Book Excerpt: A Step Past Darkness by Vera Kurian

August 17, 2015

The mountain had existed long before there had been anyone around to name it, pushed up by the inevitable forces that made the Appalachian Range millions of years ago. Hulking, it stood with a peculiar formation at its apex, two peaks like a pair of horns, giving the mountain its eventual name of Devil’s Peak. The coal mine inside was abandoned long ago.

On the southern side of Devil’s Peak was the town of Wesley Falls, where there were no remnants of the mine except for the overgrown paths crisscrossing up to two entrances, ineffectually boarded up, partially hidden but available to anyone looking hard enough. Down the western side were the steeper paths, far more overgrown with vegetation, leading down to the abandoned town of Evansville. That side of the mountain and beyond grew strange because of the coal fire that had been burning underground for almost a century. The Bureau of Mines had managed to contain the fire to the western side of the mountain so that only Evansville suffered. Only Evansville had bouts of noxious gases, open cracks of brimstone in the roads, residents complaining of hot basements and well water. Over time they left town, leaving behind a ghost.

Unlike its unfortunate neighbor, Wesley Falls had avoided the mine fire and transitioned from a coal-mining town to something not unlike Pennsylvania suburbia. It was the sort of town where one of the billboards outside the Golden Praise megachurch proclaimed, “Wesley Falls: the BEST place to raise a family!” and most adults agreed with that assessment. The sort of place where the city council had voted against a bid to allow a McDonalds to open, arguing that it would “lead to the deterioration of the character of Wesley Falls.” This had less to do with concerns about childhood obesity or dense traffic than it did a desire to keep the town trapped in amber. The sort of town where the sheriff was the son of the previous sheriff. 

Jia Kwon, stepping off a train at the station some miles away from Wesley Falls, looked around the crowded station for that son—the sheriff—now in his thirties, though she had trouble picturing this. Sheriff Zachary Springsteen had an air of formality that she couldn’t match up with the image of the boy she knew from high school, whom everyone called Blub. He was an inoffensive, nondescript kid who delivered papers via his clackety bike, who then grew to be the generic teen who stood in the back row of yearbook pictures. She had always been friendly with him, but never quite friends, starting from when she had transferred from St. Francis to the Wesley Falls public school system and Blub sat next to her in homeroom.

Was the fact that she had chosen to keep in contact with this not-quite-friend after she moved away from Wesley Falls an accident? No—she knew that now. Blub had been the perfect person to report back town news over the years because he never suspected her interest was anything more than curiosity. Their exchanges over the years had been just enough for him to feel comfortable, or compelled enough, to make the phone call that had brought her here.

Jia paused to put her phone in her purse, pretending she did not notice any stares. No one looked twice at her in Philly, but here she stood out as the only Asian, drawing even more attention to herself because she had dyed her hair a shade of silvery gray with hints of lavender in it. It would only be worse when she got into town, but even as a kid she had been so used to being stared at that she just exaggerated her strangeness, opting for bright clothes rather than trying to blend in.

“Jia?” said an uncertain voice.

She turned her head and instantly recognized Blub, who stood with the gawky awkwardness of someone uncomfortable with his own height. “Blub!” she exclaimed, coming closer. She embraced him, her head only coming up to his midchest. “You’ve grown two feet!”

He shoved his hands into his pockets, smiling. “Want to ask me if I play basketball?” Their smiles felt hollow, she realized, because of the strangeness of the situation and everything they weren’t saying. “I appreciate you taking the time to come out here. I know you’re probably busy but…” He led her to his patrol car. “Sorry, you’ll have to ride in the back.”

“It’s no problem,” she murmured, surprised to see that he had brought someone along for the ride.

“This is Deputy Sheriff Henry,” Blub said, turning the car on. A smaller man whom she did not recognize half turned and nodded at her curtly, though Jia could see him looking at her in the rearview mirror as they pulled away from the station. What on earth had Blub told him?

That once, in one of their email exchanges, when he complained about having to repair his roof, she made a joke about which team to bet on for the Super Bowl, and he did, and she had been right? That she had one too many stock tips that turned out to be good? That she inexplicably sent him a “You okay?” email at 8:16 a.m. on September eleventh, thirty minutes before American Airlines Flight 11 crashed into the North Tower of the World Trade Center? There had been enough incidents as strange as these that when he called her last year asking for help, it felt like something clicking into place. Something that was supposed to happen. Over the years, she had started to feel comfortable with that clicking feeling, rather than being afraid of it. Last winter he had called her saying that Jane Merrick was missing from the old-folks home—she was prone to running— and she was outside in the freezing weather in only a nightgown, and they were worried about her. He did not say why he was asking her, a person who hadn’t lived in Wesley Falls for two decades, a person who neither knew nor liked Jane Merrick. She told him to look in the barn on the Dandriges’ property without providing an explanation of how she knew. She knew because she saw it. She knew because sometimes she could call up things when she wanted to, though not all the time, but this was still significantly better than when she was a kid and she couldn’t control when the visions hit her, or stop them, or even understand them.

And now, in the peak of summer heat, he had called again, saying that there was a missing person, could she help, friends were worried. She did not ask who because she felt something like the deepest note on a double bass vibrating, reverberating through her body. She saw herself walking, her white maxi dress—the one she was wearing right now—catching on brambles as she maneuvered her way down the overgrown path to the ghost town.

She had to go back to Wesley Falls. It was time.

“You all went to school together?” Deputy Sheriff Henry said when they pulled onto the highway.

“Yeah,” she said. “We didn’t overlap with you, did we?” Henry shook his head. “Blub and I go way back,” she said, meeting Blub’s eyes in the rearview mirror.

“I’ll never get over the fact that people call you Blub,” Henry remarked. “How’d you get that name anyway? Were you chubby or something?”

“I don’t think there’s an origin story,” Blub said, looking like he wanted the subject to change.

“I remember!” Jia exclaimed. “It’s when you threw up in fourth grade.” She leaned forward, pressing against the grate that divided the car, addressing Henry directly. “It was during homeroom. He threw up on his pile of books. I remember because it was clear and ran down the sides like pancake syrup.”

Henry laughed and Blub flushed. “Jia, you can’t remember that because you weren’t there. You were at St. Francis in grade school!”

She stopped laughing abruptly. “I could have sworn I remember that happening!”

“Sometimes when enough people tell you a story, you start to remember it like you were there,” Henry mused.

Sometimes, Jia thought. But there were other people who could see things that had happened or would happen, even if they weren’t there.

As they drove down the highway and drew closer to Wesley Falls, the mood shifted to an anxious silence. Jia checked her phone for anything work related. She ran a small solar panel company called Green Solutions with her two best friends, both hyper-competent, both probably picking up on Jia’s strange tone when she said she had to go back home for a short trip. They probably thought that it had to do with the settling of her mother’s estate, and Jia, even though she was uncomfortable with lying, allowed them to believe this. When her mother had died, Jia had come to Wesley Falls to liquidate everything in The Gem Shop and sell the store itself to the least annoying bidder: a fifty-something-year-old former teacher who wanted to open a bakery. A significant part of the decision had been not that her baked items were good—they were—but something about her aggressive combinations of spices had seemed witchy, and, most importantly, she did not attend Golden Praise. Jia’s mother, Su-Jin, would have approved.

