Women in Horror Interview Series: Pascale Potvin

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Pascale Potvin is a bit of a triple threat, author, filmmaker, and actress.

Can you talk about your latest book and what readers might find appealing about it?

Game Over Books recently published Demondust, or On Wanting and Killing Men, my short story collection that I guess is self explanatory—the demon that is loving men and the dust that is killing them. But the book is not just about those things. In general, they’re stories for people who like quieter, interior, self-inflicted horrors of any gender/kind. In a context where thought is the ultimate masochism, the horror skews abstract and unreliable, in itself, as a means of getting into your head if you’ll let me.

What’s a book you can’t stop recommending?

Lolita is one of the best works of literary horror—change my mind…

Can you explain your writing process? What inspires you?

My process can be all over the place, also depending on what genre or form I’m working with. Before I was medicated, horror was my saving grace and a cathartic means of ‘fictionalizing’ things that were too real. More so then, but even now, my writing sparks the most at night when my inhibitions are lowered. Across genres, a lot of it starts with a big existential or metaphysical question (which horror just lets me answer in the most deranged way available.)

Is there a snack or drink that gets you into a writing mindset?

Honestly, wine, but the problem is it’s also an easy road to losing focus. So I actually really like non-alcoholic white wine for that purpose (the *vibes*).

Are there any horror tropes you especially love in books or films?

I love an unstable body. Possessed, transformed, decaying, etc. We could write a million original stories from that trope—and we will—because it’s a terror so inherent to us. Even more than that, I love an unstable reality: my favourite type of book or movie is probably the kind where I have to go and Google “___ ending explained” and can lie there reading reddit threads of speculation before bed.

Who’s your favorite final girl?

Good question. Maybe Maxine from X!

Are you currently working on anything new?

Yes, a lot of little things and a new screenplay. I’ve co-written a book of autofictional/experimental erotic horror that has been ready to go for a while now. The working title is Gasps That Seduced Even Ghosts as They Flew By. One of its main pieces is coming soon in an anthology titled SMUT, so I hope to get to share more about it then.

Find out more about Pascale at her website: pascalepotvin.com

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Women in Horror Interview Series: Renee Thomasin

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Renee Thomasin is a writer of 90s/Y2K nostalgic horror. She has written Pixel Pefect and Best Friends Forever.

Can you talk about your latest book and what readers might find appealing about it?

My most recent short story is called “Pixel Perfect,” and it’s my commentary on the dangers that existed in online diet culture spaces. This story appeals to readers who remember that time period firsthand or those who want a peak into the dark side of y2k and body horror.

What’s a book you can’t stop recommending?

Can I list more than one? I have been recommending The Blueprint by Rae Giana Rashad and The Possession of Alba Diaz by Isabel Canas.

Can you explain your writing process? What inspires you?

I am very much a “shiny new idea” person, so I’m always jotting down ideas for different stories. This can deter me from current works in progress, but it’s just how my mind works. I find inspiration and ideas flow when I’m driving or on a walk. As a full-time teacher, I have to force myself to get into a creative flow, which can be a challenge when your cup is empty at the end of the day. I always start in a notebook and sometimes find it difficult for my ideas to flow when it’s just me and a keyboard. I find inspiration in the world around me and always have some sort of mood playlist where I let my imagination take over.

Is there a snack or drink that gets you into a writing mindset?

I typically like some sort of latte, hot or iced depending on my mood, my water bottle with pink lemonade electrolytes, and something bubbly like a ginger ale. I’m somewhat of a drink goblin, haha. But coffee definitely sets the mood!

Are there any horror tropes you especially love in books or films?

I enjoy some body horror and gothic elements and always enjoy a vampire retelling. I’m also drawn to grief and nostalgic horror.

Who’s your favorite final girl?

Janelle Monae’s character, Veronica/Eden, in Antebellum is a powerful final girl. I’ve also been drawn to movie Wendy Torrance as well.

Are you currently working on anything new?

Yes, I am working on a reimagining of The Stepford Wives but as dark, pink academia, as well as a 90s YA horror novel.

