Book Review: I Killed Zoe Spanos by Kit Frick

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What happened to Zoe won’t stay buried….

Release Date: June 30, 2020

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Publisher: Margaret K. McElderry Books

Price: $18.99 (hardcover)

Plot Summary:

When Anna Cicconi arrives to the small Hamptons village of Herron Mills for a summer nanny gig, she has high hopes for a fresh start. What she finds instead is a community on edge after the disappearance of Zoe Spanos, a local girl who has been missing since New Year’s Eve. Anna bears an eerie resemblance to Zoe, and her mere presence in town stirs up still-raw feelings about the unsolved case. As Anna delves deeper into the mystery, stepping further and further into Zoe’s life, she becomes increasingly convinced that she and Zoe are connected—and that she knows what happened to her.

Two months later, Zoe’s body is found in a nearby lake, and Anna is charged with manslaughter. But Anna’s confession is riddled with holes, and Martina Green, teen host of the Missing Zoe podcast, isn’t satisfied. Did Anna really kill Zoe? And if not, can Martina’s podcast uncover the truth?

Grade: A

Review:

This novel has been receiving a lot of buzz in the past few months, and with good reason. Thrillers for me are always a hit or miss since some thrillers latch onto the systematic formula and then I’m capable of figuring out the killer 30% into the book. This book is different though. We know the narrator is unreliable, but at the same time, we also know that everyone else we meet is just as unreliable. Plus, we’re given memories that we’re unsure whether they’re true memories or merely false memories. Thing is, I could never truly tell what was going on in this novel and that’s a good thing! I like being puzzled and pretty much suspecting EVERYONE for murder rather than it being easy and having the one creepy person in the book be the killer.

I rather enjoyed the varied story-telling that was provided in the book. The past was told in the first person present tense by Anna, a girl who bears a striking resemblance to the dead girl in question, Zoe Spanos. While the present is told in the third person and we also get a podcast transcript. So the book has a lot of variety in story-telling.

The book is marketed as being a cross between Courtney Summer’s Sadie and the gothic novel Rebecca. This is what this book has in common with those two novels: Sadie: There’s a missing girl and the book is told in podcast transcript 50% of it. But that’s where the comparison ends. Rebecca: The protagonist loves to sketch, so does Anna. The protagonist is also a middle-class girl who marries a rich widower. Anna is a middle-class girl who is hired to be a nanny during the summer for a wealthy family in the Hamptons. The novel Rebecca is plagued by the memory of Rebecca and the maid who is obsessive about her. This novel is plagued by the memory of Zoe Spanos and her ex-boyfriend’s mother who is obsessed with her. Again, this is where the comparisons end.

I Killed Zoe Spanos is a taut thriller and has you second-guessing every character in the novel and for that I LOVE IT. This thriller is twisty and will leave you guessing, and like I said, NO ONE IS SAFE. Anyone could be the killer and trying to figure out what exactly happened to Zoe Spanos that fateful New Year’s Eve night will have you reading way past your bedtime.

Read this if you love twisty thrillers with unreliable characters.

*Thank you so much to NetGalley and Margaret K. McElderry Books for the digital copy of this book in exchange for an honest review!

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Book Review: The Vinyl Underground by Rob Rufus

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“Be whatever you have to be to get to the edge of the cliff. It doesn’t matter how you get there, what matters is you jump.”

Release Date: March 10, 2020

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Publisher: North Star Editions

Price: $11.99 (paperback)

Plot Summary:

During the tumultuous year of 1968, four teens are drawn together: Ronnie Bingham, who is grieving his brother’s death in Vietnam; Milo, Ronnie’s bookish best friend; Ramrod, a star athlete who is secretly avoiding the draft; and Hana, the new girl, a half-Japanese badass rock-n-roller whose presence doesn’t sit well with their segregated high school. The four outcasts find sanctuary in The Vinyl Underground, a record club where they spin music, joke, debate, and escape the stifling norms of their small Southern town. But Ronnie’s 18th birthday is looming. Together, they hatch a plan to keep Ronnie from being drafted. But when a horrific act of racially charged violence rocks the gang to their core, they decide it’s time for an epic act of rebellion.

