Throwback Thursday: House

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From the very beginning, I was a horror fan and also a night owl, which made going to bed at a decent hour once I began school a difficult task for my parents to get me to accomplish. So, the only way they managed to get me to go to sleep on time was for them to promise me that they’d record on the VHS whatever horror movie was playing that night on either Cinemax or HBO so that I could watch it upon my return from school the following day.

One of the movies I loved as a child was House. It was a quintessential 80’s comedy horror with the awesome Kane Hodder (most famous for bearing Jason’s hockey mask in several Friday the 13th movies) as the stunt coordinator.

Not recalling much about this movie (I hadn’t seen it since I was about 6), I decided to take a trip down horror memory lane and see if a recent viewing would garner me with more insight than when I first saw it as a child.

The movie opens with horror writer, Roger Cobb who’s doing a book signing for his latest novel and it seems like they found every weirdo in Los Angeles to be an extra as a fan. His manager tells him he needs to write another book pronto as the fans are hungry for more, but Roger, a Vietnam vet is still plagued by the war and what happened to a fellow soldier, Big Ben. When his aunt commits suicide and he inherits a huge mansion, Roger sees that as an opportunity for him to finally work on his Vietnam memoir. However, thoughts of his missing son and ex-wife start to haunt him as well. Soon he has to deal with his PTSD, grief, and actual supernatural phenomena.

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I don’t know if it’s because it was the 80’s, but House’s supernatural elements come in the forms of campy looking gremlin-like creatures that look like they were repurposed from the set of Critters. However, the plot of juxtaposing supernatural horrors with the actual horror of war was brilliant, and something that I probably didn’t fully catch the meaning of as a child. After all, we’re a generation who’s been living with war for years now (Gulf War, Balkans Wars, War on Terror, etc.). We now know the full effects of PTSD and how that can be a lot scarier than say, having to live in a haunted house full of campy looking gremlins and closet monsters.

So overall, did I enjoy the movie? The short answer is, yes. With so many movies nowadays relying on CGI for special effects it’s nice to see movies where practical effects were used and skilled prop masters and makeup artists were needed to create the monsters that appeared in the movie. Sure, the movie hasn’t aged well when it comes to the campiness of how the characters act or using questionable soundtrack for a horror movie with songs like You’re No Good and Dedicated to the One I Love, just to name a few.

But if you’re not familiar with 80’s creature horrors, then I recommend you check out House. It’s not truly disturbing, being a horror comedy, so one could totally watch it as a Friday night family film.

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Throwback Thursday: Dr. Jones – Aqua

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For someone who’s a self-proclaimed connoisseur of rock music, it’s probably very perplexing to understand why I’d enjoy a pop band like Aqua. Sure, I tried to resist this Danish-Norwegian band with their earworm music and bubbly demeanor. When Barbie Girl became popular, I resisted, they weren’t going to have me! But when Dr. Jones was released I could no longer resist and caved into the bubblicious world of lightness that was Aqua. Perpetually happy and poppy, the band sang about notorious icons such as Barbie and Indiana Jones. Mattel notoriously tried to sue them but a judge dismissed the case in 2002 allegedly stating, “The parties are advised to chill.”

The song though didn’t really have that many Indiana Jones references, the lyrics were more about a summer love (think Grease). But the music video was genius campiness to the max. I also truly loved the female lead singer Lene Nystrom, she was a breath of fresh air, because she dared to defy the busty 90’s gals that had been helped by silicone. Lene had a badass attitude wearing crop tops that read, “No Silicone Added.”

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But much like the heyday of the ’90s, even Aqua’s eternal optimism fizzled with the oncoming of the new millennia. And so, for awhile Lene tried a solo career, becoming one of those many busty gals singing suggestive songs that she used to mock. When the band reunited in 2009 and did a cover of Abba’s My Mamma Said, we immediately knew that this band wasn’t the same anymore. The music video was one of the most visually darkest moments for the band, as you see them reunited around a table, dressed in black as they were being served the strangest foods as roaches walked all over the table. Even their voices had lost their signature cheerfulness and instead had turned more morose. It was official: the once happy pop band had turned dark.

