Camilla Black is not your average serial killer. As the editor of fashion magazine Couture, Camilla is a commanding presence. Impeccably dressed and regularly snapped at the front row of Fashion Week, Camilla is respected and revered.
And yet, Camilla has a secret.
When she’s not sipping martinis with London’s elite, she’s scouring the streets for the worst of the worst–the most despicable predators around. And then she finds them, she shows no mercy.
Camilla is the very last person a predator would ever want to meet….
GRADE: A-
REVIEW:
If you loved Dexter and always wished for a female serial killer vigilante targeting bad men, then you’ll definitely get a kick out of Camilla in Pretty Evil. Despite the graphic violence of her murders, it’s hard not to sympathize with her once you learn about the trauma she’s endured. Her revenge is fueled by pain, and there’s a heartbreaking reason behind her madness.
This is a dark, rage-filled revenge thriller that doesn’t hold back. While I know the ending may not work for everyone, I personally loved it. The audiobook narrator also did an incredible job bringing Camilla’s voice and emotions to life, which made the story even more immersive.
I’d definitely recommend this to fans of dark, gritty thrillers with morally complex characters.
*Thank you so much to NetGalley & Lighthouse Books for the audiobook copy of this book in exchange for an honest review!
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A sprinkling of the macabre…. A dash of depravity… And a whole lot of insanity.
PLOT SUMMARY:
Welcome to POISONED SOUP FOR THE MACABRE, INSANE, and DEPRAVED. 51 INGREDIENTS OF NOSTALGIA AND HORROR Curated by Wendy Dalrymple and Grace R. Reynolds Grab a bowl and nourish yourself with the nostalgic flavors of our favorite genre. Together, these tales create a stew of heartwarming memories and moods inspired by your favorite author’s first brush with those dark corners of film, literature, and art.
GRADE: A
REVIEW:
If you’ve ever read Chicken Soup for the Soul, you’ll have an easier time understanding the spirit of this anthology. Like that series, it’s a collection of diverse voices and styles—ranging from short stories and essays to poetry—but instead of uplifting life lessons, Poisoned Soup for the Macabre, Depraved, and Insane serves up darker, stranger, and more unsettling themes.
This anthology shines most when it taps into a strong sense of ’90s nostalgia. Many of the pieces feel like heartfelt tributes to horror itself, with contributors reflecting on how the genre became a source of comfort, escape, and inspiration in their lives. In many ways, the collection reads like a love letter to horror fans.
There’s a little something here for every kind of horror reader. If you grew up devouring Goosebumps, this anthology may stir up fond memories while still delivering eerie and macabre fun. I’d especially recommend it to readers who are curious about exploring horror for the first time and want to sample a wide variety of voices and styles within the genre.
*Thank you so much to NetGalley & Brigids Gate Press for the digital copy of this book in exchange for an honest review!
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Hazel Russon’s life in 1882 Utah territory is defined by three things: the Mormon church, polygamy, and the men who control both. She knows she’s supposed to suppress her sinful dreams of a monogamous life with her sweetheart, and her desire for the freedom to play her beloved piano. Every Mormon woman’s duty is to live obediently and meekly, devoted to her husband and her calling as a sister wife. Her eternal salvation depends upon it.
Commanded to become the fourth wife of a man she’s never met, Hazel is relieved that Jacob Manwaring is attentive and handsome. However, she is shocked to discover that instead of living separately as is custom, all of Jacob’s wives and children live in the same house—a large, dilapidated manor that inexplicably fills Hazel with dread.
Despite Jacob’s tenderness, Hazel senses dark secrets and resentments among her sister wives. She hears strange music, sees blood oozing from the very walls, and glimpses apparitions that grow more terrifying every day. And as her nightmares worsen, Hazel can’t be sure if she has more to fear from the living—including her mysterious husband—or from a sinister presence that seems to animate the house itself . . .
Drawing on little-known Mormon folklore and the author’s own polygamous ancestors, this fascinating, suspense-filled historical novel debut is by turns darkly romantic, spine-tingling, and wholly unforgettable.
GRADE: B
REVIEW:
I went into The Fourth Wife by Linda Hamilton knowing almost nothing about Mormons beyond the idea of plural marriage—and honestly, that alone hooked me. Add in the “historical horror” label, and I was all in.
The story follows Hazel, who agrees to become Jacob’s fourth wife after learning her longtime crush won’t marry her. It’s a desperate choice… and not a great one.
Jacob initially comes across as charming, but that illusion falls apart fast. When Hazel arrives at his home, she discovers the truth: instead of wealth and stability, she’s walked into a crumbling house shared with his three other wives—and possibly something else lurking there.