Grade: A

Review:

I can’t even begin to explain how much I LOVED this book to pieces! The protagonist, Ronnie is still reeling from the death of his older, charismatic brother Bruce, who passed away while fighting in Vietnam. Not only is he dealing with that tremendous loss, he’s also having to deal with the very real possibility that he too will be drafted for the same war. Truth is, Ronnie doesn’t believe in this war and wants nothing more than to be able to finish senior year and figure himself out. Because ever since his brother passed away, Ronnie doesn’t have a clear idea of what he should do with his life. Before he envisioned himself in California with Bruce who dreamed about becoming a radio DJ and Ronnie would be the sidekick. But how much is a dream worth without the original dreamer? Ronnie tries to answer that question throughout the whole novel. He wants to honor his brother’s memory, although he also is trying to figure out what he wants from life and his future.

In the midst of all this, he begins a club with three of his friends called The Vinyl Underground, where they share music. For Ronnie, it’s a way to also share parts of Bruce with his friends since all the vinyls he owns used to belong to his late brother.

What I LOVED about this book were the strong bonds of friendship and how loyal the group was to one another. And although the book did use the trope started by Stephen King in Carrie (where something MAJOR happens during prom or school dance), I really, really loved how devoted the characters were to their cause. And yes, a lot of their actions would make several parents flip out, but I think the novel beautifully depicted teenagers and their will to rebel against injustice.

It takes a lot for a book or movie to move me to tears, and this book did the trick! So if you’re someone who easily tears up, keep tissues on hand! There’s much to love in this book, from the era, the music, the friendships, and one kick-ass female protagonist that will make you wish that someone would turn this book into a movie stat!

Read this book if you’re a fan of coming of age, strong friendships, and rock music.

*Thank you so much to NetGalley and North Star Editions for the digital copy of this book in exchange for an honest review!

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Book Review: Behind Every Lie by Christina McDonald

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If you can’t remember it, how do you prove you didn’t do it?

Release Date: February 4, 2020

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Publisher: Gallery Books

Price: $10.99 (paperback)

Plot Summary:

Eva Hansen wakes in the hospital after being struck by lightning and discovers her mother, Kat, has been murdered. Eva was found unconscious down the street. She can’t remember what happened but the police are highly suspicious of her.

Determined to clear her name, Eva heads from Seattle to London—Kat’s former home—for answers. But as she unravels her mother’s carefully held secrets, Eva soon realizes that someone doesn’t want her to know the truth. And with violent memories beginning to emerge, Eva doesn’t know who to trust. Least of all herself.

Told in alternating perspectives from Eva’s search for answers and Kat’s mysterious past, Christina McDonald has crafted another “complex, emotionally intense” (Publishers Weekly) domestic thriller. Perfect for fans of Lisa Jewell’s I Found You and Karin Slaughter’s Pieces of Her, Behind Every Lie explores the complicated nature of mother-daughter relationships, family trauma, and the danger behind long-held secrets.

Grade: C-

Review:

I read this author’s debut novel last year, The Night Olivia Fell and I really enjoyed that novel. This novel, although it had a very strong premise of having an unreliable narrator (which I’m a sucker for) really didn’t hit its mark for me. My biggest issue with the novel was that for being a thriller, it seemed to fall under the formula of Lifetime movie thrillers. The so-called “bad guy” is clear from the get-go and any twist reveals aren’t very surprising either as I had figured out the whole novel by the 35% mark.

I don’t fault authors for writing about the same location as a previous novel (hell King has made a career out of setting the majority of his works in Maine), but this novel is also set in Washington state, just as her debut. Again, this novel has the same premise as the author’s debut where a low-middle class character has a relationship with an extremely wealthy man. Apart from the novel being highly predictable (for me), the thing that really irked me the most was the fact that the British characters were so stereotypical of how an American believes a British person acts or speaks. I’ve been to England multiple times and have a lot of British friends and have never heard anyone use “Blimey!” as an expression every two seconds as one of the British characters continuously does in this novel.

