Excerpt from I Love It When You Lie by Kristen Bird

The Sheriff’s Office in Willow Gap, AlabamaOne Week After

STEPHANIE

It would’ve been a touching moment except for the reality of the grave at their feet. Gran’s grave. I shiver just thinking about the three Williams sisters standing in the family cemetery, their arms entwined, gazing up at the sunrise, all that cool Alabama clay piled beside them, their fingernails packed with the red earth, the stench of what they’d done in their nostrils. It was Decoration Sunday, the one day of the year when the entire family descended on Gran’s property to pay respect to the dead and gossip about those still living.

Tara, June, and Clementine Williams are my sisters-in-law. For so long, I’ve waited for the day that their little coven would topple some man’s ivory tower. Now that the time has come, I realize that each of us has a man that we might be better off without, but only one of us is lucky enough to have actually rid ourselves of him. 

Four men: a preacher, a doctor, a professor, and a mayor. One goes missing. It’s like our own little Willow Gap edition of Clue. How charming.

Sheriff Brady Dean, his badge shining in the interrogation lights, brings me back to the moment at hand, the moment of reckoning. The aged sheriff wants to know what I know, wants me to spill all the whys, whens, wheres, and hows of the Williams sisters over the past forty-eight hours.

“I’m sure you know why you’re here, Mrs. Williams.” The words emerge like a sigh. He’s been after this family for more than thirty years, ever since he was first elected. Poor guy. Must be exhausted.

I meet the sheriff eye to eye, tapping my recently painted nails—Los Angeles Latte, the dark bottle of polish had read—against the metal table in the claustrophobic office where he’s brought me for questioning. Not that I’m the one in trouble here.

My husband, Walker Williams, knew Sheriff Dean before Walker and I ever met and married a decade ago. Some say ours was a Yankee seduction, but I don’t care. Walker has been the mayor now for eight years, and they have to put up with me, the damn Yank in their midst.

I think of my three children—Walker Jr. and Auggie and Bella—their features too much like my husband’s. They’re fine, I remind myself. They’re with the nanny while I’m here tying up all of the loose ends. I shake my head to dislodge their faces from my mind. It’s important that I focus. I must get this right.

“Call me Ms. Chadrick. Or Stephanie. I’ll be using my maiden name soon enough,” I tell the sheriff.

Sheriff Dean clears his throat, and I follow his eyes to my hand. I’m still wearing my massive diamond, the one Walker bought for our last anniversary. To ten years, baby, and a lifetime more, he’d said as he slipped it on my finger in our Nashville hotel room. I’m not planning to part with my jewelry just because my husband can’t keep his dick in his pants.

I blink innocently at the sheriff and twist my ring around, pressing the stone into my palm until it bites. “I’m here to tell you what I saw after Gran Williams’s funeral. Isn’t that right?”

“Yes’m.” The sheriff lets out a heavy breath that reaches all the way down to the gut hanging over his belt. “I know these women are your husband’s sisters, but we’re hoping…”

“Soon to be ex-husband,” I fire back, reminding him once again.

“Fine. As I was saying, we’re hoping you’ll be willing to give us an account of the movement of your sisters-in-law these past few days. With a missing person, time is of the essence.”

He gives me one of those indulgent smiles saved only for a wronged woman. He knows about my cheating bastard of a spouse, and I breathe, reminding myself again that I’m in good company. Jackie O., Eleanor Roosevelt, Hillary—all of these fine ladies were cheated on by their infamous yet politically savvy husbands. Remembering them makes it easier for me to deal with the fact that everyone knows about Walker and his lying ways.

When I first moved here from DC, I thought my new husband and his town were adorable, quaint even. As I prepared for Walker’s bid for mayor, I even got a kick out of researching its history at the local library, trying to understand the place where generations of Walker’s family had lived for so long.

Alabama. Some historians say the word is from a Native American language and means “tribal town” or “vegetation gatherers.” My favorite definition of the word, though, was penned by one Alexander Beauford Meek, a highly unreliable 

source, but isn’t that what history is made of? Mr. Meek said that the word means “here we rest.” Alabama: here we rest. It’s deliciously spooky, isn’t it? Like something from one of those Faulkner stories I couldn’t get enough of in college.

To be fair though, my problem isn’t actually with the great state of Alabama. It’s with these people, this town, this family. They forget so easily that I’m a part of them now, for better or worse. They forget that I know where all the bodies are buried, and I’m not just talking about their kinfolk in the family cemetery a couple hundred yards down the hill from Gran’s house.

The sheriff clears his throat and tries again. “As I was sayin’, we’re hopin’ you can give us a clearer account of who all was there and what exactly went on, so we can understand what led to our missing person. He’s an important man, a good man, and the last time anyone laid eyes on him was Saturday evening a few hours after the funeral at Gran Williams’s cabin.”

Our missing person. There’s something so possessive in the phrase. I almost giggle, realizing that this man is handing me my chance on a silver platter, an opportunity to expose every inch of the Williams family drama.

“Sheriff, ask me any question, and I’ll tell you exactly what you want to hear.” I cross my legs and study my cuticles. “Although, if you want to know the whole truth, you need to go a lot further back than the past few days.”

I take a sip of the coffee he brought me earlier and stretch my arms in front of me as if preparing for a catnap. I wonder if the sheriff realizes just how far back he needs to reach, how far down he needs to dig until he hits something like the truth.

The sheriff nods at me to continue, and I notice again the plump circles hanging under his eyes. He sneezes into the crook of his arm and settles in for the real reason why people involved with the Williams family might just disappear.

I sit up straighter. “All right, then. Let’s start with the dead one.”

Excerpted from I Love It When You Lie. Copyright © 2023 by Kristen Bird. Published by MIRA Books.