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Women in Horror Interview Series: Kerry E. B. Black

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Kerry E. B. Black is a horror writer from Western Pennsylvania whose work explores the dark corners of the imagination. She writes across multiple forms—poetry, young adult fiction, short stories, and novellas—crafting creepy tales that explore the darker side of life.

Can you talk about your latest book and what readers might find appealing about it?

I’m eagerly awaiting the release of Witches in the Air, a book of poetic essays about witchcraft from an historic, cultural, and modern perspective. It’s a huge project, but one that was profoundly moving to me.

My brother, Chris Blickenderfer, hand drew the cover art, and it is GORGEOUS! (He’s so talented. He’s made hand-drawn, original pieces for all of my short story collections and my other poetry collection as well, and they’re amazing works of art.)

What’s a book you can’t stop recommending?

My favorite book last year was Bat Eater by Kylie Lee Baker. I love when a book touches and teaches me, and this novel certainly achieved that.

Can you explain your writing process? What inspires you?

Inspiration is a tricky thing. It’s like a weird, electrical impulse that zaps the brain, leaving a charred after-scent that can’t be ignored. Strange things inspire me. An interesting word can do it. A news story. An intriguing, historical image or a visit to a place.

I start projects when I know how they will end. Once I have a pretty clear image of the conclusion, I draft. So, I suppose I’m a modified “pantser,” in that I have certain things that must happen before that conclusion, but I don’t outline in the traditional way.

As a busy, working mom, I have to steal time to write, which means I usually sit at my computer in the wee hours of the morning. I curl up on the couch, a cat or two at my side, and type until my eyes cross or I doze off. Some day, I hope to have an actual desk and regular operating hours. Haha.

Is there a snack or drink that gets you into a writing mindset?

I make sure to stay hydrated while I write. Water and tea do the trick.

Are there any horror tropes you especially love in books or films?

I enjoy a Gothic setting, a folksy character or creature, a story with creeping chills, and tales that make me think.

Who’s your favorite final girl?

I admire Lt. Ripley, from the Alien franchise.

Are you currently working on anything new?

Witches in the Air is in the hands of my editor, Deb Sanchez at my Publisher, Tree Shadow Press. I hear it will be released soon.

In the meanwhile, I’m working on a folk horror novella and am compiling a latest collection of short stories.

You can keep up with her writing at: https://kerryebblack.com/

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Women in Horror Interview Series: Rachel Bolton

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Bram Stoker Award–nominated horror author Rachel Bolton crafts chilling short stories that probe the powerful intersection of horror and feminism. Through unsettling atmospheres and sharp insight, she explores how fear, identity, and womanhood collide—revealing the darker truths that lurk beneath the surface.

Can you talk about your latest book or story and what readers might find appealing about it?

My latest story is “Moonglow,” it will be appearing in an anthology later this year. Protagonist Alice loves to lie and she is very good at it. She’s smugly faking a pregnancy at her workplace. Alice is terrible but she has become one of my most favorite characters. She has a great voice.

Did I mention “Moonglow” has some fun body horror?

What’s a book you can’t stop recommending?

I’m a bookseller, so I am constantly recommending books. I’m often suggesting Our Wives Under the Sea by Julia Armfield, Herculine by Grace Byron, The Echo Wife by Sarah Gailey, and White is for Witching by Helen Oyeyemi.

These are all very different books within the speculative/horror genre. Each one deeply affected me both as a reader and a writer. There were moments where I needed to pause to appreciate the writing, emotionally and stylistically.

Can you explain your writing process? What inspires you?

I am a believer in Octavia E. Butler’s advice on the importance of habit as a writer. This is the third year where I am tracking both my word count and editing time. This is both a boon and problem. I love that I can see how much I’ve gotten done, but then I am judgemental about the quantity of my work. I feel I never do enough.

I settle in at my computer, pop my headphones on, and get lost for a bit in the story. I consider myself a “Planster.” Outlines are helpful guides, but it’s good to let the characters and plot develop in ways you hadn’t expected. I’ve had characters override my storytelling choices a few times.

Is there a snack or drink that gets you into a writing mindset?

I love a hot cup of tea at my side. If I’m being honest, there are several empty seltzer cans on my desk right now.

Are there any horror tropes you especially love in books or films?

