Book Review & Author Interview: Children of Chicago by Cynthia Pelayo

Don’t forget to pay the Piper…”

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Release Date: February 9, 2021

Publisher: Agora Books

Price: $26 (hardcover)

Plot Summary:

When Detective Lauren Medina sees the calling card at a murder scene in Chicago’s Humboldt Park neighborhood, she knows the Pied Piper has returned. When another teenager is brutally murdered at the same lagoon where her sister’s body was found floating years before, she is certain that the Pied Piper is not just back, he’s looking for payment he’s owed from her. Lauren’s torn between protecting the city she has sworn to keep safe, and keeping a promise she made long ago with her sister’s murderer. She may have to ruin her life by exposing her secrets and lies to stop the Pied Piper before he collects.

Grade: A

Review:

I decided to dive into Cynthia Pelayo’s Children of Chicago with no notion of the plot summary. I recently had read her harrowing true-crime poetry collection, Into the Forest and All the Way Through, as well as her short stories featured in the female driven anthology she edited with Gemma Amour and Laurel Hightower, We Are Wolves, and decided that I would take a leap of faith. I never could’ve been happier with my choice. I’m an avid reader of fairytales and the fact that Children of Chicago expertly weaves the fairytale of The Pied Piper and giving it a Candyman angle, made it a very intriguing read. The writing is both lush and concise, allowing the reader to be emerged in the Chicagoan city life as well as the dark realms of the fairytale forest. It’s a deep dive into darkness and for readers of horror, you will love this.

We follow homicide detective Lauren Medina who’s tasked with trying to figure out who is killing the teens of Chicago, in a city, notorious for its bloody past and violent present. Reality fuses with the supernatural and the reader is never certain if we’re witnessing true events or if the characters are simply victims of a mass hysteria.

The novel is part police procedural and part supernatural horror with hints of magical realism all coming to head with a very explosive truth about the protagonist that will leave readers reevaluating everything that’s happened throughout the novel. Fast-paced and eerily dark, Children of Chicago is the perfect winter read.

*Thank you so much to NetGalley and Agora Books for the digital copy of this book in exchange for an honest review!

SHORT Q & A WITH AUTHOR:

I’m a huge fan of fairytales so reading the novel, this really drew me in. There are so many fairytales to choose from, and of course the Brother Grimms are the most popular, but what exactly drew you to the tale of the Pied Piper and why is he the bad guy in the novel?

It’s very odd, but I usually get an image for my stories before I start writing them and I had an image of a man in a black suit and a black top hat standing outside of a hospital waiting to whisk a small child away. That was all I had. Ultimately that image didn’t make it into the novel, but that’s where his story started. Then I started thinking about who he was. Why was he dressed in such old-fashioned clothes and why did he want to take a child? For a long time I thought maybe he was Slenderman, but that wasn’t quite right. Then the Slenderman stabbing happened in Wisconsin in 2014 and I put the story away in my head, because it just felt like it was in bad taste to continue on with the story during that tragedy.

I had taken courses in my MFA in Writing specifically on fairy tales, and so I have a lot of fairy tale books, and just a fascination with them and their history. It probably was not until I started going back to those books and reading them to my children that I found the Pied Piper again and it clicked. The man in the black suit was the Pied Piper and he wanted to lure the children of Chicago away. Then from there, it was just a manic rush to write the story while it was fresh in my head.

There are some accounts that claim that part of the Pied Piper story is true, to an extent, that children were led away from the town of Hamelin and they never returned. So, I wanted to speak to that tragedy, of this mysterious figure with only ill intent to destroy a society by taking away what was most precious to them, their children.

I also discovered that it wasn’t just the Pied Piper that needed to be weaved into the story, but much of the foundation of fairy tale lore, and other fairy tales, because so many fairy tales are based on some small, and gruesome, truth.

Chicago is as much a character in the novel as also the setting. What made you pick Chicago as the setting as opposed to any other big city instead?

I live in inner city Chicago. Not in the suburbs. Not in a fancy neighborhood in the city, but in a regular working class neighborhood in the city, with a high immigrant population, and a high poverty rate. I went to college, have a great professional career, but it was important for me to stay in the community that raised me, and what I later discovered was that Walt Disney was born just a few blocks away from me in a wooden house. L. Frank Baum who wrote The Wonderful Wizard of Oz wrote parts of that legendary book at the park that I have frequented my entire life. So, it was magical to learn that in my neighborhood, comprised of regular people, that magic was made here.