Not to mention that the protagonist so conveniently discovered things without any hard work. And honestly, how credible is it for someone to be able to travel TO LONDON from SEATTLE right after being struck by LIGHTENING. I am more likely to believe impossible things in a supernatural novel than a novel set in a fictitious reality of the real world.

Unfortunately, this book didn’t quite work out for me, nor did it offer that much entertainment. I honestly couldn’t wait for it to be done. However, if you’re the type of reader who loves cozy mysteries and Lifetime inspired thrillers, then you may enjoy this book very much. It’s not a terrible book and the writing flows easily. The author excels in descriptions about setting but still is incapable of writing compelling dialogue.

If you’re in the mood for a light read, you can give this book a go.

*Thank you so much to NetGalley and Gallery Books for the digital copy of this book in exchange for an honest review!

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Book Review: Tigers, Not Daughters by Samantha Mabry

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“If it weren’t for us, Ana wouldn’t have died and her sisters wouldn’t have been forced to suffer at the hands of her angry ghost.”

Release Date: March 24, 2020

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Publisher: Algonquin Young Readers

Price: $17.02 (hardcover)

Plot Summary:

The Torres sisters dream of escape. Escape from their needy and despotic widowed father, and from their San Antonio neighborhood, full of old San Antonio families and all the traditions and expectations that go along with them. In the summer after her senior year of high school, Ana, the oldest sister, falls to her death from her bedroom window. A year later, her three younger sisters, Jessica, Iridian, and Rosa, are still consumed by grief and haunted by their sister’s memory. Their dream of leaving Southtown now seems out of reach. But then strange things start happening around the house: mysterious laughter, mysterious shadows, mysterious writing on the walls. The sisters begin to wonder if Ana really is haunting them, trying to send them a message—and what exactly she’s trying to say.

In a stunning follow-up to her National Book Award–longlisted novel All the Wind in the World, Samantha Mabry weaves an aching, magical novel that is one part family drama, one part ghost story, and one part love story.

Grade: A+

Review:

Despite the fact that this novel is being marketed as a modern version of Little Women (there are four sisters after all), that’s the only resemblance the novel had with the literary classic we all know and love. Instead, this novel reminded me more of The Virgin Suicides with the ongoing ennui that the Torres sisters have to deal with after the death of their beloved older sister, Ana. The fact that a group of neighborhood boys are always watching and obsessing over the sisters, adds on to the resemblance between the two novels. Some reviewers have considered this novel as a retelling of King Lear, since the father figure in this book is quite questionable, unreliable, and just lacks any real parenting skills.

However, with all these comparisons being made, Tigers, Not Daughters is a unique ghost story. Because ultimately, this is what the book is about, the ghost of Ana Torres haunting the lives and house of the remaining Torres sisters, Iridian, Jessica, and Rosa. The book is told in four points of views, from Peter’s (one of the boys that’s always hanging out at Hector’s house who lives fairly close to the Torres family as they have a good view of all the happenings that go on in the household), Rosa, Iridian, and Jessica.

I’ll admit that I enjoyed Iridian’s and Jessica’s points of view much more than the other two. Iridian was obsessed with Anne Rice’s novel The Witching Hour, and spent most of the novel re-reading that book and trying to write her own supernatural romance, while Jessica was the so-called mean sister filled with anger, but that after Ana’s death tried to fit into the void that Ana left behind to the point of wearing her sister’s makeup, taking up residence in her former room, and even going as far as dating Ana’s boyfriend.

The haunting is slow like a Southern Gothic novel (although it takes place in San Antonio in a predominantly Latino community). There are a lot of creepy moments and an underlying feeling of dread that coats this novel in a claustrophobic clutch and doesn’t let you go till the very end.

You don’t read this novel merely for the plot alone, but rather to live through the dark chilling ride that it provides.

*Thank you so much to NetGalley and Algonquin Young Readers for the digital copy of this book in exchange for an honest review!

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Book Review: Jack Kerouac is Dead to Me by Gae Polisner

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“I lie back on his pillow, my head spinning, and for one split second, I think how crazy it will be when I get home and tell Aubrey everything. But that’s wrong: that won’t happen. She and I are barely friends anymore.”