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Spotlight: Tell Me One Thing by Kerri Schlottman

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Outside a rural Pennsylvania motel, nine-year-old Lulu smokes a cigarette while sitting on the lap of a trucker. Recent art grad Quinn is passing through town and captures it. The photograph, later titled “Lulu & the Trucker,” launches Quinn’s career, escalating her from a starving artist to a renowned photographer. In a parallel life, Lulu fights to survive a volatile home, growing up too quickly in an environment wrought with drug abuse and her mother’s prostitution. Decades later, when Quinn has a retrospective at the Whitney Museum of Art and “Lulu & the Trucker” has sold at auction for a record-breaking amount, Lulu is surprised to find the troubling image of her young self in the newspaper. She attends an artist talk for the exhibition with one question in mind for Quinn: Why didn’t you help me all those years ago? Tell Me One Thing is a portrait of two Americas, examining power, privilege, and the sacrifices one is willing to make to succeed. Traveling through the 1980s to present day, it delves into New York City’s free-for-all grittiness while exposing a neglected slice of the struggling rust belt.

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Excerpt: Just the Nicest Couple by Mary Kubica

PROLOGUE

I gasp and stagger backward. My hand goes to my mouth, bear- ing down.

My brain screams at me to run. Run.

I can’t at first. Shock and fear hold me captive. They keep me from moving, like a ship that’s dropped anchor. I’m moored to this spot, my eyes gaping in disbelief. My breath quickens and I feel the flailing of my heartbeat in my neck, my throat and in my ears.

Run, my brain screams at me. Go. Fucking run.

There is movement on the ground before me. The sound that comes with it is something heathen and raging, and some part of me knows that if I don’t go now, I may never leave this place alive.

I turn away. It’s instantaneous. One minute I’m unmoving and the next I’m moving so fast that the world comes at me in vague shapes and colors, streaks of brown and blue and green. I barely feel the movement of my legs and my feet as I run. I don’t feel the impact of my shoes colliding with the earth, moving quickly across it. I don’t look back, though I want more than anything to steal a look to know that I’m alone. That I’m not being followed. But I don’t look. It’s too risky. Looking back would cost precious seconds that I don’t know that I have. If I do, those seconds could be my last.

Sounds come, but I’m so disoriented that I don’t know where they come from. Is it only my pulse, the rush of blood in my ears?

Or is someone there?

I feel something tangible against my hair and then my spine. My back arches. I jerk away, pitching forward, landing hard on my hands and knees.

The world stops moving.

I have only two thoughts in that moment: staying alive, and that this isn’t the way it was supposed to happen.

Christian

Lily is sitting on the leather chair in the family room when I come in. Her back is to me. I see her from behind, just her long brown hair spilling down the back of the chair. She stares toward the TV on the opposite wall, but the TV is off. It’s just a black box, and in it, I see a murky reflection of Lily on the screen, though I can’t tell if her eyes are open or shut.

“Hey,” I say, coming in through the garage door, closing it quietly and stepping out of my shoes. I set my phone and keys on the counter, and then ask, “How was your day?”

It’s getting dark in the house. Out the window, the sun is about to set. Lily hasn’t bothered with the lights, and so the in- side of the house is colorless and gray. We face east. Any pretty sunset is the other way. You can’t see it from here, if there even is one to see.

Lily says nothing back. She must have fallen asleep, sitting upright in the chair. It wouldn’t be the first time. She’s been extremely tired lately. The pregnancy is getting the best of her, not to mention that she’s on her feet teaching all day. These two things in combination exhaust her. It used to be that Lily would be in the kitchen, cooking dinner when I got home, but these last few weeks, she comes home from work ready to drop. I don’t mind that she’s not cooking. I’ve never been the kind of person to need a home-cooked meal after work, but that’s the way Lily was raised. Her mother did it for her father, and so she thinks she should do it for me. She’s been apologetic that she hasn’t had it in her to cook dinner, but she’s been queasy, too, and the last thing she needs to be doing is cooking for me. I called from the car and ordered takeout already; it will be here any minute.

I step quietly into the family room. I come around to the other side of Lily to face her. Lily isn’t asleep like I thought. Her eyes are open but her expression is blank. Her skin looks gray, washed-out like the room, and I blame the poor lighting.

Lily’s head turns. She looks up at me as if in slow motion.

“Hey,” I say again, gently, smiling. “You okay? Did I wake you?”

I flip on a side table light, and she winces from the bright- ness of it, her eyes taking time to adjust. I apologize for it, realizing that her pale face had nothing to do with the lack of light.

In the warmth of the lamp’s glow, I see that Lily’s hair is wet. She wears maroon-colored joggers and a sweatshirt. She’s showered and changed since coming home, which is more than she usually does. Usually she falls flat on the couch and doesn’t leave until it’s time to go to bed.

I drop to my knees in front of her. I reach forward and run a hand the length of her hair. “You look exhausted, babe. Do you want to just go to bed? I can help you up. Takeout should be here soon. I’ll bring it up to the room for you when it gets here.”

Lily blinks three times, as if to clear the fog. She finds her voice. It’s husky at first, dry, like after a day of shouting at a football game, which is not that different than a day of teach- ing rowdy high school kids math. “No,” she says, shaking her head, “I’m fine. Just tired. It was a long day.”

“You sure? I wouldn’t mind dinner in bed myself.” I had a long day too, but it doesn’t seem right to compare them when only one of us has another human growing inside of them.

“That sounds messy,” she says.

“I promise I’ll be neat.”

Lily smiles and my heart melts. I love it when she smiles at me. “When are you ever neat?”

“Never,” I say, feeling better if she can still poke fun at me.

I’ve done my research on pregnancy and childbirth. I’ve read that the fatigue women feel during the first trimester is maybe the most tired they’ll feel in their whole lives. Growing a human is exhausting. Caring for one is too, but we’re not there yet.

