
Bram Stoker Award–nominated horror author Rachel Bolton crafts chilling short stories that probe the powerful intersection of horror and feminism. Through unsettling atmospheres and sharp insight, she explores how fear, identity, and womanhood collide—revealing the darker truths that lurk beneath the surface.
Can you talk about your latest book or story and what readers might find appealing about it?
My latest story is “Moonglow,” it will be appearing in an anthology later this year. Protagonist Alice loves to lie and she is very good at it. She’s smugly faking a pregnancy at her workplace. Alice is terrible but she has become one of my most favorite characters. She has a great voice.
Did I mention “Moonglow” has some fun body horror?
What’s a book you can’t stop recommending?
I’m a bookseller, so I am constantly recommending books. I’m often suggesting Our Wives Under the Sea by Julia Armfield, Herculine by Grace Byron, The Echo Wife by Sarah Gailey, and White is for Witching by Helen Oyeyemi.
These are all very different books within the speculative/horror genre. Each one deeply affected me both as a reader and a writer. There were moments where I needed to pause to appreciate the writing, emotionally and stylistically.
Can you explain your writing process? What inspires you?
I am a believer in Octavia E. Butler’s advice on the importance of habit as a writer. This is the third year where I am tracking both my word count and editing time. This is both a boon and problem. I love that I can see how much I’ve gotten done, but then I am judgemental about the quantity of my work. I feel I never do enough.
I settle in at my computer, pop my headphones on, and get lost for a bit in the story. I consider myself a “Planster.” Outlines are helpful guides, but it’s good to let the characters and plot develop in ways you hadn’t expected. I’ve had characters override my storytelling choices a few times.
Is there a snack or drink that gets you into a writing mindset?
I love a hot cup of tea at my side. If I’m being honest, there are several empty seltzer cans on my desk right now.
Are there any horror tropes you especially love in books or films?
My two great horror subgenre loves are body horror and psychological horror. If they meet, all the better. A great example of that would be Rose Glass’ Saint Maud. The ending still haunts me. I’m a big fan of women with unusual desires, and Julia Ducorneau did that twice with Raw and Titane. Sisterly cannibalism and car fucking!
Above all, I appreciate writers who are willing to take an idea to extremes. Half measures don’t create good books or movies. A great literary example of that is Gretchen Felker-Martin’s Black Flame. That book is so damn good.
Who’s your favorite final girl?
My beloved Ellen Ripley. Sigourney Weaver looks so much like my mom! My mom would also kick some alien ass. I love Ripley for her drive to survive, her compassion, and how she doesn’t tolerate idiots. “They can bill me!”
Are you currently working on anything new?
I’m currently working on a novel about a woman whose wife gets absorbed into their home, now her body is their house. The wife is incredibly happy about this, the protagonist, privately, is not. Problems ensue. Body horror and psychological horror come together here. I’m having a lot of fun as I get to know these two ladies.
You can keep up with her writing at: https://rachelmbolton.wordpress.com

DID YOU ENJOY WHAT YOU JUST READ? IF YES, THEN SUBSCRIBE TO THE BLOG, GIVE THE POST A LIKE, OR LEAVE A COMMENT! NEW POSTS ARE UP EVERY TUESDAY & THURSDAY!













