Liz Rocher is coming home . . . reluctantly. As a Black woman, Liz doesn’t exactly have fond memories of Johnstown, Pennsylvania, a predominantly white town. But her best friend is getting married, so she braces herself for a weekend of awkward, passive-aggressive reunions. Liz has grown, though; she can handle whatever awaits her. But on the day of the wedding, somewhere between dancing and dessert, the couple’s daughter, Caroline, disappears—and the only thing left behind is a piece of white fabric covered in blood.
It’s taking.
As a frantic search begins, with the police combing the trees for Caroline, Liz is the only one who notices a pattern: A summer night. A missing girl. A party in the woods. She’s seen this before. Keisha Woodson, the only other Black girl in Liz’s high school, walked into the woods with a mysterious man and was later found with her chest cavity ripped open and her heart removed. Liz shudders at the thought that it could have been her, and now, with Caroline missing, it can’t be a coincidence. As Liz starts to dig through the town’s history, she uncovers a horrifying secret about the place she once called home. Children have been going missing in these woods for years. All of them Black. All of them girls.
It’s your turn.
With the evil in the forest creeping closer, Liz knows what she must do: find Caroline, or be entirely consumed by the darkness.
GRADE: A+
REVIEW:
I’ve always been wary of the forest – in fact, when we lived in Sardinia and our villa had a forest behind it, I always stayed out of it. Even at four years old I had a gut feeling that whatever noise I heard in the forest I should ignore it, and never investigate its origin. Liz returns to Johnstown for her best friend’s wedding, only for her goddaughter Caroline to go missing. But every year for thirty years young Black girls have gone missing – always in the same spot in the forest. This novel is rich with history, terror, and what it means to return home to a place that has never quite felt like your own. The writing is rich and the protagonist Liz is flawed but hopelessly determined. I love folklore and the author masterfully crafted a thriller mystery that weaves folklore with history in a way that you’re left racing through the pages attempting to escape the darkness and rush towards the light. I loved this book, there’s so much one can learn from this about race, class, and history. Read this book even if it scares you, actually read it because it will.
*Thank you so much to NetGalley and Bantam for the digital copy of this book in exchange for an honest review!
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Sure, ghosts and demons can be very frightening, but what are the chances that they will happen to us in our lifetime? Some horror movies are scary because the chances that they could actually happen are high. Here are three realistic horrors that will chill you to the core.
THE STRANGERS
Kristen (Liv Tyler) and James (Scott Speedman) are expecting a relaxing weekend at a family vacation home, but their stay turns out to be anything but peaceful. First, a mysterious and dangerous woman arrives at the door while James is out on an errand. When he returns, he accidentally kills his friend Mike (Glenn Howerton), mistaking him for an intruder. And then real danger does show up — in the form of three masked torturers, leaving Kristen and James struggling for survival.
Scare Factor: 10/10 Home invasions are scary, and sadly very probable!
SPEAK NO EVIL
On a vacation in Toscana, a Danish family instantly becomes friends with a Dutch family. Months later, the Danish couple receives an unexpected invitation. It doesn’t take long before the joy of reunion is replaced with misunderstandings.
Scare Factor: 9.5 – strangers that turn out to be crazier than anticipated is very frightening and makes you understand why summer friends should never be seen outside of holidays.
WOLF CREEK
A chilling, factually based story of three road-trippers in remote Australia who are plunged into danger when they accept help from a friendly local. Kristy, Ben and Liz are three friends in their twenties who set out to hike through the scenic Wolf Creek National Park in the Australian Outback. The trouble begins when they find that their car won’t start and they run into a local bushman named Mick Taylor.
Scare Factor: 10/10 Who doesn’t like to hike? And who doesn’t find themselves enthralled by the help of friendly strangers? This movie will make you wary of strangers forever.
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A woman is haunted by the Mexican folk demon La Llorona as she unravels the dark secrets of her family history in this ravishing and provocative horror novel.
Alejandra no longer knows who she is. To her husband, she is a wife, and to her children, a mother. To her own adoptive mother, she is a daughter. But they cannot see who Alejandra has become: a woman struggling with a darkness that threatens to consume her.
