Book Review: I Killed Zoe Spanos by Kit Frick

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What happened to Zoe won’t stay buried….

Release Date: June 30, 2020

Pre-Order on Amazon!

Publisher: Margaret K. McElderry Books

Price: $18.99 (hardcover)

Plot Summary:

When Anna Cicconi arrives to the small Hamptons village of Herron Mills for a summer nanny gig, she has high hopes for a fresh start. What she finds instead is a community on edge after the disappearance of Zoe Spanos, a local girl who has been missing since New Year’s Eve. Anna bears an eerie resemblance to Zoe, and her mere presence in town stirs up still-raw feelings about the unsolved case. As Anna delves deeper into the mystery, stepping further and further into Zoe’s life, she becomes increasingly convinced that she and Zoe are connected—and that she knows what happened to her.

Two months later, Zoe’s body is found in a nearby lake, and Anna is charged with manslaughter. But Anna’s confession is riddled with holes, and Martina Green, teen host of the Missing Zoe podcast, isn’t satisfied. Did Anna really kill Zoe? And if not, can Martina’s podcast uncover the truth?

Grade: A

Review:

This novel has been receiving a lot of buzz in the past few months, and with good reason. Thrillers for me are always a hit or miss since some thrillers latch onto the systematic formula and then I’m capable of figuring out the killer 30% into the book. This book is different though. We know the narrator is unreliable, but at the same time, we also know that everyone else we meet is just as unreliable. Plus, we’re given memories that we’re unsure whether they’re true memories or merely false memories. Thing is, I could never truly tell what was going on in this novel and that’s a good thing! I like being puzzled and pretty much suspecting EVERYONE for murder rather than it being easy and having the one creepy person in the book be the killer.

I rather enjoyed the varied story-telling that was provided in the book. The past was told in the first person present tense by Anna, a girl who bears a striking resemblance to the dead girl in question, Zoe Spanos. While the present is told in the third person and we also get a podcast transcript. So the book has a lot of variety in story-telling.

The book is marketed as being a cross between Courtney Summer’s Sadie and the gothic novel Rebecca. This is what this book has in common with those two novels: Sadie: There’s a missing girl and the book is told in podcast transcript 50% of it. But that’s where the comparison ends. Rebecca: The protagonist loves to sketch, so does Anna. The protagonist is also a middle-class girl who marries a rich widower. Anna is a middle-class girl who is hired to be a nanny during the summer for a wealthy family in the Hamptons. The novel Rebecca is plagued by the memory of Rebecca and the maid who is obsessive about her. This novel is plagued by the memory of Zoe Spanos and her ex-boyfriend’s mother who is obsessed with her. Again, this is where the comparisons end.

I Killed Zoe Spanos is a taut thriller and has you second-guessing every character in the novel and for that I LOVE IT. This thriller is twisty and will leave you guessing, and like I said, NO ONE IS SAFE. Anyone could be the killer and trying to figure out what exactly happened to Zoe Spanos that fateful New Year’s Eve night will have you reading way past your bedtime.

Read this if you love twisty thrillers with unreliable characters.

*Thank you so much to NetGalley and Margaret K. McElderry Books for the digital copy of this book in exchange for an honest review!

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Book Review: Behind Every Lie by Christina McDonald

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If you can’t remember it, how do you prove you didn’t do it?

Release Date: February 4, 2020

Order On Amazon!

Publisher: Gallery Books

Price: $10.99 (paperback)

Plot Summary:

Eva Hansen wakes in the hospital after being struck by lightning and discovers her mother, Kat, has been murdered. Eva was found unconscious down the street. She can’t remember what happened but the police are highly suspicious of her.

Determined to clear her name, Eva heads from Seattle to London—Kat’s former home—for answers. But as she unravels her mother’s carefully held secrets, Eva soon realizes that someone doesn’t want her to know the truth. And with violent memories beginning to emerge, Eva doesn’t know who to trust. Least of all herself.

Told in alternating perspectives from Eva’s search for answers and Kat’s mysterious past, Christina McDonald has crafted another “complex, emotionally intense” (Publishers Weekly) domestic thriller. Perfect for fans of Lisa Jewell’s I Found You and Karin Slaughter’s Pieces of Her, Behind Every Lie explores the complicated nature of mother-daughter relationships, family trauma, and the danger behind long-held secrets.

