. Normally plot holes signal sloppy plotting and rushed production but in this instance, it is apparent that Peele has too much respect for the craft and his audience to have done this inadvertently. Go online to any of the numerous “Us” discussion boards or YouTube videos and you’ll find that deconstructing all the Easter eggs in this movie is half the fun. Personally, I feel the gaps are present on purpose. Maybe these plot holes give room for interpretation of the figurative gaps in society. Gaps in opportunity for individuals of lesser means. Gaps in understanding on common social issues. Gaps in memory due to trauma. The important takeaway is the ending gives closure while opening a Pandora’s box to a harsh new reality.

There’s plenty of action and gore to satisfy any terror junkie but “Us” goes beyond the blood spatter and gets cerebral. It touches on something more subtle in the human psyche. Darkness is not always evil. We must consider all the catalysts that trigger our fear and ask the simple question, “Why?” Does this emotion really stem from something out in the world or is it inside? And if it is inside, are we brave enough to face it? Ignorance can trap us in our own mirror house of horror for as long as we choose. We can close our eyes if we’re scared. But our reflections are still there. The shadow selves will wait until we’re ready to see what they have to teach us. And when that day comes, who will do the untethering? Snip, snip.

By: Erica Ruhe

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I’ve Applied to be a Mentee in Author Mentor Match!

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What is Author Mentor Match?

In short, Author Mentor Match is a mentorship program that pairs aspiring authors (or self-published authors) with seasoned published and agented authors. The awesome thing about this program is that it’s supposed to help authors who have a completed manuscript and are in the process of querying agents, improve both their manuscript and query letters. The reason why this program is so sought after because the authors you’re paired up with have already gone through the query and publishing process so whatever advice they may have for you is truly valuable and sound.

Why have I decided to Enter this program?

I came across this program by chance (through a Twitter hashtag no less!), but it reminds me a lot of Pitch Wars, which I submitted to last summer but sadly didn’t receive a mentorship through that. However, since I participated in Nanowrimo this past November, I have a new manuscript that I think is ten times better than my Pitch Wars submission, so I wish to try my luck with this.

What I hope to get out of this program is:

  • Write a powerful query letter.
  • Feedback from a professional of both my letter and manuscript.
  • Forging a friendship/professional relationship with a fellow writer, as only writers can understand certain things about what you go through!

My Project

GIRL THAT YOU FEAR, a YA Horror that’s Speak meets The Exorcist.

Spencer Torres seemingly has it all, she’s beautiful, popular, smart, and on her way to becoming the school’s valedictorian. However, after a visit on the Queen Mary ship, something goes amiss. It all begins with the ominous taps she hers on the walls and the nightmares of an enigmatic, yet creepy young man called Dever. Her therapist believes she’s simply under stress. But Spencer secretly believes another truth. One far more sinister. She thinks she may be possessed by the demon Dever, and a part of her doesn’t mind. A part of her relishes in her new power. Especially when triggered by a song she remembers a sexual assault that she had repressed in her mind. Now, with vengeance as her sole companion, she seeks out to destroy all of those that were to blame for her rape. She doesn’t care if it even means that she will lose her soul in the process.

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Who else is participating in Author Mentor Match? Let me know!

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Throwback Thursday: Angel Heart

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I’ve decided to start a new series, Throwback Thursday. So one Thursday a month I’m going to share my experience of either rewatching, rereading, or relistening something that I adored back when I was a youngster (think between the ages of 6-18) and see if it stands the test of time. So for my first Throwback, I decided to rewatch the 1987 horror film, Angel Heart.

When I told a friend of mine that I saw this movie at six he was appalled (what can I say? My parents were horror fans who knew I was one and watching movies kept hyper me occupied, so there’s that).

So the premise of Angel Heart is that a private detective called Harry Angel, has a new case at hand, to find a man called Johnny Favourite. Except things aren’t quite that simple, and Johnny doesn’t want to be found. Let’s just say that, amongst the period detail and beautiful scenery, it all gets really, really nasty fast.

All I could remember about the movie in question was that it dealt with voodoo, Robert DeNiro was in it, (I also recalled another detail but can’t reveal it as it’s *spoilers*), and that this was one of those movies where Mickey Rourke was hot.

Upon viewing the movie I was like, HOLY SHIT this movie is truly very twisted and no wonder people are shocked I saw this at the tender age of six. This movie has one hell of a twist back in the day before twist endings were a thing, so it was very innovative in that way. The mystery was captivating and the gore factor was high, so if you’re into that, you’re gonna love it (and yeah I’m a creep and love that).

The movie has Angel (Mickey Rourke) traveling from Brooklyn to New Orleans in search of the ever elusive Johnny Favourite (that Robert DeNiro’s character wants to find because he’s got a score to settle with him), only that everyone that knew Johnny begins to die in horrible ways and Angel is made to look like the culprit of those murders when he is not. So will he be able to find Johnny before he gets framed for murder? And will the voodoo queen Epiphany ( Played by a pre-Lenny Kravitz & Jason Momoa, wide-eyed Lisa Bonet) help Angel in his endeavor to find Johnny or is she simply going to bring his downfall? The stakes are high and the mystery is very much intriguing.

I really enjoyed my this movie and think that six years old me had impeccable taste for being so young (and probably was a teeny bit twisted).

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