Excerpt: A Good Man by P.J. McIlvaine

It’s funny/not funny the things you remember about the worst day of your life.

It was a hot, humid, hazy, August afternoon.

We had hot dogs and baked beans for dinner. Later, I had a cosmic orchestra of gas and flatulence. Mom thought it was hilarious. Palmer accused me of being a show-off. He wasn’t entirely wrong.

Afterward, as we did every Sunday night, we watched The Ed Sullivan Show.

I drifted off to sleep as rain pelted the roof. The sky blinked off and on like a flashlight. The roar of thunder filled all the empty spaces.

My brother Palmer—forever thirteen—shook me awake, his hands red and sticky. I thought it was from a cherry ice pop—but I know now it was blood. Our mother’s blood.

Hide, Brooks.” Palmer took in a huge gulp of air. “You know where. And don’t come back, whatever you do. The monster. He’s in the house.”

I ran up to the dunes at Ditch Plains Beach as fast as my stubby legs could carry me, soaked and chilled to the bone.

A week later, I woke up in a hospital bed. A nurse jabbed me with something.

My father gripped my hand. “You’re all right, son,” he whispered. “It’s over.”

But of course, it wasn’t. And I was far from all right. I didn’t know it then, but I do now. You have no idea how deep the rot goes until you bite into the apple and see a wriggling worm.

CHAPTER ONE

Sheldon Adler, my agent at Crown-Hawkins and my brother from another mother, is late as usual. No fucking surprise there. When you’re meeting Sheldon, you have to tack on an hour at least. I’m at our usual table at La Bonne Grenouille, the best little French bistro in Manhattan that no one has ever heard of, sipping a glass of ice-cold watermelon seltzer. Sheldon has been my literary agent—no, make that literary savior—since he read my first published short story that didn’t involve erect penises in The New Yorker. He contacted me out of the blue and suggested Hey, why don’t you write a book and I’ll sell it? I wrote Fallen Angels in twenty-four days in a drug haze. When it was finally published, it sold less than two hundred copies, but Sheldon was so fucking proud you would’ve thought it sold two million. I resigned myself to being a failure. Months later, the book was plucked out of obscurity by the senior literary critic of The New York Times and nominated for a Pulitzer. A tabloid dubbed me “The Heroin Hemingway.” The name stuck, even though I’ve been sober and drug-free for more than twenty-five years.

Sheldon got me my first million-dollar advance. He’s the wolf that other wolves hire, and his reputation is well-earned. My biggest supporter, he stayed with me through the lean, mean years when I wrote truly terrible books. Despite my abysmal marital track record, I’m extremely loyal. I wouldn’t dream of leaving Sheldon and believe me, other agents have tried to poach me. And unless I did or said something unacceptable that blew up on social media—which is why I don’t have any social media accounts—Sheldon wouldn’t kick me to the curb or toss me under the bus. All my skeletons are out there. Well, most of them.

A portly man with a vague resemblance to the great Mafia chronicler Mario Puzo, Sheldon huffs his way to our table. I can’t say it to his face, but Sheldon needs to lose forty—make that fifty—pounds, if not for himself, then for his young children. I’m sixty-five and I can still fit into the jeans I wore when I was nineteen. It takes discipline and willpower, of which I have plenty to spare.

After we order and exchange our typical innocuous pleasantries about the weather, politics, and soccer, for we’re both rabid fans, Sheldon downs a gin and tonic. It’s his first of the day and not his last. “Brooks, how is the book coming along?” he booms in a guttural Brooklyn accent that has other diners turning their heads.

“Great,” I reply cheerfully. “It couldn’t be going any better.

Gold, pure gold.”

He tilts his head. “Cassie says you haven’t been sleeping well.”

Cassie’s my third and—if I have anything to say about it—last wife. She interviewed me for a puff piece and months later, when the pregnancy test was positive, I knew I’d met my Waterloo, no thanks to Abba. An abortion was out of the question. Now we have two children under six, our lives are a merry-go-round of sweet chaos. Last fall, I had a vasectomy so there will be no more miniature Andersons polluting the planet.

I finish my seltzer and signal for another. “You know I never sleep well when I’m writing. I do my best work after midnight.” In the old days, that didn’t necessarily apply to writing.

The waitress delivers our meals: me, a grilled chicken Caesar salad with extra feta, and Sheldon a porterhouse with crispy julienne potatoes and parmesan creamed spinach. I eye his steak with unconcealed envy, but Cassie’s always after me to eat healthier. I sigh and add more dressing to my salad. Cassie would be pleased.

“Yeah, I know. You have the constitution of fucking Secretariat. You did drugs with Keith Richards and Lou Reed.” Sheldon cut into his steak; it’s not just blue, it’s bloody raw. Just looking at it makes me queasy. “But this is different. You’re writing about your goddamn family.”

“I can be objective.”

Sheldon puts his fork down. “Not about this, Brooks. Come on. The cold-blooded executions of your mother and brother—”

I suddenly lose my appetite. Sheldon means well. Cassie does, too. But this quasi-intervention is the last thing I need. “Sheldon, you know as well as Cassie that I had no choice. I wasn’t going to let that fucking guttersnipe drag my mother through the mud.” The fucking guttersnipe in question is Marshall Reagan (no relation to the former president), a douchebag posing as a journalist. His brand is writing scandalous, unauthorized biographies of the rich and famous because he knows he can get away with it. No dirt, no sleaze, is beneath him. And when he can’t find anything salacious, he makes shit up and pulls it out of his ass like saltwater taffy.

“You don’t know that.”

“Oh, but I do know. I know exactly the angle he’d take. That my mother was having an affair with Julian.” Julian Broadhurst, born in Lancaster, England, in 1942. An artist who was supposedly the protégé of Peter Max. Julian had long blond hair and drove a robin’s-egg-blue Aston Martin. Palmer and I loathed him. “And when Mom wanted to end it, he killed her. But that wasn’t enough, fuck no. When my brother tried to protect her, Julian killed him, too.” I shake my head, the bile percolating like a fresh pot of coffee. “My mother was brilliant. Graduated from Mount Holyoke with honors. And she was utterly devoted to my father. To us. The idea that she’d have a summer fling with that bohemian scumbag—” I choke on the words (or is it a sliver of chicken that went down the wrong pipe?). “And you know damn well that when that cocksucker Reagan’s done tarring and feathering her, he’ll start in on my father, who has been nothing less than a fucking saint. Saint Bernard.” I rap my fist on the table. “It’s fucking ludicrous.”