Release Date: April 7, 2020

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Publisher: Wednesday Books

Price: $18.99 (hardcover)

Plot Summary:

Fifteen-year-old JL Markham’s life used to be filled with carnival nights and hot summer days spent giggling with her forever best friend Aubrey about their families and boys. Together, they were unstoppable. But they aren’t the friends they once were.
With JL’s father gone on long term business, and her mother struggling with her mental illness, JL takes solace in the tropical butterflies she raises, and in her new, older boyfriend, Max Gordon. Max may be rough on the outside, but he has the soul of a poet (something Aubrey will never understand). Only, Max is about to graduate, and he’s going to hit the road – with or without JL.

JL can’t bear being left behind again. But what if devoting herself to Max not only means betraying her parents, but permanently losing the love of her best friend? What becomes of loyalty, when no one is loyal to you?

Gae Polisner’s Jack Kerouac is Dead to Me is a story about the fragility of female friendship, of falling in love and wondering if you are ready for more, and of the glimmers of hope we find by taking stock in ourselves.

Grade: B+

Review:

This novel was a well-written contemporary YA that is full of heart and emotions by the bucket loads. The entire book is written in epistolary mode, as JL writing a letter to her childhood friend Aubrey that she’s no longer close to anymore (and that’s killing her inside).

JL is dealing with a lot of issues for just being a teen: her dad has left for an undetermined amount of time for California, which means that she has to deal with her mother’s depression/dissociative disorder on her own. Although she does have her grandmother check in on her and her mom (but her grandmother prefers to remain in denial about her mother’s true condition rather than face the bleak truth). JL spends her days taking care of her mother, raising butterflies, and hanging out with her 19-years old boyfriend.

This book doesn’t hold back any punches. It’s easy for the reader to become easily invested in JL’s struggles and wanting to root for this girl. This novel is raw and gritty and maybe a bit too realistic if you’re looking for any escapism, but it’s emotionally gripping from the very beginning till the very end. You won’t regret delving into this book if you’re looking for something with more heart and less fluff with a dash of darkness.

*Thank you so much to NetGalley and Wednesday Books for the digital copy of this book in exchange for an honest review!

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Book Review: Dear Laura by Gemma Amor

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Price: $6.99 (paperback)

Plot Summary:

Every year, on her birthday, Laura gets a letter from a stranger. That stranger claims to know the whereabouts of her missing friend Bobby, but there’s a catch: he’ll only tell her what he knows in exchange for something…personal.So begins Laura’s sordid relationship with her new penpal, built on a foundation of quid pro quo. Her quest for closure will push her to bizarre acts of humiliation and harm, yet no matter how hard she tries, she cannot escape her correspondent’s demands. The letters keep coming, and as time passes, they have a profound effect on Laura. From the author of Cruel Works of Nature comes a dark and twisted tale about obsession, guilt, and how far a person will go to put her ghosts to bed.

Grade: A-

Review:

When Gemma Amor’s novella appeared as a Bram Stoker nominee, I certainly piqued my interest (because it was self-published). The hype surrounding this book is worth it (unlike the hype surrounding A Head Full of Ghosts). The story follows Laura, a girl who’s boyfriend goes missing when she’s 13, but who’s kidnapper begins a pen-pal-ship with her, teasing details about her missing friend but only if she’s willing to pay the price. The requests start out small till they escalate to the grotesque. It’s a very binge-worthy novella (and seeing as it’s short you can absolutely read it in one sitting). My only gripe is the ending. Maybe my morals are skewed, but I wouldn’t have reacted the way Laura did. But overall, it’s a taut thriller, and one you’ll think about for awhile.

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Book Review: Lullabies for the Suffering: Tales of Addiction Horror

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Release Date: January 14, 2020

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Publisher: Wicked Run Press

Price: $14.95 (paperback)

Plot Summary:

Addiction starts like a sweet lullaby sung by a trusted loved one. It washes away the pains of the day and wraps you in the warmness of the womb where nothing hurts and every dream is possible. Yet soon enough, this warm state of bliss becomes a cold shiver, the ecstasy and dreams become nightmares, yet we can’t stop listening to the lullaby. We crave to hear the siren song as it rips us apart.

