Book Review: The Fade by Demitria Lunetta

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The Others meets The Cellar in this scary ghost story thriller from the author of BAD BLOOD.

Release Date: December 11, 2018

Order On Amazon

Price: $12.32

Publisher: Delacorte Press

Plot Summary:

We don’t want to disappear.
We want to be found.

Something terrible happened in her basement. Haley can feel it.

Four girls went missing several years ago, and the police never solved the case. But Haley knows the missing girls were murdered. How else can she explain the hostile presence in her house?

The ghostly girls need something from her. And unless Haley can figure out what they want…she might be next.

Grade: A

Review:

Creepy haunted house in a small town? Check. Missing girls that are possibly dead and haunting said house? Check. Creepy little boy, that sees dead people? Check. Basically, this book has all the things that a good ghost story murder mystery should have. I liked that the book started right off the bat with creepy events, it wasn’t a slow burn. And I like that some of the minor characters were right on board with the belief of ghosts, cause sometimes it gets kinda taxing to have characters go back and forth about whether or not the existence of ghosts is possible.

The mystery of what happened to the missing girls is what had me hooked, to be honest. I really wanted to know what happened to the girls, how they were murdered, where, and why. I also wanted to know who had murdered them. That mystery was the most interesting aspect of the book. I also enjoyed that the book didn’t try to force romantic relationships, or rather they were more casual, rather than insta-love. There are some events that take you by surprise, so it isn’t one of those predictable books, instead it keeps you wanting to read because I really had no idea where it was going to take me. But it was a fun, yet creepy ride!

The writing flowed very well, and if you’re a fan of YA and ghost stories, then this book will be right up your alley.

Short Q & A With the Author:

Why do you think that books about missing girls are so popular?

I think that the mystery is what really gets people. WHAT HAPPENED?! Then when it’s a young person, when there’s an expectation of care, it’s even more important to figure out WHAT HAPPENED?!

What inspired you to write your current book?

I moved into a new house and was at the top of the basement stairs thinking, “This is such a murder basement.” And the idea for THE FADE was born!

The Fade isn’t only a thriller mystery but it has a paranormal twist to it with the ghosts. What makes ghost stories and haunted homes so frightening?

Ghost stories are terrifying because they’re all about the unknown. Unexplainable phenomenon is terrifying! When reading/watching ghost stories I always think about the point of when I would leave the haunted house. It’s usually pretty soon. I could get a new house. And new stuff. And a new husband. I’d be so gone at the first spine prickle of a ghost.

Your book kind of reminded me of The Sixth Sense in the way that Haley is tasked with trying to help the ghosts she encounters. What movies do you think influenced or inspired you with the writing of this book?

Yes! Haley’s name is inspired by Haley Joel Osment from the Sixth Sense! I loved the creepiness of that movie but also the revelation that the ghosts just want help.

*Thank you so much to NetGalley and Delacorte Press for the digital ARC of this novel in exchange for an honest review!

ENTER FOR A CHANCE TO WIN A SIGNED ARC OF THE FADE BY CLICKING THIS LINK!
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Upcoming Books: Betty Bites Back – Horror Stories for Young Feminists

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I’m thrilled to announce that my short story, GOOD SISTER, BAD SISTER is going to be included in the upcoming anthology Betty Bites Back – Horror Stories for Young Feminists (coming out October 2019). This anthology is put together by award-winning badass authors, Demitria Lunetta, Mindy McGinnis, and Kate Karyus Quinn.

Here’s a little teaser of what my story is about:

GOOD SISTER, BAD SISTER by Azzurra Nox

Puberty comes with many changes, but after being bitten by a mysterious animal in the forest, Dilay finds out that some changes may just give her a certain edge she didn’t have before.

Until then, support me and the amazing authors that are going to be included in this awesome anthology by stopping by the Kickstarter Page for it (even if you can’t contribute monetarily, forward the link on your social media so we can spread the word!).

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7 Things I Learned From Directing a Short Horror Film

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In 2016 I embarked on a very ambitious project, I decided to direct, star, and write the screenplay for my very first short horror. Now, being someone who loves the horror genre, and who loves film in general, I wanted to create a horror film where the woman wasn’t only the victim, but that she could also be the villain. So I managed to convince some friends and my boyfriend to help me bring this project to fruition, and that’s how DEVIL IN THE DETAILS became my first short.

Since it was my first short and the only experience I had with film was working in front of the camera and not behind one, I didn’t quite anticipate a lot of the things that came up later in the process. With a bit of arrogance, I thought, if Quentin Tarantino could direct a film without ever stepping foot in a film school, then I too, could create an entertaining short in with grindhouse horror elements.