Sheldon nods, sympathy oozing from every pore. “All I’m saying is that you have a lot on your plate. The book. The next book. Your father’s gala. You’re writing a speech for that, right? Jesus fucking Christ, Brooks. You’re not Superman. It’s bound to take a toll on you.”

“So, what are you suggesting? I can’t return the advance. It’s already spent.” Six million gone in a heartbeat. Lawyers. Trust funds. The new house in Water Mill. And I was finally able to get my ex-wives off my back with a tidy lump sum. For the first time in years, no alimony to shill out every goddamn month. All thanks to Sheldon, who hadn’t budged an inch during the multi- house book auction. He earned his commission ten times over.

“No one’s suggesting that. That’s crazy.” Sheldon’s halfway through his steak. “But we can ask to push the deadline back by a couple of months.”

“No.” I’m a stubborn son of a bitch. If there’s one thing I’m known for, it’s living up to my contractual obligations. I’ve never missed a deadline. I could be fucking pushing up daisies and I’d still deliver.

Sheldon sighs. “Why are you being so goddamn obstinate?” “I’m well into the book now, it’s just a matter of research.” “Really?” He gives me a side-eye. “Cassie says you’ve barely written the first chapter.”

I’m annoyed. Mostly because Cassie’s right. “It’s all in my head, Sheldon. Don’t worry.”

“Well, I do. Worry, I mean.” Sheldon furrows his bushy eyebrows; he looks like a caterpillar on meth. “I know how good you can be, Brooks. But you push yourself way too hard.”

I make a half-hearted stab at my chicken. He could’ve added— but tactfully didn’t—that he also knows how bad I can be. My books still sold phenomenally well, even that fucking godawful picture book Rocco the Stinky Raccoon, nominated for a Caldecott. I was ecstatic when it didn’t win.

By the time we say our goodbyes, it’s three o’clock. If I hurry, I can see the kids for a minute before they’re trundled off to gymnastics or karate or whatever activity Cassie has planned. Mark loves Star Wars and Hulk. Audra’s obsessed with unicorns. I buy them far too many toys. I love my children desperately, but I don’t pretend to understand them. That’s Cassie’s deal. She’s the hardass. I’m the marshmallow man.

We live in the Dakota on the UWS (upper west side) close to Central Park. Our apartment has a bird’s-eye view of the park. The Dakota’s where John Lennon was shot. We still have tourists who make pilgrimages. I wasn’t there the night it happened, but I’d like to think I’d have stopped Mark Chapman in his tracks. I’d bought into the Dakota with the advance I’d gotten for Fallen Angels. I never would’ve been able to afford it otherwise. That book’s the gift that keeps on giving. It’s been optioned by movie production companies at least a dozen times but it’ll never get made. I’ve reconciled myself to that.

“Daddy’s home!” I shout as I enter the foyer.

The kids always run to see what I’ve bought. Today I have a Baby Yoda electronic gizmo for Mark and a big unicorn doll for Audra. But no excited squeals greet me. Instead, there are two packed suitcases by the door. I walk into the living room and marvel once again at our panoramic views of Central Park.

Cassie, her eyes red, sits on the sofa.

“Bad day with the kids, baby?” I bend down to kiss her. She turns her head. This isn’t a good sign.

“Where are the munchkins?” I toss my suit jacket on a chair. “With my sister in Providence.” Her voice is flat.

I’m surprised. Tammy’s coming down on the weekend. Why would she have come early and taken the kids?

Cassie stares at me. If her eyes were bullets, I’d be a corpse. “Dr. Schultz’s office called. They said you missed your six-month check-up.”

Dr. Schultz. Shit. I try to act casual but my heart thumps like a boom box. I can talk myself out of this one. I’ve done it before. “Damn, I guess I forgot to give them my new cell number. I’ll call in the morning, they’re probably closed now.”

“Kind of like how you forgot to tell me about your vasectomy?” Her voice rises an octave.

I cringe. I’m in for it now. And I fucking deserve it. “I’m not stupid, Brooks.”

No. That’s one thing Cassie isn’t. She’s brilliant in every respect, far more than I could ever hope or aspire to be. I’m painfully aware that I’m the reason she hasn’t gotten the jobs and accolades. I’m the anchor that weighs her down. “We talked about it, Cassie.”

“No. You talked about it. Not me. Not ever.” Cassie’s so mad her body trembles. “Who else knows?”

“Dad.”

“Of course. I bet he was thrilled.” My father wasn’t in favor of this marriage. It was nothing against Cassie. He’d been against all my marriages. When I told him Cassie was pregnant, he was apoplectic. You can’t be serious, he said. You’re too old to be a father. And too fucked-up, he could’ve added. But he eventually came around.

“Who else?”

“Nobody. I mean, nobody important,” I stumble. “Look, I’m sorry.”

“Sorry that you had it done or sorry that I found out?”

The truth was both, but I’d done enough damage for one evening. “Baby, I admit, it was a stupid thing to do. I wasn’t thinking clearly. But you know, maybe not going to the check-up was a good thing. Maybe it didn’t take. And if it did, I can get it reversed. If they can reattach a penis, they can fix this, right?” I nervously chuckle. That’s my default posture. When in a difficult situation, I make a feeble attempt at humor. Usually, it worked. Not this time.

“I’m going to stay at Tammy’s. I don’t know for how long.”

I try not to make a face and fail. Tammy hates me. Well, maybe hate is too mild: detests, loathes, abhors. Tammy would revel in this. “Please, honey. Don’t do that. We can work this out.”

Cassie holds up her hand. “Since you began this book”—the book she and Dad were vehemently against from the start, probably the only thing in the universe they agree on— “you haven’t been the same.”

“That’s not true,” I protest.

“It is true even if you don’t want to admit it. You got the book advance and then a vasectomy. And you don’t see that’s a huge problem? What about last night?”

I give her a look. “What about it?”

“I found you in Audra’s room at two in the morning. Over her bed holding a baseball bat.”

What? I shiver as if I’ve fallen through a river of ice. Water fills my lungs, and I can barely breathe. “That’s preposterous!” I gasp.