Grade: C-

Review:

I read this author’s debut novel last year, The Night Olivia Fell and I really enjoyed that novel. This novel, although it had a very strong premise of having an unreliable narrator (which I’m a sucker for) really didn’t hit its mark for me. My biggest issue with the novel was that for being a thriller, it seemed to fall under the formula of Lifetime movie thrillers. The so-called “bad guy” is clear from the get-go and any twist reveals aren’t very surprising either as I had figured out the whole novel by the 35% mark.

I don’t fault authors for writing about the same location as a previous novel (hell King has made a career out of setting the majority of his works in Maine), but this novel is also set in Washington state, just as her debut. Again, this novel has the same premise as the author’s debut where a low-middle class character has a relationship with an extremely wealthy man. Apart from the novel being highly predictable (for me), the thing that really irked me the most was the fact that the British characters were so stereotypical of how an American believes a British person acts or speaks. I’ve been to England multiple times and have a lot of British friends and have never heard anyone use “Blimey!” as an expression every two seconds as one of the British characters continuously does in this novel.

Not to mention that the protagonist so conveniently discovered things without any hard work. And honestly, how credible is it for someone to be able to travel TO LONDON from SEATTLE right after being struck by LIGHTENING. I am more likely to believe impossible things in a supernatural novel than a novel set in a fictitious reality of the real world.

Unfortunately, this book didn’t quite work out for me, nor did it offer that much entertainment. I honestly couldn’t wait for it to be done. However, if you’re the type of reader who loves cozy mysteries and Lifetime inspired thrillers, then you may enjoy this book very much. It’s not a terrible book and the writing flows easily. The author excels in descriptions about setting but still is incapable of writing compelling dialogue.

If you’re in the mood for a light read, you can give this book a go.

*Thank you so much to NetGalley and Gallery Books for the digital copy of this book in exchange for an honest review!

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Women In Horror: Top 5 Female Directed Horror Movies

The world of directing is still predominantly male, and so is the horror genre. But more and more women are trying to carve out their space in both directing and horror. Below are some of the best the world of horror has to offer when it comes to female directors. Many times women decide to tackle subjects that many men wouldn’t understand with the same amount of ethos. Women understand trauma, the fear of sexual assault, female friendships, and body horror more than men, and the movies I’ve selected all explore those themes.

RAW – directed by Julia Ducournau

Everyone in Justine’s family is a vet. And a vegetarian. At sixteen she’s a brilliant student starting out at veterinary school where she experiences a decadent, merciless and dangerously seductive world. Desperate to fit in, she strays from her family principles and eats RAW meat for the first time. Justine will soon face the terrible and unexpected consequences as her true self begins to emerge.

Honeymoon – directed by Leigh Janiak

Young newlyweds Paul (Harry Treadaway) and Bea (Rose Leslie) travel to remote lake country for their honeymoon, where the promise of private romance awaits them. Shortly after arriving, Paul finds Bea wandering and disoriented in the middle of the night. As she becomes more distant and her behavior increasingly peculiar, Paul begins to suspect something more sinister than sleepwalking took place in the woods. Treadaway (CONTROL) and Leslie (HBO’s GAME OF THRONES) give captivating leading performances as a couple that takes new love to disturbing depths. With romance slowing giving way to terror, writer/director Leigh Janiak puts her unique stamp on this intimate, chilling thriller.

Blue My Mind directed by Lisa Ivana Brühlmann

15-year-old Mia is facing an overwhelming transformation that calls her entire existence into question. Her body is changing radically, and despite desperate attempts to halt the process, she is soon forced to accept that nature is far more powerful than she.

M.F.A directed by Natalia Leite

An art student struggling with creativity is violently raped by a fellow classmate. After attempting the traditional routes to cope with her trauma, she impulsively confronts her attacker – a decision that has deadly repercussions. Her world is turned upside down as a chilling reality is uncovered: she is one of many silenced sexual assault survivors on campus. A vigilante is born- retribution is the inspiration she’s been waiting for.

Always Shine directed by Sophia Takal

Two friends, both actresses (Halt and Catch Fire’s Mackenzie Davis and Masters of Sex’s Caitlin FitzGerald), leave Los Angeles for Big Sur embarking on a weekend getaway to reconnect. Once alone, however, the two women’s suppressed jealousies and deep-seated resentments bubble to the surface, causing them to lose grasp not just of the true nature of their relationship, but also of their own identities.

