Book Review: Unboxed by Briana Morgan

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What would you do for fame?

Release Date: July 25, 2020

Order on Amazon!

Price: $9.99 (paperback)

Plot Summary:

Greg Zipper is a paranormal vlogger whose livelihood relies on his online popularity. When a fight between him and his girlfriend goes viral for all the wrong reasons, Greg purchases a dark web mystery box in hopes of restoring his audience’s faith in him and hitting one million subscribers. But when Greg opens the box, he gets much more than he bargained for, including a Boxer who’s determined to stop him from taking his loved ones for granted. Now Greg must do all he can to stop the Boxer, or else he’ll lose his livelihood—along with the woman he loves.

Grade: A

Review:

I’ve previously read other works from Briana Morgan, but I strongly believe that she excels as a playwright. Unboxed has everything you’d want a traditional horror movie to have, the anticipation of dread, creepiness, and an overlying lesson meant to be learned the hard way. Although this is a play, I can see it becoming a movie in the vein of many Blumehouse movies (putting this thought out into the universe cause you never know if wishing about it will make it happen!).

First of all, I’m not well-versed in the world of the dark web, but I enjoyed how Zipper explained it in the play to his girlfriend. I enjoyed the fact that the dialogue felt very realistic to how people speak and weren’t clunky or awkward at all.

The premise of the play is that a paranormal vlogger is so obsessed with reaching 1 million subscribers that the decides to film himself unboxing a mystery box bought from the dark web. Everything you can imagine about what could possibly grow wrong does in this play. It was a dark and twisted, but also packed an emotional punch where the protagonist had to learn a very difficult lesson, and would he be willing to lose everything he cared about for fame and fortune?

I enjoyed this very much and I don’t usually reach out to purchase plays, but the premise was intriguing and I wasn’t disappointed in the execution. Pick this up if you want to spend 45 minutes exploring the dark and twisted realms of the supernatural and the underbelly of notoriety.

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Excerpts from: Strange Girls: Women in Horror Anthology

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In five weeks, Strange Girls: Women in Horror Anthology will drop just in time to celebrate Women in Horror Month. The stories found within this anthology are very diverse. They range from slasher, psychological horror, sci-fi horror, Gothic, mythological, thriller, and speculative. But the common ground is that the girls presented in the anthology are all uniquely strange in their own ways with elements of horror.

If you’re a reviewer on NetGalley, the book is currently there for you to pick up in exchange for a review. For the rest of you, here’s a small sample of what sort of stories you’re bound to come across in the book:

Excerpt from “Tribal Influence” by Erica Ruhe

“Por favor! You don’t understand,” the terrified mother pleaded in Spanish. “My daughter needs special care. Only I can look after her.”
A guard stood stone-faced on the other side of the open chain link gate.
“Ma’am, the child needs to come with me.” He gestured the girl forward. “Vamos, chica.”
“Mama?” The little girl’s dark brown eyes grew wide. Her father stepped in front of his wife and child.
“No!” he demanded. “My daughter is staying with us.”
The overflowing detainment center hummed with apprehension. Confused conversation and the shuffling of feet hung heavy under the musty weight of acrid sweat and fear.
“Por favor, she is a very special girl,” the mother continued. “You must let me stay with her.”
The guard pulled out his baton.
“Sir, step aside. Ma’am—”
“My daughter needs me.” Tears rolled down the mother’s cheeks. “Por favor, let us stay together!”
“Hey!” An impatient supervisor called across the imprisoned throng of immigrants. “What’s the hold up, Sam? We gotta keep these cattle moving!”
“My daughter is not going anywhere,” the father insisted.
“Listen to me!” The guard pointed his baton at the young Guatemalan family. “Escúchame! Tu hija viene conmigo.”
“No, Mama!” the little girl clutched her mother’s neck. “No, Mama! No, no, no!”
The mother began to shake.
“Shh, shh, my love,” she cooed, suddenly sinking to her knees. A strange vacancy filled her face as the blood drained out of her cheeks.
“Mama!” the girl wept.
“Last warning.” The guard pushed the father aside with his baton. “Mueve tu culo.”
“Mama!”
But the father stepped in again, this time turning to his girls.
“Joaquina?” the father asked, tension in his voice. “Joaquina?”
“Enough dicking around!” the guard shoved the father aside. “C’mon!”
He grabbed the mother’s arm but he faltered and gasped.
“Let her go!” the father cried out. “Let her go!”
“What the hell?” the guard yelled, holding up a shaking hand to his face. “What the fuck is happening?”
The mother looked up from her crying child, tears trembling on the rims of her eyelids. She gazed in to the guard’s eyes with an eerie stillness.
“I can’t stop it,” she whispered.
“Sam?” the supervisor called, concerned.
The guard suddenly spasmed, as if stung. He grabbed his heart. Eyes rolled back. Jaw snapped wide. And in the next instant, his terrified scream consumed him.