“Muttering about monsters. And it wasn’t the first time.” She shot me a look I knew all too well from my boarding school days. I hated it then and I hate it even more now. “You almost had me convinced that writing about what happened to you would be a catharsis. Exorcizing old ghosts and demons. But the opposite is happening, and it scares the shit out of me. It kills me to say this, but I have to protect the kids and I’m not sure they’re safe around you right now.”

Cassie’s words hang in the air. Jesus fucking Christ. Talk about a gut punch. The kids aren’t safe around me? I adore Mark and Audra. I’d die for them in the blink of an eye, with no hesitation. I cut Mark’s umbilical cord. I spent weeks in the neonatal unit with Audra. I changed diapers, I rocked them to sleep, they lacked for nothing materially. “You don’t mean that,” I retort. “You’re upset and angry about the vasectomy.”

“That’s a separate issue. But fuck yeah, I’m angry. I’m fucking livid.”

No one says “fuck” quite the way Cassie does. To my shame, I feel myself getting hard. Embarrassed, I cover myself with a sofa pillow and hope she doesn’t notice.

She does and averts her eyes. “This is a problem, it’s a huge fucking problem. This is beyond my field of expertise, Brooks. I’m a freelance editor, not a therapist.”

“Therapists,” I jeer. I’d had my fill of them. Never again. They’re the modern-day equivalent of leeches. “I sleepwalk. You knew that from day one. I never hid it.”

“This is more than sleepwalking. I want to help you, but I can’t if you won’t admit it’s a problem.”

“And your way of helping is talking to Sheldon?”

“Not just Sheldon. I spoke to Bernard, too. He’s worried about you. He’s noticed the change in you, we all have. Your father and I, we’re never going to be best friends, but I’m telling you, we’re united on this.”

My throat tightens as if someone’s wrapped a cord around my neck. I’m that eight-year-old kid shivering in the dunes, peeing on myself. “It’s been a rough winter. When I’m writing I can be an ogre. Maybe this vacation is what you and the kids need. The kids—” I stop myself. “I’ll call them in the morning. Better yet, why don’t I drive you there and I can tell them goodbye in person.”

Cassie picks up her handbag, the one I gave her last Christmas. A trendy, expensive designer label. To me they all look alike, so I asked the saleslady to give me the most popular one. I take that to mean Cassie isn’t entirely through with me yet. My marriage hung on this fucking bag. That’s how desperate I am. “I can drive myself.” Of course she can. We got his and hers matching Priuses with the book advance.

Cassie walks to the front door.

I follow and sniff her perfume like a love-sick puppy. “It’s getting late. Why don’t we order a very expensive meal, chill out with an old Bogie movie, and you can leave first thing.” I smile, in full Errol Flynn rogue mode.

Determined, she shakes her head. “You can’t fuck your way out of this one, Brooks.” She slams the door behind her so forcefully that my framed certificate from Caldecott falls off the fucking wall.

Immediately, my cell phone buzzes. I ignore Dad’s call. I’m not in the mood for another St. Bernard lecture on what a fucking mess I’ve made of my life. It’s suddenly very hot in the apartment. Or is it me? I tell Alexa to lower the temperature by five degrees, her calm demeanor a stark reminder of how quiet the apartment is without the kids screaming in the background. He pulled my hair! She grabbed my crayon!

I go upstairs into my writing lair. I must compartmentalize what just happened, otherwise, my head will detonate into a thousand pieces. Cassie and I have weathered worse. She’ll come back. She has to. I’ll call Dr. Schultz and fix this mess. For now, I must work on Dad’s speech. I pull out the desk chair and find it’s already occupied by one of Audra’s unicorn dolls.

Dad’s receiving a prestigious humanitarian award from the United Nations. Now pushing eighty-two or eighty-six depending on how many martinis he’s drunk, he’s evolved into an elder statesman on retainer as a crisis handler/negotiator. He advised LBJ on Vietnam. Nixon, too, although Dad couldn’t stand the prick. Dad begged Ford not to pardon Nixon because the voters and history would judge Ford harshly. Dad was right. Clinton made him a Special Envoy to Sarajevo. GW Bush called on him to head the 9/11 Commission, but Dad declined due to other “commitments”. Obama had him on speed dial. Dad has brokered peace agreements between nations and factions that were considered impossible. No one deserves this award more. I’ve been allotted roughly fifteen minutes to tell the world how I feel about him. I’d need fifteen years.

I touch a computer key. In Google Drive, the opening lines to my father’s speech flash on. “My beloved father, Bernard Stewart Anderson, is a generous, kind, honorable, decent man who embodies everything fine and good in this world. A man who has earned the respect of world leaders no matter their political persuasion. A man who goes out of his way to help the weak and oppressed. And he’s also a man who bore the ultimate tragedy with dignity and grace. No one knows Bernard Anderson better than I, his surviving son.”

Excerpted from A GOOD MAN by PJ McIlvaine, © 2023 by PJ McIlvaine, used with permission from Bloodhound Books. 

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Book Review: The Puzzle Master by Danielle Trussoni

I have suffered, but it is the suffering of a man who has created his own torture chamber.

PLOT SUMMARY:

All the world is a puzzle, and Mike Brink—a celebrated and ingenious puzzle constructor—understands its patterns like no one else. Once a promising Midwestern football star, Brink was transformed by a traumatic brain injury that caused a rare medical condition: acquired savant syndrome. The injury left him with a mental superpower—he can solve puzzles in ways ordinary people can’t. But it also left him deeply isolated, unable to fully connect with other people.

Everything changes after Brink meets Jess Price, a woman serving thirty years in prison for murder who hasn’t spoken a word since her arrest five years before. When Price draws a perplexing puzzle, her psychiatrist believes it will explain her crime and calls Brink to solve it. What begins as a desire to crack an alluring cipher quickly morphs into an obsession with Price herself. She soon reveals that there is something more urgent, and more dangerous, behind her silence, thrusting Brink into a hunt for the truth.

The quest takes Brink through a series of interlocking enigmas, but the heart of the mystery is the God Puzzle, a cryptic ancient prayer circle created by the thirteenth-century Jewish mystic Abraham Abulafia. As Brink navigates a maze of clues, and his emotional entanglement with Price becomes more intense, he realizes that there are powerful forces at work that he cannot escape.

Ranging from an upstate New York women’s prison to nineteenth-century Prague to the secret rooms of the Pierpont Morgan Library, The Puzzle Master is a tantalizing, addictive thriller in which humankind, technology, and the future of the universe itself are at stake.