And now, with Blub turning off the highway, her heart felt torn in different directions. Wesley Falls wasn’t home, but it was, because it was where most of her memories of Su-Jin lived. As the car moved it felt as if they traveled through an invisible veil, something that felt uncomfortable in a way she could not put into words anyone else would understand, but was familiar and, she knew, strange. Strange like how she was strange.

But then it came: the feeling that arose every time she had gone home to visit her mother—the feeling that she shouldn’t be here. Except this time, it was worse. They had just arrived in Wesley Falls, passing Wiley’s Bar, which was on the outskirts of town. It was frequented by truckers stopping for a cheap burger and beer.

“That place is still here?” she murmured.

“They got karaoke now,” Blub offered.

“Please kill me,” Jia responded, trying to sound light. Blub laughed, then turned onto Throckmartin Lane. The street hadn’t changed in twenty years: it still housed Greenbriar Park, which everyone called “The Good Park,” and the larger homes where the wealthier families lived. Built before McMansions had hit this part of Pennsylvania, the houses differed in their architecture—some colonial, some farmhouse—but were all similar with their immaculate lawns, American flags, and WESLEY FALLS FOOTBALL signs.

Blub slowed to a stop, making eye contact with her in the rearview mirror. He was waiting for directions.

She gestured for him to turn onto Main Street, that old, curved road with the bottom half of the C drawn out like a jaw that had dropped wide open—it was impossible to drive anywhere in Wesley Falls without driving on Main Street at some point. They passed the police station, then the row of shops. Some of the mom-and-pop stores that lined Main Street had changed, but Wesley Falls still didn’t have a Target, a chain grocery store, or a reasonable place to buy clothes. Indeed, the best place to raise a family was apparently a place where you had to drive ten miles to the mall to get many of the things people wanted. She gazed at the bakery that used to be The Gem Shop. Spade’s Hardware was still there—her mother had had a grudging friendship with the owners. The candy shop had changed ownership but it was still a candy shop. They drove along the north side of town, by the lake and the Neskaseet River—called Chicken River by locals because of its proximity to and usage by the chicken processing plant at the north edge of town.

Wesley Falls and Evansville had both popped up in the 1800s, their economies at first built entirely around the Wesley coal mine, which resided inside Devil’s Peak. No matter how many times well-meaning adults attempted to close off the entrance of the mine, which had been abandoned in the 1930s when the coal ran out, high school kids always found their way in. Drawn to the allure of ghost stories, rumors that if you found the right path you could find the mine fire in Evansville, and the inevitable urban legends about the Heart.

Jia pointed and Blub turned onto the unpaved road that crossed the Neskaseet and wound up the side of Devil’s Peak to Evansville. From this elevation, she could see the entire tiny, abandoned town. The simple, squared-off eight shape of the town’s few roads, the dilapidated strip of larger buildings at the center, then the rectangles of homes, all identical because they had been provided by the mining company.

The road came to an end, trees and shrubbery blocking their passage. Blub put the car in Park, turning to face Jia. “Can’t drive farther.”

“Then we walk,” she said. She led the way, ignoring the looks from both men as she freed herself from prickly branches that caught onto her dress. Blub used his nightstick to whack away a tangle of vegetation, then Jia found a path that led down to the town.

It smelled like sulfur with a hint of cigar. Jia picked her way gingerly down the main road, which was buckled and cracked in places, then turned a corner behind the old church and stopped. There was someone in the road wearing a bright fuchsia shirt. She could only see the top half of the figure’s body. The lower part, from the stomach down, was trapped inside the road in what looked like a fresh sinkhole.

Jia knew without looking. Some part of her had known from the moment Blub called her. He needed help finding a missing person, but he hadn’t said who. This was the thing that had pulled her back, made her feel an insistent anxiety for the past few months.

Blub and Henry were running to the body, the latter yelling. When Jia finally approached, Blub was trying to get a pulse. She watched the two men huddle over the body, Henry almost making an attempt to pull her from the chasm before Blub stopped him. This could be a crime scene.

Blub sat back on his haunches. The fuchsia T-shirt was soaked with last night’s rain. Her blond hair was pulled into a ponytail, tendrils stuck to the sides of her face. That face. Familiar but different. She’s still so pretty, Jia thought. Her mouth was open and a scratch stood out livid on her pale cheek. Her eyes were closed.

“It’s her,” Blub stated.

“Maddy Wesley,” Henry said, disturbed and awed.

“You knew that Maddy was the missing person? You didn’t tell me,” Jia said, trying to keep her voice stable.

Blub remained crouched, his elbows on his knees with his hands dangling down. “Didn’t think I needed to,” he stated, his voice devoid of the warmth it had had while in the car. He didn’t look at her as he examined the scene, and it occurred to Jia that he was actually the sheriff. Not Blub, the kid who threw up on his pile of books, but an actual agent of the law.

Jia edged backward, fearful that the road could break under her.

“You know her?” Henry asked.

His gaze made her self-conscious. Jia had never been a good liar. Much of the lying she had done that summer so many years ago had been by omission. She was working on a project. She was hanging out with Padma. These things had been true, but misleading.

“She was in our year,” Jia managed. “We all went to high school together.”

Blub’s eyes went from the body to Jia. “You weren’t friends, though, were you?” Maddy ran with the popular crowd, the Golden Praise crowd. Jia had been the opposite of that.

“No,” she said finally. “We weren’t friends.”

Excerpted from A Step Past Darkness by Vera Kurian, Copyright © 2024 by Albi Literary Inc. Published by Park Row Books.  

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Spotlight: Necessary Deeds by Mark Wish

ABOUT NECESSARY DEEDS: Matt Connell, a formerly successful literary agent who’ s been in prison for four years for a crime of passion— homicide by strangulation after learning his wife slept with a friend— receives an early release from Sing Sing to join an FBI undercover investigation of multiple murders in Manhattan. Killings continue to mount as Matt does his best to calm his “ Ferrari brain” — a condition in which his mind accelerates wildly into negative thoughts and worst-case scenarios— even as he falls in love with a suspect, then discovers disturbing truths about his past and hers. When he finds his own life in danger, can he stand up for the Bureau’ s heralded principles of Fidelity, Bravery, and Integrity? Not to mention genuine love?

ABOUT MARK WISH: Mark Wish’s previous novels have been praised by Daniel Woodrell, Delia Ephron, Salman Rushdie, Rebecca Makkai, Ben Fountain, Anne Serling, the Chicago Tribune, and the Los Angeles Times. His short fiction has won a Pushcart Prize and appeared in more than 125 print venues including BEST AMERICAN SHORT STORIES. A renowned book doctor for thirty years, he now edits and publishes COOLEST AMERICAN STORIES, whose inaugural volume went to a third printing.