Excerpt from “Sideshow” by Jude Reid

His tongue is in her mouth again.

Against her back, she can feel the fabric of the tent, the wet canvas smell mixing with the taste of ketchup and soda and Juicy Fruit gum. Her right hand is closed around a guy-rope; her left, for want of anywhere else to put it, is on Richie’s belt. He has taken hold of her right breast and is squeezing it rhythmically and not especially gently. This is your fault, she thinks to herself, eyes closed and mouth open. You didn’t say no.

The tongue retracts back into his mouth, slick, fat and slug-like. She imagines it leaving a trail of thick mucus behind itself, and her stomach lurches at the thought, sending a tide of acid rushing into her mouth. Her own tongue flicks out and runs across her lower lip, as if it were possible to lick away every trace he had left behind.

Excerpt from “The Girl Who Never Stopped Bleeding” by Sam Lauren

Barb washed her panties in the bathroom sink between classes and the water ran pink. It stained her nails. She scrubbed them with hand soap and course paper towels but they never came clean. Neither did the panties.

It was her first time. Some of us knew how she felt. We didn’t give her advice; we teased her as if we didn’t have folded bits of toilet paper stuffed between our linens and our aching, leaking bodies.

By the fifth day everyone knew. Boys wouldn’t touch her. Girls claimed to smell her from lockers away.

The Bible says a bleeding woman is unclean. We thought it was funny, a myth, a lie told by parents to make kids remain chaste. It didn’t prepare us for Barb.

Two weeks in she killed a plant. We can’t prove it but they both sat by the window, wilting in their own filth. The plant hadn’t changed its dirt. She hadn’t changed her panties. Some say she touched the stem of the flower, turned it toward the light, but others say it died just from being near her.

A month later she was still scrubbing her panties after every bell.

Strange Girls: Women in Horror Anthology drops February 18, 2020 but is available for pre-order!

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Throwback Thursday: Candyman

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There are some movies that stick with you far more than others, and throughout the years, Candyman has become one of the. It recently was added to Netflix, so since my fiance had never seen the film before, I thought it was the perfect occasion for me to rewatch it.

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Candyman has three very unique aspects to it that I love. First, it incorporates an urban legend (somewhat echoing Bloody Mary with the whole mirror curse), a ghost story (cause Candyman is basically a ghost), and a love story (the first one being Candyman with the rich white girl he impregnated and was killed for and secondly, the one he has with Helen, who looks seemingly similar to his first love). The film is based off of Clive Barker’s short story, The Forbidden, and although elements of it are very similar, the film has given the villain a far more richer back story than the short story ever did. Probably because the short story’s setting was England, and moving the setting to modern-day Chicago, allowed the racial tensions of the past and present be a theme within the film.

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Plus, out of all the horror villains, Candyman has a valid reason to be pissed off and seeking vengeance. He not only was separated from the woman he loved and his unborn child, but was mutilated (an angry mob cut off his right hand, and him being a painter meant they pretty much stole him of both his livelihood and talent) and killed him in the most atrocious way (he was covered in honey and died by being attacked by thousands of bees). So ya know, he has a really good reason to want to off pimple-raced teens who are dumb enough to call upon him.