In addition to that, I can’t ignore the violence of the city that I grew up with, and that I live with still. So, there’s this strange dichotomy, a city that was founded on a lake and that has been home to creative legends that gifted us wonderful works of art, but a city that is plagued by violence, and historically has been plagued by violence – its founding was based on violence.

I wanted to then showcase this place where I live and love and to tell people that Chicago is the prime location for a dark fairy tale.

I feel that Children of Chicago can be read as a fairytale, meaning that most original fairytales served as cautionary tales. I feel that in the novel, we’re cautioned not to put our faith in supernatural entities because the price you have to pay may be bigger than you expect. And yet, I feel like humans tend to lean towards the supernatural if even on a low-key base such as sharing chainletters or keeping lucky charms or totems to ward off evil. Why is that?

Yes, I really would love if people read it as a fairy tale about fairy tales. There’s a lot that I was hoping to accomplish that I hope the careful reader catches on to, like my mentions of other fairy tales, and fairy tale devices, Chicago history and how I tried to hold a mirror up to the city and show the city its beauty, but its cruelty as well.

What I was hoping to communicate with the payment is due aspect of the story is that whatever energy you put out into the universe is the type of energy you are going to receive. If you are putting out negative energy, that is the energy that will return to you and serve you. I’m pretty spiritual and part of my path teaches me that we are all one consciousness, you, me, everyone. So, if I do or wish harm to someone else then I am doing or wishing harm to myself.

We turn to the supernatural for protections for a variety of reasons, religion, faith, but ultimately for the belief that the supernatural can shift our experiences and reality. For example, with regards to violence and harm, these things can sometimes be random, or there are people who just live in toxic situations or places. They turn to these things for the hope that the supernatural can guide them to a safer position.

I believe people need to do what gives them comfort, as long as it is not harming anyone, with regards to owning supernatural devices. However, I want to stress to anyone reading that if you are in a violent or harmful environment then please seek help and do so in a safe manner.

I also believe our words and actions are spells. I believe in being positive and speaking positively so that this is the type of energy we are granted.

This is a loaded question, but what is your favorite fairytale and why?

I love this question.

I love so many of them, but the one that I think about often and have written about is Hansel and Gretel.

It’s about the cruelty that can be done to us by those that are meant to love and protect us, and the tragedy of even when you find what you think is safety you aren’t really safe. There is betrayal. Ultimately, it shows that the only person you can trust is really and truly yourself, or in this case little brother and little sister who trust and save each other in the fairy tale. Hansel and Gretel teaches us that no one in the outside world can ever truly be trusted.

Humans often have motives that are beyond cruel, they are deadly.

What are you currently working on and do you have any other releases on the horizon?

I’m working on a middle grade novel I’m hoping to finish and get to my agent in a few days. I’m also working on a novella I hope to deliver in June. I’m not sure when that will be published but I will announce that soon. Then, I am working on the sequel to the “Chicago fairy tale series” which is not really a sequel to Children of Chicago but another fairy tale that takes place in the city. I also have a few short stories I’m working on. I’ve been very busy but it’s a great kind of busy and I am grateful for all of these creative opportunities.

AUTHOR BIO:

Cynthia “Cina” Pelayo is the author of LOTERIA, SANTA MUERTE, THE MISSING, and POEMS OF MY NIGHT, all of which have been nominated for International Latino Book Awards. POEMS OF MY NIGHT was also nominated for an Elgin Award. Her recent collection of poetry, INTO THE FOREST AND ALL THE WAY THROUGH explores true crime, that of the epidemic of missing and murdered women in the United States. Her modern day horror retelling of the Pied Piper fairy tale, CHILDREN OF CHICAGO will be released by Agora Books on 2/9/21. She holds a Bachelor of Arts in Journalism, a Master of Science in Marketing, a Master of Fine Arts in Writing, and is a Doctoral Candidate in Business Psychology. Cina was raised in inner city Chicago, where she lives with her husband and children. Find her online at www.cinapelayo.com and on Twitter @cinapelayo.

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Book Review: Don’t Tell A Soul by Kirsten Miller

People say the house is cursed.
It preys on the weakest, and young women are its favorite victims.
In Louth, they’re called the Dead Girls.