What female-directed horror movies are your favourites?

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Book Review: The Twin by Natasha Preston

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Ivy finds out that her twin sister, Iris, is trying to push her out of her own life–and might be responsible for their mother’s death.

Release Date: March 3, 2020

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Publisher: Delacorte Press

Plot Summary:

After their parents divorced, 10-year-old twins Ivy and Iris were split up–Ivy lived with Dad, Iris with Mom. Now, after a tragic accident takes their mom’s life, the twins are reunited and Iris moves in with Ivy and their dad. Devastated over Mom’s death, Iris spends the first few weeks in almost total silence–the only person she will speak to is Ivy. Iris feels her life is over and she doesn’t know what to do. Emmy promises her twin that she can share her life now. After all, they’re sisters. Twins.

It’s a promise that Iris takes seriously. And before long, Ivy’s friends, her life at school, and her boyfriend, Tyler, fall under Iris’s spell. Slowly, Ivy realizes she’s being pushed out of her own life. But she’s just being paranoid, right? And Mom’s accident was . . . just an accident. Right? It’s not like she–or Dad–or Tyler–are in any danger. . . .

Grade: C

Review:

The blurb for The Twin sounded utterly fascinating as I’m always on board when it comes to creepy, evil twins. Plus I know this author for the bestselling series The Cellar (admittedly I haven’t read said series but I figure if you reach the NYT bestselling list then you can’t possibly be a bad writer). So what could possibly go wrong? Apparently, a lot.

I’m not here to bash a book or an author, but this book truly moves at a snail’s pace. Sure, there’s some gaslighting by Iris (the supposedly evil twin) but it doesn’t really escalate till you’re 75% in the book. I was tempted many times to simply give up on this book, but I only prevailed cause reviewers who made it through claimed it was worth the wait.

Sure, Iris acts strange and like Ivy, we’re left questioning her strange bi-polar personality, but other than that, we can’t see her as being purely evil. And for being a YA, it is very tame compared to other edgier books I’ve read in the genre. I’m also baffled by all the reviews that claimed this was a fast-paced thriller. Using short sentences and barely any description doesn’t easily equate to fast-paced. And there’s some suspense but then again since not much happens that I found to be too alarming, it doesn’t really elevate the stakes at hand.

Is Iris really trying to take Ivy’s place? And if so, why? That’s the central question and it would be an interesting one if it had merely moved at a faster pace or had some truly terrible things happen to Ivy. Now I know that this author used to post their writing on Wattpad (I’m not judging since I do enjoy A.V. Geiger’s books a lot and she used to be on there as well) but I can’t help but feel as though Preston’s writing is too simplistic and that her thrillers aren’t even on par with middle-grade thriller books (I mean a lot more happens in a Goosebumps book than what occurred throughout this one).

The dialogue was a bit stilted in this book, especially anytime Iris spoke. I get that she’s weird but the way she speaks doesn’t even sound like a normal teen or one that is popular anyway.

I really wanted to love this book or at least enjoy the ride, but instead, I was bored witless and wish I could’ve been Ivy binge-watching Riverdale instead.

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*Thank you so much to NetGalley and Delacorte Press for the digital copy of this book in exchange for an honest review!

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Love or Hype? Michael Jackson’s Thriller Album

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Last year, I ran the segment Throwback Thursday where I rediscovered things that I appreciated in my youth and see if it passed the test of time when I reemerged myself in it. This year, I’ve decided to run a new segment, Love or Hype?, where for the first time I check out something that was immensely popular but I never took the time to check it out.

For my first Love or Hype? of the year, I’ve decided to take a listen to Michael Jackson’s Thriller album. Sure, I’ve heard a song or two from the album in passing (you’ve had to live under a rock to NEVER have heard a Michael Jackson song because he was simply that globally famous), but I’ve never listened to the album in its entirety. Up until now, Thriller is undoubtedly the most bestselling album of all time with 66-million copies sold worldwide. So obviously, it can’t possibly be a terrible album, right?

Let me preface that I’m not a fan of eunuch type male voices (which is the sort of voice that Michael Jackson had), but with the catchy tunes found within this album, there’s a reason why he was coined The King of Pop.