Nor can they see what Alejandra sees. In times of despair, a ghostly vision appears to her, the apparition of a crying woman in a ragged white gown.
When Alejandra visits a therapist, she begins exploring her family’s history, starting with the biological mother she never knew. As she goes deeper into the lives of the women in her family, she learns that heartbreak and tragedy are not the only things she has in common with her ancestors.
Because the crying woman was with them, too. She is La Llorona, the vengeful and murderous mother of Mexican legend. And she will not leave until Alejandra follows her mother, her grandmother, and all the women who came before her into the darkness.
But Alejandra has inherited more than just pain. She has inherited the strength and the courage of her foremothers—and she will have to summon everything they have given her to banish La Llorona forever.
GRADE: A+
REVIEW:
Anyone living in Los Angeles is familiar with the lore of La Llorona, mostly because people claim that oftentimes at night, they can hear her crying. So of course when this novel popped up on my radar I knew that I simply HAD to read it. Castro’s novel is part Mexican lore and part generational curse and WOW anyone who’s a woman can relate to Alejandra’s plight as she tries to keep a happy exterior as marital pressures and her own dissatisfaction come to a head when La Llorona begins to haunt her. The novel explores the trials and tribulations that span across generations and how each woman has been affected by their encounter with La Llorona. The novel was both creepy and difficult read as women can easily see how often in marriages they’re expected to be mothers and wives first and foremost and to leave all sense of self behind. Alejandra finds herself at a crossroads when the haunting begins – she’s so unhappy with her life that death seems the only way out. I enjoyed learning more about the lore and Mexican history – that’s so rich, diverse, and oftentimes devastating. La Llorona was very terrifying in her descriptions that pale to any Hollywood version of her ever made. This book was riveting, terrifying, and utterly timely. I recommend it if you love your horror with a feminist edge.
*Thank you so much to NetGalley and Del Rey for the digital copy of this book in exchange for an honest review!
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What can you do when you’re reeling from trauma but you’ve tried it all? Counselling, yoga, pills, meditation, art, healthy living… none of it makes a dent. What’s left?
Magpie is out of ideas. She’s desperate enough to try anything. Just when she thinks her life can get no worse, she discovers herself, or rather her own dead body, partially buried in the mudbank of a river. A man stands by, a familiar stranger. What does he want? And why can’t she remember getting here? Why can’t she remember anything?
Unbeknownst to her, two pairs of eyes watch from behind an observation screen, in a room filled with computers and sensors. An experiment is unfolding, but is Magpie the subject, or practitioner? Reality becomes a slippery concept. And beyond the glass is something worse still: a hint of an outline, shaped in darkness…
Magpie realises all too soon that her journey has transformed from healing to survival. She must become the hunter rather than the hunted, with her missing memories the prey.
GRADE: A
REVIEW:
Gemma Amor’s sci-fi horror novel perfectly blends the horrors of postpartum depression with supernatural/sci-fi horrors. Magpie is desperate to escape her suicidal ideations and finds herself penning a letter to an experimental group in hope that they can fix her. The only issue is that the researchers aren’t prepared for Magpie’s fear to manifest in a true identity ready to devour and destroy everything that comes in its way. This book expertly describes the malaise that often comes with motherhood and how still today many women face these same issues alone drenched in shame. This was an emotional and scary ride – kudos to Amor for having the balls to write something so deeply personal and share it with the world. But I feel like the world is better with such an important book like this available. I recommend this book if you love horror and sci-fi genre blends and seek horror with a ton of heart and soul.
*Thank you so much to NetGalley and Angry Robot for the digital copy of this book in exchange for an honest review!
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Grace isn’t exactly thrilled when her newly widowed mother, Jackie, asks to move in with her. They’ve never had a great relationship, and Grace likes her space—especially now that she’s stuck at home during a pandemic. Then again, she needs help with the mortgage after losing her job. And maybe it’ll be a chance for them to bond—or at least give each other a hand.
But living with Mother isn’t for everyone. Good intentions turn bad soon after Jackie moves in. Old wounds fester; new ones open. Grace starts having nightmares about her disabled twin sister, who died when they were kids. And Jackie discovers that Grace secretly catfishes people online—a hobby Jackie thinks is unforgivable.