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Release Date: January 26, 2021

Publisher: Delacorte Press

Price: $17.99 (hardcover)

Plot Summary:

All Bram wanted was to disappear–from her old life, her family’s past, and from the scandal that continues to haunt her. The only place left to go is Louth, the tiny town on the Hudson River where her uncle, James, has been renovating an old mansion.

But James is haunted by his own ghosts. Months earlier, his beloved wife died in a fire that people say was set by her daughter. The tragedy left James a shell of the man Bram knew–and destroyed half the house he’d so lovingly restored.

The manor is creepy, and so are the locals. The people of Louth don’t want outsiders like Bram in their town, and with each passing day she’s discovering that the rumors they spread are just as disturbing as the secrets they hide. Most frightening of all are the legends they tell about the Dead Girls. Girls whose lives were cut short in the very house Bram now calls home.

The terrifying reality is that the Dead Girls may have never left the manor. And if Bram looks too hard into the town’s haunted past, she might not either.

Grade: A-

Review:

I’ll be honest, I was tempted to DNF this book because it was sort of slow moving and it wasn’t really compelling until 40% in the book and then BAM did the novel really shift its gears and started to become unputdownable! I love the book Rebecca and this book was advertised as a retelling of sorts loaded with snowy creepiness and mystery. I must say that I started to like the protagonist Bram way better once we got a chance to really know her better. I really couldn’t tell where the story was going and that’s good! I like the element of surprise and figuring things out alongside the protagonist.

I love that we as readers, just like the protagonist, are wary of all the characters we encounter, because it gives you this feeling that nothing is sacred and you can’t trust anyone. I must say that I really enjoyed this book a lot and am glad that I went against my initial feelings to put it down, and decided to give it a chance.

This book is ideal for readers who love twisty thriller/mysteries or Gothic influenced thrillers with unrealible side characters.

*Thank you so much to NetGalley and Delacorte Press for the digital copy of this book in exchange for an honest review!

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Book Review: Tender is the Flesh by Augustina Bazterrica

Working at the local processing plant, Marcos is in the business of slaughtering humans—though no one calls them that anymore.

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Release Date: August 4, 2020

Publisher: Scribner

Price: $14.40 (paperback)

Plot Summary:

His wife has left him, his father is sinking into dementia, and Marcos tries not to think too hard about how he makes a living. After all, it happened so quickly. First, it was reported that an infectious virus has made all animal meat poisonous to humans. Then governments initiated the “Transition.” Now, eating human meat—“special meat”—is legal. Marcos tries to stick to numbers, consignments, processing.

Then one day he’s given a gift: a live specimen of the finest quality. Though he’s aware that any form of personal contact is forbidden on pain of death, little by little he starts to treat her like a human being. And soon, he becomes tortured by what has been lost—and what might still be saved.

Grade: A-

Review:

This book had Under the Skin vibes, and that was exactly why I chose to read it. If you can’t handle brutal acts of violence, then this book won’t be for you. But if you love dystopian societies then you may want to check this one out. We’re introduced to Marcos, who’s in the business of slaughtering humans ever since a virus has contaminated all the animals and can no longer provide humans the protein they once did. In fact, in this new world, all animals have been destroyed, and the world is silent. Marcos is still reeling from his son’s death, and only continues to work at the slaughterhouse because it’s what he’s best at, and needs the money to keep his dad who’s afflicted with dementia in a retirement home. But, he’s never consumed the new “special meat” himself. In fact, when he’s gifted a female head (as humans that are raised to be livestock are called), he begins to see her humanity.

This book can be triggering for some people (especially if you hate violence directed towards animals and can’t stomach descriptions of people eating humans). I enjoyed the book (although enjoyed probably isn’t the right term cause that’s going to make me sound like a sociopath), but I did like that the author pushed boundaries and made you question what exactly makes us decide that certain animals are deemed worthy of consuming and which ones are considered worth saving.

This is a brutal book, read it if you can deal with violence and triggering events, or you enjoyed Under the Skin.

*Thank you so much to NetGalley and Scribner for the digital copy of this book in exchange for an honest review!

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Book Review: We Are Wolves – A Horror Anthology

Once upon a time, there was a woman, and she was tired.