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There had also been a shift in the band dynamics. Before, at the height of their popularity, Lene was dating the male lead singer in the band, Renee. But then she later got married to another Aqua member, drummer, Soren, and the two were married for sixteen years before divorcing in 2017 (the couple has two children together).

So what did I learn from re-listening and rewatching a video I hadn’t seen since 1997? Well, I’m thoroughly confused as to why the cannibals were speaking French, but other than that, the light campiness of Dr. Jones is just as infectious now as it was in 1997. Although now, when I listen to it I’m taken back to a place where my teenage problems seemed so trivial to the real-life troubles that one only understands once you reach adulthood. Nowadays, I relate more to the Aqua members in My Mamma Said, disillusioned and nostalgic for their lightness but now consumed by the darkness.

And despite all those books and movies about how much light wins over the dark, the last two decades have proven that darkness has been prevailing and we’re all left longing for that time in our lives when we used to enjoy light pop songs like Dr. Jones.

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As Lene sings, “Dr. Jones, Dr. Jones wake up now,” I wonder if we’ve all been sleeping and that the past two decades have simply been one prolonged nightmare. Who isn’t ready to wake up now? I know I am.

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1995 Alanis Was My Spirit Animal

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A week ago, the internet was set on fire when someone dared to criticize Alanis Morissette’s multi-Grammy winning album, Jagged Little Pill. Now, I’ll admit that I’m not a current Alanis fan, however, there was a time when I fiercely loved that album and her. So, much like when things have ended with an ex, and you may not currently be in love with them, there will always remain the good memories of your time spent together, and in a way, you will always defend those memories. That’s exactly how I feel about Jagged Little Pill. Living in southern Italy during my youth, it meant that I was bombarded with female musicians who only sung of their broken hearts, begging for ungrateful exes to return to them, or images of TV hosts where they were barely dressed, showing off huge breasts and silicone enhanced lips. To be a woman meant to be passive and beautiful, almost like a pretty Christmas ornament.

But I couldn’t relate to those women, and thus felt very much an outsider living in a town where men stared at you like you were a pretty piece of flesh and that you were obligated to think that cat-calls were compliments in disguise, cause, after all, it only happened to the pretty girls. It also meant having nothing in common with any of the girls living in that town, who would spend hours sitting in the town plaza waiting and hoping for their crushes to pass by with their mopeds. When I’d declare that I wouldn’t wait for hours for a guy to show up I’d be seen as “weird”. Other times, people assumed I lacked passion simply because I refused to be a human doormat for men. I was very passionate as a teen, especially when it came to the guy I was majorly in love with, but I also loved myself enough not to be willing to wait six hours in the town plaza in hopes that maybe the guy would show up, to only be stood up. Cause more often than not, that’s how events played out for my friends.

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I don’t remember exactly how I came across Alanis, but probably it was through the radio (southern Italy didn’t get MTV) and I believe it was the song, You Learn, cause in patriarchal Italy, that was the least offensive song of the album. But for me, You Oughta Know was my jam. I remember playing Jagged Little Pill uber high that the walls would shake and my neighbors complained. They couldn’t understand the rage I felt, after all, I lived in a society that expected me to just be pretty passive. I was considered a freak for wearing dark blue nail varnish, fishnet stockings with Docs, and coating my lips in dark shades of Vermillion. In other words, I didn’t look “safe”.

Alanis was my gateway drug to Courtney Love, Gwen Stefani (No Doubt heyday was angry, not like today’s pop persona), and Shirley Manson, women who were even angrier and far more outspoken than her. I’m not trying to say that Jagged Little Pill saved my life, but it made it more bearable. It made me feel that there were other girls out there who had a similar rage and outspokenness. That there wasn’t anything wrong with me for wanting to reject the notion of what a woman should be, whether or not others agreed with me.