My two great horror subgenre loves are body horror and psychological horror. If they meet, all the better. A great example of that would be Rose Glass’ Saint Maud. The ending still haunts me. I’m a big fan of women with unusual desires, and Julia Ducorneau did that twice with Raw and Titane. Sisterly cannibalism and car fucking!

Above all, I appreciate writers who are willing to take an idea to extremes. Half measures don’t create good books or movies. A great literary example of that is Gretchen Felker-Martin’s Black Flame. That book is so damn good.

Who’s your favorite final girl?

My beloved Ellen Ripley. Sigourney Weaver looks so much like my mom! My mom would also kick some alien ass. I love Ripley for her drive to survive, her compassion, and how she doesn’t tolerate idiots. “They can bill me!”

Are you currently working on anything new?

I’m currently working on a novel about a woman whose wife gets absorbed into their home, now her body is their house. The wife is incredibly happy about this, the protagonist, privately, is not. Problems ensue. Body horror and psychological horror come together here. I’m having a lot of fun as I get to know these two ladies.

You can keep up with her writing at: https://rachelmbolton.wordpress.com

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Women in Horror Interview Series: Claire L. Smith

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Claire L. Smith is a gothic author who delves into the haunting depths of love and life’s darker moments.

Can you talk about your latest book and what readers might find appealing about it?

My most recent release is the rerelease of my YA horror novella, WHEN WE ENTERED THAT HOUSE. Lovers of haunted house stories, gothic horror and queer coming-of-age narratives will be all over this.

Here’s the back cover copy for those who are interested: Best friends Zoe and Elle share a secret. Every day after school, they sneak into the ominous woods surrounding their small town. The isolation of the remote wilderness shelters them from the chaos at home, but it also brings dangers of its own.

Something wicked watches the girls from a rotting Victorian mansion. Zoe and Elle will soon discover the mansion’s decaying walls hide centuries-old secrets and a family whose bloodline is stained with violence and insanity.

In order to escape, the girls’ friendship and inner strength will be tested. The house’s clutches are strong, and both friends will be caught in a struggle they may not be able to win.

What’s a book you can’t stop recommending?

I really loved Victorian Psycho by Virginia Feito. I’m such a sucker for the horrors of the Victorian Era and I loved how much of it was crammed into this little book. The narrative was also morbidly funny in the best possible way. It made the horrid things that the FMC does more enjoyable to read as she is the definition of chaotic. I struggle to recommend it though because it may understandably be a bit too much for a lot of people but I love it all the same.

Can you explain your writing process? What inspires you?

I’m a big planner. I like to have at least 50% of an outline done before I properly start writing. I normally intentionally leave the ending unplanned just because I usually come up with the best idea for the ending after I’ve spent a good amount of time with the story itself. Visuals are very inspiring to me, which is why I’m obsessed with making boards for my WIPs on Pinterest. It’s a great way to come up with ideas by looking at a cool photograph or peice of art and making up a story from what I see. 

Is there a snack or drink that gets you into a writing mindset?

I love herbal teas, matcha or chai lattes. Or when I’m feeling chaotic, a Monster Energy drink (Aussie Lemonade Flavor).

Are there any horror tropes you especially love in books or films?

I really love when the setting/scenery becomes a character or at the very least important to the plot. I love settings that feel alive in their own way, like they could work with or against the MC.

Who’s your favorite final girl?

I loved Joey (Melissa Barrera) in Abigail (2024). I don’t think she’s talked about enough as her character is very complex, flawed but also likable. I love characters in horror movies who go in being flawed and/or afraid of something other than the monster chasing them but by the end, they survive and get a new lease on life (even if they got it the hard way haha).

Are you currently working on anything new?

I’m currently working on an Australian Gothic novel based in the Blue Mountains (NSW). It’s taking a bit longer to outline than expected so I’m also working on a fantasy / horror book loosely inspired by Slavic folklore that I’m hoping to make into a trilogy.

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Women in Horror Interview Series: Holly Knightley

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Holly Knightley is a compelling horror writer, known for crafting dark, gripping tales that always deliver unexpected, sinister twists.

Can you talk about your latest book and what readers might find appealing about it?