With hits like, Thriller, Baby Be Mine, The Girl is Mine, Billie Jean, and Beat It even the most reluctant dance can’t help but feel themselves itching to move their feet. And even after all this time, the album still proves to be fresh. I know that Michael Jackson’s legacy throughout the years has faltered (either by being too eccentric and weird to being accused of child molestation), listening to this album without thinking about those things makes you appreciate the man as a musician.

And after all these years, I can admit that I can see what the hype was all about. Even if his voice isn’t necessarily my cup of tea, 66-million people weren’t wrong in consecrating this album as the most sold album of all time.

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Excerpts from: Strange Girls: Women in Horror Anthology

Strange Girls - High Resolution

In five weeks, Strange Girls: Women in Horror Anthology will drop just in time to celebrate Women in Horror Month. The stories found within this anthology are very diverse. They range from slasher, psychological horror, sci-fi horror, Gothic, mythological, thriller, and speculative. But the common ground is that the girls presented in the anthology are all uniquely strange in their own ways with elements of horror.

If you’re a reviewer on NetGalley, the book is currently there for you to pick up in exchange for a review. For the rest of you, here’s a small sample of what sort of stories you’re bound to come across in the book:

Excerpt from “Tribal Influence” by Erica Ruhe

“Por favor! You don’t understand,” the terrified mother pleaded in Spanish. “My daughter needs special care. Only I can look after her.”
A guard stood stone-faced on the other side of the open chain link gate.
“Ma’am, the child needs to come with me.” He gestured the girl forward. “Vamos, chica.”
“Mama?” The little girl’s dark brown eyes grew wide. Her father stepped in front of his wife and child.
“No!” he demanded. “My daughter is staying with us.”
The overflowing detainment center hummed with apprehension. Confused conversation and the shuffling of feet hung heavy under the musty weight of acrid sweat and fear.
“Por favor, she is a very special girl,” the mother continued. “You must let me stay with her.”
The guard pulled out his baton.
“Sir, step aside. Ma’am—”
“My daughter needs me.” Tears rolled down the mother’s cheeks. “Por favor, let us stay together!”
“Hey!” An impatient supervisor called across the imprisoned throng of immigrants. “What’s the hold up, Sam? We gotta keep these cattle moving!”
“My daughter is not going anywhere,” the father insisted.
“Listen to me!” The guard pointed his baton at the young Guatemalan family. “Escúchame! Tu hija viene conmigo.”
“No, Mama!” the little girl clutched her mother’s neck. “No, Mama! No, no, no!”
The mother began to shake.
“Shh, shh, my love,” she cooed, suddenly sinking to her knees. A strange vacancy filled her face as the blood drained out of her cheeks.
“Mama!” the girl wept.
“Last warning.” The guard pushed the father aside with his baton. “Mueve tu culo.”
“Mama!”
But the father stepped in again, this time turning to his girls.
“Joaquina?” the father asked, tension in his voice. “Joaquina?”
“Enough dicking around!” the guard shoved the father aside. “C’mon!”
He grabbed the mother’s arm but he faltered and gasped.
“Let her go!” the father cried out. “Let her go!”
“What the hell?” the guard yelled, holding up a shaking hand to his face. “What the fuck is happening?”
The mother looked up from her crying child, tears trembling on the rims of her eyelids. She gazed in to the guard’s eyes with an eerie stillness.
“I can’t stop it,” she whispered.
“Sam?” the supervisor called, concerned.
The guard suddenly spasmed, as if stung. He grabbed his heart. Eyes rolled back. Jaw snapped wide. And in the next instant, his terrified scream consumed him.

Excerpt from “Sideshow” by Jude Reid

His tongue is in her mouth again.

Against her back, she can feel the fabric of the tent, the wet canvas smell mixing with the taste of ketchup and soda and Juicy Fruit gum. Her right hand is closed around a guy-rope; her left, for want of anywhere else to put it, is on Richie’s belt. He has taken hold of her right breast and is squeezing it rhythmically and not especially gently. This is your fault, she thinks to herself, eyes closed and mouth open. You didn’t say no.

The tongue retracts back into his mouth, slick, fat and slug-like. She imagines it leaving a trail of thick mucus behind itself, and her stomach lurches at the thought, sending a tide of acid rushing into her mouth. Her own tongue flicks out and runs across her lower lip, as if it were possible to lick away every trace he had left behind.