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But another thing that sets Candyman a little bit above all other movies is the fact that Tony Todd delivers an impeccable performance. His villain isn’t only scary, but there’s an element of seductive danger to him too. We know that Helen joining him means it’ll be her death, but a part of us can also understand why she can’t refuse him. He is both menacing and alluring, and that makes for one complex character. As much as we all love Michael Meters, Jason Vorhees, and Freddy Krueger, there’s also no question that we’d haul ass if we ever encountered them and surely wouldn’t find those psychos sexy! But Candyman on the other hand, is almost a Gothic hero. He has a tragic backstory, we feel his pain, and in most cases want to believe that maybe we could make him fall in love again.

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Throughout the years, I’ve seen many horror films, but time after time this one has remained as one of my absolute favourites because Candyman isn’t just your ordinary slasher film. It’s a film that dares to question racial tensions, to push us into that grey area between love and hate, and ultimately giving us one of the very best and redemptive endings of all time.

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Book Review: Will Haunt You by Brian Kirk

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You don’t read the book. It reads you. 

Release Date: March 14, 2019

Purchase on Amazon

Price: $11.91 (paperback)

Publisher: Flame Tree Press

Plot Summary:

Rumors of a deadly book have been floating around the dark corners of the deep web. A disturbing tale about a mysterious figure who preys on those who read the book and subjects them to a world of personalized terror.

Jesse Wheeler―former guitarist of the heavy metal group The Rising Dead―was quick to discount the ominous folklore associated with the book. It takes more than some urban legend to frighten him. Hell, reality is scary enough. Seven years ago his greatest responsibility was the nightly guitar solo. Then one night when Jesse was blackout drunk, he accidentally injured his son, leaving him permanently disabled. Dreams of being a rock star died when he destroyed his son’s future. Now he cuts radio jingles and fights to stay clean.

But Jesse is wrong. The legend is real―and tonight he will become the protagonist in an elaborate scheme specifically tailored to prey on his fears and resurrect the ghosts from his past. Jesse is not the only one in danger, however. By reading the book, you have volunteered to participate in the author’s deadly game, with every page drawing you closer to your own personalized nightmare. The real horror doesn’t begin until you reach the end.

That’s when the evil comes for you.

Grade: A

Review:

Let me start off this review by saying that this book is creepy. But not creepy in the slow burn atmospheric way that The Exorcism of Emily Rose was (or A Head full of Ghosts at its best before the dismal downfall of an ending), but rather it’s creepy in the way that only Rob Zombie and Eli Roth movies know how to be. Meaning, we’re creeped out because we can envision these horrors happening to us, and we squirm and wish that we could do something to save the protagonist. And yet, we’re also kinda worried for our well being, after all the book is about a cursed book, and the cursed book in question is the one you’re holding in your hands right now. Don’t have chills yet?

Now, if you’re not a fan of Rob Zombie films, I can see how this may not be the kind of horror book for you. This book was very much reminiscent of Zombie’s newest film, 31, with its bizarro villains, and the location of being enclosed in one of the creepiest mansions known to man.

I’m not sure why I have a penchant for has-been rock star stories (of any genre), but when it’s combined with a cursed book, it just amps up the interest level for me. This book has you questioning everything and everybody, but mostly it will leave you wondering who are the real monsters, the others? Or yourself?

Must read for those who love strange, gory tales with a writing style of an enraged demon on speed.

*Thank you so much to NetGalley and Flame Tree Press for the digital copy of this book in exchange for an honest review!

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3 Symbols You Missed While Watching Hereditary

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After the family matriarch passes away, a grieving family is haunted by tragic and disturbing occurrences, and begin to unravel dark secrets.

*SPOILERS ALERT* if you have not seen the movie yet, DO NOT read further!

Hereditary is Ari Aster’s first feature film, hailed as the “scariest horror movie of the year”. The film is packed with unsettling visuals and a creepy atmosphere. The movie sees a superb Toni Collette as the troubled Annie, who has to deal with the recent passing of her mother. But as viewers will soon see, it isn’t that death that is the catalyst moment of the movie, but rather a second more dramatic death that occurs shortly, that of daughter Charlie (Milly Shapiro). This second death is the one that begins to tear the family apart at the seams, pitting Annie against her son Peter (Alex Wolff), and husband Steve (Gabriel Byrne).