My short story, Piggy, just came out on Feb 15th! It was an average day when Alley Faye found a five-dollar bill on the ground with a message: Here piggy, piggy, piggy. Greed is a sin, and you just let me in. This quick 38-page read will keep readers on their toes until the last page. This story has true crime vibes with a stalker who has a thing for the story of ‘The Three Little Pigs.’

What’s a book you can’t stop recommending?

We are talking women in horror, and I would be remiss not to say ‘Frankenstein’ by Mary Shelley. It is one of my favorite books, if not my favorite. Shelley explores themes of morality while giving her readers one amazing monster story where who is the ‘real’ monster is always in question. There is a reason this story still haunts readers today, it is simply brilliant.

Can you explain your writing process? What inspires you?

Most of my stories are inspired by my real-life experiences or moments that have made me pause. You know, that feeling that you get when something unsettles you? I explore why things make me feel the way I do, often using the supernatural to tell the story. My process usually goes the same. Something makes me pause to think and my brain whispers the story to me. If I have the time, I will outline the entire story the moment it pops into my head. If not, I will at least get down the vibe and characters and come back to it later.

Is there a snack or drink that gets you into a writing mindset?

Coke Zero. I am totally addicted to it and can’t start my day without it. I have a can in the morning, sometimes two—that’s when I know it’s going to be a good writing day.

Are there any horror tropes you especially love in books or films?

I love the haunted house trope. Nothing scares me more than a haunted house. When I was a child, I always thought: Just leave. As an adult, I realize you can’t just leave, which has made this trope and genre scarier for me. Throw in an unreliable narrator and buried secrets, and I’m hooked.

Who’s your favorite final girl?

This is a hard question, there are so many great final girls, but I am going with Ellen Ripley, Sigourney Weaver’s character from ‘Alien’. She’s badass and hot as Hell.

Are you currently working on anything new?

Yes, I have a new haunted house mystery thriller coming out July 16th entitled Cadbury House. This is such a fun mashup between the haunted house trope and haunted object trope. The story is pure chaos, in the very best way, and I can’t wait for it to be read!

You can keep up with her writing at: https://hollyknightley.com/

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Behind the Scenes: This Fever Called Living

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Juliette’s isolation is drawn from my own sense of disconnect as a teenager living in Sicily. Early readers of This Fever Called Living have noted how jarring it feels to encounter modern technology in a setting that seems steeped in history. The truth is, living in Sicily felt just as contradictory. You had modern conveniences like cell phones and the internet, but step outside, and you were surrounded by ancient ruins. Every town seemed like a remnant of whichever empire had once claimed it. This jarring mix was intentional, just as the repetition is. I often find certain phrases looping in my mind, or a song on repeat for hours. Repetition becomes a kind of self-soothing mechanism, a way of coping with the noise of the world.

The passage of time in the novella is intentionally ambiguous. In the present, everything unfolds between January and February, stretching into early March. The past, however, is set in the summer of 1998. As a teenager, time moved in strange ways—winters felt endless, while summers seemed to slip by in a blink. Time itself felt hazy and distorted, and I wanted to capture that sense of unraveling in Juliette’s journey.

This Fever Called Living is a fever dream drenched in tragedy.

The novella comes out March 3.

The Plot Summary:

A dark retelling/mashup of Carmilla and The Fall of the House of Usher.

Palermo, Sicily 1999.

Juliette suffers from a rare illness that keeps her hidden from the sun. Her winter days at Villa Astrid are filled with isolation and gnawing hunger, haunted by fragmented memories of a summer she can’t quite piece together.

Then Elenoire arrives.

Mysterious and magnetic, Elenoire captivates Juliette in a way that’s both thrilling and terrifying. There’s something dangerous about her, something Juliette can’t name. She knows she should keep her distance, yet all she can think about is kissing her.

Meanwhile, young women are turning up dead across Palermo. Whispers of a serial killer spread through the city, but Juliette suspects that something darker is at play. Something not entirely human.

You can pre-order the book HERE.

