I’m usually NOT a fan of found footage horror movies, but I was curious to check this one out when I discovered that it was made on a $15,000 budget and needed to see how writer-director Robbie Banfitch managed to pull this off. Also, the movie takes place in the Mojave Desert, which quite frankly, as much as I find it a very alluring place, it can also emote creepiness as so many people go missing there every year. In fact, it was the premise of one of my short stories, Comets Tear the Skies.
The simple plot is that a group of friends go to the desert to record a music video, and it doesn’t take long before things get really crazy and deadly. For the majority of the film, the viewer is as disorientated and terrified as Robbie wanders the desert in both total darkness and glaring sunlight. What we do see is a gory bloodfest and strange, tremors-like worms crawling around (are they aliens?). We’re never sure what exactly is going on, but what we do know is that our protagonist is in danger, and there’s no escaping the violent onslaught.
This is a strange, bloody cosmic horror in which there’s no moment of levity or respite for any of the people involved. In fact, the horror only continues to progress to the bloody finale that will finally show us what happened to Robbie’s friends, and ultimately what happens to him. Check this out if you love found footage, as this movie really does wonders with its limited budget and the writer/director’s experience, but still manages to create a very chilling movie.
*Thank you so much to Emma Griffiths & Cinedigm for an early screening of the movie.
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The thing that has been growing inside me that is not rage and is not spite and is not fear or pain.
PLOT SUMMARY
By day, Maeve Fly works at the happiest place in the world as every child’s favorite ice princess.
By the neon night glow of the Sunset Strip, Maeve haunts the dive bars with a drink in one hand and a book in the other, imitating her misanthropic literary heroes.
But when Gideon Green – her best friend’s brother – moves to town, he awakens something dangerous within her, and the world she knows suddenly shifts beneath her feet.
Untethered, Maeve ditches her discontented act and tries on a new persona. A bolder, bloodier one, inspired by the pages of American Psycho. Step aside Patrick Bateman, it’s Maeve’s turn with the knife.
GRADE: A
REVIEW:
This book aches to be a female lead American Psycho type of novel, with protagonist Maeve Fly at the wheel. Maeve is obsessed with Halloween music, doxxing terrible people online, and her job at DisneyLand where she impersonates Elsa from Frozen. Maeve is indifferent to most people except for her best friend Kate and dying grandmother, a former Hollywood silent movie star, Tallulah Fly. I enjoyed Maeve’s journey although sometimes Maeve’s obsessions and edginess seemed forced. Most of the brutal scenes weren’t described in detail – we were only hinted at what would happen and it’d cut to black. For a book promising an edgy, dark character it kind of annoyed me (but I’m probably in the minority here) that we didn’t get to see more gore.
I read Story of the Eye in my early 20’s and have recced this book to many people (is this why they think I’m twisted?), and Maeve is obsessed with this book too. I must say, that I was supremely HAPPY that a certain scene came to fruition after the promise of the book’s cover. I would’ve been annoyed otherwise.
However, I did LOVE this book – so don’t take my little gripes at heart. I just love girl villains so want people to push the envelope when it comes to that. The final line of this novel though is PURE PERFECTION and I absolutely love it. In other words, I will definitely look forward to this author’s next novel!
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Being someone who receives many ARCs (advanced reader’s copies) for review purposes for this blog, I read many of the 2023 releases last year. So, these are three books that I didn’t receive ARCs for, but still want to read all the same.
SHE IS A HAUNTING BY TRANG THANH TRAN
When Jade Nguyen arrives in Vietnam for a visit with her estranged father, she has one goal: survive five weeks pretending to be a happy family in the French colonial house Ba is restoring. She’s always lied to fit in, so if she’s straight enough, Vietnamese enough, American enough, she can get out with the college money he promised.
But the house has other plans. Night after night, Jade wakes up paralyzed. The walls exude a thrumming sound while bugs leave their legs and feelers in places they don’t belong. She finds curious traces of her ancestors in the gardens they once tended. And at night Jade can’t ignore the ghost of the beautiful bride who leaves cryptic warnings: Don’t eat.
Neither Ba nor her sweet sister Lily believe that there is anything strange happening. With help from a delinquent girl, Jade will prove this house–the home they have always wanted–will not rest until it destroys them. Maybe, this time, she can keep her family together. As she roots out the house’s rot, she must also face the truth of who she is and who she must become to save them all.