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Release Date: December 4, 2020

Publisher: Burial Day Books

Price: $13.99 (paperback)

Plot Summary:

Tired of pushing. Tired of being pushed. Tired of feeling alone. Tired of so much.

So she gathered together a pack of wolves, a band of mothers, sisters, wives, daughters, partners, friends, lovers, survivors, victors and brilliant, shining things, and she told them to sing.

And sing they did.

Grade: A-

Review:

From the very beginning this anthology packs a punch. Gemma Amor’s introduction is both brutally honest and harrowing but gives the reader insight into what they’re going to expect from the stories found within this anthology. Many new talents from the horror community are found within its pages, and if you follow the new voices, you’ll be pleased by what they have to offer. The stories range from murder, revenge, sci-fi, and body horror, but what they all have in common is the will of the protagonists to rise above their adversaries and take hold of their narrative. I really enjoyed this collection and the proceeds of the sales go to charities involving survivors of sexual assault and abuse, so essentially it’s a win-win situation.

Standouts: The Black Wall Paper by Cynthia Pelayo, Though Your Heart is Breaking by Laurel Hightower, Angel by Gemma Amor, A Key For Any Lock by S.H. Cooper, and Doll House by Red Lagoe.

I recommend picking this book up if you’re a fan of horror and women-driven stories, you won’t be disappointed.

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Book Review: The Project by Courtney Summers

Welcome to The Unity Project.

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Release Date: February 2, 2021

Publisher: Wednesday Books

Price: $18.99 (hardcover)

Plot Summary:

“The Unity Project saved my life.”

Lo Denham is used to being on her own. After her parents died, Lo’s sister, Bea, joined The Unity Project, leaving Lo in the care of their great aunt. Thanks to its extensive charitable work and community outreach, The Unity Project has won the hearts and minds of most in the Upstate New York region, but Lo knows there’s more to the group than meets the eye. She’s spent the last six years of her life trying—and failing—to prove it.

“The Unity Project murdered my son.”

When a man shows up at the magazine Lo works for claiming The Unity Project killed his son, Lo sees the perfect opportunity to expose the group and reunite with Bea once and for all. When her investigation puts her in the direct path of its charismatic and mysterious leader, Lev Warren, he proposes a deal: if she can prove the worst of her suspicions about The Unity Project, she may expose them. If she can’t, she must finally leave them alone. But as Lo delves deeper into The Project, the lives of its members, and spends more time with Lev, it upends everything she thought she knew about her sister, herself, cults, and the world around her—to the point she can no longer tell what’s real or true. Lo never thought she could afford to believe in Lev Warren . . . but now she doesn’t know if she can afford not to.

Grade: A

Review:

The new publishing trend for 2021 must be cults, as a lot of novels with this theme are going to be released next year. But no one will deliver you a more chilling experience than Courtney Summers. This author is notorious for never having a happy ending and pulling all the punches. When you read a Courtney Summers novel you know you’re going into it with the notion that you will be emotionally wrecked once you get to the end. The Unity Project is much on par on delivering exactly that.

Lo has lost her sister, Bea, to the cult of The Unity Project headed by a very charismatic Lev Warren. Lo lost her parents due to a car accident, in which she was also a passenger in. Bea is convinced that Lev brought Lo back to life, and this begins her fascination and loyalty to the man and his visions. Lo, blames Lev for taking her sister away from her when she needed her most, and is hellbent on exposing The Unity Project for what they really are. But what if Lo is wrong?

This novel will have you question whether Lev is really the evil mastermind that Lo is convinced he is, mostly because from the moment we meet him, he’s described with very Jesus-like qualities of acceptance and compassion. But this being a Courtney Summers novel, we know that the horror will come, and when it will, it’ll be brutal. Without being spoiler-y, this novel is an emotional rollercoaster where you begin to question who to trust. If you’re going to read one book about cults, make it this one, as it had everything I’ve wanted and expected from a book about cults, a charismatic leader and some very disturbing scenes, but also perfectly depicting how anyone, even intelligent people can get sucked into cults.

*Thank you so much to NetGalley and Wednesday Books for Young Readers for the digital copy of this book in exchange for an honest review!

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Book Review: Those Who Prey by Jennifer Moffett

Be careful of who you befriend….