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Interview with Emma Arneil Podcaster of The Horror and Her

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Emma Arneil’s The Horror and Her podcast delves into the horror genre and pop culture with a focus on the the representation of women and non binary voices in the genre. She often brings a feminist perspective to the discussion and with her guests tries to explore what horror means to them on a personal level.

Can you talk about your podcast and how it differs from others that are out there?

My podcast The Horror and Her is a podcast that celebrates women, femme and non binary voices in horror. Each episode begins with my guest’s horror origin story, the film that made them first fall in love with the genre. From there we chat about how their relationship with horror has evolved through their life. What makes the show different is that we do not just talk about films we love; we talk about what horror says about power, identity and how this genre can be so personal and transformative and for so many of us, lifesaving.

Whats a book and film you can’t stop recommending?

I have just recently finished Scream with Me – Horror Films and the rise of American Feminism (1968-1980) by Eleanor Johnson and found it such a powerful and insightful read. Johnson links horror classics from the 60s to the 80s and how it was linked to second wave feminism with a real focus on reproductive rights, domestic and patriarchal violence and the war on women’s bodies.

A film I always recommend to anyone asking me for a horror recommendation is John Carpenter’s Halloween. A masterclass in atmosphere and tension and still holds up 47 years later. I could also listen to the soundtrack on repeat forever.

Can you explain how you choose what you decide to talk about on your podcast?

The podcast always starts with a conversation about the film that first sparked something for the guest and what the film says about power and identity.  From there we explore the themes of the film through a feminist lens. Even when we return to films that have been discussed before, each guest brings a new perspective. I love that so much! That the same texts can be constantly reframed and through different women experiences.

Is there a specific drink you like sipping on during your podcast?

I would love to say that I ensure that I am always hydrated and only drink water. Sadly, its nearly always Coke Zero!

Are there any horror tropes you especially love in books or films?

My favourite trope is a final girl but a final girl who is flawed and complex. A final girl who rescues herself and pulls herself out of whatever horror she finds herself in.

Who’s your favourite final girl?

My favourite final girl is Nancy Thompson from Nightmare on Elm Street, she is, for me, the ultimate final girl…a great friend, resourceful and brave as hell!



You can check out The Horror and Her podcast here: https://open.spotify.com/show/6QBrXRe8ElJDR4Zkw2Xims?si=VN6uCYilS8-kgB5RQ0WnMg&nd=1&dlsi=445e907dd3ee47c9

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Interview with Viggy Parr Hampton

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Viggy Parr Hampton has carved out a prominent place in the horror world. With her spine-chilling books and the popular podcast Horror Humor Hunger, she’s become a go-to expert on everything from horror history to the darkest, most unsettling facts. Now, with her latest release, A Veritable Household Pet, she’s ready to haunt our nightmares in a whole new way.

Can you talk about your latest book and what readers might find appealing about it?

My latest book, A Veritable Household Pet, is horror of a different stripe than usual. Darla Gregory receives a transorbital lobotomy at the age of eleven, and she is never the same. The book follows her life in the aftermath of the surgery, as well as the life of her older sister Ellie, who acts as her caretaker and the reluctant scribe for her story, injecting her views where relevant. A Veritable Household Pet explores a suite of very real terrors, rooted in true history: medical malpractice, family trauma, toxic relationships, mental illness, caregiver fatigue, misogyny, the loss of autonomy and identity, and so much more. It’s my favorite book yet, because it will make readers feel for the characters incredibly deeply.

You always do so much research for your books, what’s something you found out when researching that was surprising or horrifying?

One of the most horrifying pieces of information I came across directly inspired the title of the book. While doing my research on lobotomies, I kept finding before and after photos of patients. In the before photos, the patients would invariably look unkempt and unwell, and in the after photos, while they looked well-groomed and might even be smiling, their eyes looked completely vacant. One such before and after photo even had a caption that said the post-lobotomy patient was ‘a veritable household pet.’ The way these patients were treated as infantilized, docile creatures is both heartbreaking and horrifying in equal measure.

What’s a book you can’t stop recommending?

My Lobotomy by Howard Dully is the memoir of a man who received a lobotomy at the age of 12. It was a pivotal source for my research, but it’s also one of the most fascinating books I’ve ever read in its own right. I will never stop recommending this one!