“What makes Necessary Deeds so irresistible and addictive is that it’s a devilishly inventive murder mystery presented in the finest of sentences and filtered through a mind wonderfully beset at every turn by the dark truths of human desire, ambition, envy, and jealousy—but most of all by love itself. If Mark Wish’s life imitates his art, his gift for storytelling might just get him

murdered. But not before his next book deal, please. In any case, Necessary Deeds is a necessary read.”

TIM JOHNSTON, New York Times bestselling author of Descent

“By turns tense and tender, Mark Wish’s Necessary Deeds delivers a high-stakes noir and a taut tale of jealousy, murder, and redemption.”

LAURA MCHUGH, internationally bestselling author of The Weight of Blood

“Necessary Deeds is a tight, tense thriller that explores some of the darkest, twistiest workings of the human mind. Mark Wish asks the question: Who can you trust if you can’t trust yourself?”

LOU BERNEY, winner of Edgar, Hammet, Anthony, Dagger, and ALA Awards, author of November Road

“Mark Wish’s Necessary Deeds hits the sweet spot: sly, sharp, and satirical. Highly entertaining!”

ALAN ORLOFF, Anthony, Agatha, Derringer, and two-time Thriller Award Winning author

“Smart and gripping, nuanced and wryly observed, Necessary Deeds is unputdownable, and Wish is clearly a writer at the top of his game. A phenomenal thriller that will leave you breathless.”

TISH COHEN, author of The Summer We Lost Her

“Bursting at the seams with voice and tension, Mark Wish’s Necessary Deeds reads like the literary lovechild of Bellow, Chandler and Robert Bolaño. This is a literary page-turner, full of life and poetry. A novel to be devoured, then savored.”

DANIEL TORDAY, two-time winner of the National Jewish Book Award, author of The Last Flight of Poxl West

“In Necessary Deeds’ Matt Connell, Mark Wish has created a diabolically compelling anti-hero—a literary agent with both romance and murder in his heart. As soon as I read the first few lines of this novel, I was all the way in—Wish portrays the high-stakes New York City literary world and the conflicted soul of Connell with humor, pathos, and supreme suspense.”

Grace Paley Prize Winner CHRISTINE SNEED, author of Little Known Facts

“Smart, exceptionally told, and a pleasure to read, this mystery by Mark Wish is complemented by dialogue brimming with emotional insights, whether about the foreboding passion between a man and a woman, or the rage of a wounded husband. Necessary Deeds is the kind of book you read in a rush but remember long after.’

E. A. AYMAR, bestselling author of No Home for Killers

“I was hooked by the first sentence—one of the best I’ve read—and followed Mark Wish’s tale on and on. Wish knows how to tell a story, and in Necessary Deeds, he has given us a varied, surprising, and irresistibly engaging one.”

Pulitzer Prize winner TIM PAGE, author of Parallel Play

“Necessary Deeds is a captivating, spiraling story that doesn’t let up off the throttle. When it was over, I found myself wanting—no, needing—that speed again. Wish has created a stunning narrative with so much drive and power. Any reader would love this.”

PEN Award winner MORGAN TALTY, national bestselling author of Night of the Living Rez

“Necessary Deeds is a rarity: A murder mystery that keeps you guessing until the very end, and most important, is a lot of fun. Mark Wish has written a witty page-turner that’s necessary reading.”

LELAND CHEUK, author of No Good Very Bad Asian

“Mark Wish’s Necessary Deeds is a deliciously gleeful send-up of the New York literary world, a wildly satirical removal of the veil over High Art. Most notably, it’s a genuine whodunnit: Who is murdering the Talented Writers in the city (with their outsized advances)? Intertwined throughout is a noir love story and humor, but also a clear-eyed gaze at what has happened to notions of Integrity, Literature…and Fame. The twist at the end took me by surprise while making perfect wicked sense.”

Drue Heinz Literature Prize winner KATHERINE VAZ, author of Fado and Other Stories

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Book Excerpt: The Missing Witness by Allison Brennan

1

My parking garage off Fifth was nearly a mile from where I worked at city hall. I could have paid twice as much to park two blocks from my building and avoid the rows of homeless people: the worn tents, the used needles, the stinking garbage, the aura of hopelessness and distrust that filled a corner park and bled down the streets. 

I was listening to my favorite podcast, LA with A&I. Amy and Ian started the podcast two years ago to talk about computer gaming, technology, entertainment and Los Angeles. It had blossomed into a quasi news show and they live streamed every morning at seven. They’d riff on tech and local news as if sitting down with friends over coffee. Like me, they were nerds, born and bred in the City of Angels. I’d never met Amy or Ian in real life, but felt like I’d known them forever. 

We’d chatted over Discord, teamed up to play League of Legends, and I often sent them interesting clips about gaming or tech that they talked about on their podcast, crediting my gaming handle. Twice, we’d tried to set up coffee dates, but I always chickened out. I didn’t know why. Maybe because I thought they wouldn’t like me if they met me. Maybe because I was socially awkward. Maybe because I didn’t like people knowing too much about my life.

Today while I drove to work, they’d discussed the disaster that was city hall: all the digital files had been wiped out. The news story lasted for about five minutes, but it would be my life for the next month or more as my division rebuilt the data from backups and archives. It was a mess. They laughed over it; I tried to, but I was beginning to suspect the error was on purpose, not by mistake.

Now they were talking about a sweatshop that had been shut down last week.

“We don’t know much,” Amy said. “You’d think after eight days there’d be some big press conference, or at least a frontpage story. The only thing we found was two news clips—less than ninety seconds each—and an article on LA Crime Beat.”

“David Chen,” Ian said, “a Chinese American who allegedly trafficked hundreds of women and children to run his factory in Chinatown, was arraigned on Monday, but according to Crime Beat, the FBI is also investigating the crime. And—get this— the guy is already out on bail.”

“It’s fucked,” Amy said. “Look, I’m all for bail reform. I don’t think some guy with weed in his pocket should have to pay thousands of bucks to stay out of jail while the justice system churns. But human trafficking is a serious crime—literally not two miles from city hall, over three hundred people were forced to work at a sweatshop for no money. They had no freedom, lived in a hovel next door to the warehouse. Crime Beat reported that the workers used an underground tunnel to avoid being seen—something I haven’t read in the news except for one brief mention. And Chen allegedly killed one of the women as he fled from police. How did this guy get away with it? He kills someone and spends no more than a weekend behind bars?”

“According to Crime Beat, LAPD investigated the business for months before they raided the place,” Ian said. “But Chen has been operating for years. How could something like this happen and no one said a word?”

I knew how. People didn’t see things they didn’t want to. 

Case in point: the homeless encampment I now walked by. 

I paused the podcast and popped my earbuds back into their charging case.

“Hello, Johnny,” I said to the heroin addict with stringy hair that might be blond, if washed. I knew he was thirty-three, though he looked much older. His hair had fallen out in clumps, his teeth were rotted, and his face scarred from sores that came and went. He sat on a crusty sleeping bag, leaned against the stone wall of a DWP substation, his hollow eyes staring at nothing. As usual, he didn’t acknowledge me. I knew his name because I had asked when he wasn’t too far gone. Johnny, born in Minnesota. He hadn’t talked to his family in years. Thought his father was dead, but didn’t remember. He once talked about a sister and beamed with pride. She’s really smart. She’s a teacher in…then his face dropped because he couldn’t remember where his sister lived.