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The movie is riddled with symbols and foreshadowing galore. During a class discussion about the flaws of Greek mythology Heracles, a student states: “The characters are all just pawns in this horrible hopelessness.” Which heavily foreshadows how every single character in this movie are simply just pawns of King Paimon, and that they will all be met with tragic deaths.

Here are THREE SYMBOLS that you may have missed whilst watching the movie:

001. Chocolate – Back in the early 1600’s, chocolate was referred to as the Devil’s elixir, hence where the name for the famous chocolate on chocolate cake comes from, Devil’s Food Cake. This symbol is used from the very beginning in the movie, suggesting that Charlie may already have been possessed by King Paimon (one of Hell’s kings) or just a foreshadowing that she will be possessed.

002. The Red Doorknob – Charlie’s room has a red doorknob, similar to the one shown in The Sixth Sense, symbolizing the presence of spirits or possible spirit possessions.

003. King Paimon’s Symbol – This is present from the very beginning of the movie, first seen as a pendant that Annie’s mother is wearing whilst in the casket at the funeral. Another instance where we see this symbol is on the pole that decapitates Charlie the night of the accident, as well as in Joan’s home after she has placed a curse on Annie’s family, and also in blood on the roof of the attic where Annie’s mother’s body has been placed. Lastly, at the very end, when the audience finally sees the idol representation of King Paimon, wearing that same symbol.

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Have you seen this movie? What did you think? Let me know below!

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Review: Channel Zero – No-End House

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Much like American Horror Story, Channel Zero is a horror anthology series which each season differing from another. Last year, it was Channel Zero: Candle Cove, this year SyFy series returned with Channel Zero: No-End House. Unlike other series that are either based off of books, original screenplays, or graphic novels, this series is based off of Internet-borne stories infamously known as creepypasta (they’re the sames stories that birthed the legend of Slender Man). Unlike American Horror Story, Channel Zero gives a seriously dose of creepy vibes with its visceral, almost nightmare-inducing visuals.

Channel Zero: No-End House is centered upon a haunted house. But this haunted house is unlike any other you’ve ever been in as entering all six rooms will leave you emotionally disturbed (if you even make it through to the other side). The show centers around the protagonist, Margot (Amy Forsyth) a young woman who’s still dealing with the untimely death of her father (John Carroll Lynch). One night, her best friend Jules (Aisha Dee) proposes to go out for the night to help pull her friend out of her dark spot. The two end up in a bar where they meet fellow friend J.D. (Seamus Patterson) and alluring new boy Seth (Jeff Ward) who dare the girls to join them to walk through a haunted house infamous for leaving anyone who enters it utterly disturbed. The two friends agree, and once they enter the house that’s when things go awry.

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What follows isn’t necessarily outwardly disturbing per se at first glance, only that the final room of the house brings the group to a neighborhood, much like the one they’re from (almost like an alternate universe of sorts) only that the people who inhabit that place may look like your loved ones, but are far from being those people. (Such as the protagonist Margot seeing her father living there and he’s alive, when in her world he’s dead). At first glance, the people inhabiting the house may appear innocuous but they actually harbor a dark secret. Mere food doesn’t nourish these creatures, rather they feed off of someone’s memories (quite literally, as your memories manifest into either a person or pet and the house’s inhabitants tear into them, devouring every morsel of your past).

The show was directed by Steven Piet (known mostly for the crime mystery Uncle John on Netflix). Channel Zero: No-End House is full of long pans such as the film It Follows, not quite revealing to the viewer right away what exactly it is that we need to be paying attention to. There’s a strange sense of dread in every scene, and the suspense and terror is palpable. The viewer is filled with a terrible sense of unease throughout the whole series, and for some of you less brave folks out there, you may need to sleep with the light on once you’re through with this.

By: Azzurra Nox