“You need anything?” I ask, and she shakes her head.

Takeout comes. I convince Lily to come sit on the couch with me, where we both fit. We watch TV and, as we do, I ask her about her day and she asks me about mine. She’s quieter than usual tonight. I do most of the talking. I’m a market research analyst, while Lily teaches high school algebra. We met in college over of our shared love of math. When we tell people that, it makes them laugh. We’re math nerds.

When it’s time for bed, Lily goes up to the room before me. From downstairs, I hear the sink run as she washes up. I clean up from dinner. I throw the takeout containers in the trash. There is a package waiting on the front porch. I step outside to get it, where the night is dark, though the sky is clear. It must be a new moon.

Lily is standing at the top of the stairs when I come back in. She’s there in the upstairs hall, standing in the dark, backlit by the bedroom light. Gone are the maroon sweats she wore ear- lier. She has on my flannel shirt now. Her legs are bare, one foot balanced on the other. Her hair is pulled back, her face still wet from washing it.

“Don’t forget to lock the door,” she says down over the rail- ing, patting her face dry with a towel.

I wouldn’t have forgotten to lock the door. I never do. It’s not like Lily to remind me. I turn away from her, making sure the storm door is shut and locked, and then I push the front door closed and lock the dead bolt too.

Our house sits on a large lot. It’s old on the outside, but has a completely revamped, modern interior. It boasts things like a wraparound porch, beamed ceilings, a brick fireplace—which Lily fell in love with the first time she laid eyes on the house, and so I knew I couldn’t say no despite the price—as well as the more modern amenities of a subzero fridge, stainless steel appliances, heated floors and a large soaker tub that I was more enthusiastic about. The house is aesthetically pleasing to say the least, with an enormous amount of curb appeal. It practically broke the bank to buy, but felt worth it at the time, even if it meant being poor for a while.

In the backyard, the river runs along the far edge of the prop- erty, bound by a public hiking and biking trail. We were worried about a lack of privacy when we first moved in, because of the trail. The trail brought pedestrians to us. Strangers. People just passing by. For most of the year, it’s not a problem. The leaves on the trees provide plenty of privacy. It’s only when they fall that we’re more exposed, but the views of the river are worth it for that small sacrifice.

“Done,” I tell her about the locks, and she asks then if I set the alarm. We’ve lived here years and hardly ever set the alarm. I’m taken aback that she would ask.

“Is everything okay?” I ask.

Lily says, “Yes, fine.” She says that we have an alarm. We pay for it. We might as well use it. She isn’t wrong—it’s just that she’s never wanted to before.

I set the alarm. I make my way around the first floor, turning off lights. It takes a minute. When I’m done, I climb the stairs for the bedroom. Lily has the lights off in the room now. She stands at the window in the dark, with her back to the door.

She’s splitting the blinds apart with her fingers and is looking out into the dark night.

I come quietly into the room. I sidle up behind Lily, setting my hand on the small of her back and asking, “What are you looking at?” as I lean forward to set my chin on her shoulder, to see what she sees.

Suddenly Lily reels back, away from the window. She drops the blinds. They clamor shut. I’ve scared her. Instinctively, her hands rise up in self-defense, as if to strike me.

I pull back, ducking before I get hit. “Whoa there, Rocky,” I say, reaching for her arms.

Lily’s hands and arms remain motionless, suspended in air.

“Shit, sorry,” she says, knowing how close she came to im- pact. The realization startles us both.

“What was that?” I ask as I gently lower Lily’s arms. Lily isn’t usually so jumpy. I’ve never seen that kind of reaction from her.

She says, “I didn’t know it was you.”

“Who did you think it was?” I ask, as a joke. She and I are the only ones here.

Lily doesn’t answer directly. Instead she says, “I didn’t hear you come up the stairs. I thought you were still downstairs.”

That doesn’t explain it.

“What are you looking at?” I ask again, gazing past her for the window.

“I thought I heard something outside,” she says.

“Like what?”

She says that she doesn’t know. Just something. We stand, quiet, listening. It’s silent at first, but then I hear the voices of kids rising up from somewhere outside. They’re laughing, and I know there are teenagers clowning around on the trail again. It wouldn’t be the first time. They never do anything too bad, though we’ve found cigarette butts and empty bottles of booze. I don’t get mad about it. I was a stupid teenager once. I did worse.

I go to the bed. I pull the blankets back. “It’s just dumb kids,

Lily. There’s nothing to be afraid of. Come to bed,” I say, but, even as she turns away from the window and slips under the sheets with me, I sense Lily’s hesitation. She’s not so sure.

Excerpted from Just the Nicest Couple @ 2023 by Mary Kyrychenko, used with permission by Park Row Books.

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Excerpt: Number One Fan by Meg Elison

CHAPTER 1

 The car rolled into view, the lit decals on the dashboard letting Eli know that her driver was typical: working for all the rideshare services at once.

Gotta hustle, she thought as she quickened her pace away from the airfield. She hoped he hadn’t been waiting long.

“Elizabeth?” He seemed bored, not even bothering to turn around.

“That’s right. I go by Eli, though.”

“Sure,” he said, tapping his phone.

She settled in, her satchel beside her. “Thank you.”

The car was air conditioned against the cushion of heat that pressed against its tinted windows, and as they headed toward the freeway, she finally began to relax. She was grateful the driver didn’t seem to want to talk. She was tired of talking from the event, and her throat was dry and sore.

“There is a cold drink there in the cup holder. Down in the door.” His voice was low, a raspy baritone.