GRADE: A-

REVIEW:

Having read Trussoni in the past, I was well aware that I would be in the hands of an expert author. Trussoni has a way with words and blending history with mystery, in a way that’s very gripping. The Puzzle Master is a thrilling novel that races against time. There’s much to love about this book, it’s action-packed and atmospheric, and the doll lover in me was thrilled that it also included creepy dolls.

After a traumatic brain injury, Mike acquired a rare condition known as savant syndrome. He uses this new skill to solve and create complex puzzles. Everything changes once he meets Jess Price, a woman convicted of murder who hasn’t spoken for five years. When Jess begins drawing strange puzzles with religious undertones, that’s when Mike gets involved and the enthralling journey begins.

For someone who loves multiple POV’s, this novel delivers in so many ways. It includes alternating timelines, letters, journal entries, and transcriptions. Trussoni expertly weaves so many genres into this novel, mystery, thriller, horror, and science fiction – so if you’re a fan of any of those genres, you will enjoy this novel. The Puzzle Master is a pulsating, addictive read that I highly suggest taking along with you when you go on holiday this year, you won’t regret it!

*Thank you so much to NetGalley and Random House for the digital copy of this book in exchange for an honest review!

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Excerpt: The Revenge List by Hannah Mary McKinnon

CHAPTER ONE

The sharp sound of a high-pitched scream filled the air. A noise so unrecognizable, at first I didn’t register it had come from deep within me, traveling up my throat in stealth mode before bursting from my mouth.

The remnants of the yell reverberated around the car, forcing their way into my ears and penetrating my skull, urging me to do something. Survival instincts kicked in, and I fumbled with the seatbelt, my other hand grasping for the door handle. The need for the relative safety that solid, stationary ground would bring was so intense it made my stomach heave. A loud click of the central locking system meant my captor had outsmarted me again, obliterating my immediate plan to throw myself from the moving vehicle.

When I looked out the windshield, I knew there was no time to find an alternate escape. The end of the road—the edge of the cliff—announced by signs and broken red-and-white-striped wooden barricades, had been far enough away seconds ago but now gleamed in the car’s headlights, a looming warning yards ahead. I couldn’t comprehend what was about to happen, couldn’t do anything as the vehicle kept going, splintering planks and racing out the other side with nothing but air below. I let out another scream, far louder than my first, the absolute terror exploding from my lungs.

For the briefest of moments, we were suspended, as if this was a magic trick or an elaborate roller coaster. Perhaps, if I were really lucky, this was all a dream. Except I already knew there were no smoke and mirrors, no swirling track leading us through loop-the-loops and to safety. It wasn’t a nightmare I’d wake from with bedsheets wrapped around my sweaty body. This was happening. It was all terrifyingly real.

As the car continued its trajectory, it tipped forward. The only thing to stop our momentum was whatever we were rushing toward, obscured by the cloudy night skies. Pushing my heels into the floor, I tried to flatten my shoulders against the seat. My hands scrambled for the ceiling to brace myself, but I flopped like a rag doll, my loosened seatbelt tearing into my shoulder.

They say your life flashes before you when you’re close to death. That didn’t happen to me. Instead, it was all my regrets. Choices I’d made. Not made. Things I’d said and done. Not said. Not done. It was far too late to make amends. There would be no opportunity to beg anyone for forgiveness. No possibility of offering some.

As the finality of the situation hit me full on, I turned my head. The features of the driver next to me were illuminated in a blueish glint from the dashboard lights. His face had set in a stony grimace; his jaw clenched so tight he had to have shattered teeth. But what frightened me the most were his eyes, filled with what could only be described as maniacal delight.

He’d said we were both going to die. As the car hurtled to the bottom of the cliff, I closed my eyes and accepted he was right.

***

Excerpted from The Revenge List by Hannah Mary McKinnon, Copyright © 2023 by Hannah McKinnon. Published by MIRA Books.

PURCHASE THE NOVEL HERE!!

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Book Review: For You and Only You by Caroline Kepnes

She is such a writer that she puts words in my mouth while I’m standing right here, rewriting life in real time, and no, she can’t do this to me, to us.”

PLOT SUMMARY:

Joe Goldberg is ready for a change. Instead of selling books, he’s writing them. And he’s off to a good start. Glenn Shoddy, an acclaimed literary author, recognizes Joe’s genius and invites him to join a tight-knit writing fellowship at Harvard. Finally, Joe will be in a place where talent matters more than pedigree . . . where intellect is the great equalizer and anything is possible. Even happy endings. Or so he thinks until he meets his already-published, already-distinguished peers, who all seem to be cut from the same elitist cloth.

Thankfully, Wonder Parish enters the picture. They have so much in common. No college degrees, no pretensions, no stories from prep school or grad school. Just a love for literature. If only Wonder could commit herself to the writing life, they could be those rare literary soulmates who never fall prey to their demons. Wonder has a tendency to love, to covet, but Joe is a believer in the rule of fiction: If you want to write a book, you have to kill your darlings.

With her trademark satirical, biting wit, Caroline Kepnes explores why vulnerable people bring out the worst in others as Joe sets out to make this small, exclusive world a fairer place. And if a little crimson runs in the streets of Cambridge . . . who can blame him? Love doesn’t conquer all. Often, it needs a little push.

GRADE: A-

REVIEW:

I’ve been a fan of Joe Goldberg since book one, and although he’s a crazy stalker serial killer, he’s also somewhat charming and hella funny. Not to mention that he seems to put himself in the craziest situations that offer a lot of dark humor. Now, Joe finds himself being the recipient of a writing fellowship at Harvard and instantly falls in love (as usual) with a fellow autodidact and fellowship classmate Wonder. Maybe I’m a little biased when it comes to this book being a writer myself, but I found so many things relatable to both the writing process and being in critique groups with other writers. I know non-writers may find some of the scenes boring, but I enjoyed the classroom scenes a lot. I’ll say that I was a little bummed at first thinking that Joe had turned over a new leaf and was giving up his murderous ways, however, he didn’t! Although, he didn’t kill as many people as he has in the past. I don’t know if I really liked his love interest Wonder that much, she was very family orientated, obsessed with her job at Dunkin’ Donuts, and didn’t seem to really care about her writing as much initially. And honestly, she never seemed that interested in Joe either. Then again, other than Love Quinn, I never felt like Joe’s love interests have really been that crazy about him. Having said that, I know the ending hinted at a certain type of ending, but I really hope that Joe decided to take a different approach and if there’s ever a sequel, I do hope to see a certain thriller writer in it! Sarah Beth was by far, the most interesting character in the whole bunch. My only gripe about the novel is that the True Crime podcast was only mentioned a few times and quickly forgotten so that plot wasn’t explored as much as I had hoped. This book didn’t have as many crazy plot twists as book three had, and at some point, the book did feel like it was dragging along for too long for no apparent reason. But I enjoy Joe, so I didn’t mind being in his head again for this adventure.