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Release Date: November 10, 2020

Publisher: Atheneum Books for Young Readers

Price: $16.39 (hardcover)

Plot Summary:

College life isn’t what Emily expected. She expected to spend freshman year strolling through the ivy-covered campus with new friends, finally feeling like she belonged. Instead, she walks the campus alone, still not having found her place or her people so far away from home. But then the Kingdom finds her.

The Kingdom, an exclusive on-campus group, offers everything Emily expected out of college and more: acceptance, friends, a potential boyfriend, and a chance to spend the summer on a mission trip to Italy. But the trip is not what she thought it would be. Emily and the others are stripped of their passports and money. They’re cut off from their families back home. The Kingdom’s practices become increasingly manipulative and dangerous…

And someone ends up dead.

Grade: B-

Review:

The first half of the novel had me really captivated and interested in wanting to know exactly how someone gets sucked into a cult without knowing it until it’s too late. Emily is lonely, and it isn’t until she meets members of the Kingdom, does she finally feels like she belongs. I know a lot of people mention the fact that the other half of the book takes place in Italy as being interesting, but honestly, the characters barely come into contact with any Italians and stay cooped up in an old villa the whole time, that they might as well have been anywhere in the world, the location didn’t really matter.

Now, for the cult leader, we only got to meet him once and we don’t know much about him at all. In fact, we don’t even know if he’s the one spinning the lies or if it’s his followers as we never see him again. Secondly, two people end up dead in this novel and we don’t ever get full closure about them as their deaths are classified as accidental (yet the circumstances are so fishy that the reader knows it was murder but we can only suspect who it is but never get a definite answer).

The last portion of the book was the least interesting to me. Without the cult and the cult members with her, Emily was a dull character.

I do appreciate the book for being a cautionary message to teenagers facing living alone for the very first time and trying to fit in and thus should be wary of the people they befriend. I remember seeing a lot of Christian based groups in college trying to recruit more members (and maybe some of these groups are cults) but I never got involved as I try to steer clear of people who seem unhinged when it comes to religion.

I do recommend the book and maybe you may enjoy it more than I did, but I was left with a bitter taste since none of my questions never got answered and I don’t know if that was due to the author trying to keep it a mystery or if was due to lazy writing. Either way, it didn’t bond well with me.

*Thank you so much to NetGalley and Atheneum Books for Young Readers for the digital copy of this book in exchange for an honest review!

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Book Review: The Southern Book Club’s Guide to Slaying Vampires by Grady Hendrix

“Let me tell you something….there’s nothing nice about Southern ladies.”

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Release Date: April 7, 2020

Publisher: Quirk Books

Price: $15.29 (hardcover)

Plot Summary:

Patricia Campbell’s life has never felt smaller. Her husband is a workaholic, her teenage kids have their own lives, her senile mother-in-law needs constant care, and she’s always a step behind on her endless to-do list. The only thing keeping her sane is her book club, a close-knit group of Charleston women united by their love of true crime. At these meetings they’re as likely to talk about the Manson family as they are about their own families.

One evening after book club, Patricia is viciously attacked by an elderly neighbor, bringing the neighbor’s handsome nephew, James Harris, into her life. James is well traveled and well read, and he makes Patricia feel things she hasn’t felt in years. But when children on the other side of town go missing, their deaths written off by local police, Patricia has reason to believe James Harris is more of a Bundy than a Brad Pitt. The real problem? James is a monster of a different kind—and Patricia has already invited him in. 
 
Little by little, James will insinuate himself into Patricia’s life and try to take everything she took for granted—including the book club—but she won’t surrender without a fight in this blood-soaked tale of neighborly kindness gone wrong.

Grade: B+

Review:

Vampires are hands down, my favourite undead creature there are. But because they’re my favourite, I also tend to be very picky when it comes to books or films that feature them. If I hadn’t previously read Grady Hendrix before and thoroughly enjoyed his books, I probably wouldn’t have given this one a chance, simply because I am that picky with the vampire genre. However, I am glad that I dove into this vampire novel, as I loved the crazy journey. The horror doesn’t immediately begin, and James Harris is a very enigmatic but handsome vampire. Perhaps it’s because the novel begins in the 80’s but I got a very Fright Night vibe from it. I do like the protagonist Patricia, a housewife and voracious reader of true crime novels. I know a lot of people have complained about the women in the novel being housewives and that Hendrix shouldn’t have written them as though it were the 1950’s. But…having grown up in the 80’s, I can only think of one mother I knew of what worked, all of my other friends’ mothers were housewives as well as my own mother. So for me, that part didn’t seem that far-fetched from reality.