Six stories: three novellas, three novelettes, written by a powerful list of talent, all featuring the insidious nature of addiction–damaged humans craving for highs and wholeness but finding something more tragic and horrific on the other side.

Grade: B+

Review:

First of all, I’m going to admit that I absolutely LOVE how hauntingly beautiful the cover is. I would’ve noticed this anthology for the cover alone. Secondly, I’m a huge fan of the TV Series YOU, so knowing that Caroline Kepnes contributed to the anthology gave me the extra push I needed to pick it up.

All the stories in this anthology center around addition (something they’re drug-related other times it’s the addiction to something else that’s just as decremental to your health and turns you a slave). Most of the stories written for the anthology aren’t truly short stories but verge on the novella length, which I didn’t mind at all. With any anthology, there were some gems and some misses for me. Unfortunately, the anthology started off truly strong with “Sometimes They See Me,” by Kealan Patrick Burke, which is a tale about two addict and their crazy benders. There’s something truly haunting about it and one that will leave you questioning any painting or wallpaper you ever see again.

“Monsters” by Caroline Krepnes follows the same writing style as YOU (writing in the second person) at least when the story is narrated by a lonely young man who is accused of a crime he didn’t commit. I really enjoyed the story, but despite the narrator having been wronged, I still feel like he had very much Joe-vibes going on.

My absolute favourite story from the whole anthology was “Lizard” by Mark Matthews. It had everything I looked for in a horror addiction story. It showed the horrors of true addiction but it also had supernatural elements to it that I enjoyed very much. Also, it ends in a very ambiguous way ala “The Lady or the Tiger” where you’re left questioning what decision did the protagonist makes after all?

“The Melting Point of Meat” by John FD Taff started off very strong for me, but kind of took a Clive Barker turn towards the end that I wasn’t a fan of. I would’ve enjoyed this story better if it had another ending.

After that story, the anthology started going downhill for me. I didn’t particularly enjoy “Beyond the Reef” Gabino Iglesias nor “Love is a Crematorium” by Mercedes M. Yardley. I know that addiction usually ends with the addict’s death, however, Yardley’s story was more real-life horror than anything else. It was truly gut-wrenching but I suppose I was still waiting for horror (as in psychological, supernatural, or slasher) to happen. And I had a HUGE issue with the male protagonist Kelly, whom we’re supposed to see as some kind of Romeo, but honestly, he seemed perfectly OKAY allowing Joy (the girl he loved) to prostitute herself for food money. I don’t understand why he never tried to resolve their lack of cash problem or actually be of help rather than just be there but not really doing anything for Joy. I wouldn’t have run away with this dude, he really provided no resource at all, not even emotional support.

I recommend this anthology if you’re into tales of addiction with a dash of darkness.

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Celebrating Black History Month: Top Ten Novels by Black Authors

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I wonder who thought it was a good idea that placing a book cover that displayed black characters on books that RARELY had any characters IN the book, and weren’t written by black authors, was the best way to celebrate Black History Month. How could’ve the CEO of Barnes and Nobles and the head of Penguin sit in meetings and think this was such a grand idea? I guess if you figure that the majority of the publishing world is made up of white men, then you can quickly see how this idea was ever conceived.

Personally, I think that the right way to Black History Month as a bookstore would’ve been to republish amazing classics written by authors because simply having classics written by white authors in blackface covers only shows how ignorant you really about what is being celebrated.

These are my top 10 classics written by black authors. I’m pretty sure someone on Penguin’s team could’ve come up with a similar list along the way (but I digress).

Kindred by Octavia E. Butler

Dana, a modern black woman, is celebrating her twenty-sixth birthday with her new husband when she is snatched abruptly from her home in California and transported to the antebellum South. Rufus, the white son of a plantation owner, is drowning, and Dana has been summoned to save him. Dana is drawn back repeatedly through time to the slave quarters, and each time the stay grows longer, more arduous, and more dangerous until it is uncertain whether or not Dana’s life will end, long before it has a chance to begin.