“Oh, cool, thanks.” Eli reached down and felt the blessed condensation on a plastic bottle. She pulled up a blue Gatorade and wrenched it open, suddenly very thirsty. She drank half of it in huge gulps, disliking the weird, salty taste of the electrolyte mixture but unable to stop herself. It felt good, after hours of talking and the dry air of the flight. She breathed deep and drank again, coming close to finishing it off.

Must be the heat, she thought. That and the two miniature bottles of Jack Daniel’s she’d had to calm her nerves on the plane.

Her phone vibrated in her pocket in an unfamiliar cadence and she slid it out to check.

Her notification from the rideshare app blared BRENDA HAS CANCELED THE RIDE FOR REASON: NO-SHOW. YOU HAVE BEEN CHARGED A CANCELLATION FEE OF $5.

Eli frowned at her phone. Had she summoned two cars by accident?

She unlocked it with her facial scan and checked. The app showed only one ride: a black Prius driven by Brenda, which had arrived five minutes ago and canceled four minutes after that.

It wasn’t a busy day at the airfield. It certainly wasn’t curbside pickup at SFO, but it was still possible that she had gotten in the wrong car.

But he had known her name.

She leaned forward to get the driver’s attention. “Hey, just clarifying—you’ve got my info, right? I just got a cancellation from another driver, and I’m worried that I got someone else’s ride.”

The driver tapped his phone and his eyes darted between it, the rearview mirror, and the road. “Elizabeth Grey. Headed to the Sheraton, right?”

The phone displayed a highlighted blue route along the freeway. It was a map program, rather than the rideshare’s software, but Eli had seen drivers toggle between those before. She glanced up at the rearview mirror, but his eyes were on the road and he had put on a pair of dark glasses.

“Right,” she said. “Huh. Wonder what happened.”

Eli settled back into her seat. She stared out the window and thought of home, of the deep grey fog rolling down over the hillsides and the wind coming in, salty from the Bay. She was homesick. Even in the same state, the air felt wrong on her skin. Los Angeles had been an endless parade of palm trees against a blameless sky, and the tacos were so good she could barely stop shoveling them in, but the traffic had left her feeling exhausted upon every arrival.

And then there was the way that people looked you over in Los Angeles, deciding whether you were famous or fuckable or useful in some other way before sliding on to the next thing. Her audiences had been lively and engaging but draining, and after each of her events, she’d wanted nothing but some dinner, a hot bath and sleep. Maybe a couple fingers of bourbon over ice.

Traveling always left her wrung-out and unmoored. It didn’t help that the sun was so all-encompassing outside the car it could have been anywhere, any time of day, the hot, white light blinding. She couldn’t look at a surface other than the black asphalt without squinting. Living in San Francisco gave her what she had thought was a passing acquaintance with the sun, but the glare as the 10 freeway led out of Los Angeles county and into the high desert landscape was just too much.

How are people here not dog-tired all the time? Doesn’t the heat suck all the life out of them? How do they ever leave the house? Christ, it’s March. Imagine later in the year. I gotta get some sunglasses.

She set the phone beside her on the seat to avoid pawing it in and out of her jeans. She belatedly buckled her seatbelt as they picked up speed. Out the window, the freeway was sliding past, one unfamiliar mile blending into the next.

The driver turned his radio on. It annoyed her at first that he had not asked, but then she reminded herself that he probably spent the whole day in his car. She wasn’t talking; he was probably both lonely and bored. Let him have his Oingo Boingo.

He changed lanes to get into the faster flow of traffic and the motion of it made her feel a trifle ill. This heat had produced all kinds of new feelings. She ignored it, drinking the last swallow of the Gatorade.

She looked around for a polite place to deposit the bottle. The motion of her head made her dizziness worse and she tried to blink it away. “Do you have a spot for trash?” she asked him. As the words slid out of her mouth, she realized she was slurring like she was very, very drunk. She was horrified to realize she was drooling, too.

Eli tried to get a hold of herself. She pushed with her palms and worked to sit up straight but found that she could not. Her head felt far too heavy for the wet noodle of her neck to have ever supported. Her abs were slack and her spine was a worm. She sagged against the seat; the seatbelt the only thing keeping her from sliding to the floor.

“Whass going on?” The words seemed to take a long time to reach her ears.

Oh shit, I’m having a stroke. An old classmate  of Eli’s had had a freak stroke event a week shy of her thirtieth birthday. Frantically, she tried to recall the diagnostic that the woman had posted on Facebook right after. She couldn’t speak clearly. She couldn’t lift her arms at all. Her hand flopped uselessly in the direction of her phone.

“Ooogoada tachme to ahspital,” she slurred at him in molasses-thick nightmare slowness. “Shumding wruuuuunnnnng.”

“Relax,” he said clearly, his voice less deep than before. “You are fine.”

With her last spasm of strength, Eli pulled at the door handle, intending to tumble out of the car. The child safety lock held her in place.

I’m not fine, she thought with her last clear and lucid moment. As her eyes fell closed like heavy curtains, she finally registered that they were going the wrong way. The steely spike of panic that stabbed at her heart was almost enough to counteract the soporific effect of whatever was wrong with her, but not quite. Fighting, terrified, she slipped out of consciousness.

Excerpted from Number One Fan by Meg Elison, Copyright © 2022 by Meg Elison. Published by MIRA Books.

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Spotlight: The Book of Delights by Ross Gay

In The Book of Delights, one of today’s most original literary voices offers up a genre-defying volume of lyric essays written over one tumultuous year. The first nonfiction book from award-winning poet Ross Gay is a record of the small joys we often overlook in our busy lives. Among Gay’s funny, poetic, philosophical delights: a friend’s unabashed use of air quotes, cradling a tomato seedling aboard an airplane, the silent nod of acknowledgment between the only two black people in a room. But Gay never dismisses the complexities, even the terrors, of living in America as a black man or the ecological and psychic violence of our consumer culture or the loss of those he loves. More than anything else, though, Gay celebrates the beauty of the natural world–his garden, the flowers peeking out of the sidewalk, the hypnotic movements of a praying mantis.