Four years ago, I left a job working for a tech start-up company to work in IT for city hall. It was barely a step up from entry-level and I couldn’t afford nearby parking garages. If I took a combination of buses and the metro, it would take me over ninety minutes to get to work from Burbank, so factoring the combination of time and money, driving was my best bet and I picked the cheapest garage less than a mile from work.

I used to cringe when I walked by the park. Four years ago, only a dozen homeless tents dotted the corner; the numbers had more than quadrupled. Now that I could afford a more expensive garage, I didn’t want it. I knew most of the people here by name.

“Hey, Toby,” I greeted the old black man wearing three coats, his long, dirty gray beard falling to his stomach. He had tied a rope around his waist and attached it to his shopping cart to avoid anyone stealing his worldly possessions when he slept off his alcohol.

“Mizvi,” he said, running my name together in a slur. He called me “Miss Violet” when he was sober. He must have still been coming down off whatever he’d drank last night.

I smiled. Four years ago I never smiled at these people, fearing something undefinable. Now I did, even when I wanted to cry. I reached into my purse and pulled out a bite-size Hershey Bar. Toby loved chocolate. I handed it to him. He took it with a wide grin, revealing stained teeth.

One of the biggest myths about the homeless is that they’re hungry. They have more food than they can eat. That doesn’t mean many aren’t malnourished. Drug and alcohol abuse can do that to a person.

A couple weeks ago a church group had thought they would bring in sandwiches and water as part of community service. It was a nice gesture, sure, but they could have asked what was needed instead of assuming that these people were starving. Most of the food went uneaten, left outside tents to become rat food. The plastic water bottles were collected to return for the deposit, which was used to buy drugs and alcohol.

But no one gave Toby chocolate, he once told me when he was half-sober. Now, whenever I saw him—once, twice a week—I gave him a Hershey Bar. He would die sooner than he should, so why couldn’t I give him a small pleasure that I could afford? Toby was one of the chronics, a man who’d been on the street for years. He had no desire to be anywhere else, trusted no one, though I thought he trusted me a little. I wished I knew his story, how he came to be here, how I could reach him to show him a different path. His liver had to be slush with the amount of alcohol he consumed. Alcohol he bought because people, thinking they were helping—or just to make themselves feel better—handed him money.

As I passed the entrance to the small park, the stench of unwashed humans assaulted me. The city had put four porta-potties on the edge of the park but they emptied them once a month, if that. They were used more for getting high and prostitution than as bathrooms. The city had also put up fencing, but didn’t always come around to lock the gate. Wouldn’t matter; someone would cut it open and no one would stop them. Trespassing was the least of the crimes in the area.

I dared to look inside the park, though I didn’t expect to see her. I hadn’t seen her for over a week. I found myself clutching my messenger bag that was strapped across my chest. Not because I thought someone would steal it, but because I needed to hold something, as if my bag was a security blanket.

I didn’t see her among the tents or the people sitting on the ground, on the dirt and cushions, broken couches and sleeping bags, among the needles and small, tin foils used to smoke fentanyl. I kicked aside a vial that had once held Narcan, the drug to counteract opioid overdoses. The clear and plastic vials littered the ground, remnants of addiction.

There was nothing humane about allowing people to get so wasted they were on the verge of death, reviving them, then leaving them to do it over and over again. But that was the system.

The system was fucked.

Blue and red lights whirled as I approached the corner. I usually crossed Fifth Street here, but today I stopped, stared at the silent police car.

The police only came when someone was dying…or dead. 

Mom.

I found my feet moving toward the cops even though I wanted to run away. My heart raced, my vision blurred as tears flashed, then disappeared. 

Mom

Excerpted from The Missing Witness by Allison Brennan, Copyright © 2024 by Allison Brennan. Published by MIRA Books.

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Book Excerpt: Two Dead Wives by Adele Parks

1

DC CLEMENTS

There is no body. A fact DC Clements finds both a problem and a tremulous, tantalizing possibility. She’s not a woman in­clined to irrational hope, or even excessive hope. Any damned hope, really. At least, not usually.

Kylie Gillingham is probably dead.

The forty-three-year-old woman has been missing nearly two weeks. Ninety-seven percent of the 180,000 people a year who are reported missing are found within a week, dead or alive. She hasn’t been spotted by members of the public, or picked up on CCTV; her bank, phone and email accounts haven’t been touched. She has social media registered under her married name, Kai Janssen; they’ve lain dormant. No perky pictures of carefully arranged books, lattes, Negronis or peo­nies. Kylie Gillingham hasn’t returned to either of her homes. Statistically, it’s looking very bad.

Experience would also suggest this sort of situation has to end terribly. When a wife disappears, all eyes turn on the husband. In this case, there is not one but two raging husbands left behind. Both men once loved the missing woman very much. Love is just a shiver away from hate.

The evidence does not conclusively indicate murder. There is no body. But a violent abduction is a reasonable proposition—police-speak, disciplined by protocol. Kidnap and abuse, possi­ble torture is likely—woman-speak, fired by indignation. They know Kylie Gillingham was kept in a room in an uninhabited apartment just floors below the one she lived in with husband number two, Daan Janssen. That’s not a coincidence. There is a hole in the wall of that room; most likely Kylie punched or kicked it. The debris created was flung through a window into the street, probably in order to attract attention. Her efforts failed. Fingerprints place her in the room; it’s unlikely she was simply hanging out or even hiding out, as there is evidence to suggest she was chained to the radiator.

Yet despite all this, the usually clear, logical, reasonable Cle­ments wants to ignore statistics, experience and even evidence that suggests the abduction ended in fatal violence. She wants to hope.

There just might be some way, somehow, that Kylie—enigma, bigamist—escaped from that sordid room and is alive. She might be in hiding. She is technically a criminal, after all; she might be hiding from the law. She can hardly go home. She will know by now that her life of duplicity is exposed. She will know her husbands are incensed. Baying for blood. She has three largely uninterested half brothers on her father’s side, and a mother who lives in Australia. None of them give Clements a sense that they are helping or protecting Kylie. She will know who abducted her. If alive, she must be terrified.

Clements’ junior partner, Constable Tanner, burly and blunt as usual, scoffs at the idea that she escaped. He’s waiting for a body; he’d settle for a confession. It’s been four days now since Daan Janssen left the country. “Skipped justice,” as Tanner in­sists on saying. But the constable is wet behind the ears. He still thinks murder is glamorous and career-enhancing. Clements tries to remember: did she ever think that way? She’s been a po­lice officer for nearly fifteen years; she joined the force straight out of university, a few years younger than Tanner is now, but no, she can’t remember a time when she thought murder was glamorous.

“He hasn’t skipped justice. We’re talking to him and his lawyers,” she points out with what feels like the last bit of her taut patience.