*Thank you so much to NetGalley and Random House for the digital copy of this book in exchange for an honest review!

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Book Review: A Long Stretch of Bad Days by Mindy McGinnis

In a small town, nothing stays buried.

PLOT SUMMARY:

A lifetime of hard work has put Lydia Chass on track to attend a prestigious journalism program and leave Henley behind—until a school error leaves her a credit short of graduating.

Bristal Jamison has a bad reputation and a foul mouth, but she also needs one more credit to graduate. An unexpected partnership forms as the two remake Lydia’s town history podcast to investigate the Long Stretch of Bad Days—a week when Henley was hit by a tornado, a flash flood, as well as its first, only, and unsolved murder.

As their investigation unearths buried secrets, some don’t want them to see the light. When the threats escalate, the girls have to uncover the truth before the dark history of Henley catches up with them.

GRADE: A-

REVIEW:

Mindy McGinnis has been an auto-buy for me ever since I read The Female of the Species and fell in love with her raw, unrelentless prose. I’ve followed her across genres and never have been let down. This was my first time receiving an ARC for a McGinnis novel and so I was very excited. Now, McGinnis is known for edgy novels where batshit crazy things happen and I dig that. Perhaps because her latest novel last year was The Last Laugh (which was incredibly crazy and awesome), this novel was more of a slowburn thriller mystery. However, it did have the usual McGinnis quirky characters (we all stan Bristal and the cat Uneven Steven) so it was still a fun ride.

Every small town has its secrets, and Henley does too. Aspiring journalist Lydia and Bristal partner together when they both find out they’re missing a credit in order to graduate. They decide to do a podcast together that will have them investigate what exactly happened during the “stretch of bad days” when a tornado hit the town and a girl went missing. But trying to find out what happened during that time might end up being more dangerous than both teens had bargained for. The mystery was compelling and the characters were worth rooting for. If you love mysteries, small-town thrillers, and true crime podcasts, then this novel is for you.

*Thank you so much to NetGalley and Katherine Tegen Books for the digital copy of this book in exchange for an honest review!

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Book Review: The Shoemaker’s Magician by Cynthia Pelayo

Just because I brought great gifts to humanity does not mean my presence is benign.

PLOT SUMMARY:

A fabled lost movie. An increasing body count. How much do you risk for art?


Paloma has been watching the Grand Vespertilio Show her entire life. Grand, America’s most beloved horror host showcases classic, low-budget and cult horror movies with a flourish, wearing his black tuxedo and hat, but Paloma has noticed something strange about Grand, stranger than his dark make-up and Gothic television set.


After Paloma’s husband, a homicide detective, discovers an obscure movie poster pinned on a mutilated corpse on stage at the Chicago Theater, she knows that the only person that can help solve this mystery is Grand. When another body appears at an abandoned historic movie palace the deaths prove to be connected to a silent film, lost to the ages, but somehow at the center of countless tragedies in Chicago.


The closer Paloma gets to Grand she discovers that his reach is far greater than her first love, horror movies, and even this film. And she soon becomes trapped between protecting a silent movie that’s contributed to so much death in her city and the life of her young son.

GRADE: A+

REVIEW:

I pre-ordered the novel months ago and perhaps out of the sheer will of manifestation (or is it magick) it somehow appeared in my Kindle library two weeks before the actual release date. Obviously, I was overjoyed.

Where do I even begin? I read Pelayo’s first book Children of Chicago and absolutely loved it (and will forever feel lucky that she sent me a promo book box for it and you should absolutely read the interview she did for the blog here). This book, like the previous one, is standalone, however, it does reference some characters from the previous book (and I’m a sucker for writers keeping their stories in the same “world” so to speak). I’m a lover of fairytales, fables, horror show hosts (Elvira was the reason why I got into horror movies at the tender age of two), cursed films, occult, Greek myths, and murders. This is to say, that this book had SO MUCH that I love – and I was so happy that it delivered tenfold.

First of all, I loved the protagonist Paloma – a woman who not only overcame a terribly abusive childhood but that was a loving mother to her son Bela (hands down the coolest kid in a horror book, ever) and a badass horror influencer. I’m a huge fan of old horror movies and silent movies in general, so obviously I was geeking out at all the movies mentioned that I’ve seen a million times. I loved how she and Bela would chill out at Logan’s Theatre and watch horror movies as though it were a second home cause it reminds me of my own local theatre that a friend of mine owns, where going there 2-3 times a week is like visiting family – cause for those of yes who love movies, you’ll understand the potency and magick of the moving picture.

Pelayo is a very talented writer, however, I do want to acknowledge that this second novel showed so much growth as a storyteller – with the richness of the details, research, and basically soul of the book. Yes, the book is about trying to track down a serial killer, but it’s also so much more. It’s about the importance of art, love, and magick, and how all those things are intermingled.

I don’t want to share too much about the plot because I think you need to slowly discover this tale, that’s filled with mystery, darkness, history, and monsters. It’s incredibly gripping, each page dripping with the emotion of someone who has not only suffered but that also loves in tremendous amounts. In fact, if there’s a lesson to take from this extended fable is that anything you do out of love will always be worth it.

If you’re a fan of horror, cinema, Chicago history, and detective stories, then this is for you.

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Excerpt from I Love It When You Lie by Kristen Bird

The Sheriff’s Office in Willow Gap, AlabamaOne Week After

STEPHANIE

It would’ve been a touching moment except for the reality of the grave at their feet. Gran’s grave. I shiver just thinking about the three Williams sisters standing in the family cemetery, their arms entwined, gazing up at the sunrise, all that cool Alabama clay piled beside them, their fingernails packed with the red earth, the stench of what they’d done in their nostrils. It was Decoration Sunday, the one day of the year when the entire family descended on Gran’s property to pay respect to the dead and gossip about those still living.