If you’re read other Hendrix novels, then you’ll know he’s got a morbid fetish with rats causing havoc and blood. The book spans many years (it ends in the late 90’s). My only issue with it, is that the vampire per se, isn’t very visible. Sure, the protagonist obsesses about him (she’s convinced he’s a vampire but knows how absurd that notion is to share with her family and friends), but after the initial introduction, we rarely have moments with James Harris, and that’s a shame, because in the very beginning he was charming and interesting and I would’ve liked to have known more about him.

The only downfall the novel had was when the women banded together to take down the vampire. In some regards, the vampire appeared almost a weakling that the reader can’t help but think, if it was THAT easy to take him down, why didn’t they do it before?

Apart from that, the novel provided an interesting take of the genre, but I can’t say it’s my favourite vampire novel.

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Book Review & Author Interview: The Black Kids by Christina Hammonds Reed

“First a memory: the hillside set ablaze….”

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Release Date: August 4, 2020

Publisher: Simon & Schuster Books for Young Readers

Price: $15.05 (hardback)

Plot Summary:

Los Angeles, 1992

Ashley Bennett and her friends are living the charmed life. It’s the end of senior year and they’re spending more time at the beach than in the classroom. They can already feel the sunny days and endless possibilities of summer.

Everything changes one afternoon in April, when four LAPD officers are acquitted after beating a black man named Rodney King half to death. Suddenly, Ashley’s not just one of the girls. She’s one of the black kids.

As violent protests engulf LA and the city burns, Ashley tries to continue on as if life were normal. Even as her self-destructive sister gets dangerously involved in the riots. Even as the model black family façade her wealthy and prominent parents have built starts to crumble. Even as her best friends help spread a rumor that could completely derail the future of her classmate and fellow black kid, LaShawn Johnson.

With her world splintering around her, Ashley, along with the rest of LA, is left to question who is the us? And who is the them?

Grade: A-

Review:

The Black Kids is a timely read that spares no emotional punches. Ashley is a sassy, funny, rich girl who has always attended private school with her rich white friends. She doesn’t know exactly what reality less fortunate black people actually live through day in and day out. Sure, she sometimes has dealt with racism, if even subtle by her own friends, but she’s never had to live in dire circumstances like her own cousins. But when the Rodney King riots set the city of Los Angeles ablaze, Ashley can no longer ignore the flames of injustice. For the first time in her life, she has to confront her past, what it means to be a black girl, and figure out who her true friends are. I enjoyed this book because Ashley’s POV was no only blunt but hella funny. I like that Ashley’s character isn’t free of faults, she does some pretty questionable things within the course of the novel but ultimately she tries to make amends where she can and where it counts.

I don’t know if the author has intentions of writing a sequel, but I wouldn’t be against one. Especially if we were to get a book written in LaShawn’s POV (he’s a secondary character in the novel, a black kid who attends the rich kids’ private school because of his sports scholarship). Out of all the characters in the book, he was ultimately the star (much to Ashley’s dismay, since in the beginning of the novel she kinda resents the fact that he’s both smart and charismatic and is going to her dream college).

Pick up this book for timely issues and 90’s nostalgia, you won’t be disappointed.

*Thank you so much to NetGalley and Simon & Schuster Books for Young Readers for the digital copy of this book in exchange for an honest review!

Photo by: Elizabeth T. Nguyen

Short Q&A With Author:

I read that you started writing the novel The Black Kids five years ago. How does it feel that the subject matter of the book is now more timely than ever?

So it’s funny, I actually originally started thinking of the idea for The Black Kids as a thesis film when I was in grad school back in 2010, and ultimately decided against it. When I took a break from screenwriting in 2016, I decided to return to my first love of writing fiction and the short story version of The Black Kids just poured out of me. It felt more imperative than ever given the rise of Black Lives Matter and the fact that smartphones had made it such that we were seeing the effects of unequal policing first hand, literally in our hands and on our televisions. I had no idea that it would feel as timely as it does 2020, which is frustrating, but I also take comfort in the fact that now more than before, non-Black people seem to be trying to seek out and understand Black voices, and to actually be not just passive allies, but advocates for change in meaningful ways.