SILVER NITRATE BY SILVIA MORENO-GARCIA
Montserrat has always been overlooked. She’s a talented sound editor, but she’s left out of the boys’ club running the film industry in ’90s Mexico City. And she’s all but invisible to her best friend, Tristán, a charming if faded soap opera star, though she’s been in love with him since childhood.
Then Tristán discovers his new neighbor is the cult horror director Abel Urueta, and the legendary auteur claims he can change their lives—even if his tale of a Nazi occultist imbuing magic into highly volatile silver nitrate stock sounds like sheer fantasy. The magic film was never finished, which is why, Urueta swears, his career vanished overnight. He is cursed.
Now the director wants Montserrat and Tristán to help him shoot the missing scene and lift the curse . . . but Montserrat soon notices a dark presence following her, and Tristán begins seeing the ghost of his ex-girlfriend.
As they work together to unravel the mystery of the film and the obscure occultist who once roamed their city, Montserrat and Tristán may find that sorcerers and magic are not only the stuff of movies.
LOOKING GLASS SOUND BY CATRIONA WARD
In a cottage overlooking the windswept Maine coast, Wilder Harlow begins the last book he will ever write. It is the story of a sun-drenched summer of his youth and of the killer that stalked the small New England town. Of the terrible tragedy that forever bonded him with his friends Nat and Harper in unknowable ways. Of a horror that has followed them over the years.
Wilder has returned to the town decades later in an attempt to recount that summer’s events in his memoirs. But as he writes, Wilder begins to fear his grip on the truth is fading, and events in the manuscript start to chime eerily with the present. He’s even started seeing a dark-haired woman down in the icy waters below the cottage, but nobody else can.
No longer able to trust his own eyes, Wilder begins to fear that this will not only be his last book, but the last thing he ever does…
What are some of the reads you’re looking forward to this year?
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I’m so proud to announce that my feminist horror novel GIRL THAT YOU FEAR is finally out! You can order through my publisher’s website, Black Bed Sheet Books, Amazon, or Google Play!
Plot Summary:
It’s the fall of her Senior year and Spencer Torres, next in line for valedictorian of Sacred Heart High, has a perfect life. That is, until her idyllic existence is shattered when a visit to the infamously haunted steamship The Queen Mary causes her to become possessed by an evil demon who encounters her there. But this isn’t your run-of-the-mill demon—Dever is cunning, attractive, and manipulative. Somehow, this possession causes memories of an earlier horrible trauma to resurface.
Nothing will stop Spencer from seeking the truth embedded deep within those memories and most importantly, vengeance….even if it means losing herself completely to the demon’s clutches.
Comp Titles: The Exorcist, Come Closer, and My Best Friend’s Exorcism
If you’re a bookblogger/bookstagrammer/booktoker and wish to receive an ebook copy of the book for a review, just hit me up in the contact section!
EXCERPT:
Madame Zella began to place the five cards accordingly. Spencer watched with curiosity as she recalled the placements of the cards for a book of tarots she and Fallon had read years ago and their significance. The first one at the top was to symbolize the potential, then three cards below that one. The card to the left indicated her past, the middle her present, and the one to her right the future. Madame Zella then placed a final card below the three cards, pointing to reason. Spencer studied Madame Zella’s movements intently as she slowly uncovered the cards, one by one. But as she did, something strange occurred. Each card was dripping with blood as Madame Zella shook her head, frightened.
“What’s going on?” Spencer inquired.
Isla grabbed Spencer’s hand and squeezed it, and she sensed that her sister was just as afraid as Madame Zella was.
“A dark force! It has hold of you!” Madame Zella said, her accent evident with each word. “Too late! Too late!”
“What do you mean? What dark force?” Isla interrupted.
Madame Zella suddenly got up from the table, and the chair fell back with a crash. She stared directly at Spencer and screamed like she was Jamie Lee Curtis in Halloween. It was raw and terrifying. Spencer couldn’t believe what she was seeing. The cards were drenched in blood now, dripping down the table. The table began to shake violently. They both got up from their seats, not understanding what was going on until Spencer looked beyond Madame Zella’s shoulders and saw that behind her was a tiny mirror. In the mirror, she could finally see what the woman was seeing. A dark shadow hovering over her shoulder, its fangs glittered menacingly. No, no, no. She spun to look at Isla, but from her position, she couldn’t see the mirror, couldn’t see if what Spencer was seeing was real.
