Throwback Thursday: Andreas Johnson – Glorious

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1998-1999 was a golden age for music. Or at least I thought it was, seeing that many of my favourite bands came out with albums those two years that I not only loved but defined me, such as Marilyn Manson’s Mechanical Animals, Garbage’s 2.0, Hole’s Celebrity Skin, and Red Hot Chili Pepper’s Californication, just to name a few.

During that time I had also become a big fan Swedish singers, and Andreas Johnson came out with a song and music video that was absolutely thrilling, called Glorious.

The song was catchy from the very beginning and like most Swedes, Andreas Johnson was quite the eye candy (especially for all of us teenage girls). Now, the music video wasn’t crazily original (as it just showed him performing the song on some stage upon another stage and then in a bedroom in the company of a model-looking girl). Despite it not being a video that screamed with originality, there was something very sexual and sexy about the beautiful couple making out on a bed at that looked like to be dawn (maybe they had spent the whole night partying or they met at a club?) only to fall upon the bed in a shower of silver glitter. Back then, I was in full mode glam-mania (Manson had ditched his goth guise for feather boas and platforms as Omega in Mechanical Albums and the movie Velvet Goldmine was set in 1970’s London, heyday of glam rock had just been released). This was the time I used to wear glitter liner and star rhinestones at the corner of my right eye. I’m telling you, we were much cooler than the emo crowd.

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I can’t recall when it was the last time I had listened to this song but surely it was around 1999-2000 timeframe, because if you were living in Italy at the time (as I was), there was no way you didn’t her this song on the radio at least four times a day. The music video was in heavy rotation on MTV Italy too. So, watching the video and listening to the song almost twenty years later I discovered that the song is still hella catchy today, and you can’t help but be intrigued by the opening lyrics when Johnson croons, “Here she comes with a masterplan, and I’m starting to lose control.” Mind you, we never get to know what this masterplan is unless it’s referring to her seducing him (maybe?). And even two decades later, falling upon a bed of silver glitter still seems thrilling (forget rose petals! Rolling around in glitter that evoke stars is my fantasy!).

The song doesn’t sound dated to me (maybe cause it’s a love song), although I suppose the music video could be seen a bit dated. But honestly, it’s still way more exciting than videos most artists are releasing nowadays (the death of MTV as a music channel brought death to the music videos).

Glorious was an all-out fun, sexy song that sticks with you far longer than you think it should. Maybe because we’ve all fantasized about meeting a sexy stranger at a club to end with a dawn filled with passionate glitter sex. No? Just me?

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Review: Pixi Overnight Glow Serum (Concentrated Exfoliating Gel)

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This is the third skin product that I’ve tested by Pixi and I’m truly loving it! (You can check out one of my Pixi reviews here). I know that you may think that I’ve been reviewing a ton of skin serums lately, but alas skincare means more to me than cosmetics. If you have an amazing skin you won’t need that much makeup, so that’s why I’m so obsessed with keeping my skin looking top notch (which I know is usually easier said than done!). But that’s why I wish to share with you any skincare product that can help you achieve that amazing skin that we all crave!

Packaging: Like most serums, this comes with a drop dispenser, and in keeping with the Pixi brand it’s a light shade of mint.

What It Does: Gently exfoliates to reveal a healthier and more even skintone. Helps reduce the appearance of fine lines and fade superficial sun damage over time.

Active Ingredients: Glycolic acid, aloe vera, and cucumber

Verdict: What I love about this serum is that it’s thick and feels extra emollient. The glycolic acid stimulates cell turnover, while the aloe vera helps to heal and soothe skin, and cucumber calms and relieves puffy skin. After using this serum for two weeks my skin became instantly smoother and softer. I initially purchased this serum because of the glycolic acid and the promise of it helping fade sun damage (especially since I’m so deathly pale and I live in So-Cal). In two weeks I can’t really tell whether it has helped with any possible sun damage, but it has helped in fading any past acne scars. The serum feels ultra luxurious, as though you were applying an insanely expensive serum, but in reality you’re just splurging the same amount that you would for a MAC lipstick. I recommend this serum, and if you’re acne-prone and oily, this serum keeps the zits away and doesn’t cause one to breakout or increase the oiliness either.

Price: $24

Where To Buy It: Target or https://www.pixibeauty.com/

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Remembering Dolores and the Summer of 1999

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While the majority of the world became a Cranberries fan with the iconic song Zombie, I didn’t become a fan till 1999, when their fourth album Bury the Hatchet was released, preceded by their single, Promises. Something about that angry revenge anthem spoke to me (I was an angsty, angry teen) and I also loved the music video cause the wicked witch of the west resembled Fairuza Balk a little. Someone else who was equally a fan of that album was my cousin Melody.

I remember how she and I would listen to the album and daydream about living in London or Los Angeles. That we felt that maybe, in cities like that, our mutual weirdness would be better understood or at least not scoffed or poked fun at, as opposed to where we lived.

My cousin was a bigger fan than I was, to the point that she said, “I wish my name could be Dolores at least it would be better suited for me than Melody. Do-lo-res…just saying it sounds darkly poetic.”

We’d sing along to Animal Instinct whilst applying makeup and drinking conspicuous amounts of coffee and Bailey’s Irish Cream. Clouds of smoke would circle above our heads as we shared lipsticks and secrets, all the while Dolores O’Riordan’s voice at times aggressive, other times ethereal playing in the background. We’d stroll the cobblestone streets of our small Sicilian town, humming Just My Imagination, and dreaming big dreams. This was before selfies were a thing, so I don’t have photos documenting those moments of us together, but they’ve remained engrained in my mind, milk fresh as though they’ve only happened several months ago, and not years ago. How we’d lie both in bed, our long hair meshing together, her’s bleached blonde, mine strawberry blonde, and how it created the perfect sunset hue, and the notes from the songs would transport us elsewhere, somewhere we were convinced that we’d be better versions of ourselves.

On Christmas Eve of 2013, Melody committed suicide—and although I hadn’t seen her in years since 1999 (I had moved to America and she had moved to Turin), I couldn’t stop thinking of the last summer days we spent together. Of how everything seemed possible—when we were young and fearless. And we didn’t know it then, but maybe, we already were the better versions of ourselves but we were just too blind to see it.

Now, with the recent and unexpected death of Dolores O’Riordan, I can’t help but think about how Bury the Hatchet had been the soundtrack of my last days spent with Melody. And how often, these last five years, I’ve found myself listening to the familiar songs as a way to feel closer to my cousin, as a way to be transported back to those careless summer days.

And now, I’m merely left with the songs and the memories of a summer that’s gone and with it its dreams.

By: Azzurra Nox