Oz Perkins has quickly become one of my favourite directors. Son of the late horror icon Anthony Hopkins, I first came to know of Oz Perkins when I watched The Blackcoat’s Daughter, one of my recent favourite horrors of the past few years.
So when I saw that he was going to tackle a fairytale, I was intrigued. The winning point for this film is that it’s incredibly atmospheric. From the very first scene you’re sucked into the world of the film and feel immersed in its Gothic forest wonder. Gretel is portrayed by Sophia Lillis who has been showing her acting chops in IT and also the miniseries Sharp Objects, and even in this role she doesn’t disappoint.
Personally, I love that we got to know more about the witch in question that lives in the woods. In the fairytale, we never really got a sense of who she was other than a hideous lady that cooked up children to eat them. Not that she doesn’t do this in this film, but we also get more of a backstory.
In a way, the film is very feminist as it proves that Gretel wasn’t willing to work for a nobleman who seemed more interested in her maidenhood than her abilities to clean and launder. I also liked that the witch wasn’t seen as particularly evil at first, because she was teaching Gretel many skills and looked at her as a possible stand in for a daughter figure. In a way, she was happy to share her power with her and to help Gretel nurture her own power.
But what really makes this film unforgettable isn’t all the feminist messages (there are many and it’s cool) but for the enchanting yet terrifying images. There’s something about the witch’s house that compels you to enter but also once you’re inside, you can’t help but feel like something is terribly amiss despite the tasty banquets that seem to appear on the table at all hours of the day.
Watch this film for its rich photography and if you’ve ever wanted a little more depth analysis of the Grimm fairytale, Hansel and Gretel.
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