When Jackie makes an earth-shattering accusation against her, Grace sees it as an act of revenge, and it sends her spiraling into a sleep-deprived madness. As the walls close in, the ghosts of Grace’s past collide with a new but familiar threat: Mom.
GRADE: B-
REVIEW:
I read this author’s debut novel, Baby Teeth and had enjoyed some aspects of it – so I wanted to try out another novel of hers. Mothered is a case study of pandemic life and how it is to cope with your life dramatically changing as the world outside was full of uncertainties and how a mother/daughter relationship completely deteriorates towards the end. Grace and Jackie have been estranged for many years but now during the pandemic, Grace has allowed her recently widowed mother Jackie to move in with her. The two haven’t had the best relationship since Grace took the burden of taking care of her disabled twin Hope growing up while her mother worked – being a single parent. I wasn’t particularly fond of the protagonist Grace, so I actually found her behavior more offputting than her mother’s. My biggest gripe with the novel is that the majority of the horror happened in dream sequences and since I could easily tell when Grace was dreaming – reading the horrible gory dream weren’t as frightening because I knew that nothing truly happened in the waking world. I know the novel took place mostly at home due to the pandemic, but it still made me feel restless and I couldn’t wait for it to be over (especially since we already knew what was going to happen since the prologue gave it away). Overall, the book was well written but I’m weary of Covid and reading about it was such a chore. I recommend the book if you like protagonists with mommy issues – don’t mind a Covid plot, and are okay with slow burn thriller with no clear resolution.
*Thank you so much to NetGalley and Thomas & Mercer for the digital copy of this book in exchange for an honest review!
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Spooky season is almost upon us and there are already a few movies coming out prior to October. Here are my top three that I can’t wait to see!
PEARL
If you haven’t checked out X yet, then do it now! Pearl is a prequel to X and explores the titular villain from the first film. Set in 1918 during the era of the Spanish Flu pandemic and World War I. The events take place prior to the previous film and explore how the cabin where the massacre of X takes place was once used as a boarding house during the war. Pearl feels trapped at the isolated family farm, and she’s tasked with attending to her comatose father and dealing with her cruel mother. But she lusts after a glamorous life she’s seen depicted in Hollywood movies, and her yearning sets off some devastating events.
TERRIFIER 2
The first movie was deliciously gory in all the best ways possible! After mutilating sole survivor Victoria Heyes and committing suicide upon police confrontation. Art is resurrected by a sinister being a year later and begins to hunt for two unsuspecting siblings on Halloween night.
MY BEST FRIEND’S EXORCISM
I loooove Grady Hendrix novels because they’re both terrifying and hilarious. One can already see from the trailers that the movie is gonna be faithful to the book as much as possible and I’m here for it. The year is 1988. High school sophomores Abby and Gretchen have been best friends since fourth grade. But after an evening of skinny-dipping goes disastrously wrong, Gretchen begins to act…different. She’s moody. She’s irritable. And bizarre incidents keep happening whenever she’s nearby. Abby’s investigation leads her to some startling discoveries-and by the time their story reaches its terrifying conclusion, the fate of Abby and Gretchen will be determined by a single question: Is their friendship powerful enough to beat the devil?
What movies are you looking forward to?
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Shawn is a scientist developing the formula for a drug that may cure blindness by stimulating another area of the brain that controls perception. When he surreptitiously tests the drug on himself, he accidentally accesses a neural pathway that appears to allow him to communicate with a complete stranger through telepathy instead. When Shawn finally discovers the significance of their connection and of the drug’s true effects, it is too late to stop the damage their intimate friendship has set in motion to unfold.
GRADE: A
REVIEW:
A genre-bending sci-fi horror that will have you turning pages into the night. Shawn is a scientist on the quest to cure blindness – he has invented a pill that should offer such a respite – and decides to be the guinea pig for his own invention. Slowly, Shawn begins to hear a voice – is it an auditory hallucination induced by the drug, a ghost, or something else? The mystery behind the voice and how the protagonist soon finds himself smitten by the female he can only hear in his head proves to be an interesting love story, albeit a strange one. The writing is fresh and evocative – with realistic dialogue, and a plot twist that will have you questioning everything you’ve read up to that point. You don’t want to miss this one out – especially if you love your spooky to come with a side of body horror.
