Outside a rural Pennsylvania motel, nine-year-old Lulu smokes a cigarette while sitting on the lap of a trucker. Recent art grad Quinn is passing through town and captures it. The photograph, later titled “Lulu & the Trucker,” launches Quinn’s career, escalating her from a starving artist to a renowned photographer. In a parallel life, Lulu fights to survive a volatile home, growing up too quickly in an environment wrought with drug abuse and her mother’s prostitution. Decades later, when Quinn has a retrospective at the Whitney Museum of Art and “Lulu & the Trucker” has sold at auction for a record-breaking amount, Lulu is surprised to find the troubling image of her young self in the newspaper. She attends an artist talk for the exhibition with one question in mind for Quinn: Why didn’t you help me all those years ago? Tell Me One Thing is a portrait of two Americas, examining power, privilege, and the sacrifices one is willing to make to succeed. Traveling through the 1980s to present day, it delves into New York City’s free-for-all grittiness while exposing a neglected slice of the struggling rust belt.
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What can you do when you’re reeling from trauma but you’ve tried it all? Counselling, yoga, pills, meditation, art, healthy living… none of it makes a dent. What’s left?
Magpie is out of ideas. She’s desperate enough to try anything. Just when she thinks her life can get no worse, she discovers herself, or rather her own dead body, partially buried in the mudbank of a river. A man stands by, a familiar stranger. What does he want? And why can’t she remember getting here? Why can’t she remember anything?
Unbeknownst to her, two pairs of eyes watch from behind an observation screen, in a room filled with computers and sensors. An experiment is unfolding, but is Magpie the subject, or practitioner? Reality becomes a slippery concept. And beyond the glass is something worse still: a hint of an outline, shaped in darkness…
Magpie realises all too soon that her journey has transformed from healing to survival. She must become the hunter rather than the hunted, with her missing memories the prey.
GRADE: A
REVIEW:
Gemma Amor’s sci-fi horror novel perfectly blends the horrors of postpartum depression with supernatural/sci-fi horrors. Magpie is desperate to escape her suicidal ideations and finds herself penning a letter to an experimental group in hope that they can fix her. The only issue is that the researchers aren’t prepared for Magpie’s fear to manifest in a true identity ready to devour and destroy everything that comes in its way. This book expertly describes the malaise that often comes with motherhood and how still today many women face these same issues alone drenched in shame. This was an emotional and scary ride – kudos to Amor for having the balls to write something so deeply personal and share it with the world. But I feel like the world is better with such an important book like this available. I recommend this book if you love horror and sci-fi genre blends and seek horror with a ton of heart and soul.
*Thank you so much to NetGalley and Angry Robot for the digital copy of this book in exchange for an honest review!
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Haunted homes are one of my favourite tropes both in horror movies and books. Here are three books with haunted homes that are bound to give you chills!
THE LITTLE STRANGER BY SARAH WATERS
One postwar summer in his home of rural Warwickshire, Dr. Faraday, the son of a maid who has built a life of quiet respectability as a country physician, is called to a patient at lonely Hundreds Hall. Home to the Ayres family for over two centuries, the Georgian house, once impressive and handsome, is now in decline, its masonry crumbling, its gardens choked with weeds, the clock in its stable yard permanently fixed at twenty to nine. Its owners—mother, son, and daughter—are struggling to keep pace with a changing society, as well as with conflicts of their own. But are the Ayreses haunted by something more sinister than a dying way of life? Little does Dr. Faraday know how closely, and how terrifyingly, their story is about to become intimately entwined with his.
THIS HOUSE IS HAUNTED BY JOHN BOYNE
This House Is Haunted is a striking homage to the classic nineteenth-century ghost story. Set in Norfolk in 1867, Eliza Caine responds to an ad for a governess position at Gaudlin Hall. When she arrives at the hall, shaken by an unsettling disturbance that occurred during her travels, she is greeted by the two children now in her care, Isabella and Eustace. There is no adult present to represent her mysterious employer, and the children offer no explanation. Later that night in her room, another terrifying experience further reinforces the sense that something is very wrong.
From the moment Eliza rises the following morning, her every step seems dogged by a malign presence that lives within Gaudlin’s walls. Eliza realizes that if she and the children are to survive its violent attentions, she must first uncover the hall’s long-buried secrets and confront the demons of its past. Clever, captivating, and witty, This House Is Haunted is pure entertainment with a catch.