Tara, June, and Clementine Williams are my sisters-in-law. For so long, I’ve waited for the day that their little coven would topple some man’s ivory tower. Now that the time has come, I realize that each of us has a man that we might be better off without, but only one of us is lucky enough to have actually rid ourselves of him. 

Four men: a preacher, a doctor, a professor, and a mayor. One goes missing. It’s like our own little Willow Gap edition of Clue. How charming.

Sheriff Brady Dean, his badge shining in the interrogation lights, brings me back to the moment at hand, the moment of reckoning. The aged sheriff wants to know what I know, wants me to spill all the whys, whens, wheres, and hows of the Williams sisters over the past forty-eight hours.

“I’m sure you know why you’re here, Mrs. Williams.” The words emerge like a sigh. He’s been after this family for more than thirty years, ever since he was first elected. Poor guy. Must be exhausted.

I meet the sheriff eye to eye, tapping my recently painted nails—Los Angeles Latte, the dark bottle of polish had read—against the metal table in the claustrophobic office where he’s brought me for questioning. Not that I’m the one in trouble here.

My husband, Walker Williams, knew Sheriff Dean before Walker and I ever met and married a decade ago. Some say ours was a Yankee seduction, but I don’t care. Walker has been the mayor now for eight years, and they have to put up with me, the damn Yank in their midst.

I think of my three children—Walker Jr. and Auggie and Bella—their features too much like my husband’s. They’re fine, I remind myself. They’re with the nanny while I’m here tying up all of the loose ends. I shake my head to dislodge their faces from my mind. It’s important that I focus. I must get this right.

“Call me Ms. Chadrick. Or Stephanie. I’ll be using my maiden name soon enough,” I tell the sheriff.

Sheriff Dean clears his throat, and I follow his eyes to my hand. I’m still wearing my massive diamond, the one Walker bought for our last anniversary. To ten years, baby, and a lifetime more, he’d said as he slipped it on my finger in our Nashville hotel room. I’m not planning to part with my jewelry just because my husband can’t keep his dick in his pants.

I blink innocently at the sheriff and twist my ring around, pressing the stone into my palm until it bites. “I’m here to tell you what I saw after Gran Williams’s funeral. Isn’t that right?”

“Yes’m.” The sheriff lets out a heavy breath that reaches all the way down to the gut hanging over his belt. “I know these women are your husband’s sisters, but we’re hoping…”

“Soon to be ex-husband,” I fire back, reminding him once again.

“Fine. As I was saying, we’re hoping you’ll be willing to give us an account of the movement of your sisters-in-law these past few days. With a missing person, time is of the essence.”

He gives me one of those indulgent smiles saved only for a wronged woman. He knows about my cheating bastard of a spouse, and I breathe, reminding myself again that I’m in good company. Jackie O., Eleanor Roosevelt, Hillary—all of these fine ladies were cheated on by their infamous yet politically savvy husbands. Remembering them makes it easier for me to deal with the fact that everyone knows about Walker and his lying ways.

When I first moved here from DC, I thought my new husband and his town were adorable, quaint even. As I prepared for Walker’s bid for mayor, I even got a kick out of researching its history at the local library, trying to understand the place where generations of Walker’s family had lived for so long.

Alabama. Some historians say the word is from a Native American language and means “tribal town” or “vegetation gatherers.” My favorite definition of the word, though, was penned by one Alexander Beauford Meek, a highly unreliable 

source, but isn’t that what history is made of? Mr. Meek said that the word means “here we rest.” Alabama: here we rest. It’s deliciously spooky, isn’t it? Like something from one of those Faulkner stories I couldn’t get enough of in college.

To be fair though, my problem isn’t actually with the great state of Alabama. It’s with these people, this town, this family. They forget so easily that I’m a part of them now, for better or worse. They forget that I know where all the bodies are buried, and I’m not just talking about their kinfolk in the family cemetery a couple hundred yards down the hill from Gran’s house.

The sheriff clears his throat and tries again. “As I was sayin’, we’re hopin’ you can give us a clearer account of who all was there and what exactly went on, so we can understand what led to our missing person. He’s an important man, a good man, and the last time anyone laid eyes on him was Saturday evening a few hours after the funeral at Gran Williams’s cabin.”

Our missing person. There’s something so possessive in the phrase. I almost giggle, realizing that this man is handing me my chance on a silver platter, an opportunity to expose every inch of the Williams family drama.

“Sheriff, ask me any question, and I’ll tell you exactly what you want to hear.” I cross my legs and study my cuticles. “Although, if you want to know the whole truth, you need to go a lot further back than the past few days.”

I take a sip of the coffee he brought me earlier and stretch my arms in front of me as if preparing for a catnap. I wonder if the sheriff realizes just how far back he needs to reach, how far down he needs to dig until he hits something like the truth.

The sheriff nods at me to continue, and I notice again the plump circles hanging under his eyes. He sneezes into the crook of his arm and settles in for the real reason why people involved with the Williams family might just disappear.

I sit up straighter. “All right, then. Let’s start with the dead one.”

Excerpted from I Love It When You Lie. Copyright © 2023 by Kristen Bird. Published by MIRA Books.

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Spotlight: It’s One of Us by J.T. Ellison

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Everybody lies. Even the ones you think you know best of all . . .
 
Olivia Bender designs exquisite home interiors that satisfy the most demanding clients. But her own deepest desire can’t be fulfilled by marble counters or the perfect rug. She desperately wants to be a mother. Fertility treatments and IVF keep failing. And just when she feels she’s at her lowest point, the police deliver shocking news to Olivia and her husband, Park.
 
DNA results show that the prime suspect in a murder investigation is Park’s son. Olivia is relieved, knowing this is a mistake. Despite their desire, the Benders don’t have any children. Then comes the confession. Many years ago, Park donated sperm to a clinic. He has no idea how many times it was sold—or how many children he has sired.
 
As the murder investigation goes deeper, more terrible truths come to light. With every revelation, Olivia must face the unthinkable. The man she married has fathered a killer. But can she hold that against him when she keeps such dark secrets of her own?

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Book Review: The Villa by Rachel Hawkins

Houses remember….