Here’s the thing: if you’re expecting a full-on haunted house story, this isn’t it. The ghostly elements are interesting but feel underused, popping in just enough to remind you they exist before fading into the background again.
That said, the central mystery is compelling, and I ended up enjoying the ride—especially in audiobook form, which kept me engaged throughout.
Overall, I liked it and would try another book by this author. Just don’t go in expecting true horror—this leans much more toward historical drama with a hint of the supernatural.
*Thank you so much to NetGalley & Recorded Books for the audiobook copy of this book in exchange for an honest review!
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In a small town like Presnick, nothing stays buried forever…
PLOT SUMMARY:
Ava Germaine has learned her see something, don’t say something. Cast out at school, the only place she can find peace is Restoration Acres, the town’s animal sanctuary. Though the place sometimes seems more like an animal graveyard than a rehabilitation center, Ava’s job there is at least a constant distraction from the night everything went wrong—and the boy she still holds responsible.
Micah Harding is always prepared for the worst. As the sheriff’s son, he tries not to do things that reflect poorly on his family, especially since his dad helped him cover up his worst mistake yet. But he knows his secret is bound to come out.
Hailey Wagner is sick of being judged. And finally, things are going according to plan—until Ava Germaine starts talking. So if Hailey has to shut her up…she will.
As a strange entity begins to stir, ready to awaken—Ava, Micah, and Hailey find themselves wrapped in a centuries-old exchange, while barreling towards the truth of what ties their fates together.
GRADE: A
REVIEW:
Mindy McGinnis is back—and she’s as fierce as ever. What Rough Beast immediately brought to mind The Female of the Species, with its simmering current of female rage, but this time there’s an added layer of eerie, folklore-tinged supernatural elements that deepen the story’s edge.
At the heart of the novel are three protagonists Ava, Micah, and Hailey, who feel strikingly real. Their voices are raw, their choices messy, and their emotions unmistakably teenage in the most authentic way. McGinnis excels at capturing that intensity, and as their lives begin to intertwine in unexpected ways, the tension only grows.
The story weaves together small-town drama with the shadow of a centuries-old curse, creating a mystery that slowly unravels. Watching the pieces connect is part of the thrill, and it kept me fully hooked from start to finish.
I won’t give away any plot details, but if you’re familiar with McGinnis’s work, this is her at her boldest—darker, stranger, and even more gripping than before. Pick this one up, you won’t regret it!
*Thank you so much to NetGalley & HarperCollins for the digital copy of this book in exchange for an honest review!
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Riley and her brother Oliver set off in the pitch-black night, fleeing their troubled home. They are heading for Nowhere—an abandoned ranch, once the playground of its former eccentric movie-star owner, now a haven for runaways.
What awaits could be the freedom they crave.
But this mysterious clan guards dark secrets, and the scorched grounds hold the ghosts of the past. Riley quickly realizes that while she and Oliver may have escaped the devil they knew, something darker lurks in the burnt shell of Nowhere.
Something which asks a terrible price for sanctuary…
GRADE: B-
REVIEW:
Ward is usually an auto-buy author for me, so whenever I get the chance to read an ARC of hers, I jump on it. That said, this is the first of her books that didn’t completely captivate me.
What worked best for me was Riley and Oliver’s storyline. Their escape from an abusive situation is gripping on its own, but things take a darker turn when they fall in with a group of kids living alone in the woods—very Lord of the Flies vibes. That section had the tension and emotional pull I’ve come to expect from Ward.
The novel then shifts to Leaf Winham, a famous Hollywood actor who retreats to the woods to indulge his serial killer tendencies. It’s an interesting premise, but I found it less engaging than Riley and Oliver’s arc.
The final thread follows two investigative journalists trying to piece together what happened at Winham’s burned-down property—and what became of the so-called Nowhere children. This part ties the narrative together, though it didn’t deliver the level of suspense I was hoping for.
Overall, the book is compelling, but I wouldn’t classify it as horror. It leans more toward drama, and it lacks the shocking twists I usually associate with Ward’s work. I still recommend it—just go in knowing it’s less eerie and more grounded than her previous novels.
*Thank you so much to NetGalley & MacMillan Audio for the audiobook copy of this book in exchange for an honest review!
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Sonora Taylor is an American horror writer known for blending psychological dread with surreal and often unsettling themes. Her work frequently explores identity, body horror, and emotional trauma through novels, novellas, and short stories in the modern indie horror scene.