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Book Highlight: The Case of the Murderous Mr. Cream by Dean Jobb


“A tour de force of storytelling. One of the best books I’ve read this year. Dean Jobb breathes new life into Cream’s victims—who they were, where and how they lived—all the while blending in thorny issues of policing, of the fictional detectives being created, of the other serial killers on the loose. This book is both chilling and thrilling.” —Louise Penny, #1 New York Times bestselling author of the Chief Inspector Gamache series


”When a doctor does go wrong he is the first of criminals,” Sherlock Holmes observed during one of his most baffling investigations. “He has nerve and he has knowledge.” In the span of fifteen years, Dr. Thomas Neill Cream murdered as many as ten people in the United States, Britain, and Canada, a death toll with almost no precedent. Poison was his weapon of choice. Largely forgotten today, this villain was as brazen as the notorious Jack the Ripper.

Structured around the doctor’s London murder trial in 1892, when he was finally brought to justice, 
The Case of the Murderous Dr. Cream exposes the blind trust given to medical practitioners, as well as the flawed detection methods, bungled investigations, corrupt officials, and stifling morality of Victorian society that allowed Dr. Cream to prey on vulnerable and desperate women, many of whom had turned to him for medical help.

Dean Jobb transports readers to the late nineteenth century as Scotland Yard traces Dr. Cream’s life through Canada and Chicago and finally to London, where new investigative tools called forensics were just coming into use, even as most police departments still scoffed at using science to solve crimes. But then, most investigators could hardly imagine that serial killers existed—the term was unknown. As the Chicago Tribune wrote, Dr. Cream’s crimes marked the emergence of a new breed of killer: one who operated without motive or remorse, who “murdered simply for the sake of murder.” For fans of Erik Larson’s The Devil in the White City, all things Sherlock Holmes, or the podcast  My Favorite MurderThe Case of the Murderous Dr. Cream is an unforgettable true crime story a master of the genre.

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Book Excerpt: The Jigsaw Man by Nadine Matheson

Chapter Two

‘How long have we got until the tide comes in?’ Henley was facing the river watching the small waves crashing against the derelict pier. She checked her watch. Nearly two hours had passed since the first 999 call.

‘I checked online, and high tide is at 9.55 a.m.’ Ramouter replied as he stepped around a half-submerged car tire, his eyes glazed with anxiety. ‘Low tide was at 3.15. Sunrise was at 6.32. A three-hour window for someone to dump whoever this is and hope that someone would find it before the tide comes in?’

‘Maybe,’ Henley acknowledged. ‘But for all we know it could have been dumped after sunrise or was dumped earlier upstream before being washed up here.’ She inspected the glass façade of the Borthwick Wharf, empty commercial spaces and work units that opened to the terrace and lacked security cameras. Henley doubted that the local council would have extended their own CCTV cameras to this part of the street. They had been neglecting this part of Deptford for as long as she could remember.

‘Has it been touched?’ Henley asked Anthony who had appeared at her side.

‘As far as I’m aware, it’s in situ. It wasn’t touched by the woman who found it. Matei, your builder, said that he hadn’t touched the legs but unhelpfully, it’s covered in his vomit. I had a quick look at the arms that were found downstream before I came here. From the looks of things, the treasure hunters may have prodded around a bit.’

‘There’s always one.’

The wind dropped and the air softly crackled with the electricity generated from the substation nearby.

‘We’re isolating the recovery of evidence to the direct path from the alleyway to the torso,’ said Anthony. ‘I doubt very much that whoever it was sat here and had a coffee afterwards.’

‘They may not have had a coffee, but if we go with Ramouter’s theory and the body parts have been dumped then whoever it was certainly knows the river,’ Henley replied. ‘We’ll let you get on. Ramouter and I are going to take a walk.’

‘Where are we going?’ asked Ramouter.

‘To meet Eastwood.’

‘And you want to walk it?’

Henley did her best to push aside her frustration when Ramouter pulled out his phone. ‘Google maps says that Greenwich pier is almost a mile away,’ he said.

‘Your body-part dumper isn’t the only one who knows the river,’ Anthony shouted out as Henley began to walk determinedly along the riverbank.

The gold scepters on the twin domed roofs of the Old Royal Naval College pierced the cloudless sky. The bare masts of the restored Cutty Sark completed the historical panoramic view that Greenwich was known for. It was a resplendent, whitewashed version of history that contrasted with the sewage that washed ashore. Henley stopped walking when she realized that she could no longer hear the sounds of Ramouter’s leather soles slipping on wet pebbles.

‘Where are you from?’ Henley asked, waiting for Ramouter to take off his jacket and loosen his tie. She moved closer towards the moss-covered river wall as the tide began to encroach.

‘Born in West Bromwich. Moved to Bradford when I was twelve.’ Ramouter tried to brush off the bits of mud that had stuck to his trousers, but they only smeared more. ‘Lots of moors, no rivers. Surely it would have been quicker in the car.’

‘This is quicker. Unless you fancy sitting in traffic for the next half hour while they raise the Creek Road Bridge.’

‘You know this area well?’

Henley ignored the question. She didn’t see the point in telling him that she could have walked this path with her eyes closed. That this small part of South-East London was ingrained in her. ‘Whoever dumped the torso would have taken this route. It doesn’t make any sense to come down here, go back up to the street level and then drive up to Watergate Street. Out of sight, below street level. Lighting would have been minimal.’

‘Body parts are heavy though,’ Ramouter tried to quicken his step to catch up with Henley. ‘The human head weighs at least eight pounds.’

‘I know.’ Henley pulled out her mobile phone, which had started to ring. She saw who it was and ignored the call.