Female friendships are sometimes difficult. Ashley and Kimberly were childhood friends, but many times we outgrow out childhood friends. Do you think women are more likely to feel an obligated sense of loyalty towards a childhood friend despite not having anything in common with them anyone as they grow older?

I do think women are more likely to push to maintain friendships because women are more likely to have actively nurtured those friendships for years and years. Plus female friendships are so powerful when you’re younger, there’s an almost romantic fervor to them that’s only intensified by the fact that you’re experiencing all these major life changes together in such a relatively short time. When you write “best friends forever” in gel pens in a yearbook, or across each other’s arms in marker, you mean it, and many of us actively work to maintain that promise even when those friendships are toxic, or no longer serve us.

Music played a major role in the novel (or at least Ashley was always listening to songs in many scenes). Were you listening to any artist in particular when working on The Black Kids?

Almost all of the songs that made it into the book were songs that I was listening to as I was writing to transport myself back to the era. Also, randomly, I was listening to a lot of Frank Ocean, especially the songs “Super Rich Kids” and “Sweet Life” which I think are really evocative of the first few chapters before the riots begin. I was also listening to a lot of SZA and Lorde to get myself in the headspace of what it feels like to be a teenager/young woman. A lot of Hole and N.W.A. to capture Jo’s defiance in my head. Also, randomly a lot of Bowie, and Seu Jorge’s Bowie covers. In my head, they actually speak to Ashley’s feelings of not quite fitting in or feeling unmoored in some ways throughout the book. Each character definitely has their own soundscape.

Your novel sheds a light on racism, what lesson do you hope your young readers will take away from reading this novel?

I really view this novel first and foremost as a coming-of age-novel. It’s about Ashley making huge mistakes and learning from them how to be a good daughter, friend, sister, and person. I purposefully wrote her to be super flawed because I think that’s important for young readers and adults alike, especially, when it comes to issues around race. It’s ok if we don’t have all the answers immediately, if we do or say the wrong things, so long as we learn and grow from those mistakes and resolve to move through the world being better, more thoughtful, and more empathetic.

What books do you recommend to your readers if they’re wanting to support Black authors?

First and foremost, I would say that Black authors are authors, period. There are Black authors doing great work across genres, some of which engage with questions of race, some of which don’t. So to those of my readers who are non-Black, diversifying your reading really means just stepping outside your comfort zone within your particular genres of interest to make space for other voices. Don’t dismiss something as written by an author of color as something you won’t relate to. Most of us aren’t women in 19th century Britain in love with a brute with his mad wife in the attic. And yet, people don’t use that to dismiss Jane Eyre. Also, to paraphrase what my friend Nic said in an article – don’t only read books about Black people being oppressed, but also read about our joy.

All that said, Queenie by Candice Carty Williams is really great if you’re looking for something literary, but really funny. It also packs an unexpected emotional punch and delves into mental health issues. Luster has gotten a lot of deserved attention for putting a fresh spin on the struggling millennial in New York story. I really love Zone One by Colson Whitehead, and The Devil in Silver by Victor LaValle. Zone One is a literary zombie apocalypse book and The Devil in Silver is slow burn literary horror that takes place in an insane asylum. Both are nerve-wracking. Lot by Bryan Washington is a beautiful collection of short stories by a queer young Black man from Texas. We Love You Charlie Freeman by Kaitlyn Greenridge, is a not easily characterized, but it’s a coming of age story involving a family and a chimp in an institution in Massachusetts, and explores scientific experimenting in the recent past as it relates to historical scientific experimenting on Black bodies. The Warmth of Other Suns by Isabel Wilkerson is an amazing non-fiction work about the Great Migration. The middle grade book The Only Black Girls in Town, I think actually shares a lot in common with my novel. And YA right now is an absolute treasure trove of Black voices across sexual orientation, religious and gender identities.

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Book Review: The Remaking by Clay Chapman

Inspired by a true story, this supernatural thriller for fans of horror and true crime follows a tale as it evolves every twenty years—with terrifying results.