“You let him in!” Madame Zella told her. “Get out! Get out of here! And don’t come back!”
Isla yanked on Spencer’s wrist pulling her away from the tent. But she couldn’t move, she was transfixed by the blood dripping from the cards, the shadow in the mirror, and that familiar scent of night flowers and musk. Then the cards burst into flames and she snapped out of her fixation as they both hurried out of the tent.
She could still hear Madame Zella’s cries from inside.
“TOO LATE! TOO LATE! YOU’RE DOOMED!” She heard the tarot reader shout from the tent. Spencer looked up at the sky and it seemed to turn into a hideous shade of blood red before, once again, she was struck with a nosebleed and then fell limp against Isla’s arms.
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Four years after her tumultuous senior year, Jade Daniels is released from prison right before Christmas when her conviction is overturned. But life beyond bars takes a dangerous turn as soon as she returns to Proofrock. Convicted Serial Killer, Dark Mill South, seeking revenge for thirty-eight Dakota men hanged in 1862, escapes from his prison transfer due to a blizzard, just outside of Proofrock, Idaho.
Dark Mill South’s Reunion Tour began on December 12th, 2019, a Thursday.
Thirty-six hours and twenty bodies later, on Friday the 13th, it would be over.
GRADE: A+
REVIEW:
I fell in love with Jade Daniels in book one,My Heart is a Chainsaw. Although the sequel begins with Jade going as Jennifer and wanting to put all her slasher movie days behind, yearning for a fresh start. Only Leda Mondragon, the girl Jade thought was going to be the final girl in the first book has now taken her scepter, analyzing slasher movies and trying to get Jennifer to return to her days of Jade and Bay of Blood.
As with any good sequel, we have both old and new characters, but as any successful slasher sequel knows, it needs to be bloodier than the first film, and SGJ completely delivers on the bloodier deaths and the higher body count. If book one had most of the deaths happening in the latter portion of the book, Reaper begins with blood and ends in blood. Not to mention that this time our beloved characters have to also deal with nature, ie. blizzard.
I absolutely LOVED this book. There’s something about Jones’s writing and the fact that he’s a huge slasher fan that just makes the inner slasher fan in me squeal in dark delight anytime I catch any reference to a slasher that many aren’t aware of (in this case, Curtains). Maybe if you’re not a slasher fan you can’t enjoy that part of the book as much as someone who is, however, the novel on its own packs such a punch that you can’t help but wonder what will happen in book three and how much damage the survivors of book two will take into the following book.
If you love slashers, the supernatural, serial killers, folklore and much more more, then you will love Don’t Fear the Reaper as it has a bit of everything to satisfy even the pickiest of horror readers. Honestly, I can’t wait to dive back into Proofrock and see what else is going to haunt them next time around.
*Thank you so much to NetGalley and Gallery/Saga Press for the digital copy of this book in exchange for an honest review!
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Anyone who knows me knows how obsessed I am with Anne Rice’s novel, Interview with the Vampire as well as with the 1994 movie adaptation. There was a time in my life when I watched the movie once a day for nearly three years, and that’s why I can quote the two hours film verbatim even after all these years. So when I learned AMC was going to have a TV series based on Anne Rice’s novel, I was both excited and skeptical. Would I love it? Or would I hate it? Throughout the months I heard about the changes they were going to make (change of the century, Louis is a POC, and Claudia is no longer a young child but a teen). I didn’t know how to feel about these changes, however, I decided to dive into the series.
The first episode felt jarring, these characters I loved for so many years had fresh faces as new actors brought them to life. But the moment we see Lestat (Sam Reid) reach out and kiss Louis (Jacob Anderson) passionately by the end of episode one, I was both seduced and compelled to keep on watching.
The new actors have managed to embody Anne Rice’s characters unlike any other actors before (and I thought Tom Cruise and Brad Pitt did a good job at the time). But there’s something about the way Sam Reid manages to create an accent that would truly be one that Lestat would have, how he manages to be both repulsive with his violent behavior, yet enthralling when he’s charming. Jacob Anderson does an excellent job of showing Louis’s vulnerability and guilt but also demonstrates his inability to truly get away from a toxic relationship.
I think Anne Rice would be proud of this adaptation, especially since we finally get the true toxic romance that she was only able to hint at but couldn’t be completely explicit about (same with the movie).