Can you explain your writing process? What inspires you?

Every time I sit down to start a new novel, I think: Wait a minute, what am I doing? Every novel feels like its own microcosm, but here’s my general process. First, I spend a few months (or even longer) letting the ideas build up and marinate. I keep a notebook with bits and pieces of ideas, and when those ideas start to outgrow the pages, I move them to a document in my writing processor of choice, Scrivener. Then, I make note of any research I’ll need to do—books to read, movies to watch, podcasts to listen to, etc. After I’ve done enough research that I feel ready—or, if the characters start knocking on the proverbial door too hard, whichever comes first—I’ll start writing. I’ve been a plotter in the past, but now I’m a certified pantser.

In terms of inspiration, I pull things from everywhere—articles I’ve read, stories I’ve heard, history I’ve researched, places I’ve been. All of my books have some thread of truth or history running through them, which I think makes them that much punchier.

Is there a snack or drink that gets you into a writing mindset?

Lately I’ve been really loving having a cup of hot green tea next to me. It’s relaxing, and it helps signal my brain that it’s time to get down to business.

Are there any horror tropes you especially love in books or films?

I love two things: an unreliable, complicated narrator and an unhappy ending! It’s horror, after all—I don’t want to come away from it smiling!

Are you currently working on anything new?


My fifth novel, Ripped Up the Middle in Two, will publish in late July, and I’m currently getting that one in shape. It’s a creature feature motherhood horror about a postpartum mom who thinks there’s an evil fairy in the woods that wants to steal her baby. I’m also about to start work on my sixth novel, which will be a time travel-spin on the haunted house story.

A Veritable Household Pet is now available at Amazon and Barnes and Noble websites.

You can keep up with her writing at: https://viggyhampton.com/

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How to Throw the Cutest Tea Party Ever (Pinkies Optional) 🌷🫖

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Tea parties aren’t just for storybooks and fancy hats—they’re the perfect excuse to slow down, gather your favorite people, and make an ordinary afternoon feel a little magical. Whether you’re hosting a birthday, a bridal shower, a Galentine’s get-together, or just because, putting together a cute tea party is easier than you think—and way more fun.

Here’s how to host a tea party that feels charming, effortless, and totally Instagram-worthy.

Set the Scene ✨

Start with the vibe. A tea party is all about soft, cozy details.

  • Use a tablecloth or runner (lace, florals, or pastel tones are perfect)
  • Mix and match teacups and saucers—thrifted sets add instant charm
  • Add fresh flowers, even simple ones from the grocery store
  • Candles or fairy lights = instant cozy magic

Don’t stress about everything matching. A little mismatch makes it feel curated, not chaotic.

Choose Your Teas (Variety Is Key) 🍵

Offer a few different options so everyone finds their favorite:

  • A classic black tea (Earl Grey or English Breakfast)
  • A floral or fruity tea (hibiscus, peach, or berry)
  • A caffeine-free herbal option (chamomile or mint)

Bonus points for cute labels or handwritten tea tags.

Serve Simple, Pretty Snacks 🍰

Tea party food should be easy to eat and even easier to love.

  • Finger sandwiches (cucumber, egg salad, or cream cheese & jam)
  • Scones or mini muffins
  • Cookies, macarons, or petit fours
  • Fresh fruit for balance (and aesthetics)

Arrange everything on tiered trays or cake stands for that classic tea party look.

Add a Little Extra Fun 💕

Small details make the party memorable:

  • Provide sugar cubes, honey sticks, or flavored syrups
  • Set out pretty napkins or floral plates
  • Play soft background music (jazz, classical, or cozy playlists)
  • Encourage guests to dress the part—bows, florals, or pastel outfits

Optional but delightful: tiny name cards or handwritten notes at each place setting.

Make It Feel Special 🌸

The best tea parties aren’t about perfection—they’re about connection. Let the conversations flow, pour refills generously, and enjoy the slow pace. Laugh, snack, sip, repeat.

Final Sip

A cute tea party is really just about creating a warm, inviting moment where people feel cared for. With a little planning and a lot of charm, you’ll have a gathering everyone remembers long after the teacups are empty. 🫖✨

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