“You’re being pedantic.”

“I’m being accurate.”

“But you’re talking to him through bloody Microsoft Teams,” says Tanner dismissively. “What the hell is that?”

“The future.” Clements sighs. She ought to be offended by the uppity tone of the junior police officer. It’s disrespect­ful. She’s the detective constable. She would be offended if she had the energy, but she doesn’t have any to spare. It’s all fo­cused on the case. On Kylie Gillingham. She needs to remain clear-sighted, analytical. They need to examine the facts, the evidence, over and over again. To be fair, Constable Tanner is focused too, but his focus manifests in frenetic frustration. She tries to keep him on track. “Look, lockdown means Daan Janssen isn’t coming back to the UK for questioning any time soon. Even if there wasn’t a strange new world to negotiate, we couldn’t force him to come to us, not without arresting him, and I can’t do that yet.”

Tanner knocks his knuckles against her desk as though he is rapping on a door, asking to be let in, demanding attention. “But all the evidence—”

“Is circumstantial.” Tanner knows this; he just can’t quite ac­cept it. He feels the finish line is in sight, but he can’t cross it, and it frustrates him. Disappoints him. He wants the world to be clear-cut. He wants crimes to be punished, bad men behind bars, a safer realm. He doesn’t want some posh twat flashing his passport and wallet, hopping on a plane to his family man­sion in the Netherlands and getting away with it. Daan Janssen’s good looks and air of entitlement offend Tanner. Clements un­derstands all that. She understands it but has never allowed per­sonal bias and preferences to cloud her investigating procedures.

“We found her phones in his flat!” Tanner insists.

“Kylie could have put them there herself,” counters Clem­ents. “She did live there with him as his wife.”

“And we found the receipt for the cable ties and the bucket from the room she was held in.”

“We found a receipt. The annual number of cable ties pro­duced is about a hundred billion. A lot of people buy cable ties. Very few of them to bind their wives to radiators. Janssen might have wanted to neaten up his computer and charger cords. He lives in a minimalist house. That’s what any lawyer worth their salt will argue.” Clements rolls her head from left to right; her neck clicks like castanets.

“His fingerprints are on the food packets.”

“Which means he touched those protein bars. That’s all they prove. Not that he took them into the room. Not that he was ever in the room.”

Exasperated, Tanner demands, “Well how else did they get there? They didn’t fly in through the bloody window, did they?” Clements understands he’s not just excitable, he cares. He wants this resolved. She likes him for it, even if he’s clumsy in his declarations. It makes her want to soothe him; offer him guarantees and reassurances that she doesn’t even believe in. She doesn’t soothe or reassure, because she has to stay professional, focused. The devil is in the detail. She just has to stay sharp, be smarter than the criminal. That’s what she believes. “She might have brought them in from their home. He might have touched them in their flat. That’s what a lawyer will argue.”

“He did it all right, no doubt about it,” asserts Tanner with a steely certainty.

Clements knows that there is always doubt. A flicker, like a wick almost lit, then instantly snuffed. Nothing is certain in this world. That’s why people like her are so important; people who know about ambiguity yet carry on regardless, carry on asking questions, finding answers. Dig, push, probe. That is her job. For a conviction to be secured in a court of law, things must be proven beyond reasonable doubt. It isn’t easy to do. Barris­ters are brilliant, wily. Jurors can be insecure, overwhelmed. Defendants might lie, cheat. The evidence so far is essentially fragile and hypothetical.

“I said, didn’t I. Right at the beginning, I said it’s always the husband that’s done it,” Tanner continues excitedly. He did say as much, yes. However, he was talking about Husband Num­ber 1, Mark Fletcher, at that point, if Clements’ memory serves her correctly, which it always does. And even if her memory one day fails to be the reliable machine that it currently is, she takes notes—meticulous notes—so she always has those to rely on. Yes, Tanner said it was the husband, but this case has been about which husband. Daan Janssen, married to Kai: dedicated daughter to a sick mother, classy dresser and sexy wife. Or Mark Fletcher, husband to Leigh: devoted stepmother, consci­entious management consultant and happy wife? Kai. Leigh. Kylie. Kylie Gillingham, the bigamist, had been hiding in plain sight. But now she is gone. Vanished.

“The case against Janssen is gathering momentum,” says Clements, carefully.

“Because Kylie was held captive in his apartment block.”

“Yes.”

“Which is right on the river, easy way to lose a body.”

She winces at this thought but stays on track. “Obviously Mark Fletcher has motive too. A good lawyer trying to cast doubt on Janssen’s guilt might argue that Fletcher knew about the other husband and followed his wife to her second home.”

Tanner is bright, fast; he chases her line of thought. He knows the way defense lawyers create murky waters. “Fletcher could have confronted Kylie somewhere in the apartment block.”

“A row. A violent moment of fury,” adds Clements. “He knocks her out cold. Then finds an uninhabited apartment and impetuously stashes her there.”

Tanner is determined to stick to his theory that Janssen is the guilty man. “Sounds far-fetched. How did he break in? This thing seems more planned.”

“I agree, but the point is, either husband could have discov­ered the infidelity, then, furious, humiliated and ruthless, im­prisoned her. They’d have wanted to scare and punish, reassert control, show her who was boss.” They know this much, but they do not know what happened next. Was she killed in that room? If so, where is the body hidden? “And you know we can’t limit this investigation to just the two husbands. There are other suspects,” she adds.

Tanner flops into his chair, holds up a hand and starts to count off the suspects on his fingers. “Oli, Kylie’s teen stepson. He has the body and strength of a man…”

Clements finishes his thought. “But the emotions and irra­tionality of a child. He didn’t know his stepmum was a biga­mist, but he did know she was having an affair. It’s possible he did something rash. Something extreme that is hard to come back from.”

“Then there’s the creepy concierge in the swanky apart­ment block.”

“Alfonzo.”

“Yeah, he might be our culprit.”

Clements considers it. “He has access to all the flats, the back stairs, the CCTV.”

“He’s already admitted that he deleted the CCTV from the day Kylie was abducted. He said that footage isn’t kept more than twenty-four hours unless an incident of some kind is re­ported. Apparently the residents insist on this for privacy. It might be true. It might be just convenient.”

Clements nods. “And then there’s Fiona Phillipson. The best friend.”

“Bloody hell. We have more suspects than an Agatha Chris­tie novel,” says Tanner with a laugh that is designed to hide how overwhelmed and irritated he feels. His nose squashed up against shadowy injustice, cruel violence and deception.

“Right.”

“I still think the husband did it.”

“Which one?”

“Crap. Round and round in circles we go.” He scratches his head aggressively. “Do you want me to order in pizza? It’s going to be a long night.”

“Is anyone still doing deliveries? I don’t think they are,” points out Clements. “You know, lockdown.”

“Crap,” he says again, and then rallies. “Crisps and choco­late from the vending machine then. We’ll need something to sustain us while we work out where Kylie is.”