‘Head, torso, arms, legs. That’s at least six individual body parts.’

‘I know that also. So, tell me, what point are you making?’ Henley waited for Ramouter to reach her before maneuvering him towards the river wall as though she was chaperoning a child.

‘I’m just saying that that’s a lot of dead weight to be carrying around at three in morning.’ Ramouter paused and placed his hand against the wall, trying to catch his breath.

Henley didn’t openly express her agreement. She fished out a black hair band from her jacket pocket and pulled her thick black curls into a ponytail. She had forgotten how much energy it took to walk across the gradient slope of the riverbank. Worse, she felt mentally unprepared for the job ahead, with a trainee struggling behind her who had no idea this was her first time as senior investigator in almost a year.

‘It’s a bit grim, isn’t it?’ DC Roxanne Eastwood shouted out as Henley finally reached the first crime scene. ‘Morning, Ramouter. Not a bad gig for your first day.’

Henley had always thought that Eastwood actually looked and carried herself like a detective. Now, Eastwood was poised on the riverbank, the sleeves of her jacket rolled up with her notebook in her hand. She had come prepared for the river and was wearing a pair of jeans and trainers that had seen better days.

‘Morning, Eastie. How does it feel to be out of the office?’ Henley asked, her eyes drifting to a crime scene investigator who was putting an arm into a black bag.

‘I should be asking you that,’ said Eastwood, with a look of concern.

Henley silently appreciated the empathy and placed her hand on Eastwood’s shoulder.

‘But since you asked, it’s bloody terrible. I think I’ve got sunburn.’ Eastwood rubbed a hand over her reddening forehead. ‘Forensics are going to be wrapping up in a bit. Not that there’s much for them to do. Bag it and tag it.’

‘Where’s Mr Thomas?’

‘Ah, our illustrious treasure hunter. Last time I saw him he was heading towards the shops. Said that he needed to get some water for his dog.’ Eastwood shook her head, obviously not believing a word of it. ‘I’ve got an officer keeping an eye on him. I wouldn’t be surprised if he’d already uploaded pictures of his find onto Instagram.’

‘I want him taken back to the station. Ramouter can take another statement from him.’ Henley said it purposely so that Ramouter would sense she was in control. ‘If he’s like most mudlarkers, he would have been out here first thing this morning waiting for the tide to go out. Where exactly were the arms found?’

‘Just over there.’ Eastwood pulled down her sunglasses and pointed towards the foamed waves created by a passing river bus. The tide had already come in where X had once marked the spot. A sense of urgency filled the air as the river regained its territory.

‘Did he say anything else?’

‘Only that he found the second arm about three feet away from the first.’

‘It’s a sick trail of breadcrumbs,’ said Henley.

‘You’re telling me and before you ask about CCTV, there’re loads of cameras—’

‘But none aimed at this part of the river.’

‘Exactly.’

Henley’s mobile phone began to ring. She pulled it out and answered. After a quick chat, she ended the call.

‘That was Dr Linh Choi. You wouldn’t have met her yet but she’s our go-to forensic pathologist. She’s just arrived,’ Henley explained to Ramouter. She wiped away the sweat from the back of her neck.

‘So, we’ve got two arms, both legs and a torso,’ said Ramouter. ‘Where’s the head?’

Good question. Henley thought of the places between the two locations. A primary school, two nurseries and an adventure playground among the flats and houses. The last thing she needed was to find a head in the kids’ sandpit.

‘Can I have a quick look?’ Henley asked the assistant from Anthony’s CSI team, who had just bagged up the arm and was scribbling in her notebook.

‘Sure.’ The assistant unzipped the bag and pushed the plastic apart.

‘Fuck,’ Henley said under her breath. Her heartbeat quickened, her stomach flipped.

‘Oh,’ said Ramouter as he peered over Henley’s shoulder. One arm was covered with gravel. Slivers of seaweed criss-crossed old scars. The second arm. Slender wrist, the ring finger slightly longer than the index, broken fingernails. Black skin. Henley could hear Pellacia’s words from earlier ringing in her ears.

‘Too early to say if it belongs to the same victim or if it’s more than just one.’

‘Call DSI Pellacia,’ Henley told Ramouter. ‘Tell him that we’ve got two possible murder victims.’

Excerpted from The Jigsaw Man by Nadine Matheson, Copyright © 2021 by Nadine Matheson

Published by Hanover Square Press

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Book Excerpt: The Last Story of Mina Lee by Nancy Jooyoun Kim

mina lee

Margot
2014

Margot’s final conversation with her mother had seemed so uneventful, so ordinary—another choppy bilingual plod. Half-understandable.
Business was slow again today. Even all the Korean businesses downtown are closing.
What did you eat for dinner?
Everyone is going to Target now, the big stores. It costs the same and it’s cleaner.
Margot imagined her brain like a fishing net with the loosest of weaves as she watched the Korean words swim through. She had tried to tighten the net before, but learning another language, especially her mother’s tongue, frustrated her. Why didn’t her mother learn to speak English?
But that last conversation was two weeks ago. And for the past few days, Margot had only one question on her mind: Why didn’t her mother pick up the phone?