PLOT SUMMARY:

As kids, Emily and Chess were inseparable. But by their 30s, their bond has been strained by the demands of their adult lives. So when Chess suggests a girls trip to Italy, Emily jumps at the chance to reconnect with her best friend.

Villa Aestas in Orvieto is a high-end holiday home now, but in 1974, it was known as Villa Rosato, and rented for the summer by a notorious rock star, Noel Gordon. In an attempt to reignite his creative spark, Noel invites up-and-coming musician, Pierce Sheldon to join him, as well as Pierce’s girlfriend, Mari, and her stepsister, Lara. But he also sets in motion a chain of events that leads to Mari writing one of the greatest horror novels of all time, Lara composing a platinum album––and ends in Pierce’s brutal murder.

As Emily digs into the villa’s complicated history, she begins to think there might be more to the story of that fateful summer in 1974. That perhaps Pierce’s murder wasn’t just a tale of sex, drugs, and rock & roll gone wrong, but that something more sinister might have occurred––and that there might be clues hidden in the now-iconic works that Mari and Lara left behind.

Yet the closer that Emily gets to the truth, the more tension she feels developing between her and Chess. As secrets from the past come to light, equally dangerous betrayals from the present also emerge––and it begins to look like the villa will claim another victim before the summer ends.

Inspired by Fleetwood Mac, the Manson murders, and the infamous summer Percy and Mary Shelley spent with Lord Byron at a Lake Geneva castle––the birthplace of Frankenstein––The Villa welcomes you into its deadly legacy.

GRADE: B-

REVIEW:

I did enjoy this book however, the “mystery & thriller” part never quite showed up. The book is told in two timelines, the present where two best friends stay at a villa in Orvieto, Italy, each friend using their time there to pen their new books. The second timeline takes place in 1974 when four Brits stay at the villa during one summer and a murder occurs.

Now the thing about the 1974 time that kind of annoyed me is that it was an absolute rip-off of Mary Shelley’s life, as Mari stood for Mary, Pierce Sheldon for Percy Bysshe Shelley, the rock star Neil Gordon was obviously Lord Byron, and Mari’s stepsister Lara was ripped off from Mary’s stepsister Claire Clairmont. The author used details about Mary Shelley’s life to stand in for Mari’s life (how her father married a next-door neighbor, how her family disowned her when she ran away with the married Percy and even used the death of Mary’s child in Mari’s backstory too). This wasn’t just a little too on the nose, it was a complete sledgehammer. However, if you’re a writer, you might enjoy these tidbits of information.

The present timeline wasn’t as fascinating as the one in 1974, because I really couldn’t stand Em, the cozy-mystery writer who’s too hung up on her best friend Chess’s recent success as a motivational writer. In fact, I don’t even know why these two are friends when they seem to dislike one another.

This book was interesting, I won’t deny that, but at the same time, it didn’t deliver on the thriller aspect that was promised in the beginning. But since I did read the book in about two days, I will say that the author has a way of having you want to stay up to read until you’ve reached the end, so I’ll give her props for that.

All in all, this book is good if you’re looking for a cozy mystery – because it’s in no way a thriller or true mystery. The location is gorgeous and the 1974 timeline of groupies and rockstars was fascinating, despite the blatant rip-off of Shelley’s life.

*Thank you so much to NetGalley and St. Martin’s Press for the digital copy of this book in exchange for an honest review!

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Excerpt: Just the Nicest Couple by Mary Kubica

PROLOGUE

I gasp and stagger backward. My hand goes to my mouth, bear- ing down.

My brain screams at me to run. Run.

I can’t at first. Shock and fear hold me captive. They keep me from moving, like a ship that’s dropped anchor. I’m moored to this spot, my eyes gaping in disbelief. My breath quickens and I feel the flailing of my heartbeat in my neck, my throat and in my ears.

Run, my brain screams at me. Go. Fucking run.

There is movement on the ground before me. The sound that comes with it is something heathen and raging, and some part of me knows that if I don’t go now, I may never leave this place alive.

I turn away. It’s instantaneous. One minute I’m unmoving and the next I’m moving so fast that the world comes at me in vague shapes and colors, streaks of brown and blue and green. I barely feel the movement of my legs and my feet as I run. I don’t feel the impact of my shoes colliding with the earth, moving quickly across it. I don’t look back, though I want more than anything to steal a look to know that I’m alone. That I’m not being followed. But I don’t look. It’s too risky. Looking back would cost precious seconds that I don’t know that I have. If I do, those seconds could be my last.

Sounds come, but I’m so disoriented that I don’t know where they come from. Is it only my pulse, the rush of blood in my ears?

Or is someone there?

I feel something tangible against my hair and then my spine. My back arches. I jerk away, pitching forward, landing hard on my hands and knees.

The world stops moving.

I have only two thoughts in that moment: staying alive, and that this isn’t the way it was supposed to happen.

Christian

Lily is sitting on the leather chair in the family room when I come in. Her back is to me. I see her from behind, just her long brown hair spilling down the back of the chair. She stares toward the TV on the opposite wall, but the TV is off. It’s just a black box, and in it, I see a murky reflection of Lily on the screen, though I can’t tell if her eyes are open or shut.

“Hey,” I say, coming in through the garage door, closing it quietly and stepping out of my shoes. I set my phone and keys on the counter, and then ask, “How was your day?”

It’s getting dark in the house. Out the window, the sun is about to set. Lily hasn’t bothered with the lights, and so the in- side of the house is colorless and gray. We face east. Any pretty sunset is the other way. You can’t see it from here, if there even is one to see.

Lily says nothing back. She must have fallen asleep, sitting upright in the chair. It wouldn’t be the first time. She’s been extremely tired lately. The pregnancy is getting the best of her, not to mention that she’s on her feet teaching all day. These two things in combination exhaust her. It used to be that Lily would be in the kitchen, cooking dinner when I got home, but these last few weeks, she comes home from work ready to drop. I don’t mind that she’s not cooking. I’ve never been the kind of person to need a home-cooked meal after work, but that’s the way Lily was raised. Her mother did it for her father, and so she thinks she should do it for me. She’s been apologetic that she hasn’t had it in her to cook dinner, but she’s been queasy, too, and the last thing she needs to be doing is cooking for me. I called from the car and ordered takeout already; it will be here any minute.

I step quietly into the family room. I come around to the other side of Lily to face her. Lily isn’t asleep like I thought. Her eyes are open but her expression is blank. Her skin looks gray, washed-out like the room, and I blame the poor lighting.