Meanwhile, I’ve fallen back into my former obsessive tendencies in regard to this book. I’ve already rewatched the series three times, and have lost count of how many times I’ve specifically watched the scene where Louis and Lestat have their final dance.
If you haven’t checked it out, I completely recommend it. After all, as Lestat says, “I’m going to give you the choice I never had.”
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Let’s be honest, sometimes the happiest season of the year can be rather downright scary. Stores overrun with people, last minute gift-shopping, having to deal with problematic relatives, trying to avoid cringe-worthy office parties, I could go on and on. These movies explore the horrors of the Christmas season, packing a scary punch!
BLACK CHRISTMAS
Forget about the remakes, they all suck. The original with Olivia Hussey (best known for her role as Juliet) is the one to watch. As winter break begins, a group of sorority sisters, including Jess (Olivia Hussey) and the often inebriated Barb (Margot Kidder), begin to receive anonymous, lascivious phone calls. Initially, Barb eggs the caller on, but stops when he responds threateningly. Soon, Barb’s friend Claire (Lynne Griffin) goes missing from the sorority house, and a local adolescent girl is murdered, leading the girls to suspect a serial killer is on the loose. But no one realizes just how near the culprit is.
SILENT NIGHT, DEADLY NIGHT
An orphan raised by nuns (Lilyan Chauvin, Gilmer McCormick) grows up to be a killer toy-store Santa Claus. At the time, this movie was a box office hit, earning 2.5 million out of a $250,000 budget.
THE LODGE
Not gonna lie, this is probably one of my favorite Christmas themed movies out there. During a family retreat to a remote winter cabin over the holidays, the father is forced to abruptly depart for work, leaving his two children in the care of his new girlfriend, Grace. Isolated and alone, a blizzard traps them inside the lodge as terrifying events summon specters from Grace’s dark past.
THE ADVENT CALENDAR
This was so creepy and twisty, I watched it for the first time last year and was left wanting more. When Eva receives an antique wooden advent calendar, it seems at first that it only guarantees a countdown to Christmas filled with sweets. However, with the calendar comes a set of rules and the promise of wish fulfillment for those who follow them.
WIND CHILL
If you want suspense with a dash of creepy then you might want to check this one out.
Just before their university campus goes quiet for the winter break, a young woman (Emily Blunt) asks a classmate (Ashton Holmes) for a lift home. The two students set off on their trip and begin to get to know each other. But, when a reckless motorist drives them off the road, they find themselves stranded in the snow on a remote highway. As the night grows colder, the two are confronted by a horde of menacing apparitions — and struggle to escape with their lives.
INSIDE
I don’t know what it is about the French when it comes to horror, but they really go above and beyond. This may fall in the category of “torture porn” but it’s still worth the watch. A scissor-wielding psychopath (Béatrice Dalle) terrorizes a pregnant widow (Alysson Paradis) on Christmas Eve.
SILENT NIGHT
Watch this for the ensemble cast alone, as it’s got some of the best Brit actors. A couple invites their closest friends to join their family for Christmas dinner at their idyllic home in the English countryside. As the group comes together, it feels like old times — but behind all of the laughter and merriment, something isn’t quite right. The world outside is facing impending doom, and no amount of gifts, games or wine can make mankind’s imminent destruction go away. Surviving the holidays just got a lot more complicated.
KRAMPUS
More of a horror comedy than full-on horror. While the holiday season represents the most magical time of year, ancient European folklore warns of Krampus, a horned beast who punishes naughty children at Christmastime. When dysfunctional family squabbling causes young Max (Emjay Anthony) to lose his festive spirit, it unleashes the wrath of the fearsome demon. As Krampus lays siege to the Engel home, mom (Toni Collette), pop (Adam Scott), sister (Stefania LaVie Owen) and brother must band together to save one another from a monstrous fate.
P2
Who doesn’t like to see Wes Bentley being creepy? Just me? Angela (Rachel Nichols) is working late on Christmas Eve. When she finally decides to leave, she goes down to the parking garage to get her car, but it won’t start. Thomas (Wes Bentley), the garage’s security guard, offers to help. He also invites Angela to dinner, but she refuses. Thomas, crazed, knocks her out. She wakes up in Thomas’ office, chained to a chair and in different clothes. Now Angela must fight for her life in order the escape from the garage.