Can you talk about your latest book and what readers might find appealing about it
My next book is a novelette called “Passing Glance,” which appears in SPLIT SCREAM VOL. 8: CURSED PLACES. It’s about a woman who attends her friend’s 30th birthday party at an eccentric mansion filled with mirrors that may or may not be cursed. It’s based o a wild museum I went to in Washington, D.C., called the O Street Mansion, which is filled with quirky decor that gives the place a sinister vibe. I walked through it, though, I felt like the place itself wasn’t haunted, but the mirrors definitely were. I think readers will enjoy how twisty and strange it is, with something creepier around every corner. I sometimes felt as discombobulated as the main character while writing her journey! It’s coming out April 21 from Tenebrous Press, and you can preorder it here.
What’s a book you can’t stop recommending?
Sky Daddy by Kate Folk. It’s a novel about a woman who is romantically attracted to airplanes. She believes it’s her fate to be chosen by a plane who will then “marry” her by melding their bodies into one–ie, crashing. So, she spends a lot of time each month flying planes in the hopes she’ll be chosen, but this desire hits a hiccup when her best friend at work starts to hang out with her more often in their off-hours. It was so strange and wonderful, and the depiction of the female friendship was really great.
Can you explain your writing process? What inspires you?
Most of my stories start with one thought, and that thought is usually “Wouldn’t it be funny if”, but with something that’s not that funny unless you share my gallows humor. For instance, “Wouldn’t it be funny if a serial killer’s mom was so proud of them, they hung up their trophies like A+ tests on a cork board?” became Without Condition. From there, I try to dig deeper into more than just that thought, and usually end up with something much darker but also much richer.
Is there a snack or drink that gets you into a writing mindset?
Ooh, good question. Probably tea. I try not to eat while I’m writing (I’ve been trying to be better in general about not doing other things while I eat). I’m a tea fanatic and have so many different kinds.
Are there any horror tropes you especially love in books or films?
Haunted houses. I love a good ghost story. Stories from the perspective of the killer, because I find a fractured mind much scarier to inhabit.
Who’s your favorite final girl?
Selena from 28 Days Later. Though I guess both she and Hannah survived. Still, she’s amazing. 28 Days Later is my favorite horror movie. (I don’t acknowledge the sequels)
Are you currently working on anything new?
I am working on two longer stories: one about a TV cooking show host embarking on a “good for her” change in career, and a ghost story about the spirit of a little girl blamed for children’s deaths in her neighborhood, and her one surviving friend’s quest to discover the truth about her.
Bio:
Sonora Taylor (she/her) is the award-winning author of several books and short stories, including Errant Roots, Little Paranoias: Stories, and Without Condition. She also co-edited Diet Riot: A Fatterpunk Anthology with Nico Bell. Her short stories have been published by Tenebrous Press, Rooster Republic Press, PseudoPod, Kandisha Press, Camden Park Press, Cemetery Gates Media, Tales to Terrify, Sirens Call Publications, Ghost Orchid Press, and others.
Her short stories and books frequently appear on “Best of the Year” lists. In 2020, she won two Ladies of Horror Fiction Awards: one for Best Novel (Without Condition) and one for Best Short Story Collection (Little Paranoias: Stories). In 2022, her short story, “Eat Your Colors,” was selected by Tenebrous Press to appear in Brave New Weird: The Best New Weird Horror Vol. 1. In 2024, her nonfiction essay, “Anything But Cooking, Please,” was a Top 15 finalist in Roxane Gay’s Audacious Book Club essay contest.
She co-managers Fright Girl Summer, an online book festival highlighting marginalized authors, with V. Castro. She also serves on the board of directors of Scares That Care.
Her latest short story collection, All the Pieces Coming Together: Collected Works, is out now from Manta Press. She lives in Arlington, Virginia, with her husband and a rescue dog.
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TM Lunn is a horror writer that explores feminist themes in a provocative new ways.
Can you talk about your latest book and what readers might find appealing about it?
The Final Chapter is a standalone short novella (part of the Fight Like Final Girls series with other indie women in horror) which follows the day in the life of a thriller writer, interspersed with some fairly gruesome survival stories. If you like strong female characters and getting into some feminine rage, you’d definitely enjoy!
What’s a book you can’t stop recommending?
You Invited It In by Sarah Jules is one of my absolute favourite readers. Besides being a lovely person and supporter of fellow indie authors, Jules’ story of evil spirits and possession had me terrified the entire time.
Can you explain your writing process? What inspires you?
I would describe my writing process as fairly chaotic! I write sporadically, pretty much just when inspiration strikes and interrupts my procrastination enough. I love a project though which is why you’ll often find me in anthologies and collections. I write most of what I come up with from some version of real life and have fun twisting it into horror.
Is there a snack or drink that gets you into a writing mindset?