Clements smiles to herself. It’s the first time in a long time that Tanner has referred to Kylie by name, not as “her” or “the bigamist” or, worse, “the body.” It feels like an acceptance of a possibility that she might be somewhere. Somewhere other than dead and gone.

Did she somehow, against the odds, escape? Is Kylie Gilling­ham—the woman who dared to defy convention, the woman who would not accept limits and laughed in the face of con­formity—still out there, somehow just being?

God, Clements hopes so.

Excerpted from Two Dead Wives by Adele Parks. Copyright © 2023 by Adele Parks. Published by arrangement with Harlequin Books S.A.


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Book Excerpt: Perfect Little Lives by Amber and Danielle Brown

On Asher Lane, some secrets are worth killing for……

CHAPTER 1

A fat, heavy tear trickles down my cheek when I yank the final hair from my left areola, and it’s not even twelve seconds after I exchange my tweezer for the disposable razor I grifted from Reggie’s top drawer that blood is gushing down the inside of my thigh. I pause at the shocking appearance of crimson and immediately wonder if this laceration is punishment for being impatient or an indictment of my anti-feminism. Part of me thinks hustling to shave the stray hairs that still stubbornly sprout along my bikini line, despite the six agonizing laser removal sessions I’ve suffered through, is a reflection of how deeply I’ve internalized the particular brand of misogyny that says any hair below the brows on a woman is gross and revolting, and the fact that I’m doing this for a man, not myself, is in itself gross and revolting. I’ve also already chugged sixteen ounces of pineapple juice this morning, for obvious reasons.

The other part of me thinks it’s complete bullshit, that being hyper hygienic and having a general disdain for visible body hair is simply considerate, because feminism and a preference for hairlessness shouldn’t be mutually exclusive. I don’t actually think Reggie has ever noticed the hairs on my tits, or even the splattering on my toes that I compulsively remove once a week, 

so in a way maybe I am actually plucking the hair from my nipples for my own aesthetic appreciation, not because of the patriarchy, and my feminism is not actually in jeopardy at all.

My dad used to get on me all the time for fixating on tiny, inconsequential details, a habit I no doubt inherited from my mom. But I really am torn about whether I should be judging myself or just owning the part of my personality that is unapologetically vain as I glance at my phone again to see if Reggie has gotten back to my three where r u and did u leave yet and you’re still coming, right? texts, which is what I was doing when I slashed myself in the first place.

There is no reply.

No ellipsis to show he’s typing.

I sigh because I can’t remember the last time my thigh has felt even a trickle. Granted, the deep red liquid heading toward the marble tile is vastly less pleasant than the warm ropes that Reggie sometimes sends down my adductor, or wherever I request, but it’s warm and sticky just like it, and in the most bizarre way, watching it drizzle down my skin turns me on a little. After checking my phone again to no avail, I bandage the nick on my leg and toss the razor, assuming Reggie is already packed in a subway car like a sardine. He is not ghosting me. He is not cheating on me. He just doesn’t have reception and can’t write back yet.

Another thing my dad is constantly grumbling about, usually while he scans the days’ headlines in the Star-Ledger I bring him every Sunday, is how highly intelligent people can convince themselves of really dumb shit. So there’s that.

I look myself over, naked except for the fresh bandage and the glint of gold around my neck, and wish I could see myself the way Reggie sees me. I notice the flaws first. The blemishes. The discoloration. The faded scars I still have from childhood. He notices everything he likes and never has time to consider that I could even potentially see a single flaw in my own body  because his hands and mouth are always busy pawing and sucking before he has the chance. Well, that’s how it used to be. Before Goldstein & Wagner claimed his soul. Now I think his perpetual delirium from the lack of sleep gives him a soft-focus gaze and that’s why he thinks I’m so hot.

Most of my dresses are of the silky, shapeless variety, but the one I pick for tonight is also obscenely short, more reminiscent of a chemise than a dinner garment, something I would never wear out alone. But whatever I wear has to pull its weight tonight. My period is two days away and Reggie squirms even at the idea of a speck of blood. I’m virtually celibate five days every month because even bloody hand jobs freak him out, but he does run to Duane Reade without complaint whenever I’m almost out of tampons and always grabs the right box depending on my flow, so it balances out. He’s put in at least ten hours at the firm today, but I’m totally down for doing all the work to get us both off, so yes, this is the dress, and I’m going to make sure he orders something light with plenty of green on his plate so he doesn’t get the itis on the ride back to my place.

Still, as much as I am craving tongue and hands and a long, indulgent dicking down to sustain me while my ovaries wreak havoc, I would happily handle it myself once he’s asleep and take a couple hours of slow, deep conversation instead. A little shit talking, but mostly watching him eat, and laughing the way we used to back when we first met, when he was finishing the last leg of law school and had a fraction of the responsibilities he does now. I try not to romanticize the days when we were fresh and new, because it was fresh and new and so of course it was fucking romantic, but I’m human and can only look back on the inception of our relationship through a halcyon lens.

My apartment is a microscopic studio in a freshly gentrified Bed-Stuy, all I can afford on my own with my salary, which, five hundred miles toward the center of the continent, could get me a mortgage on a cute starter home. It can feel claustrophobic with more than two people inside it at once, but when it’s just me here, it’s perfect. The galley kitchen is at the front and my bed is made semiprivate by the two white open-shelf bookcases I have packed with too many books, some vintage with gorgeous, battered spines, most pre-loved before I got my hands on them. Reggie thinks I have a problem since I’ve lost count of how many I have and because I have dozens more books littered around the four-hundred-square-foot place. He had the nerve to toss around the h word once. I deadfished him that night, and he never used it again. Though if I’m being objective, there is barely a flat space that isn’t occupied by at least one paperback, but that’s only because I am an actual slut for an aesthetic floppy copy of almost anything. Reggie doesn’t get it. He thinks hardbacks are supreme, and I think it’s tied to the fragility of his masculinity somehow, especially since he’s barely a recreational reader, which makes his opinion hardly justified. Then again, I’m a fiend for his dick when it’s floppy too, so maybe I’m the one with a complex.

I run through my standard series of poses using my floor-length mirror to check how far I can lean over without flashing my nipples or my ass, and frown at my visible panty line. They’re seamless, allegedly, but I can see the faint indent where they grip my skin beneath the delicate fabric of my dress. I step out of them and shuffle through my top drawer for a much less conspicuous thong, but then shut it empty-handed and decide that it’s fine, Reggie has had a long week and it’s only Tuesday. I’m sure he’ll appreciate the surprise.

I’m ten pages away from knocking another contrived, predictable thriller written by a man that swears the narrative is feminist but comes off glaringly misogynistic off my TBR by the time I hear the jingle of Reggie’s keys outside the door to my unit. I toss the book aside without dog-earing my current page, though I feel an instant pang of regret and swing my legs off the arm of my couch as I reach for my phone to see what time it is. It’s been two hours since I gashed my leg. I wait for the door to fly open and brace myself to be seen, for his jaw to drop when he sees me.

But nothing happens.

Reggie doesn’t push in. I don’t hear that jingle anymore.