KILL CREEK BY SCOTT THOMAS
At the end of a dark prairie road, nearly forgotten in the Kansas countryside, is the Finch House. For years it has remained empty, overgrown, abandoned. Soon the door will be opened for the first time in decades. But something is waiting, lurking in the shadows, anxious to meet its new guests…
When best-selling horror author Sam McGarver is invited to spend Halloween night in one of the country’s most infamous haunted houses, he reluctantly agrees. At least he won’t be alone; joining him are three other masters of the macabre, writers who have helped shape modern horror. But what begins as a simple publicity stunt will become a fight for survival. The entity they have awakened will follow them, torment them, threatening to make them a part of the bloody legacy of Kill Creek.
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It’s been three months since The Night on the Bathroom Floor–when Lily found her older sister Alice hurting herself. Ever since then, Lily has been desperately trying to keep things together, for herself and for her family. But now Alice is coming home from her treatment program and it is becoming harder for Lily to ignore all of the feelings she’s been trying to outrun. Enter Micah, a new student at school with a past of his own. He was in treatment with Alice and seems determined to get Lily to process not only Alice’s experience but her own. Because Lily has secrets, too. Compulsions she can’t seem to let go of and thoughts she can’t drown out. When Lily and Micah embark on an art project for school involving finding poetry in unexpected places, she realizes that it’s the words she’s been swallowing that desperately want to break through.
GRADE: A
REVIEW:
This was a gut-wrenching journey that vividly depicts the difficulty of dealing with an anxiety disorder while also dealing with people in your life that have attempted suicide. Lily’s world isn’t the same ever since her sister Alice slit her veins – but she’s trying her best to keep up a happy facade at school. But it all quickly crumbles the moment Alice returns home from rehab. In the midst of all this, she meets and falls for the new boy Micah – who also stayed at the same rehab center that Alice did after he tried to take his own life.
The reader can’t help but cheer for these very broken souls and yearn so much to see them heal and find some solace in the darkness.
Told from Alice’s POV and her poetry, this was a very emotional read that I simply couldn’t put down, in fact, I read it in two days. I highly suggest this book if you want to read a very raw yet ultimately uplifting story. However, there are many trigger warnings for those who suffer from depression, suicidal thoughts, self-harm, and anxiety.
*Thank you so much to NetGalley and Delacorte Press for the digital copy of this book in exchange for an honest review!
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In a boarded-up house on a dead-end street at the edge of the wild Washington woods lives a family of three.
A teenage girl who isn’t allowed outside, not after last time. A man who drinks alone in front of his TV, trying to ignore the gaps in his memory. And a house cat who loves napping and reading the Bible.
An unspeakable secret binds them together, but when a new neighbor moves in next door, what is buried out among the birch trees may come back to haunt them all.
GRADE: A
REVIEW:
This is one of those rare books that came with a TON OF HYPE and actually LIVED UP to the hype and then some! I really loved that this book started out in one direction and completely reeled you in another by the end!
Right from the very beginning, the reader knows there’s something very wrong the moment we dive into the story. This novel excels in creating this crescendo of dread and unease that by the time you’re hit with the climax, you’re questioning your own sanity.
Ted lives alone in a run-down home with his beautiful kitty Olivia while his daughter Lauren comes to visit him from time to time. When Dee moves next door to him, convinced that he had something to do with her little sister’s disappearance things really start to escalate into chaos for everyone involved. This thriller is a wild ride and one you won’t easily forget once you’re through with the final page.
I can’t recommend this book enough. Believe the hype, it’s worth reading!
*Thank you so much to NetGalley and Tor Nightfire for the digital copy of this book in exchange for an honest review!
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“A tour de force of storytelling. One of the best books I’ve read this year. Dean Jobb breathes new life into Cream’s victims—who they were, where and how they lived—all the while blending in thorny issues of policing, of the fictional detectives being created, of the other serial killers on the loose. This book is both chilling and thrilling.” —Louise Penny, #1 New York Times bestselling author of the Chief Inspector Gamache series
”When a doctor does go wrong he is the first of criminals,” Sherlock Holmes observed during one of his most baffling investigations. “He has nerve and he has knowledge.” In the span of fifteen years, Dr. Thomas Neill Cream murdered as many as ten people in the United States, Britain, and Canada, a death toll with almost no precedent. Poison was his weapon of choice. Largely forgotten today, this villain was as brazen as the notorious Jack the Ripper.