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The SEVEN THINGS I learned from Directing a Short Horror Film:

  1. Choose your cameramen wisely. When I first started out, I had two cameramen, and I figured that I could rely on them to know how to take good shots and edit. Well, it turns out that it’s easier to direct both actors and crew to get what you want done when you’re literally behind the camera than rather when you’re also acting in scenes. Being both the actor and director turned out to be far more complicated than anticipated. Also, you need to be able to trust that your cameramen are responsible, I made the mistake of not asking for my filmed scenes till I had filmed them all, which caused for some of the footage to be lost when the cameramen were unable to locate one of the SD cards.
  2. You will bruise or get hurt whilst filming. No one realises how intensive it is to be a horror actor. Hats off to all the veterans of horror and scream queens, because I didn’t realise how labor intensive it is to be a horror actor. I had to put up with fleas from being tied to a post, got bruises on my back from being tied to said post and bruises again from pretending to pass out and trying to make it look natural.
  3. Fake blood will haunt you for days. If you’re one of the actors who dies or gets hurt (as my character did in the short) then you will be splattered with fake blood. The funny thing about fake blood is that no matter how many times you’ve showered, you will somehow miss a spot and won’t know till someone randomly mentions to you two days later, “Are you bleeding?” and then you notice that you have a rogue bloodstain on the inner corner of your elbow.
  4. Don’t have a big cast. If someone would’ve told me just how difficult it is to coordinate everyone’s schedules when most people work on a rotating schedule, I wouldn’t have cast so many characters for the short. So my advice is, start small. Have three characters max, not seven like I did, and three crew members (which makes ten people total), cause let me tell you, trying to coordinate the schedule of ten people is difficult (although since I finished the project, not impossible).
  5. Create a budget. There are many expenses you need to consider when making a short. Some people may have to pay actors (I managed to cut that expense by getting my friends to act), you may need to pay for editing services (again, I managed to cut that expense by approaching a friend of mine from high school that works in film to help me with that, and I greatly appreciate the time and sweat he put behind it to deliver the finished project), buy props (most of our money went towards making the fake blood, but we also had to buy costumes, wig, and lights). Some filmmakers have had to pay for the location, I was lucky that my boyfriend allowed me to use his family’s historic barn house as the location of my film, again cutting expenses. Then there are film fest fees. Some film fests aren’t expensive, you can pay as low as $5, but others will ask as much as $20 or $50.
  6. Be realistic. Chances are your first film won’t be selected to play at Sundance, so don’t even bother sending it to that (not to mention having to pay a $50 entrance fee) because Sundance only accepts around 5% of the films sent to them. You’re better off using that money to enter in lesser-known festivals who are more apt to accept your entry. In fact, you should enter the majority of festivals that fit with your specific genre first, and then enter in ones that are close to where you live as more festivals are apt to select people who will be able to attend the actual festival than if they can’t.
  7. Have fun! Remember, you aren’t making films to make money or become famous (although of course, who wouldn’t want both?), but you must remember that you did this because you LOVE film and want to create something original. If you don’t love the world of film, then you won’t be able to survive the lesser fun and glamorous aspects of film.scream queenAlthough my short fell in post-production hell for two years, DEVIL IN THE DETAILS is finally complete and is currently being considered for several film festivals. Let me know if you’re a filmmaker or an aspiring filmmaker and if you have any advice or suggestions in the comments below!

     

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Poetry: A Haiku for all the Boys I’ve Kissed

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1.
You taste of ashen
smoke. I swallowed bright colored
pills. You were danger.

2.
The snow kissed my hair
You kissed my lips, magically
winter melted, now.

3.
You deserve more
than seventeen syllables
my beautiful love.

4.
In a dressing room
You stole a kiss, tore my
dress, and forgot her.

5.
Before you kissed my
lips, you kissed my nose, and I
fell for you so hard.

6.
Drowning in your lust,
The rain clung to my hair like
your skin clung to mine.

7.
He murmured, “Your bloke
is wrong. All you ever needed
is a man like me.”

8.
Your kiss was deadly,
oxygen escaped like a
thief, in the cold night.

9.
Fire, you burned me through
until there was nothing left
But naked white bones.

10.
Dressed as a doting
nurse, I pushed you against the
wall and claimed you as mine.

11.
Berlin is icy
on my bare limbs, please don’t let
go. I just want you.

12.
A cozy hotel
is where I dropped my dress, and
my bestfriend title.

13.
Give back my records,
Your calloused fingers tugged my
hair, the night sparked flames.

14.
You used to hate me.
But your tongue worshiped every
part of me, for days.

15.
We passed each other,
Pulled me in a soft embrace.
It cut me in two.

16.
Music, two a.m.
You so young, and I so wise.
I stole your CDs.

17.
Your music captured
me. I stumbled into you
and inhaled the stars.

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Welcome, new readers!