Excerpt from “The Girl Who Never Stopped Bleeding” by Sam Lauren

Barb washed her panties in the bathroom sink between classes and the water ran pink. It stained her nails. She scrubbed them with hand soap and course paper towels but they never came clean. Neither did the panties.

It was her first time. Some of us knew how she felt. We didn’t give her advice; we teased her as if we didn’t have folded bits of toilet paper stuffed between our linens and our aching, leaking bodies.

By the fifth day everyone knew. Boys wouldn’t touch her. Girls claimed to smell her from lockers away.

The Bible says a bleeding woman is unclean. We thought it was funny, a myth, a lie told by parents to make kids remain chaste. It didn’t prepare us for Barb.

Two weeks in she killed a plant. We can’t prove it but they both sat by the window, wilting in their own filth. The plant hadn’t changed its dirt. She hadn’t changed her panties. Some say she touched the stem of the flower, turned it toward the light, but others say it died just from being near her.

A month later she was still scrubbing her panties after every bell.

Strange Girls: Women in Horror Anthology drops February 18, 2020 but is available for pre-order!

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Book Review: The Dead Girls Club by Damien Angelica Walters

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Red Lady, Red Lady, Show us your face….

Release Date: December 10, 2019

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Publisher: Penguin Random House

Price: $26.99 (hardcover)

Plot Summary:

In 1991, Heather Cole and her friends were members of the Dead Girls Club. Obsessed with the macabre, the girls exchanged stories about serial killers and imaginary monsters, like the Red Lady, the spirit of a vengeful witch killed centuries before. Heather knew the stories were just that until her best friend Becca began insisting the Red Lady was real–and she could prove it.

That belief got Becca killed.

It’s been nearly thirty years, but Heather has never told anyone what really happened that night–that Becca was right and the Red Lady was real. She’s done her best to put that fateful summer, Becca, and the Red Lady, behind her. Until a familiar necklace arrives in the mail, a necklace Heather hasn’t seen since the night Becca died.

The night Heather killed her.

Now, someone else knows what she did…and they’re determined to make Heather pay.

Grade: A-

Review:

I’ll be honest, when I read the first chapter, I wasn’t too intrigued although it opened with a very disturbing admission, that the protagonist Heather had killed her best friend when she was a tween. It wasn’t until the following chapter reverted to the THEN portion of the story that I was hooked. The novel is sectioned in alternating chapters with a chapter in the present and the following chapter in the past. By far, the THEN chapters are way more interesting because it shows Heather as a twelve-year-old, and being best friends with Becca, and also with Rachel and Gia, whom like her and Becca also enjoy a fascination for the macabre. The girls are intrigued by deaths and serial killers so much that they decide to create the Dead Girls Club. A club made to share scary stories or true crime stories. The girls usually got together for these meetings at the basement of an abandoned house.

That summer though, Becca becomes obsessed with telling the story of the Red Lady, a witch who was killed in an atrocious manner. At first, the girls are intrigued by the stories, especially Heather, but she begins to resent the stories when she notices how it has begun to affect Becca. Because Becca is convinced that the Red Lady is real and the only one who can save her from her alcoholic, abusive mother.

In the present time, Heather receives a pendant that Becca was wearing the night of her death in the mail, which causes her to spiral in paranoia. Did somebody see her kill Becca? Is the Red Lady after her?

This book is so deliciously twisty that you find yourself questioning what’s real and what isn’t. I wouldn’t necessarily call Heather an unreliable narrator but more it’s an exploration of devout friendship and how often stories in our youth can begin to feel real if we allow ourselves to believe in them.

I honestly wish that we had gotten more chapters from the past or that we could’ve gotten a whole book about the Red Lady (the story was simply very fascinating as it was horrific). I suggest this novel to anyone who loves thrillers with a dash of supernatural spookiness into the mix.

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*Thank you so much to NetGalley and Penguin Random House for the digital copy of this book in exchange for an honest review!

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Book Review: Love, Heather by Laurie Petrou

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What you see isn’t always what you get.

Release Date: October 8, 2019

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Publisher: Penguin Random House

Price: 18.99 (paperback)

Plot Summary:

Stevie never meant for things to go this far. When she and Dee–defiant, bold, indestructible Dee–started all this, there was a purpose to their acts of vengeance: to put the bullies of Woepine High School back in their place. And three months ago, Stevie believed they deserved it. Once her best friend turned on her, the rest of the school followed. Stevie was alone and unprotected with a target on her back. Online, it was worse.