BETTER WATCH OUT
Another dark comedy with a psychological horror twist. Ashley travels to the suburban home of the Lerners to babysit their 12-year-old son Luke during the holidays. She must soon defend herself and the young boy when unwelcome intruders announce their arrival.
Which ones are you going to be checking out?
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“Once he’s gone, I return to my mirror. It is my altar. My cheekbones, my xylophone ribs, my flat stomach, my thigh gap–these are my sacraments.”
PLOT SUMMARY:
Los Angeles fashion model Helen Troy wasn’t always skinny. Drastic weight loss has given her everything–money, confidence, attention, respect. Being thin has legitimized her, and starvation has become an addiction.
Following an encounter with a seemingly “perfect” rival model who destabilizes Helen’s shaky self-confidence and shatters her fragile illusion of control, she’s sent into a tragic tailspin that will take her to the lowest depths of hell. Nightmarish versions of herself begin materializing in mirrors, and her tried-and-true coping mechanisms stop working. Reality comes apart at the seams as Helen’s disease manifests in increasingly self-destructive fashions, forcing her to ask herself…
What does perfection look like, and how much would you sacrifice to obtain it?
GRADE: A
REVIEW:
We follow Helen Troy, a beautiful model living in Los Angeles in this dark novella that explores beauty and love. Helen used to be overweight, and the world despised her appearance when she was. Now – in her new emaciated and attractive body she is despised for her beauty and thinness but also adored for those very same reasons. Life is going great for her until she meets a thinner and prettier model at a photo shoot, which quickly has her derailed into obsessive perfectionism as she tries to become thinner and more beautiful. All this while she’s haunted by the images of her former self (a slug-like abomination) and her possible future (a corpse girl).
The author perfectly depicts the malaise and boredom of LA youth – where parties feel more like funerals and no one really sees you because they’re too busy scrolling their Instagram feed. The characters that inhabit this novella live in their sunglasses as though they wish to hide from the world and people around them because all that matters is youth and material possessions are the only way they feel fulfilled since even the sex depicted is lackluster and boring.
Helen’s descent is harrowing and dark – and not for the faint of heart.
Pick this up if you’re a fan of fatally flawed beautiful people en route to self-destruction.
*Thank you so much to Nightworms for the digital copy of this book in exchange for an honest review!
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A whirlpool of darkness churns at the heart of a macabre ballet between two lonely young women in an internet chat room in the early 2000s—a darkness that threatens to forever transform them once they finally succumb to their most horrific desires.
A couple isolate themselves on a remote island in an attempt to recover from their teenage son’s death, when a mysterious young man knocks on their door during a storm…
And a man confronts his neighbour when he discovers a strange object in his back yard, only to be drawn into an ever-more dangerous game.
Three devastating, beautifully written horror stories from one of the genre’s most cutting-edge voices.
What have you done today to deserve your eyes?
GRADE: A
REVIEW:
I read the titular novella when it first came out and you can read my review of it here along with the author interview. This novella is what launched LaRocca’s writing career and with good merits, as it’s dark and seductive and with a bold ending.
The second story, “The Enchantment,” was absolutely riveting. A couple decides to live on a remote island after the death of their only son. One day they’re visited by a stranger and soon you’re left unsure whether he’s a harbinger of good or evil.
The third and final story, “You’ll Find It’s Like That All Over,” delves into the trouble one gets into when attempting to stay civil even when your gut tells you to leave because the circumstances feel so off. This was tense and very dark.
Overall, these tales explore the need for human connection in a way that is dark and fascinating but can also be deadly. I recommend this collection if you’re a reader of dark literature.
*Thank you so much to NetGalley and Titan Books for the digital copy of this book in exchange for an honest review!
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2021-2022 have been filled with so many thrilling new horrors. From creepy child abductors, to finding strange large eggs in the middle of the woods or trying to escape crazed killers wielding chainsaws yet again, here are a few of my favorite new horror movies that I enjoyed that will get you in the mood for Halloween!
The Black Phone (Peacock)
X (Showtime)
Fresh (Hulu)
Hatching (Hulu)
Orphan: First Kill (Paramount +)
The Sadness (Shudder)
Texas Chainsaw Massacre 2022 (Netflix)
The Yellow Wallpaper (Prime Video)
Hellraiser 2022 (Hulu)
Torn Hearts (Epix)
From Hatching
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The Inkblotters 