Short Q & A with Author
What inspired this novella?
I’m not a fan of science fiction traditionally, but two things pushed me to write Optic Nerve. During the pandemic, I found that a number of my friends—all of them were my age: 40s and early 50s—discovered increased strains on their personal relationships. Some ended up separating from their partners. The isolation and the stress of lockdown acted like steroids in an already anxiety-prone time of their lives, middle age. Most of my characters tend to be in their thirties, or early forties at most; I wanted to write about someone middle-aged for Optic Nerve, to address that anxiety head-on. At the same time, I started to experience a marked decline in my eyesight, and that was, and still is, terrifying to me. I’m an English teacher by day and an editor and writer by night: my eyes are my most utilized tools, so the experience of losing them is a true horror.
You’re a very prolific writer, often appearing in various anthologies. How do you stay motivated as an author?
I used to think I was alone in this approach, but I am the kind of writer who doesn’t sit down and create something unless she hears a line of it in her head, and the line usually comes out of nowhere. The experience is as close to having a muse as I can imagine. When I talked about this in another interview, a few authors reached out to me to say they, too, function that way. I wish I could say that x, y, and z motivate me to write, but the truth is, when a sentence appears in my head, I go with it. Sometimes I go months without writing anything because the lines just don’t appear; other periods, I churn out story after story. Someday, the lines may stop appearing altogether. I hope that isn’t the case, but it’s certainly a possibility.
I think we’ve all had an unconventional crush like Shawn, and usually, these unconventional crushes don’t always result well in the end. Are you a fan of unconventional crushes and love stories?
As a general rule, I’m jaded about romantic storylines. I don’t know why that is. Maybe it’s because I’m a realist at heart and I think Hollywood too often idealizes relationships. Whenever I stumble upon a saccharine movie on television, I have to keep my eyes from rolling out of my head. On the other hand, when authors capture the high we feel when we do make that unique connection with someone, it’s poetry. I think unconventional love stories are often the most realistic. Zora Neale Hurston described falling in love as a “soul crawl[ing] out from its hiding place,” and I think that’s spot on, but I don’t think those moments are as ubiquitous as Hollywood presents them. Those moments are rare and precious, and maybe I’m jaded specifically because of the fiction that dumbs them down.
Tell us about any other projects you’re currently working on right now or will be releasing soon.
My weird horror boogeyman-centered novelette Shagging the Boss just dropped this summer, and I had a great time writing it; it’s still one of my favorite projects. I’m proud to have stories in upcoming anthologies releasing this fall, too, including Sinister Smile Press’ Institutionalized, Omnium Gatherum’s In Trouble (100% of proceeds benefit the National Network of Abortion Funds), and Night Terror Novels’ Nerve-Janglers. In early March, my next edited anthology American Cannibal releases; it’s historical horror fiction and the stories are flat-out phenomenal. It’s like nothing else out there right now, and readers are going to be blown away.
What’s the horror book you always find yourself recommending?
I find myself returning to Joyce Carol Oates’ The Doll-Master and Other Tales of Terror over and over. It’s creepy and hypnotic. I’m a fan of unreliable narrators and Oates does them like no one else. (laughs) And there isn’t one sentimental romantic tale in the bunch!
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When Alex Easton, a retired soldier, receives word that their childhood friend Madeline Usher is dying, they race to the ancestral home of the Ushers in the remote countryside of Ruritania.What they find there is a nightmare of fungal growths and possessed wildlife, surrounding a dark, pulsing lake. Madeline sleepwalks and speaks in strange voices at night, and her brother Roderick is consumed with a mysterious malady of the nerves. Aided by a redoubtable British mycologist and a baffled American doctor, Alex must unravel the secret of the House of Usher before it consumes them all.
GRADE: A
REVIEW
This novella is a retelling of Poe’s The Fall of the House of Usher, and let’s just say that the author blew it out of the park. Everything that made the original creepy is expounded on and one can’t help but like the protagonist, Easton who finds themselves at the house because an old childhood friend wrote them about this sister’s slow demise. The book is moody and dark, and you’re quickly wrapped up in the mystery and eeriness. However, there are moments of comedy when Eugenia Potter, a British mycologist is in the scene. She was by far my favourite character, and couldn’t wait for her to show up. If you love Poe and love dark gothic mysteries, then do yourself a favour and read this now!