Narrative of the Life of Frederick Douglass, An American Slave by Frederick Douglas

Narrative of the Life of Frederick Douglass is an 1845 memoir and treatise on abolition written by famous orator and former slave Frederick Douglass. It is generally held to be the most famous of a number of narratives written by former slaves during the same period. In factual detail, the text describes the events of his life and is considered to be one of the most influential pieces of literature to fuel the abolitionist movement of the early 19th century in the United States.

Cane by Jean Toomer

First published in 1923, Jean Toomer’s Cane is an innovative literary work―part drama, part poetry, part fiction―powerfully evoking black life in the South. Rich in imagery, Toomer’s impressionistic, sometimes surrealistic sketches of Southern rural and urban life are permeated by visions of smoke, sugarcane, dusk, and fire; the northern world is pictured as a harsher reality of asphalt streets. This iconic work of American literature is published with a new afterword by Rudolph Byrd of Emory University and Henry Louis Gates Jr. of Harvard University, who provide groundbreaking biographical information on Toomer, place his writing within the context of American modernism and the Harlem Renaissance, and examine his shifting claims about his own race and his pioneering critique of race as a scientific or biological concept.

Complete Writings by Phillis Wheatley

In 1761, a young girl arrived in Boston on a slave ship, sold to the Wheatley family, and given the name Phillis Wheatley. Struck by Phillis’ extraordinary precociousness, the Wheatleys provided her with an education that was unusual for a woman of the time and astonishing for a slave. After studying English and classical literature, geography, the Bible, and Latin, Phillis published her first poem in 1767 at the age of 14, winning much public attention and considerable fame. When Boston publishers who doubted its authenticity rejected an initial collection of her poetry, Wheatley sailed to London in 1773 and found a publisher there for Poems on Various Subjects, Religious and Moral.

Iola Leroy by Frances Harper

Being very desirous that one of the race, so long distinguished in the cause of freedom for her intellectual worth as Mrs. Harper has had the honor of being, should not at this late date in life make a blunder which might detract from her own good name, I naturally proposed to await developments before deciding too quickly in favor of giving encouragement to her contemplated effort.

The Blacker the Berry by Wallace Thurman

This novel, associated with the Harlem Renaissance, is considered groundbreaking for its exploration of colorism and racial discrimination within the black community, where lighter skin was often favored, especially for women. The novel tells the story of Emma Lou Morgan, a young black woman with dark skin. It begins in Boise, Idaho and follows Emma Lou in her journey to college at USC and a move to Harlem, New York City for work. Set during the Harlem Renaissance, the novel explores Emma Lou’s experiences with colorism, discrimination by lighter-skinned African Americans due to her dark skin. She learns to come to terms with her skin color in order to find satisfaction in her life.

The Souls of Black Folk by W.E.D. Du Bois

This classic groundbreaking work of American literature first published in 1903 is a cornerstone of African-American literary history and a seminal work in the field of sociology.

W.E.B. Du Bois, who drew from his own experiences as an African-American living in American society, explores the concept of “double-consciousness”―a term he uses to describe living as an African-American and having a “sense of always looking at one’s self through the eyes of others.”

Invisible Man by Ralph Ellison

A first novel by an unknown writer, it remained on the bestseller list for sixteen weeks, won the National Book Award for fiction, and established Ralph Ellison as one of the key writers of the century. The nameless narrator of the novel describes growing up in a black community in the South, attending a Negro college from which he is expelled, moving to New York and becoming the chief spokesman of the Harlem branch of “the Brotherhood”, and retreating amid violence and confusion to the basement lair of the Invisible Man he imagines himself to be.

Song of Solomon by Toni Morrison

Milkman Dead was born shortly after a neighborhood eccentric hurled himself off a rooftop in a vain attempt at flight. For the rest of his life he, too, will be trying to fly. With this brilliantly imagined novel, Toni Morrison transfigures the coming-of-age story as audaciously as Saul Bellow or Gabriel García Márquez. As she follows Milkman from his rustbelt city to the place of his family’s origins, Morrison introduces an entire cast of strivers and seeresses, liars and assassins, the inhabitants of a fully realized black world.