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Since I’ve been gaining more and more followers every day, I’ve decided to make a little impromptu post that kinda explains the blog and the direction of the blog and posting times!

First and foremost, THANK YOU for following The Inkblotters! I’m excited for every single follower and grateful that you’ve decided to follow the blog. When I decided to start a blog last year after many years of not really writing any articles or posts (I used to run a website called Plastic Venus where I interviewed various musicians, models, authors, actors, and other amazing creatives), I knew that I still wanted to include all my passions in one blog, hence why I decided to go with the lifestyle blog as opposed to others, where it chronicles my journey as a writer, but also individual.

Some of the subjects that I post a lot about are: skincare, healthy living/clean eating, beauty reviews, book reviews (usually with author interviews), writing, film reviews, some travel, some recipes, and relationships.

A few of my ongoing mini-series are: Skincare (where I talk about different ways to combat acne), My Bad Romance (this series details my experience with exes, told more as snapshots of my past), Beauty in Breakfast (I share recipes on skin-healthy foods to jump-start your day in a good way!), and Poetry (where I share poetry that I’ve written).

After a year of blogging, I’ve finally managed to figure out a posting schedule that would work for me. From the very beginning, I’ve always posted twice a week, but never on a specific day of the week. Although now I promise to post TWICE a week, with posts up on TUESDAYS and THURSDAYS.

In the meantime, the all-femme horror anthology that I edited last year, MY AMERICAN NIGHTMARE is currently on sale for 99 cents till May 19th! So, if you’re into horror, short stories, or just wanna support women authors, then pick up a copy today, here on Amazon!

Let me know what kind of blog posts you’d like to see more of, and I can see if I can explore new topics. Tell me in the comments below! Also, if anyone is interested in any guest posts or collaborations, please let me know in comments or email me at: azzurranox[@]yahoo.com.

And thank you again for following me! If you wish, follow me on Twitter, Instagram, and Pinterest too!

xo

Azzurra Nox

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Book Review: Hiding – Henry Turner

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Review*

HIDING was a very unique, particular book about a teenage boy who has been figuratively hiding all his life, that he’s capable of going unnoticed in plain sight. The whole book takes place within a twenty hour-time frame and explores the various secrets one keeps, and how sometimes surface truths aren’t always the truth, but merely a cover-up to what is truly hiding beneath the surface. This novel will keep you guessing as you try to unravel the truth about why the protagonist’s girlfriend left him, and how the truth affected the whole relationship. A fast-paced YA that ultimately delivers an important message to teens, how precious life is and what it means to be true to yourself. Check this out if you’re into coming of age YA novels, with a protagonist reminiscent of Holden Caulfield.

About The Book:

 HIDING tells the story of a teen boy who excels at being unseen and who finds himself in the unlikely predicament of hiding in his ex-girlfriend’s house. There he uncovers carefully concealed truths—about her, her family, and himself—in a breakout mystery both unpredictable and perceptive. Trapped by the alarm in his ex-girlfriend’s house and his own indecision, he’s confronted by how little he knows about Laura and her family—her seemingly perfect life and the reasons she shut him out of it. As he explores the palatial home, he uncovers more than he bargained for. How long can he stay hidden? What will happen if he is found? What will he learn about Laura—and himself—in this house? And what is his true motive for being there?

Turner’s affinity for observant outsiders—and teens who share a desire to hide from nosy adults and judgmental peers—shines in a psychological thriller in which the slow burn of tension keeps readers turning pages to a sudden twist that changes everything.

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Short Q & A With The Author:

In your past novel, Ask The Dark and your current novel, Hiding, both books focus on how the protagonists came from lower class families. How important was that detail to the plot and how did it shape the characters and their actions?

In ASK THE DARK the protagonist was from the lower class, financially speaking, but really that’s not the case in HIDING. HIDING’s narrator is middle class, but living in a neighborhood where that category would have wide boundaries and a sliding scale because there’s a lot of variety and nuance to the whole socio-economic scheme of the area.  It was important that his lifestyle is in contrast to Laura’s – she’s rich and has had a lot of prestige experiences: she lives in a huge house, attends prep school, travels, and so forth, but he doesn’t. He has every reason to wonder why she is attracted to him and sees value in him, because, in at least external ways, they have very little in common. Hence part of his quest is to learn the reasons of her attraction, which ultimately have nothing to do with their socio-economic positions. Also important is how their lifestyles have influenced how they react to their problems and the development of their coping strategies – the differences of which lead the narrator to his most important discoveries.