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Release Date: September 15, 2020

Publisher: Quirk Books

Price: $9.99 (hardcover)

Plot Summary:

Ella Louise has lived in the woods surrounding Pilot’s Creek, Virginia, for nearly a decade. Publicly, she and her daughter, Jessica, are shunned by her upper-crust family and the local residents. Privately, desperate characters visit her apothecary for a cure to what ails them—until Ella Louise is blamed for the death of a prominent customer. Accused of witchcraft, Ella Louise and Jessica are burned at the stake in the middle of the night. Ella Louise’s burial site is never found, but the little girl has the most famous grave in the South: a steel-reinforced coffin surrounded by a fence of interconnected white crosses.

Their story will take the shape of an urban legend as it’s told around a campfire by a man forever marked by his childhood encounters with Jessica. Decades later, a boy at that campfire will cast Amber Pendleton as Jessica in a ’70s horror movie inspired by the Witch Girl of Pilot’s Creek. Amber’s experiences on that set and its meta-remake in the ’90s will ripple through pop culture, ruining her life and career after she becomes the target of a witch hunt.

Amber’s best chance to break the cycle of horror comes when a true-crime investigator tracks her down to interview her for his popular podcast. But will this final act of storytelling redeem her—or will it bring the story full circle, ready to be told once again? And again. And again . . .

Grade: B

Review:

The novel starts off with an exciting premise, two witches, a mother and a daughter duo are burned after a herbal remedy gone wrong and endangers the life of one of the villagers. Now, the town of Pilot’s Creek, Virginia is haunted by the ghosts of these two witches. The novel begins to be very repetitive when it introduces us to Amber Pendleton, the young girl that is going to play Jessica Ford’s ghost in the making of the horror movie, Don’t Tread on Jessica’s Grave. Initially, I found the repetition annoying, but once I realized that the author was purposely using repetition as a means to express the spiraled cycle that began with the witches and continues with Amber even as an adult, it made artistically sense and I wasn’t as annoyed by it. The author was trying to create the feeling of an ouroboros with the cycle going on and on, without a break.

I really enjoyed the first few chapters when we get to know Ella Louise Ford and Jessica Ford, the two witches. I love urban legends, so a town that is haunted by this legend (whether it’s true or not) was really fascinating. I also enjoyed the social commentary the author made about child stars and actresses in horror films.

Overall, this was a spirally horrific ride that’s just what anyone needs right now for the Halloween season.

*Thank you so much to NetGalley and Quirk Books for the digital copy of this book in exchange for an honest review!

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Book Review: Loner by Georgina Young

What’s the difference between loneliness and being alone?

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Release Date: August 4, 2020

Publisher: Text Publishing

Price: $11.95 (paperback)

Plot Summary:

Lona has dropped out of art school and no one is quite sure why, least of all Lona. It’s just that nothing in her life seems to make sense anymore, including art. She spends her days sneaking into the darkroom at her old school to develop photographs and her nights DJ-ing at the local roller disco.

Her aimlessness terrifies her, but everyone else appears oblivious to her fears: her parents are bewildered by her sudden lack of ambition, her brother is preoccupied with his new girlfriend, and her best friend Tab seems to be drifting away. Even a budding relationship with a bass-playing, cello-shredding med student isn’t enough to shake her existential angst.
Lona knows it’s up to her to figure out what she wants to do with her life: the problem is, she has absolutely no idea where to start.

Grade: A-

Review:

Despite not being written in the first person POV, the short chapters and short sentences in Loner read how one would imagine its protagonist Lona thinks. The book begins with Lona having left uni because she feels like she doesn’t have to be in art school to be an artist. Throughout the book, she’s pretty aimless, but it captures the feelings that many people at her age (early twenties) feel. I liked how the book explored the sense of liking to be alone with the feeling of loneliness. Lona enjoys her own company best, and that of her best friend Tab. But like most introverts (especially the not so sociable kind) she struggles with being herself but also compromising with being who people wish she were for social interactions. Although I’m not as introverted as Lona is in the book, there are moments that were relatable to me, especially when she has to prep herself to be excited about an outing and how exhausting an afternoon out with strangers can feel whilst trying to pretend that you’re having fun cause that is more socially acceptable than showing fits of malaise in public. The novel explores friends, art, and love.

Not a lot happens in the novel but if you’re into literary novels that put existential crisis under a microscope then you may enjoy this one.

*Thank you so much to NetGalley and Text Publishing for the digital copy of this book in exchange for an honest review!

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