The Sport of the Gods by Paul Laurence Dunbar

In this extraordinary novel, Paul Laurence Dunbar tells the story of a displaced Southern family’s struggle to survive and prosper in early Harlem. “The Sport of the Gods” was one of the first novels to depict the harsh realities of ghetto life and the revolutionary truths it uncovered still resonate today.

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Excerpts From: Strange Girls: Women in Horror Anthology

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It’s officially Women in Horror Month and in less than two weeks, this anthology will be released (February 18!). You can pre-order the book in both ebook and paperback formats! If you’re from the Los Angeles area, then you can find signed copies of the book over at Skylight Books (1818 N. Vermont Ave.!).

Excerpt from Night Terrors by Angela Sylvaine

I wake up unable to move, pinned to my bed by an invisible force. I struggle against it but can’t even wiggle my little finger. Each beat of my pulse pounds through my veins. My eyes are wide open. I try to blink, but even my eyelids are frozen, immovable. With my head locked in place, I can only stare straight up at the ceiling. What’s holding me down? Why can’t I move?

The air is too thin. I can hardly breathe. Every muscle in my body tenses as I twist and strain, but it’s no use.

My vision is hazy as if my face is covered by a gauze veil. Blurred figures are visible in my peripheral. They wear light blue tops, surgical masks, hospital caps, and latex gloves. There are seven in all, three on each side of the bed and one at the foot. I want to open my mouth, to scream for help, but I can’t.

That figure at the foot of the bed speaks, his voice the low baritone of a man.
I strain to hear. Something about administering medication. The person closest to my head on the left responds, “Yes, doctor.” A woman. She has something in her hand. I focus on the object, try to see through the veil.

A syringe.

My breath catches in my throat. No. Leave me alone. Let me go!

Pain pricks the inside of my elbow, and a slow burn spreads through my veins, building into a raging inferno. Tremors shake my body, and a scream swells in my throat. Unable to open my mouth, the shriek stays locked inside, silently ripping through my brain.

Excerpt from Leda and the Fly by Marnie Azzarelli

But that noise, that thing on her wall was neither plain nor right. The thunder was spreading to her chest, walloping her ribcage with each loud boom. She got up achingly, her body accustomed to anything but her bed. She crouched when she got closer to the wall, her knees popping protest, but she knew she needed to be as quiet as possible.

She moved in closer to the ring of light and that terrible sound like a stalking cat ready to spring; her body taut and still, her eyes closed to slits. The thing started to flit in and out of the light, but Leda’s usually dulled senses were sharpening just by the sight of her prey. She could see it almost too clearly.

It was there staining her pristine wall with its filth covered feet, buzzing, buzzing, buzzing through the quiet of her mind.

A fly.
Musca domestica.

Six hair-covered legs, antennae, a small head with two compound eyes, prothorax, mesothorax, a large abdomen, and two transparent wings.

Its front two feet were probing the pure white of Leda’s wall, searching for sustenance only to buzz out its frustrations over the empty surface. Her frustration was built on its existence in her, once sacred, space. Her only solitude after her body had been hollowed out, wiped clean from the toxins and waste that fly thrived on.

She felt the storm rage throughout her and let it out with a low moan, her vocal cords cracking to attention after months of disuse. She groaned softly at first, her knees starting to shake slightly. She took another step towards the fly and her voice came out louder, her legs ready to give out on her in any second.

The fly buzzed louder, startled by the other presence in the room. Its movements became a little more frantic as it bounced to different parts of the lit wall. Leda tried to follow, but she was so focused on that one spot, she couldn’t imagine it going anywhere else. But it decided to move and ruin more and more of her wall.

She started to cry, small tears hot and salty falling down her tingling face. Her nerve endings were all firing at once and she suddenly felt like she was dancing on a thousand pins and needles. Each step was another sharp stab to her that almost broke the skin but didn’t. Her legs finally gave out on her and she fell keening to the carpet.