Before I fully convince myself that I’m suffering from hallucinations courtesy of my surge of pre-menstruation hormones, I straighten out my dress and cross the space to glance through the peephole and be sure. Reggie is on the other side, head bent over, his thumbs beating away at his phone’s screen, whatever email he’s writing taking precedence over our date. Envy erupts like a geyser inside me.

It’s hard to stay pissed at him once I swing the door open and look him over without the distorting view of the peephole. His shirtsleeves are rolled up to his elbows, revealing his forearms that are corded with thick veins, the left one covered in a massive tribal tattoo I still don’t know the meaning of. So slutty of him. His tie is loosened around his neck, but not all the way undone, and I can still smell the remnants of whatever soap he showered with this morning.

“Hey.” He hasn’t looked up yet. “Sorry I didn’t hit you back. I was swamped.”

I don’t reply, will not dignify anything he says with a response until he properly acknowledges me and all the work I put in to look edible for him tonight. He finally hits send and lifts his chin, a guilty smile tugging at the corners of his mouth. I don’t know why, with all this pent-up anticipation, his double take at my dress still makes me blush, and I sort of resent that part of me. Though, at the same time, it feels good to be taken in like this.

“Thought you said seven thirty,” I say, fighting to not sound too accusatory, but it’s not much of a battle since the way he’s checking me out is softening me right up like a stick of butter in a microwave.

His eyes are moving quickly, like they are being pulled downward by some invisible force. “This new?”

He reaches for my amorphous dress, his touch rough enough for me to worry about the preservation of its barely-there straps.

“Figured you’d like it,” I say.

I would have much preferred an immediate and sincere apology for keeping me waiting, but I relinquish my simmering irritation and let him feel me up as I lean in to give him a kiss. He settles a hand on the small of my back, definitely wanting me closer, wanting more, but I pull away before he gets too distracted by the dessert and no longer has an appetite for the meal.

“So.” I look for my purse. “Where you taking me?”

He smirks. “To the bed.”

From PERFECT LITTLE LIVES by Amber and Danielle Brown. Copyright 2023 ©Amber and Danielle Brown. Published by Graydon House. 

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Book Excerpt: The Fiction Writer by Jillian Cantor

Can she rewrite the fate of women who came before her?

Prologue

Last night I dreamt I went to Malibu again.

I stood barefoot on the sand, the cool water nipping at my ankles. And there, high above me, perched on the edge of that magnificent cliff, his stunning house sat as it once had, alive, whole. It had ten bedrooms and was on three private cliffside acres, with a lap pool, a tennis court, and a garden blooming flush with pink and white bougainvillea. But from the beach down below all I could see was its long wall of privacy-tinted glass windows, slanting out toward the sea.

He could see me here, out on the beach. I was certain he could, even in my dream.

He was still behind those windows, watching my every step. Though I couldn’t see him. The glass was one-way. But I imagined him there behind the glass so vividly, it had to be real.

Until it wasn’t. Until the heat from the flames would shatter all the windows, break them apart, send smoke spewing from the piano room, down the cliff, evaporating in wisps into the lonely Pacific.

But in my dream, the flames hadn’t existed yet. Or, maybe they never would. He and his house were there, watching me. Wanting me. Haunting me.

“Come back!” His voice was a desperate echo, my undoing. The smoke was so thick, even out on the beach I couldn’t see, and I couldn’t breathe.

So that’s why I did it, in my dream. I turned away from the house, and I walked into the bone-chilling water. It was so cold, it numbed me, but I walked into the sea, up to my shoulders, my neck, my chin. Until I could no longer smell the smoke or hear his voice.

And then my entire head was underwater, and the tide was strong. It sucked me in, held me there.

But I wasn’t trying to drown. I really wasn’t. I was merely trying to escape the fire.

Excerpted from The Fiction Writer by Jillian Cantor, Copyright © 2023 by Jillian Cantor. Published by Park Row Books.

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Book Review: Forgotten Sisters by Cynthia Pelayo

Sorrow will be my constant, because they died.

PLOT SUMMARY:

Sisters Anna and Jennie live in a historic bungalow on the Chicago River. They’re tethered to a disquieting past, and with nowhere else to go, nothing can part them from their family home. Not the maddening creaks and disembodied voices that rattle the old walls. Not the inexplicable drownings in the area, or the increasing number of bodies that float by Anna’s window.

To stave off loneliness, Anna has a podcast, spinning ghostly tales of Chicago’s tragic history. But when Anna captures the attention of an ardent male listener, she awakens to the possibilities of a world outside.

As their relationship grows, so do Jennie’s fears. More and more people are going missing in the river. And then two detectives come calling.

They’re looking for a link between the mysteries of the river and what’s housed on the bank. Even Anna and Jennie don’t understand how dreadful it is—and still can be—when the truth about their unsettled lives begins to surface.

GRADE: A

REVIEW:

When I read The Shoemaker’s Magician earlier this year, I thought that it definitely was one of my fave horror thrillers because it had everything I loved rolled into one novel – however, with Forgotten Sisters Pelayo taps into other things I absolutely love – The Little Mermaid, historical tragedies, and a mysterious killer on the loose. Some authors are linked to their location, such as Anne Rice with New Orleans, or Stephen King with Maine, and whenever I think of Pelayo and her writing I link her to Chicago – and love discovering and learning more about this city through her novels.

This novel is a modern retelling of The Little Mermaid but it’s also a ghost story of sorts (I don’t want to delve too much into detail because I think it’s important to find out on your own). But it’s also about the strength of sisterly love since the novel mostly focuses on the relationship between Anna and Jennie. The house they live in is next to a river, and soon both the house and river become important characters within the world of the novel as the people who inhabit it. A lot of this novel reads like a Gothic novel in regards to the two sisters spending most of their time indoors whilst being burdened by ghosts and odd noises. Young men have begun to go missing and show up dead in the river weeks and months later, sparking thoughts of a serial killer, although the police wish to not acknowledge that they may be dealing with one for fear of alarming the public.

A lot of the book is read like a poetic fever dream and works well in regards to its fairytale roots, so it never bothered me that the two sisters spoke like they were Dickensian characters (once you reach the end you’ll understand why). I know some may think that the love that blossomed between Anna and Peter was what some readers would call “insta-love” but really – I felt that it was possible for the two of them to fall for each other as quickly as they did when they had spent so much time exchanging emails prior (I’ve always been a sucker for long emails and letters between people I’m fond of and understand how a relationship can evolve from that rather quickly).

This novel was unique as it was an amalgamation of thriller, horror, crime, history, and fantasy all rolled into one unique story. I recommend this for those who lean towards Gothic atmospheres in their books and enjoy a slower-paced murder mystery.

*Thank you so much to NetGalley & Thomas & Mercer for the digital copy of this book in exchange for an honest review!

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Book Review: Deliver Me by Elle Nash

I’m drawn to him because of this lingering ferocity I see in men- the possibility of violence.