Hiding reminded me of a true crime incident where a man in New Orleans hid in his ex’s attic for weeks without her knowledge. Was the novel inspired by true events?

Certain personalities in the story have real-life antecedents, but always in a composite. I used to cut school and hang out at a country club where the waiters would give me drinks – though I never put on the act the narrator does! The central situation was my invention, however, and not based on a true crime.

There was a stark contrast between the protagonist and his girlfriend Laura. Do you think that she was attracted to him because unlike her mother, he wasn’t expecting her to be perfect?

He doesn’t have expectations at all. He sees her in the moment, as she is. He looks past her accomplishments, her beauty, money, athletic success, and connects with what makes her real as a person, and not as a reflection of what she has or does, which, to his way of thinking, are really just obstacles getting in the way of their getting to truly know and love each other. A big part of the story has to do with his convincing her that it’s the innate aspects of herself that are most special about her, not things she has or does that are external to her, and that is losing the meaning she once placed in them.

The novel explores the idea of hiding in plain sight. Do you think that many people, especially teenagers find it easier to hide rather than to bring attention to themselves?

It depends on what they hide; or rather, what they hide behind. I think the narrator uses hiding, or at least his highly adaptable definition of hiding, to take control over how he feels he’s being overlooked and ignored in his neighborhood. Instead of saying, “They can’t see me,” he prefers to think, “I’m hiding from them,” which allows him to preserve his private sense of value and keep it a secret to himself, without the need for external approval or validation. The risk, however, is that at its most dangerous level, the narrator defines hiding in the sense of keeping important aspects of the self-buried, from others as well as from oneself. So the kind of hiding that the narrator discusses is very different from just staying out of sight. It can be that – simply staying concealed so you aren’t noticed – but more subtle and dangerous is using some external trait as one’s identity, as the representation of one’s value, behind which hides the secret self.

There was a feeling of dread throughout the whole novel up until the climax. Do you think that this was necessary for the protagonist’s journey?

In the end, when he realizes what is really happening to Laura and the imminent danger of it all, he feels dread, amped up by feelings of urgency and despair. But earlier, as he walks through the neighborhood, or even in the earlier scenes of him sneaking around inside Laura’s house, the sense is more of isolation and alienation – and there is a lot of humor in his way of looking at things. All throughout the story he talks about being unrecognized and in some instances actually rejected, which certainly can be dreadful, but this was necessary to show that he can maintain his sense of self-worth without external support, praise, validation, etc.  That’s really the essence of the book – the revelation that the narrator has developed a coping mechanism that lets him maintain his sense of personal value despite how he’s treated or believes he’s perceived by others.

About The Author:

Henry Turner grew up in Baltimore, Maryland, in Roland Park, where he attended public school. He was always interested in storytelling in one form or another, and as a teenager he started making films with his brother and neighborhood kids.

Henry wound up making five feature films, writing and shooting and cutting them. When his films won awards and attracted industry attention he moved to Los Angeles, after getting a call from a film production company that was looking for scripts. He stayed in L.A. and helped build a fledgling film festival that has since become well-established. He also freelanced in entertainment journalism, interviewing well-known filmmakers such as George Lucas, Brian Grazer, Quentin Tarantino, James Cameron, and many others. All along he was writing stories.

During a year spent in Greece he made a total commitment to writing fiction. Returning to Los Angeles, he met his future wife, who encouraged him to study fiction writing with a novelist he admired – John Rechy. Henry stayed in Rechy’s private writing group for a number of years and also studied privately with Hubert Selby. Since then he and his wife have had a son, Hugo, who is now twelve. Henry Turner is now writing a new novel.

Purchase the book on Amazon or Indiebound!

Check him out on Twitter!

Visit his author website!

*I received a free copy of the book for review purposes. 

By: Azzurra Nox

 

Book Review: This Darkness Mine – Mindy McGinnis

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Mindy McGinnis has been delivering badass (sometimes unlikeable) but definitely strong female protagonists since her early works. This Darkness Mine is no different from her previous novels in that regard. Sasha Stone is the epitome of perfection: first chair clarinet player, straight-A student, and also comes equipped with a “perfect” boyfriend who’s handsome, well-dressed, and doesn’t pressure her into sex. All of this slowly begins to erode once bad-boy Isaac Harver enters the scene. Soon, she begins to feel feelings towards him that she never did and recalling events she’s never taken part of. Or has she?