Patterns of Faerytales by Azzurra Nox

A dreadful chill ran down his spine. It was like having a million spiders crawling down his back. He shivered. The last thing he wanted to do was lose his soul mate.
“So what exactly am I supposed to do with this box?”
“Keep it locked and away from Olivia.”
“Why haven’t you just buried it then?”
The look she gave Cillian was that of disbelief, almost as though he had suggested torching the damn box.
“You must never do such a thing!”
“Why not?”
“Because this is part of her, and you can’t bury it like it’s a box of bones you’re trying to get rid of!”
“What would happen?”
“There could be fatal consequences.” With that, she got up and handed the box to Cillian. “Be careful, and remember….never let her see the contents of this box! Keep it locked.” And with those parting words, Lydia left as swiftly as she had entered.

STRANGE GIRLS: WOMEN IN HORROR ANTHOLOGY DROPS FEBRUARY 18, 2020 BUT IS AVAILABLE FOR PRE-ORDER!

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Book Review: The Twin by Natasha Preston

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Ivy finds out that her twin sister, Iris, is trying to push her out of her own life–and might be responsible for their mother’s death.

Release Date: March 3, 2020

Pre-Order on Amazon!

Publisher: Delacorte Press

Plot Summary:

After their parents divorced, 10-year-old twins Ivy and Iris were split up–Ivy lived with Dad, Iris with Mom. Now, after a tragic accident takes their mom’s life, the twins are reunited and Iris moves in with Ivy and their dad. Devastated over Mom’s death, Iris spends the first few weeks in almost total silence–the only person she will speak to is Ivy. Iris feels her life is over and she doesn’t know what to do. Emmy promises her twin that she can share her life now. After all, they’re sisters. Twins.

It’s a promise that Iris takes seriously. And before long, Ivy’s friends, her life at school, and her boyfriend, Tyler, fall under Iris’s spell. Slowly, Ivy realizes she’s being pushed out of her own life. But she’s just being paranoid, right? And Mom’s accident was . . . just an accident. Right? It’s not like she–or Dad–or Tyler–are in any danger. . . .

Grade: C

Review:

The blurb for The Twin sounded utterly fascinating as I’m always on board when it comes to creepy, evil twins. Plus I know this author for the bestselling series The Cellar (admittedly I haven’t read said series but I figure if you reach the NYT bestselling list then you can’t possibly be a bad writer). So what could possibly go wrong? Apparently, a lot.

I’m not here to bash a book or an author, but this book truly moves at a snail’s pace. Sure, there’s some gaslighting by Iris (the supposedly evil twin) but it doesn’t really escalate till you’re 75% in the book. I was tempted many times to simply give up on this book, but I only prevailed cause reviewers who made it through claimed it was worth the wait.

Sure, Iris acts strange and like Ivy, we’re left questioning her strange bi-polar personality, but other than that, we can’t see her as being purely evil. And for being a YA, it is very tame compared to other edgier books I’ve read in the genre. I’m also baffled by all the reviews that claimed this was a fast-paced thriller. Using short sentences and barely any description doesn’t easily equate to fast-paced. And there’s some suspense but then again since not much happens that I found to be too alarming, it doesn’t really elevate the stakes at hand.

Is Iris really trying to take Ivy’s place? And if so, why? That’s the central question and it would be an interesting one if it had merely moved at a faster pace or had some truly terrible things happen to Ivy. Now I know that this author used to post their writing on Wattpad (I’m not judging since I do enjoy A.V. Geiger’s books a lot and she used to be on there as well) but I can’t help but feel as though Preston’s writing is too simplistic and that her thrillers aren’t even on par with middle-grade thriller books (I mean a lot more happens in a Goosebumps book than what occurred throughout this one).

The dialogue was a bit stilted in this book, especially anytime Iris spoke. I get that she’s weird but the way she speaks doesn’t even sound like a normal teen or one that is popular anyway.

I really wanted to love this book or at least enjoy the ride, but instead, I was bored witless and wish I could’ve been Ivy binge-watching Riverdale instead.

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*Thank you so much to NetGalley and Delacorte Press for the digital copy of this book in exchange for an honest review!

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