In 1995, Alanis was pretty much the rock goddess of angry rock that we all needed (I know I did), so to compare her legacy and efforts to a childish song like Baby Shark is not only insulting but downright cruel. I may not be into Alanis’ music nowadays (she’s too mellow for me now, and I never outgrew my anger and angst), but I’ll always defend the woman and the album that made an outcast not feel so much alone. I may have been out of place in Sicily, Italy, but I knew that belonged somewhere. Where the legions of angry girls resided.

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Throwback Thursday: The Virgin Suicides

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I have a confession to make. As a teenager, I was utterly fascinated by films or literature that explored the themes of suicide. In fact, it was so much my focus that even my poetry reflected that. Now, perhaps at the time, I was guilty of glamorizing a horrific act, in part because at the time I saw it as a solution to my teenage depression and a manifestation of trying to get people to understand how serious my inner turmoil was (and not be blown off as simple teenage angst). This is why books and films like The Virgin Suicides hit home, especially when the youngest sibling, Cecilia tells the doctor after a suicide attempt gone wrong, “Obviously, Doctor, you’ve never been a 13-year old girl.” And that statement was the crux of both the film and novel.

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We, the audience, never know what it means to be a 13-year old girl, especially since the narrator of the story is an older male reflecting back on his youth and his fascination with the five beautiful sisters. The film was Sofia Coppola’s directorial debut, and she did a stunning job at demonstrating the male gaze (cause after all the book is written by a male who’s trying to understand teenage girls). When we all know that the only way to truly understand a teenage girl is to have been a teenage girl yourself.

The film depicts how the neighborhood boys elevated the sisters (especially Lux played by the superb Kirsten Dunst) to an almost saintly level. They can’t understand why Cecilia wished to die, nor do they understand why sisters followed suit soon after in the most horrific ways.

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The Lisbon sisters are never allowed to simply be girls, which means that they, like other girls that have come before and after them, have always struggled with this dilemma where girls aren’t allowed to be real people. That they must fit into someone else’s idea of what they should be (their parents, society, etc.). and that ultimately, it’s that wanting to break free from that saintly ethereal mask that is pinned so aggressively upon them that breaks them in a way that no one will ever comprehend. When Lux tries to break out of her good-girl box and has sex with the school heartthrob Trip (Josh Harnett), the consequences are exceptionally dire, and ones that many teenage girls can relate to.

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What spurs the demise of the Lisbon sister isn’t their sadness, but rather they choose death because they see it as the only vehicle to freedom. They couldn’t be free to be themselves, they had to live up to the expectations that were thrust upon them, and in an act of rebellion, they eliminated themselves as a way to not conform. And sadly, that is something that many teenage girls relate to, and why teenage me only saw death as a means to escape as well.

Men that watch the film will never understand the motives for the girls’ suicides, as the boys in the movie never do. But the girls in the audience know why. Because obviously, the men in the audience have never been a 13-year old girl. But us girls have been and although we can’t condone the act, we do understand why.

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Throwback Thursday: TLC – No Scrubs

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When the single NO SCRUBS came out twenty years ago (February 2, 1999), TLC was the best-selling girl group in the world and fierce feminists at a time when the music world was suddenly getting overrun with Lolita-esque divas like Britney Spears and Christina Aguilera.

I chose this song for my Throwback Thursday because when the song came out I loved the message it promoted. For the first time, you had women who were confident enough to say, “NO.” No, they didn’t want a man who had no ambitions and was a deadbeat parasite. And if you think that this message wasn’t bold, you’re gravely mistaken. For centuries women have been groomed to always say, “Yes,” that stating a “NO,” loud and clear, for women to actually have standards of which men could pursue them, this was a big deal.