Some light begins to shed when we find out that Sasha had a twin that she ultimately ended up absorbing whilst in the womb (known as Shanna). Unlike Sasha, this twin despises control and perfection and begins to wreck havoc into her life once she starts to take over Sasha’s psyche. But is Shanna real or merely a figment of Sasha’s imagination?

The book flirts with the notion of unreliable narrator, much like Darren Aronofsky’s Black Swan did with Natalie Portman’s character. Is what is happening real or is it all just a sign of Sasha’s ultimate madness?

McGinnis breathes life into the “dead twin” Shanna, allowing her to be the personification of Freud’s ID (meaning being a person who only lives for their own passions and don’t allow their brain to control their emotions). Sasha on the other hand is Freud’s EGO end of this yin-yang duo, the brain and captain of the ship. But what happens when the emotion-driven Shanna takes reins of the situation and how will that effect Sasha’s “perfect” world?

This book isn’t for the faint of heart. It’s dark. It’s gritty. It’s gory. (Yes, I L-O-V-E-D it!). And just when you think you know where it’s leading you, you’re completely blindsided by yet again another improvised detour that will leave you questioning your own sanity and judgment. McGinnis delivers a punch to the gut with her sharp writing and often ruthless character interactions.

So take the plunge, cause it’s one hell of a crazy ride.

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Short Q & A With the Author:

When I started reading This Darkness Mine I realized that the book was based off of the short story that appeared in Among The Shadows, entitled Phantom Heart. When did you decide to further explore Sasha’s world and what was it about this character that compelled you to do that?

Great question, thanks for noticing! Yes, DARKNESS is based on my short, “Phantom Heart.” Originally, I had no intention of taking this any further. Then my fellow editors for Among The Shadows – Demitria Lunetta and Kate Karyus Quinn – insisted that there was a whole novel there. I wasn’t sure, but I pitched the idea to my editor at Harper Collins, who was like – Yes! Write it!

Sasha Stone is the typical overachiever. Do you think that her mental illness derives from expecting perfection out of herself and the pressures that come along with that, or does she suffer from multiple personality disorder?

I worked in a public school for 15 years, and I always thought it was interesting how black and white rules and programs were. Drugs are bad. Sex is bad. Smoking is bad. Period. In some ways, we’re telling the kids that even curiosity about our “darker” inclinations are plain wrong, and need to be smothered, not investigated. Perfection is impossible, yet many strive for it. I wondered what would happen if you took an already strained teen, trying to be the “good” kid, and had her repulsed even by any interest in doing “bad” things. Would she be able to accept that such urges can be normal? Or is that so far outside of what we’ve taught her is “good” that she has to come up with an alternative explanation?

For many years I’ve been very fascinated with the creepy phenomenon of Fetus in Fetu, where a twin ends up absorbing the other twin in the womb, and in some cases doctors have later found the missing twin inside of the living twin, usually mistaken for a tumor later on in life. When did you become interested in this strange phenomenon?

It’s actually not a rare event, it’s something that usually goes completely unnoticed. I can’t remember the first time I ever heard of it, because it is pretty pervasive in pop culture, but I did have a student years and years ago who had absorbed his twin. It’s something I collected in my lint trap of a brain, and it became paired in my mind with the mirror therapy that they use for phantom limb syndrome, which is how “Phantom Heart” came about.

In the novel, Sasha is a clarinet player. Were you ever in band in high school and how did that help with writing the novel from a musician’s point of view?

You bet!!! Trombone since 4th grade!!! I tell everyone this is my band geek book. I also took piano lessons throughout most of my childhood, so music has always been a part of my life as both a consumer and a producer. This was a chance to work that into a book.

This novel was exceptionally dark. It explored the trials of mental illness as well as what it means to be a successful girl. Which actress could you see in the role of Sasha if this were to be made into a movie?

Oh, I have no idea. I don’t ever do any fan casting.

(Editor note: I asked that question because I could totally see Emma Roberts portraying stone-cold crazy bitch Sasha to perfection.)

I often use music to get into a certain mood depending what scenes I’m writing. Since your novel was about a girl who was obsessed with music, did you use music as a way to aid you in the writing of this book? And which music/artist/or song did you listen to when immersing yourself into Sasha’s world?

I actually don’t listen to music when I’m writing because while it can be helpful to get you into one mood, it can also end up controlling you mood so that when you need to flip to something else when you change scenes it can be hard. Instead I have a white noise app that I keep on while I’m writing. It’s a back ground noise that lets my creativity be in control, not someone else’s.

Get your copy of This Darkness Mine here today!

Visit the author’s site http://mindymcginnis.com

By: Azzurra Nox