I’m such a snacker! Crisps are my weakness, anything salty, but always followed by something sweet. Caramel dairy milk chocolate it my favourite.
Are there any horror tropes you especially love in books or films?
I’m all about the final girls, especially those that subvert the original archetype. And to be honest, I love a bleak ending!
Who’s your favorite final girl?
That’s a tough one. I’ve always loved Sydney from Scream for her resilience and no-nonsense attitude. I also love Tree from Happy Death Day for her smarts and flaws.
Are you currently working on anything new?
I’m incredibly honoured to be featured in a horror anthology called My Friends In Hell coming May 1st. And I’m currently working on my first full length novel to release next year which I’m really excited about.
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Joni Chng is a horror author with many of her stories appearing in various anthologies.
Can you talk about your latest book or story and what readers might find appealing about it?
I’ll just recommend my three latest published short stories: Becoming the Deathless, published in the Into the Dread Unknown anthology in 2025, if you love Slavic mythology. This is a villain origin story sort of retelling of how Koschei the Deathless attained his immortality. It’s the first retelling I ever did, and I had fun with it.
Next, check out my first fantasy story published, Moonlight City of the Hidden Ones in A Spoonful of Malaysian Magic by Malaysian indie publisher, Teaspoon Publishing. It has extensive world building that will be explored in my future work.
My third recommendation is Faceless Portraits in The Big Book of Malaysian Horror Stories. I thought I invented a phobia for my protagonist when I wrote this story in the midst of the pandemic lockdown. It was only when I was giving this recommendation that I learned from a quick Google search of “fear of faceless people” about masklophobia – an irrational fear of people with hidden, obscure and absent faces, often rooted in an inability to read emotions, creating feelings of uncertainty and danger. I’m proud to say I was quite on point with my main character, but there’s more to his avoidant personality and masklophobia in the story. This anthology was published in 2022, with my story being one of 20 (but the illustration for my story is the cover art). If you want to explore horror beyond western media, I highly recommend it.
What’s a book you can’t stop recommending?
Misery by Stephen King. It’s technically and conceptually brilliant and a good introductory book for those getting into King’s work and horror fiction in general. It was my first King book. It is a must-read for aspiring writers looking to improve their craft. The first few pages that introduce us to the protagonist and his predicament are so masterfully written that you can feel a sort of phantom pain from the descriptive prose alone.
It also shows that horror can come in so many forms that it needn’t have a ghost or serial killer.
Can you explain your writing process? What inspires you?
I tend to work within my own pocket universe, which I continue to build and expand with each story I write. This fictional universe of mine is an alternative to our current reality; there is magic, there are mythical and divine beings, and weird science. Every time I start a new project, whether it’s a book or short story, I go into this universe and see what kind of stories can be told from there, with its laws are at play. So, with a very few exceptions, if you see any of my stories published in anthologies and journals, know that they all take place in the same universe.
Inspiration comes to me everywhere, really. Culture, history, myths, folklore, the latest scientific discovery, from observation, even something mentioned in passing in a conversation or a comment under a social media post can spark an idea. You can’t be a good storyteller without a curiosity and a certain love for the pursuit of knowledge. Every rabbit hole I ventured down is a potential building block for my universe.
Is there a snack or drink that gets you into a writing mindset?
Usually just morning coffee before I start working. I make it a point to not eat while I work; it’s not a good habit conducive to focus, not to mention having food around your workspace can be a messy disaster waiting to happen. What if you get crumbs in your keyboard or worse, spill something over your work? So, yeah…not recommended.
Are there any horror tropes you especially love in books or films?
I have a special love for religious horror or holiday horror (that is not Halloween), just about anything that juxtaposes a happy occasion with something dreadful and morbid. There’s something so undeniably unsettling about finding a deeper darkness behind what’s supposed to be sacred, holy and joyful. And once you see it, you cannot un-see it.
My particularly favorite is something called the “clashing of red and white” often done in Chinese language media. In Chinese, a “red affair” refers to auspicious, happy events associated with celebration, usually weddings, with red being an auspicious color. Meanwhile, white is the color of mourning. A “white affair” refers to sombre events associated with death. So, the ghost bride is a common trope. There’s also a belief in Chinese culture that if a person is killed dressed in red, the spirit will return to seek revenge. What would make for a more wrathful spirit than being killed on one’s wedding day, right?
Visually, with the traditional Chinese wedding procession, the bride is carried to her husband’s house seated inside a box-like sedan chair. It’s not that different from a funeral procession with the deceased being carried in a coffin (essentially another box). When you think about it, a wedding is symbolically a woman’s funeral, where her identity and personhood dissolves.