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Rozonda “Chilli” Thomas, Tionne “T-Boz” Watkins, and Lisa “Left Eye” Lopes were known for being bold, independent, and outspoken young women. They were no damsels in distress, these women were ambitious and hardworking and didn’t expect anything less from their men. This song actually had men questions themselves for the first time, ask themselves if they fit the “scrub” list or not. Ironically, usually, the men who did fit the “scrub” list were the ones who got the most upset over the song.

Of course, this song wouldn’t have been the same without Hype Williams amazing futuristic music video, especially in an age where music videos could make or break a career (this was back in the day when MTV still predominantly only aired music videos on their channel). Hype Williams at the time was considered to be one of the best music video directors around with his bold colours, anime style sequences, and notorious for his fish-eye view which distorted the image in central focus. In his vision, Chilli, T-Boz, and Left-Eye were futuristic warriors that could be both sexy but ferocious, in other words, they were fierce.

The video went on to win the MTV Video Music Award for that year, beating out the all-male competition of boy bands like Backstreet Boys and Nsync at their career highs, which was no small feat.

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Listening to this song twenty years later only emphasizes how much this message is still relevant today. Not that long ago when just idly chatting with my boyfriend in the car, he said he couldn’t understand my need for all this ambition, that he’d still love me even if I were a slob who’d spend all day at home and wait for him to return and he said something along the lines of, “Wouldn’t you love me still the same way if I were like that?” And I replied, “Look, as TLC taught me, I don’t want no scrub. I’d never date someone with no ambition or dreams to be better.” Probably not the kind of response he was relying on (after all, most men would hope that women are “romantic” enough to like them even at their worst), but it’s the truth.

I expect a lot from myself and would never dream of being someone who’s just looking for a way to get out of work to stay at home. So for anyone to think that I’d expect less of them just because out of romantic notions is kind of absurd. TLC taught many girls the power to say no, and that’s a lesson that many of us took to heart. I know I did.

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Throwback Thursday: Angel Heart

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I’ve decided to start a new series, Throwback Thursday. So one Thursday a month I’m going to share my experience of either rewatching, rereading, or relistening something that I adored back when I was a youngster (think between the ages of 6-18) and see if it stands the test of time. So for my first Throwback, I decided to rewatch the 1987 horror film, Angel Heart.

When I told a friend of mine that I saw this movie at six he was appalled (what can I say? My parents were horror fans who knew I was one and watching movies kept hyper me occupied, so there’s that).

So the premise of Angel Heart is that a private detective called Harry Angel, has a new case at hand, to find a man called Johnny Favourite. Except things aren’t quite that simple, and Johnny doesn’t want to be found. Let’s just say that, amongst the period detail and beautiful scenery, it all gets really, really nasty fast.

All I could remember about the movie in question was that it dealt with voodoo, Robert DeNiro was in it, (I also recalled another detail but can’t reveal it as it’s *spoilers*), and that this was one of those movies where Mickey Rourke was hot.

Upon viewing the movie I was like, HOLY SHIT this movie is truly very twisted and no wonder people are shocked I saw this at the tender age of six. This movie has one hell of a twist back in the day before twist endings were a thing, so it was very innovative in that way. The mystery was captivating and the gore factor was high, so if you’re into that, you’re gonna love it (and yeah I’m a creep and love that).

The movie has Angel (Mickey Rourke) traveling from Brooklyn to New Orleans in search of the ever elusive Johnny Favourite (that Robert DeNiro’s character wants to find because he’s got a score to settle with him), only that everyone that knew Johnny begins to die in horrible ways and Angel is made to look like the culprit of those murders when he is not. So will he be able to find Johnny before he gets framed for murder? And will the voodoo queen Epiphany ( Played by a pre-Lenny Kravitz & Jason Momoa, wide-eyed Lisa Bonet) help Angel in his endeavor to find Johnny or is she simply going to bring his downfall? The stakes are high and the mystery is very much intriguing.

I really enjoyed my this movie and think that six years old me had impeccable taste for being so young (and probably was a teeny bit twisted).

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