PLOT SUMMARY:

At a meatpacking facility in the Missouri Ozarks, Dee-Dee and her co-workers kill and
butcher 40,000 chickens in a single shift.  The work is repetitive and brutal, with each
stab and cut a punishment to her hands and joints, but Dee-Dee’s more concerned with
what is happening inside her body. After a series of devastating miscarriages, Dee-Dee
has found herself pregnant, and she is determined to carry this child to term.

Dee-Dee fled the Pentecostal church years ago, but judgment follows her in the
form of regular calls from her mother, whose raspy voice urges Dee-Dee to quit living
in sin and marry her boyfriend Daddy, an underemployed ex-con with an insect
fetish. With a child on the way, at long last Dee-Dee can bask in her mother’s and
boyfriend’s newfound parturient attention. She will matter. She will be loved. She
will be complete.

When her charismatic friend Sloane reappears after a twenty-year absence, feeding her insecurities and awakening suppressed desires, Dee-Dee fears she will go
back to living in the shadows. Neither the ultimate indignity of yet another miscarriage nor Sloane’s own pregnancy deters her: she must prepare for the baby’s arrival. 

GRADE: A

REVIEW:

If this book were a series, it’d be “bingeable.” Once you begin reading about Dee-Dee and her insect-obsessed boyfriend, Daddy, you can’t stop. The prose is raw and intimate in ways that will hit you emotionally at the core. Full disclosure, I have a phobia when it comes to insects, so the description of insects being placed on body parts was absolutely terrifying for me. But Nash also had me feeling sorry for these same insects later on in the novel, so that goes to show her deftness in being able to conjure pity even for creatures that I’d rather not have anywhere near me.

Dee-Dee becomes fixated with wanting to be pregnant, and this fixation leads her to tell her partner, Daddy that she’s indeed pregnant, despite her not actually being it. Her life begins to derail once her high school friend and fellow member of a church they both went to begins to live upstairs from her. Dee-Dee is convinced that Sloane wants to steal Daddy from her and that she’s trying to conspire against her. The book flashes between the present and the past, and in both places you can’t help but to feel sorry for Dee-Dee, especially in her present where she’s physically and emotionally exhausted by an occupation and relationship that suck so much out of her, without really feeling gratified by either.

Dee-Dee is a sympathetic character, and you can’t help but to root for her, despite her misgivings and the fact that the reader can sense that there’s a tragedy afoot and you’re sitting on pins and needles waiting to see just how much more terrible her life can really get.

I know this is categorized as horror by some people, but I wouldn’t necessarily say that it’s horror in the way that people define horror – rather it’s horrific in its realness and that can be much scarier than anything supernatural ever could. I recommend this book if you enjoy dark lit, twisted relationships/friendship, and true crime.

*Thank you so much to the author for the digital copy of this book in exchange for an honest review!

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Book Review: Delicate Condition by Danielle Valentine

Her body is no longer her own….

PLOT SUMMARY:

Anna Alcott is desperate to have a family. But as she tries to balance her increasingly public life as an indie actress with a grueling IVF journey, she starts to suspect that someone is going to great lengths to make sure that never happens. Crucial medicines are lost. Appointments get swapped without her knowledge. Cryptic warnings have her jumping at shadows. And despite everything she’s gone through to make this pregnancy a reality, not even her husband is willing to believe that someone is playing twisted games with her.

Then her doctor tells her she’s had a miscarriage―except Anna’s convinced she’s still pregnant despite everything the grave-faced men around her claim. She can feel the baby moving inside her, can see the strain it’s taking on her weakening body. Vague warnings become direct threats as someone stalks her through the bleak ghost town of the snowy Hamptons. As her symptoms and sense of danger grow ever more horrifying, Anna can’t help but wonder what exactly she’s carrying inside of her…and why no one will listen when she says something is horribly, painfully wrong.

GRADE: A-

REVIEW:

Full disclosure, I’ve read many of Danielle Valentine’s YA novels (under the name Danielle Vega), her Merciless series being one of the most popular ones. So, I was curious what this author would do in an adult horror novel. I also was curious to read this because the new season of American Horror Story, a series that I really love and watch every year, is going to be based off of this book – and I wanted to read the book prior to viewing the series.

This book explores many things that deal with womanhood and motherhood, and the craziest thing is that what one would think are the horror elements, aren’t really as terrifying as the true elements of the novel. I think I was more horrified by the amount of physical pain and stress the protagonist submitted to during the IVF treatments than when she began having strange cravings (and when I say strange – the cravings are pretty brutal). The men in this novel are mostly trash – so it’s no surprise that they didn’t take any of Anna’s concerns about her body seriously.

This novel is full of twists and turns, and I liked the direction it went rather than going for the tired trope of “evil baby.” I am very curious to see how this book will be adapted in AHS: Delicate and hope that they keep Valentine’s powerful message.

I recommend this book to those who love feminist horror novels that subvert genre expectations.

*Thank you so much to NetGalley and Sourcebooks Landmark for the digital copy of this book in exchange for an honest review!

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Book Review: Whalefall by Daniel Kraus

“Seventy percent of the planet is water. Most of that water is deep ocean. The origin of everything. Less than 5 percent of the deep ocean is mapped. Humans know more about Mars. Anything could be down there. Therefore, everything is.”

PLOT SUMMARY:

Jay Gardiner has given himself a fool’s errand—to find the remains of his deceased father in the Pacific Ocean off the coast of Monastery Beach. He knows it’s a long shot, but Jay feels it’s the only way for him to lift the weight of guilt he has carried since his dad’s death by suicide the previous year.

The dive begins well enough, but the sudden appearance of a giant squid puts Jay in very real jeopardy, made infinitely worse by the arrival of a sperm whale looking to feed. Suddenly, Jay is caught in the squid’s tentacles and drawn into the whale’s mouth where he is pulled into the first of its four stomachs. He quickly realizes he has only one hour before his oxygen tanks run out—one hour to defeat his demons and escape the belly of a whale.

GRADE: A

REVIEW:

I absolutely loved this book – which in a way almost felt like it was two novels in one. One novel is Jay’s battle to escape the various stomachs of the sperm whale he finds himself in, whilst the second novel is Jay’s guilt over his father’s suicide because the two always had a very difficult relationship that only got worse during his father’s cancer – and Jay spent his father’s last few months in life, not living with him or communicating with him. This novel runs against the clock as each chapter notes how much oxygen remains in Jay’s tank, and he’s got very little time to get back out of the whale and up on land before he dies. What I loved about this novel is that it had fast-paced short chapters so reading it was a breeze, but at the same time, it was rich with so many emotions. The reader can’t help but cheer Jay on, wanting him to be freed from the whale, but at the same time, you also hope that Jay can also be freed of his guilt. The novel explores both and I liked the way it ended. I won’t say anything more about it because I think you need to go into this novel blind and experience this journey with Jay.

I recommend this book if you love marine life adventures and character-driven thrillers. I love the ocean so this novel was right up my alley. I’d really love to see this become a film because it would make for an excellent survivalist thriller.

*Thank you so much to NetGalley and Atria and MTV Books for the digital copy of this book in exchange for an honest review!

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