Structured around the doctor’s London murder trial in 1892, when he was finally brought to justice, The Case of the Murderous Dr. Cream exposes the blind trust given to medical practitioners, as well as the flawed detection methods, bungled investigations, corrupt officials, and stifling morality of Victorian society that allowed Dr. Cream to prey on vulnerable and desperate women, many of whom had turned to him for medical help.
Dean Jobb transports readers to the late nineteenth century as Scotland Yard traces Dr. Cream’s life through Canada and Chicago and finally to London, where new investigative tools called forensics were just coming into use, even as most police departments still scoffed at using science to solve crimes. But then, most investigators could hardly imagine that serial killers existed—the term was unknown. As the Chicago Tribune wrote, Dr. Cream’s crimes marked the emergence of a new breed of killer: one who operated without motive or remorse, who “murdered simply for the sake of murder.” For fans of Erik Larson’s The Devil in the White City, all things Sherlock Holmes, or the podcast My Favorite Murder, The Case of the Murderous Dr. Cream is an unforgettable true crime story a master of the genre.
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Each summer the girls of Deck Five come back to Marshall Naval School. They sail on jewel-blue waters; they march on green drill-fields; they earn sunburns and honors. They push until they break apart and heal again, stronger.
Each summer Margaret and Rose and Flor and Nisreen come back to the place where they are girls, safe away from the world: sisters bound by something more than blood.
But this summer everything has changed. Girls are missing and a boy is dead. It’s because of Margaret Moore, the boys say. It’s because of what happened that night in the storm.
Margaret’s friends vanish one by one, swallowed up into the lies she has told about what happened between her and a boy with the world at his feet. Can she unravel the secrets of this summer and last, or will she be pulled under by the place she once called home?
Grade: B-
Review:
Margaret Moore loves her Deck Five girls – every summer she goes to Marshall Naval School and the summer is the only time she feels alive. But something happened the year before with a boy and that has changed the dynamics of the new year. The writing is a lyrical punch in the gut – and ever since I read Foul Is Fair last year I fell instantly in love with Capin’s writing style. However, this novel didn’t keep me as engaged as her previous one. Not because I didn’t enjoy the story or the protagonist, because I did. And there’s a huge twist towards the middle of the novel, and maybe it’s because I anticipated the twist or maybe because the ending happened way too long after the twist that the novel began to feel a tad repetitive.
That isn’t necessarily a bad thing, because once you know the twist, you’ll understand why there’s the repetitiveness to it. And yes, this novel too is filled with ferocious friendships and violent revenge, but I suppose since reading her previous novel that was far bloodier, I was expecting a bit more?
If this is your first time reading Capin, you may love this book more because it’s got a group of friends you will root for, a protagonist that is both relateable and someone you can feel empathy for, and again, the writing is both razor sharp and poetically beautiful. So there is much to love in this novel if you’re a new reader.
I recommend this book if you love feminist revenge stories with strong female friendships.
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A Heian-era mansion stands abandoned, its foundations resting on the bones of a bride and its walls packed with the remains of the girls sacrificed to keep her company.
It’s the perfect venue for a group of thrill-seeking friends, brought back together to celebrate a wedding.
A night of food, drinks, and games quickly spirals into a nightmare as secrets get dragged out and relationships are tested.
But the house has secrets too. Lurking in the shadows is the ghost bride with a black smile and a hungry heart.
And she gets lonely down there in the dirt.
Effortlessly taking the classic haunted house story and turning it on its head, Nothing but Blackened Teeth is a sharp and devastating exploration of grief, the parasitic nature of relationships, and the consequences of our actions.
Grade: C-
Review:
I was truly anticipating this novella sine it has everything that I simply adore in horror, creepy vengeful ghosts, characters that love the macabre, and it was set in Japan, one of my fave countries. The premise of the novella was also intriguing, a girl Cat, reunites with her friends for a wedding that will take place in a haunted Heian-era mansion. And let’s not forget that with such an incredibly frightening book cover, who wouldn’t be expecting to be scared shitless, right?
Now, my issue with the novella is the excessive purple prose that was interjected throughout the whole novella. Some of the writing was beautiful, but some of it was simply too over the top that a lot of times I had to reread to know exactly what was going on, and therein lies the issue, in a horror novella you want the action to be evident, not up to interpretation!