It was Dee’s idea to get them all back with a few clever pranks, signing each act Love, Heather–an homage to her favorite 80’s revenge flick. Despite herself, Stevie can’t help getting caught up in the payback, reveling in every minute of suffering. And for a while, it works: it seems the meek have inherited the school.

But when anonymous students begin joining in, punishing perceived slights with increasingly violent ferocity, the line between villain and vigilante begins to blur. As friends turn on each other and the administration scrambles to regain control, it becomes clear: whatever Dee and Stevie started has gained a mind–and teeth–of its own. And when it finally swallows them whole, one will reemerge changed, with a plan for one final, terrifying act of revenge.

Grade: C+

Review:

I really enjoyed the first 85% of this book so very much as it detailed the school life of Stevie who is on the verge of entering one of the popular cliques at school with her best friend Lottie when she makes a faux pas, and even her best friend of many years disowns her. That’s when the bullying begins. This is a very timely book as it discusses trans, transphobia, bullying, and school shootings. The book excelled in making teens sound like teens and having Stevie deal with bullying in a very realistic way for teens today (both in school and online).

But everything changes for Stevie when she befriends the loner, Dee who encourages her to rise up against the bullies and exact revenge. Soon, other kids are taking notice and the popular clique is getting what they deserve, although the author does explore the premise of the grey area where sometimes revenge becomes another form of bullying.

For anyone who has watched teen revenge movies ala Mean Girls, Heathers, and Carrie, you’ll love this book and cheer for our cinephile protagonist Stevie and Dee as they defy the high school hierarchy. My only issue with the book was that it got way too preachy towards the end of it. The message it was trying to convey was an important one, but it somehow sounded more like an after school special and so it took me out of the story.

I’m also confused by the fact that everyone keeps referring to this book as a thriller. First of all, we all know who started the Love, Heather revenge and nobody dies (I’m pretty sure there should be murder for a book to be considered a thriller, or at least a threat of murder, but that’s just me). Secondly, I’m getting really fed up with the plot twists for all books lately seem to be some form of mental illness. Mental illness shouldn’t be a plot twist, that’s just lazy writing! And lastly, Stevie never takes revenge on the one person that totally deserved it the whole time! Sure, they try to embarrass said person, but they never truly pay for their wrongdoings and that pisses me off when it’s a book about revenge.

I did enjoy the book a lot up to the plot twist and ending. The book is a page-turner because you do want to find out what is going to happen next, but all that climax for such a poor plot twist that was NEVER referenced in the conclusion since the protagonist conveniently decided not to mention it to anyone is what turned me off at the end. Which is sad, because I would’ve ranked this book higher had the last portion of the novel been better or more satisfying.

*Thank you so much to NetGalley and Penguin Random House for the digital copy of this book in exchange for an honest review!

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Book Review: Lock Every Door by Riley Sager

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The next heart-pounding thriller from New York Times bestselling author Riley Sager follows a young woman whose new job apartment sitting in one of New York’s oldest and most glamorous buildings may cost more than it pays.

Release Date: July 2, 2019

Pre-Order on Amazon

Price: $17.10 (hardcover)

Publisher: Dutton

Plot Summary:

No visitors. No nights spent away from the apartment. No disturbing the other residents, all of whom are rich or famous or both. These are the only rules for Jules Larsen’s new job as an apartment sitter at the Bartholomew, one of Manhattan’s most high-profile and mysterious buildings. Recently heartbroken and just plain broke, Jules is taken in by the splendor of her surroundings and accepts the terms, ready to leave her past life behind.

As she gets to know the residents and staff of the Bartholomew, Jules finds herself drawn to fellow apartment sitter Ingrid, who comfortingly reminds her of the sister she lost eight years ago. When Ingrid confides that the Bartholomew is not what it seems and the dark history hidden beneath its gleaming facade is starting to frighten her, Jules brushes it off as a harmless ghost story . . . until the next day, when Ingrid disappears.

Searching for the truth about Ingrid’s disappearance, Jules digs deeper into the Bartholomew’s sordid past and into the secrets kept within its walls. What she discovers pits Jules against the clock as she races to unmask a killer, expose the building’s hidden past, and escape the Bartholomew before her temporary status becomes permanent.