Who’s your favorite final girl?
I have a few, but for now, the one I can think of is Margot, in the movie, The Menu, played by Anya Taylor-Joy. She survives because of her empathy for the villain and quick-thinking.
Are you currently working on anything new?
I’m currently on the last leg of revisions for my first novel and hoping to start shopping for a publisher by mid-2026. It is an urban fantasy, set in Malaysia where I live. It will be the first book in a series of standalone but interconnected novels set in the same universe. It has fae folks, Chinese Gods, Hindu Gods and vampires walking among humans. That’s all I’ll say about it without giving away too much.
For a taste of this corner of my universe, read my aforementioned short story, Moonlight City of the Hidden Ones.
You can find more of Joni’s writing here: jonichng.substack.com
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Pascale Potvin is a bit of a triple threat, author, filmmaker, and actress.
Can you talk about your latest book and what readers might find appealing about it?
Game Over Books recently published Demondust, or On Wanting and Killing Men, my short story collection that I guess is self explanatory—the demon that is loving men and the dust that is killing them. But the book is not just about those things. In general, they’re stories for people who like quieter, interior, self-inflicted horrors of any gender/kind. In a context where thought is the ultimate masochism, the horror skews abstract and unreliable, in itself, as a means of getting into your head if you’ll let me.
What’s a book you can’t stop recommending?
Lolita is one of the best works of literary horror—change my mind…
Can you explain your writing process? What inspires you?
My process can be all over the place, also depending on what genre or form I’m working with. Before I was medicated, horror was my saving grace and a cathartic means of ‘fictionalizing’ things that were too real. More so then, but even now, my writing sparks the most at night when my inhibitions are lowered. Across genres, a lot of it starts with a big existential or metaphysical question (which horror just lets me answer in the most deranged way available.)
Is there a snack or drink that gets you into a writing mindset?
Honestly, wine, but the problem is it’s also an easy road to losing focus. So I actually really like non-alcoholic white wine for that purpose (the *vibes*).
Are there any horror tropes you especially love in books or films?
I love an unstable body. Possessed, transformed, decaying, etc. We could write a million original stories from that trope—and we will—because it’s a terror so inherent to us. Even more than that, I love an unstable reality: my favourite type of book or movie is probably the kind where I have to go and Google “___ ending explained” and can lie there reading reddit threads of speculation before bed.
Who’s your favorite final girl?
Good question. Maybe Maxine from X!
Are you currently working on anything new?
Yes, a lot of little things and a new screenplay. I’ve co-written a book of autofictional/experimental erotic horror that has been ready to go for a while now. The working title is Gasps That Seduced Even Ghosts as They Flew By. One of its main pieces is coming soon in an anthology titled SMUT, so I hope to get to share more about it then.
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Renee Thomasin is a writer of 90s/Y2K nostalgic horror. She has written Pixel Pefect and Best Friends Forever.
Can you talk about your latest book and what readers might find appealing about it?
My most recent short story is called “Pixel Perfect,” and it’s my commentary on the dangers that existed in online diet culture spaces. This story appeals to readers who remember that time period firsthand or those who want a peak into the dark side of y2k and body horror.
What’s a book you can’t stop recommending?
Can I list more than one? I have been recommending The Blueprint by Rae Giana Rashad and The Possession of Alba Diaz by Isabel Canas.
Can you explain your writing process? What inspires you?
I am very much a “shiny new idea” person, so I’m always jotting down ideas for different stories. This can deter me from current works in progress, but it’s just how my mind works. I find inspiration and ideas flow when I’m driving or on a walk. As a full-time teacher, I have to force myself to get into a creative flow, which can be a challenge when your cup is empty at the end of the day. I always start in a notebook and sometimes find it difficult for my ideas to flow when it’s just me and a keyboard. I find inspiration in the world around me and always have some sort of mood playlist where I let my imagination take over.
Is there a snack or drink that gets you into a writing mindset?
I typically like some sort of latte, hot or iced depending on my mood, my water bottle with pink lemonade electrolytes, and something bubbly like a ginger ale. I’m somewhat of a drink goblin, haha. But coffee definitely sets the mood!
Are there any horror tropes you especially love in books or films?
I enjoy some body horror and gothic elements and always enjoy a vampire retelling. I’m also drawn to grief and nostalgic horror.
Who’s your favorite final girl?
Janelle Monae’s character, Veronica/Eden, in Antebellum is a powerful final girl. I’ve also been drawn to movie Wendy Torrance as well.
Are you currently working on anything new?
Yes, I am working on a reimagining of The Stepford Wives but as dark, pink academia, as well as a 90s YA horror novel.
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The Inkblotters 