My second issue with the novella was that all of the characters seemed to have had some past romantic connections to one another, and while that isn’t unusual is a group of young friends, it seemed really odd that every single dude had slept with one girl and so everyone had underlying resentment towards one another.
The ending was very B-rated horror movie and maybe I’d enjoy this novella more if it had been a B-rated horror movie (because I enjoy those as mindless entertainment) but what works as a bad horror movie usually doesn’t work for a book and that’s why I couldn’t enjoy it.
I know many reviewers DID enjoy this book and I’m not discouraging others from checking it out, but I must be honest about how I felt about it and for me it’s a pass.
*Thank you so much to NetGalley and Tor Nightfire for the digital copy of this book in exchange for an honest review!
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All Bram wanted was to disappear–from her old life, her family’s past, and from the scandal that continues to haunt her. The only place left to go is Louth, the tiny town on the Hudson River where her uncle, James, has been renovating an old mansion.
But James is haunted by his own ghosts. Months earlier, his beloved wife died in a fire that people say was set by her daughter. The tragedy left James a shell of the man Bram knew–and destroyed half the house he’d so lovingly restored.
The manor is creepy, and so are the locals. The people of Louth don’t want outsiders like Bram in their town, and with each passing day she’s discovering that the rumors they spread are just as disturbing as the secrets they hide. Most frightening of all are the legends they tell about the Dead Girls. Girls whose lives were cut short in the very house Bram now calls home.
The terrifying reality is that the Dead Girls may have never left the manor. And if Bram looks too hard into the town’s haunted past, she might not either.
Grade: A-
Review:
I’ll be honest, I was tempted to DNF this book because it was sort of slow moving and it wasn’t really compelling until 40% in the book and then BAM did the novel really shift its gears and started to become unputdownable! I love the book Rebecca and this book was advertised as a retelling of sorts loaded with snowy creepiness and mystery. I must say that I started to like the protagonist Bram way better once we got a chance to really know her better. I really couldn’t tell where the story was going and that’s good! I like the element of surprise and figuring things out alongside the protagonist.
I love that we as readers, just like the protagonist, are wary of all the characters we encounter, because it gives you this feeling that nothing is sacred and you can’t trust anyone. I must say that I really enjoyed this book a lot and am glad that I went against my initial feelings to put it down, and decided to give it a chance.
This book is ideal for readers who love twisty thriller/mysteries or Gothic influenced thrillers with unrealible side characters.
*Thank you so much to NetGalley and Delacorte Press for the digital copy of this book in exchange for an honest review!
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His wife has left him, his father is sinking into dementia, and Marcos tries not to think too hard about how he makes a living. After all, it happened so quickly. First, it was reported that an infectious virus has made all animal meat poisonous to humans. Then governments initiated the “Transition.” Now, eating human meat—“special meat”—is legal. Marcos tries to stick to numbers, consignments, processing.
Then one day he’s given a gift: a live specimen of the finest quality. Though he’s aware that any form of personal contact is forbidden on pain of death, little by little he starts to treat her like a human being. And soon, he becomes tortured by what has been lost—and what might still be saved.
Grade: A-
Review:
This book had Under the Skin vibes, and that was exactly why I chose to read it. If you can’t handle brutal acts of violence, then this book won’t be for you. But if you love dystopian societies then you may want to check this one out. We’re introduced to Marcos, who’s in the business of slaughtering humans ever since a virus has contaminated all the animals and can no longer provide humans the protein they once did. In fact, in this new world, all animals have been destroyed, and the world is silent. Marcos is still reeling from his son’s death, and only continues to work at the slaughterhouse because it’s what he’s best at, and needs the money to keep his dad who’s afflicted with dementia in a retirement home. But, he’s never consumed the new “special meat” himself. In fact, when he’s gifted a female head (as humans that are raised to be livestock are called), he begins to see her humanity.
This book can be triggering for some people (especially if you hate violence directed towards animals and can’t stomach descriptions of people eating humans). I enjoyed the book (although enjoyed probably isn’t the right term cause that’s going to make me sound like a sociopath), but I did like that the author pushed boundaries and made you question what exactly makes us decide that certain animals are deemed worthy of consuming and which ones are considered worth saving.
This is a brutal book, read it if you can deal with violence and triggering events, or you enjoyed Under the Skin.
*Thank you so much to NetGalley and Scribner for the digital copy of this book in exchange for an honest review!
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The Inkblotters 