****

Since Margot and Miguel had left Portland, the rain had been relentless and wild. Through the windshield wipers and fogged glass, they only caught glimpses of fast food and gas stations, motels and billboards, premium outlets and “family fun centers.” Margot’s hands were stiff from clenching the steering wheel. The rain had started an hour ago, right after they had made a pit stop in north Portland to see the famous 31-foot-tall Paul Bunyan sculpture with his cartoonish smile, red-and-white checkered shirt on his barrel chest, his hands resting on top of an upright axe.
Earlier that morning, Margot had stuffed a backpack and a duffel with a week’s worth of clothes, picked up Miguel from his apartment with two large suitcases and three houseplants, and merged onto the freeway away from Seattle, driving Miguel down for his big move to Los Angeles. They’d stop in Daly City to spend the night at Miguel’s family’s house, which would take about ten hours to get to. At the start of the drive, Miguel had been lively, singing along to “Don’t Stop Believing” and joking about all the men he would meet in LA. But now, almost four hours into the road trip, Miguel was silent with his forehead in his palm, taking deep breaths as if trying hard not to think about anything at all.
“Everything okay?” Margot asked.
“I’m just thinking about my parents.”
“What about your parents?” Margot lowered her foot on the gas.
“Lying to them,” he said.
“About why you’re really moving down to LA?” The rain splashed down like a waterfall. Miguel had taken a job offer at an accounting firm in a location more conducive to his dreams of working in theatre. For the last two years, they had worked together at a nonprofit for people with disabilities. She was as an administrative assistant; he crunched numbers in finance. She would miss him, but she was happy for him, too. He would finally finish writing his play while honing his acting skills with classes at night. “The theatre classes? The plays that you write? The Grindr account?”
“About it all.”
“Do you ever think about telling them?”
“All the time.” He sighed. “But it’s easier this way.”
“Do you think they know?”
“Of course, they do. But…” He brushed his hand through his hair. “Sometimes, agreeing to the same lie is what makes a family family, Margot.”
“Ha. Then what do you call people who agree to the same truth?”
“Uh, scientists?”
She laughed, having expected him to say friends. Gripping the wheel, she caught the sign for Salem.
“Do you need to use the bathroom?” she asked.
“I’m okay. We’re gonna stop in Eugene, right?”
“Yeah, should be another hour or so.”
“I’m kinda hungry.” Rustling in his pack on the floor of the backseat, he found an apple, which he rubbed clean with the edge of his shirt. “Want a bite?”
“Not now, thanks.”
His teeth crunched into the flesh, the scent cracking through the odor of wet floor mats and warm vents. Margot was struck by a memory of her mother’s serene face—the downcast eyes above the high cheekbones, the relaxed mouth—as she peeled an apple with a paring knife, conjuring a continuous ribbon of skin. The resulting spiral held the shape of its former life. As a child, Margot would delicately hold this peel like a small animal in the palm of her hand, this proof that her mother could be a kind of magician, an artist who told an origin story through scraps—this is the skin of a fruit, this is its smell, this is its color.
“I hope the weather clears up soon,” Miguel said, interrupting the memory. “It gets pretty narrow and windy for a while. There’s a scary point right at the top of California where the road is just zigzagging while you’re looking down cliffs. It’s like a test to see if you can stay on the road.”
“Oh, God,” Margot said. “Let’s not talk about it anymore.”
As she refocused on the rain-slicked road, the blurred lights, the yellow and white lines like yarn unspooling, Margot thought about her mother who hated driving on the freeway, her mother who no longer answered the phone. Where was her mother?
The windshield wipers squeaked, clearing sheets of rain.
“What about you?” Miguel asked. “Looking forward to seeing your mom? When did you see her last?”
Margot’s stomach dropped. “Last Christmas,” she said. “Actually, I’ve been trying to call her for the past few days to let her know, to let her know that we would be coming down.” Gripping the wheel, she sighed. “I didn’t really want to tell her because I wanted this to be a fun trip, but then I felt bad, so…”
“Is everything okay?”
“She hasn’t been answering the phone.”
“Hmm.” He shifted in his seat. “Maybe her phone battery died?”
“It’s a landline. Both landlines—at work and at home.”
“Maybe she’s on vacation?”
“She never goes on vacation.” The windshield fogged, revealing smudges and streaks, past attempts to wipe it clean. She cranked up the air inside.
“Hasn’t she ever wanted to go somewhere?”
“Yosemite and the Grand Canyon. I don’t know why, but she’s always wanted to go there.”
“It’s a big ol’ crack in the ground, Margot. Why wouldn’t she want to see it? It’s God’s crack.”
“It’s some kind of Korean immigrant rite of passage. National Parks, reasons to wear hats and khaki, stuff like that. It’s like America America.”
“I bet she’s okay,” Miguel said. “Maybe she’s just been busier than usual, right? We’ll be there soon enough.”
“You’re probably right. I’ll call her again when we stop.”
A heaviness expanded inside her chest. She fidgeted with the radio dial but caught only static with an occasional glimpse of a commercial or radio announcer’s voice.
Her mother was fine. They would all be fine.
With Miguel in LA, she’d have more reasons to visit now.
The road lay before them like a peel of fruit. The windshield wipers hacked away the rivers that fell from the sky.

mina lee2

Excerpted from The Last Story of Mina Lee by Nancy Jooyoun Kim, Copyright © 2020 by Nancy Jooyoun Kim Published by Park Row Books

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Book Review: With Or Without You by Caroline Leavitt

without you

Is love really all there is?

Release Date: August 4, 2020

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Publisher: Algonquin Books

Price: $26.95 (hardcover)

Plot Summary:

New York Times bestselling author Caroline Leavitt writes novels that expertly explore the struggles and conflicts that people face in their search for happiness. For the characters in With or Without You, it seems at first that such happiness can come only at someone else’s expense. Stella is a nurse who has long suppressed her own needs and desires to nurture the dreams of her partner, Simon, the bass player for a rock band that has started to lose its edge. But when Stella gets unexpectedly ill and falls into a coma just as Simon is preparing to fly with his band to Los Angeles for a gig that could revive his career, Simon must learn the meaning of sacrifice, while Stella’s best friend, Libby, a doctor who treats Stella, must also make a difficult choice as the coma wears on.