Grade: A

Review:

Soon after reading The Last Time I Lied, I picked up Final Girls (I still need to read it) and of course requested a copy of Lock Every Door the second it was available on NetGalley. Luckily, I managed to snag a copy. There’s something about Riley Sager that I just LOVE. He always manages to incorporate some horror aspect into his thriller novels. For example, with Lock Every Door, Jules is a recently laid-off worker, and finds work as a housesitter in the exclusive Bartholomew Building (in which she and her sister used to obsess about since their favorite book was set there), and for some reason the book gave me some serious Rosemary’s Baby vibes. Maybe because of the uber-rich, yet creepy neighbors, or the fact that it’s alluded that the building is cursed and witches may be involved. However, this being a Sager novel means that although it may give you horror vibes, it never ventures off into supernatural.

I found Jules to be very relatable, as I think we can all identify with her. She was a hard worker in college, received a degree thinking she could better her social standing, instead, she ends up working a crummy office job in which she gets laid off from, and in her desperation to find a new living situation (her loser boyfriend cheated on her), she falls for an ad on Craigslist that is looking for a housesitter. Now, if Jules economic situation hadn’t been so fire, she would’ve bailed at the first inkling of something being amiss at the Bartholomew, but since beggars can’t be chooser’s, she sticks it out even when us readers are yelling, GET THE FUCK OUT!

Some aspects of the story seem kind of over the top, but I feel like it works, or at least Sager has enough thriller cred to make it work. This book is perfect any of you who love mysteries, thrillers, or horror (cause even though it’s not horror it DOES have a lot of horror vibes running throughout).

I really enjoyed this book a lot and have a feeling that Sager will become one of my fave new authors.

*Thank you so much to NetGalley and Dutton for the digital copy of this book in exchange for an honest review!

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Book Review: The Stillwater Girls by Minka Kent

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Two sisters raised in fear are about to find out why.

Release Date: April 9, 2019

Order on Amazon

Price: $15.99 (hardcover)

Publisher: Thomas & Mercer

Plot Summary:

Ignorant of civilization and cautioned against its evils, nineteen-year-old Wren and her two sisters, Sage and Evie, were raised in off-the-grid isolation in a primitive cabin in upstate New York. When the youngest grows gravely ill, their mother leaves with the child to get help from a nearby town. And they never return.
As the months pass, hope vanishes. Supplies are low. Livestock are dying. A brutal winter is bearing down. Then comes the stranger. He claims to be looking for the girls’ mother, and he’s not leaving without them.

To escape, Wren and her sister must break the rule they’ve grown up with: never go beyond the forest.

Past the thicket of dread, they come upon a house on the other side of the pines. This is where Wren and Sage must confront something more chilling than the unknowable. They’ll discover what’s been hidden from them, what they’re running from, and the secrets that have left them in the dark their entire lives.

Grade: B-

Review:

I devoured half of the book in one day, that’s just how fast-paced and easy to read this novel is. The premise was truly alluring about sisters living off the grid with a mother who bailed on them in search of medicines for the younger sister. I never truly warmed up to the character of Nicolette, because in Kent’s previous novel, The Thinnest Air, she had another similar character (pretty rich girl with a husband acting suspiciously). I’m sure it’s fun to write about rich people, but I always feel a bit disconnected when books only focus on wealthy people who have closets that are the size of a living room.

My only gripe about the book was the twist in the middle. I think the book could’ve done without the twist or at least made a twist that was less far-fetched. I wish to keep this review spoiler-free, but the twist involved a serious mental health issue that seemed to be taken lightly.

The writing in the book is somewhat simplistic which means that it’s an easy read (not saying it’s a bad thing). But it only took me a couple of days to be done because it was a really quick read (lengthwise and ease of word choice). It wasn’t overly descriptive or flowery, but the excessive foreshadowing grew tiresome at times.

The book had too much of a happy ending for me, which seemed a bit unrealistic, but I guess that’s what readers expect so maybe many won’t mind. Overall, it was an enjoyable read that kept me interested and had me invested in the characters, so I will def check out other books by this author.

*Thank you so much to NetGalley and Thomas & Mercer for the digital copy of this book in exchange for an honest review!

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