*Thank you so much to NetGalley and Tor Nightfire for the digital copy of this book in exchange for an honest review!
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Haunted homes are one of my favourite tropes both in horror movies and books. Here are three books with haunted homes that are bound to give you chills!
THE LITTLE STRANGER BY SARAH WATERS
One postwar summer in his home of rural Warwickshire, Dr. Faraday, the son of a maid who has built a life of quiet respectability as a country physician, is called to a patient at lonely Hundreds Hall. Home to the Ayres family for over two centuries, the Georgian house, once impressive and handsome, is now in decline, its masonry crumbling, its gardens choked with weeds, the clock in its stable yard permanently fixed at twenty to nine. Its owners—mother, son, and daughter—are struggling to keep pace with a changing society, as well as with conflicts of their own. But are the Ayreses haunted by something more sinister than a dying way of life? Little does Dr. Faraday know how closely, and how terrifyingly, their story is about to become intimately entwined with his.
THIS HOUSE IS HAUNTED BY JOHN BOYNE
This House Is Haunted is a striking homage to the classic nineteenth-century ghost story. Set in Norfolk in 1867, Eliza Caine responds to an ad for a governess position at Gaudlin Hall. When she arrives at the hall, shaken by an unsettling disturbance that occurred during her travels, she is greeted by the two children now in her care, Isabella and Eustace. There is no adult present to represent her mysterious employer, and the children offer no explanation. Later that night in her room, another terrifying experience further reinforces the sense that something is very wrong.
From the moment Eliza rises the following morning, her every step seems dogged by a malign presence that lives within Gaudlin’s walls. Eliza realizes that if she and the children are to survive its violent attentions, she must first uncover the hall’s long-buried secrets and confront the demons of its past. Clever, captivating, and witty, This House Is Haunted is pure entertainment with a catch.
KILL CREEK BY SCOTT THOMAS
At the end of a dark prairie road, nearly forgotten in the Kansas countryside, is the Finch House. For years it has remained empty, overgrown, abandoned. Soon the door will be opened for the first time in decades. But something is waiting, lurking in the shadows, anxious to meet its new guests…
When best-selling horror author Sam McGarver is invited to spend Halloween night in one of the country’s most infamous haunted houses, he reluctantly agrees. At least he won’t be alone; joining him are three other masters of the macabre, writers who have helped shape modern horror. But what begins as a simple publicity stunt will become a fight for survival. The entity they have awakened will follow them, torment them, threatening to make them a part of the bloody legacy of Kill Creek.
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Whenever I was little my go-to whenever I was sick was Gatorade, saltines, chamomile tea, Archie Comics, and campy horror movies. My parents would always rent me some new campy horrors and buy me new comics, and I’d always feel marginally better afterward. So, if you ever find yourself stuck in bed and need a way to kill a few horrors with some campy horrors, don’t worry! I have you covered.
PSYCHO GOREMAN
Intergalactic assassins converge on a small town after two siblings unwittingly resurrect an ancient alien overlord.
EVIL DEAD 2: DEAD BY DAWN
The second of three films in the Evil Dead series is part horror, part comedy, with Ash Williams (Bruce Campbell) once again battling horrifying demons at a secluded cabin in the woods. After discovering an audiotape left by a college professor that contains voices reading from the Book of the Dead, Ash’s girlfriend Linda (Denise Bixler) becomes possessed by evil spirits that are awakened by the voices on the tape. Ash soon discovers there is no escaping the woods.
AN AMERICAN WEREWOLF IN PARIS
A group of carousing American tourists is taking in the cultural landmarks of Paris when a chance encounter results in sightseer Andy McDermott (Tom Everett Scott) saving the life of Parisian Serafine Pigot (Julie Delpy). While on a date at a nightclub with Serafine, Andy is suddenly attacked and bitten by a werewolf. The next day he discovers that Serafine is also a lycanthrope, and that he is beginning his own grueling, hirsute transformation into one of the fanged beasts.
WHAT ARE YOUR FAVE CAMPY HORRORS?
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The Inkblotters 