Lily’s head turns. She looks up at me as if in slow motion.

“Hey,” I say again, gently, smiling. “You okay? Did I wake you?”

I flip on a side table light, and she winces from the bright- ness of it, her eyes taking time to adjust. I apologize for it, realizing that her pale face had nothing to do with the lack of light.

In the warmth of the lamp’s glow, I see that Lily’s hair is wet. She wears maroon-colored joggers and a sweatshirt. She’s showered and changed since coming home, which is more than she usually does. Usually she falls flat on the couch and doesn’t leave until it’s time to go to bed.

I drop to my knees in front of her. I reach forward and run a hand the length of her hair. “You look exhausted, babe. Do you want to just go to bed? I can help you up. Takeout should be here soon. I’ll bring it up to the room for you when it gets here.”

Lily blinks three times, as if to clear the fog. She finds her voice. It’s husky at first, dry, like after a day of shouting at a football game, which is not that different than a day of teach- ing rowdy high school kids math. “No,” she says, shaking her head, “I’m fine. Just tired. It was a long day.”

“You sure? I wouldn’t mind dinner in bed myself.” I had a long day too, but it doesn’t seem right to compare them when only one of us has another human growing inside of them.

“That sounds messy,” she says.

“I promise I’ll be neat.”

Lily smiles and my heart melts. I love it when she smiles at me. “When are you ever neat?”

“Never,” I say, feeling better if she can still poke fun at me.

I’ve done my research on pregnancy and childbirth. I’ve read that the fatigue women feel during the first trimester is maybe the most tired they’ll feel in their whole lives. Growing a human is exhausting. Caring for one is too, but we’re not there yet.

“You need anything?” I ask, and she shakes her head.

Takeout comes. I convince Lily to come sit on the couch with me, where we both fit. We watch TV and, as we do, I ask her about her day and she asks me about mine. She’s quieter than usual tonight. I do most of the talking. I’m a market research analyst, while Lily teaches high school algebra. We met in college over of our shared love of math. When we tell people that, it makes them laugh. We’re math nerds.

When it’s time for bed, Lily goes up to the room before me. From downstairs, I hear the sink run as she washes up. I clean up from dinner. I throw the takeout containers in the trash. There is a package waiting on the front porch. I step outside to get it, where the night is dark, though the sky is clear. It must be a new moon.

Lily is standing at the top of the stairs when I come back in. She’s there in the upstairs hall, standing in the dark, backlit by the bedroom light. Gone are the maroon sweats she wore ear- lier. She has on my flannel shirt now. Her legs are bare, one foot balanced on the other. Her hair is pulled back, her face still wet from washing it.

“Don’t forget to lock the door,” she says down over the rail- ing, patting her face dry with a towel.

I wouldn’t have forgotten to lock the door. I never do. It’s not like Lily to remind me. I turn away from her, making sure the storm door is shut and locked, and then I push the front door closed and lock the dead bolt too.

Our house sits on a large lot. It’s old on the outside, but has a completely revamped, modern interior. It boasts things like a wraparound porch, beamed ceilings, a brick fireplace—which Lily fell in love with the first time she laid eyes on the house, and so I knew I couldn’t say no despite the price—as well as the more modern amenities of a subzero fridge, stainless steel appliances, heated floors and a large soaker tub that I was more enthusiastic about. The house is aesthetically pleasing to say the least, with an enormous amount of curb appeal. It practically broke the bank to buy, but felt worth it at the time, even if it meant being poor for a while.

In the backyard, the river runs along the far edge of the prop- erty, bound by a public hiking and biking trail. We were worried about a lack of privacy when we first moved in, because of the trail. The trail brought pedestrians to us. Strangers. People just passing by. For most of the year, it’s not a problem. The leaves on the trees provide plenty of privacy. It’s only when they fall that we’re more exposed, but the views of the river are worth it for that small sacrifice.

“Done,” I tell her about the locks, and she asks then if I set the alarm. We’ve lived here years and hardly ever set the alarm. I’m taken aback that she would ask.

“Is everything okay?” I ask.

Lily says, “Yes, fine.” She says that we have an alarm. We pay for it. We might as well use it. She isn’t wrong—it’s just that she’s never wanted to before.

I set the alarm. I make my way around the first floor, turning off lights. It takes a minute. When I’m done, I climb the stairs for the bedroom. Lily has the lights off in the room now. She stands at the window in the dark, with her back to the door.

She’s splitting the blinds apart with her fingers and is looking out into the dark night.

I come quietly into the room. I sidle up behind Lily, setting my hand on the small of her back and asking, “What are you looking at?” as I lean forward to set my chin on her shoulder, to see what she sees.

Suddenly Lily reels back, away from the window. She drops the blinds. They clamor shut. I’ve scared her. Instinctively, her hands rise up in self-defense, as if to strike me.

I pull back, ducking before I get hit. “Whoa there, Rocky,” I say, reaching for her arms.

Lily’s hands and arms remain motionless, suspended in air.

“Shit, sorry,” she says, knowing how close she came to im- pact. The realization startles us both.

“What was that?” I ask as I gently lower Lily’s arms. Lily isn’t usually so jumpy. I’ve never seen that kind of reaction from her.

She says, “I didn’t know it was you.”

“Who did you think it was?” I ask, as a joke. She and I are the only ones here.

Lily doesn’t answer directly. Instead she says, “I didn’t hear you come up the stairs. I thought you were still downstairs.”

That doesn’t explain it.

“What are you looking at?” I ask again, gazing past her for the window.

“I thought I heard something outside,” she says.

“Like what?”

She says that she doesn’t know. Just something. We stand, quiet, listening. It’s silent at first, but then I hear the voices of kids rising up from somewhere outside. They’re laughing, and I know there are teenagers clowning around on the trail again. It wouldn’t be the first time. They never do anything too bad, though we’ve found cigarette butts and empty bottles of booze. I don’t get mad about it. I was a stupid teenager once. I did worse.

I go to the bed. I pull the blankets back. “It’s just dumb kids,

Lily. There’s nothing to be afraid of. Come to bed,” I say, but, even as she turns away from the window and slips under the sheets with me, I sense Lily’s hesitation. She’s not so sure.

Excerpted from Just the Nicest Couple @ 2023 by Mary Kyrychenko, used with permission by Park Row Books.

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