When Stella, at last, awakes from her two-month sleep, she emerges into a striking new reality where Simon and Libby have formed an intense bond, and where she discovers that she has acquired a startling artistic talent of her own: the ability to draw portraits of people in which she captures their innermost feelings and desires. Stella’s whole identity, but also her role in her relationships, has been scrambled, and she has the chance to form a new life, one she hadn’t even realized she wanted.

A story of love, loyalty, loss, and resilience, With or Without You is a page-turner that asks the question, What do we owe the other people in our lives, and when does the cost become too great?

Grade: B-

Review:

This is one intense, realistic, and emotional ride. Simon and Stella met twenty years ago and they’ve been together ever since. They’re convinced they’re soulmates, but from Chapter One I quickly get the feeling that each person has spent twenty years yearning the other would change. Simon used to be in a successful band in his early twenties and although he’s now forty, he still wants to live the rock n roll lifestyle. Stella on the other hand, has spent twenty years hoping that he’d warm up to the idea of domestic life. She’s a nurse, and all she wants is to get married and start a family. Despite the two being very much in love, this book proves that sometimes, love isn’t enough when your paths are not parallel to one another, and each individual longs for something else. In fact, I don’t think that Stella and Simon were ever a good match because each person secretly despised the lifestyle of the other.

But everything changes when after a night of heavy drinking and drug-taking lands Stella in a coma. Simon is distraught and doesn’t know what to do. After several months, Stella wakes up but she’s not the same. She has acquired a new artistic skill that she didn’t have before. And now this becomes more important to her than anything else. In the meantime, Simon has gotten closer to Libby, the doctor that was treating Stella during her coma.

You’ll enjoy this book if you love flawed characters who act in a realistic way. The first half of the book was fast-paced for me, but it kind of slowed down towards the middle portion. If you love literary books with the focus being on relationships, then you’ll love With or Without You.

*Thank you so much to NetGalley and Algonquin Books for the digital copy of this book in exchange for an honest review!

 

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Book Review: Mayhem by Estelle Laure

mayhem

“One thing I never could stomach about Santa Maria, all the goddamn vampires.”

Release: July 14, 2020

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Publisher: Wednesday Books

Price: $18.99 (hardcover)

Plot Summary:

It’s 1987 and unfortunately, it’s not all Madonna and cherry lip balm. Mayhem Brayburn has always known there was something off about her and her mother, Roxy. Maybe it has to do with Roxy’s constant physical pain, or maybe with Mayhem’s own irresistible pull to water. Either way, she knows they aren’t like everyone else.

But when May’s stepfather finally goes too far, Roxy and Mayhem flee to Santa Maria, California, the coastal beach town that holds the answers to all of Mayhem’s questions about who her mother is, her estranged family, and the mysteries of her own self. There she meets the kids who live with her aunt, and it opens the door to the magic that runs through the female lineage in her family, the very magic Mayhem is next in line to inherit and which will change her life for good.

But when she gets wrapped up in the search for the man who has been kidnapping girls from the beach, her life takes another dangerous turn and she is forced to face the price of vigilante justice and to ask herself whether revenge is worth the cost.

From the acclaimed author of This Raging Light and But Then I Came Back, Estelle Laure offers a riveting and complex story with magical elements about a family of women contending with what appears to be an irreversible destiny, taking control and saying when enough is enough.

Grade: B+

Review:

First things first, anyone who knows me knows that The Lost Boys has been one of my favourite movies since I first watched it at 8 yrs old. In fact, I’ll admit that it’s probably my favourite vampire movie ever. And you know there have been a lot of movies made about those alluring bloodsuckers. Having stated that, it was a total no brainer for me to want to join the book tour for this novel as it had been marketed as a cross between The Lost Boys and The Craft. What I hadn’t expected was to find actual characters from The Lost Boys in the novel! What does that mean? It means that we run into the Frog Brothers (notorious for being vampire slayers) and we even get to witness a sax solo by Sax Man (if you’ve seen the movie then you know exactly who I’m referring to). If seeing characters from the movie wasn’t enough, we’re also treated with the exploration of the infamous cave from the movie.

The book is filled with so much 80’s nostalgia that I don’t know if the author was aiming to win the hearts of 30-yrs olds who lived during the ’80s or to make today’s teens (after all this is a YA novel and supposedly teens are the targeted audience) yearn for a time they never got to live through the experience.

I didn’t mind the movie references too much, because like I said I LOVE The Lost Boys. I also liked the protagonist Mayhem a lot. She managed to talk her mom into leaving her abusive step-dad and return to her hometown of Santa Maria. Now if you think that this novel is about vampires, well you’re only halfway right. The novel offers a different perspective on the supernatural, where, much like in the Anne Rice Werewolf series, the supernatural entity uses its powers for the good of the community rather than for evil. But even when you’re ridding the town of evil people, the question that looms over Mayhem’s head is, is it moral to decide who gets to live or die, even if the person they’re killing has done terrible things? The novel tries to grapple with that along with the question of, can one break free from one’s lineage and familial curse? Or does one embrace the curse and view as a gift?

For the vast majority, I enjoyed the novel although I feel as though it moved a bit too slow at first, to truly escalate towards the end. Overall, I felt as though this novel deserved more in regards to delving into the mythology of the Brayburn family and to perhaps do more into depth about the curse that spanned generations of Brayburn women.

Again, because I love The Lost Boys so much, I adored being part of this universe yet again, albeit in a different form. But if you take all the homages to The Lost Boys away, the overall plot is pretty flimsy. That’s not to say that this book isn’t worth your time. It is enjoyable, but it just lacked in certain areas.

Pick this book up if you wish to take a dive into the 80’s nostalgia, or like me, you’re a huge fan of The Lost Boys.

*Thank you so much to NetGalley and Wednesday Books for the digital copy of this book in exchange for an honest review!

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