Tag: vampires

Film Review: Nosferatu (2024)

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The latest adaptation of Nosferatu (2024) is a stunning reimagining of the iconic 1922 silent film that has endured as one of the most influential horror movies in cinematic history. Directed by Robert Eggers, the film blends elements of gothic horror, expressionism, and modern sensibilities to create something both timeless and terrifying.

A Fresh Take on a Classic

Eggers, known for his meticulous craftsmanship in The Witch (2015) and The Lighthouse (2019), brings his signature atmospheric tension and historical precision to Nosferatu. The movie is a reworking of the classic tale of Count Orlok, a vampire whose eerie presence and insatiable thirst for blood spread fear and chaos. While the story remains rooted in the essential beats of the 1922 film, Eggers injects a fresh and chilling perspective into the narrative.

One of the film’s greatest strengths is its refusal to simply remake the original but instead, taking the essence of the 1922 film and amplifying it. It’s not just a retelling; it’s a reimagining for a new era. The movie is steeped in the atmosphere of the 19th century, but Eggers expands the world with deeper emotional stakes, giving us a story that feels both historical and contemporary in its exploration of dread.

Visual and Cinematic Brilliance

The visuals are absolutely mesmerizing. Eggers’ use of practical effects and the gorgeous cinematography by Jarin Blaschke (a frequent collaborator) take full advantage of the eerie landscapes and the haunting visage of Count Orlok, played by Bill Skarsgård. The makeup and prosthetics on Skarsgård are nothing short of mesmerizing, transforming him into a truly otherworldly and grotesque figure. His portrayal of the vampire is a combination of the original Nosferatu’s malevolence and a new level of psychological complexity that makes Orlok both more unsettling and tragically human.

The film’s color palette is steeped in muted tones, with chiaroscuro lighting that evokes the expressionist style of the 1922 film but is done in a way that feels fresh and striking. Eggers embraces modern sensibilities but also pays homage to the heavy use of shadows and visual storytelling that made the silent film so groundbreaking.

A Strong Performances Across the Board

While Skarsgård’s performance as the vampire is undeniably captivating, the supporting cast also shines. Lily-Rose Depp, playing the central character of Ellen, is emotionally vulnerable yet resilient. Her portrayal of a woman torn between the supernatural forces surrounding her and the love of her husband (played by Nicholas Hoult) brings a poignancy to the film that deepens its terror. Depp’s presence is ethereal, almost as though she’s an extension of the haunting landscapes, which enhances the film’s atmosphere.

Nicholas Hoult, known for his versatility, gives a nuanced performance as the doctor who becomes entwined in Orlok’s web. His progression from curiosity to horror is beautifully done, and his chemistry with Depp makes their relationship believable even amidst the supernatural chaos.

Themes of Isolation and Despair

Nosferatu (2024) explores more than just the fear of vampires; it delves into themes of isolation, the human psyche, and the destructive nature of obsession. Much like the original, the film touches on the profound isolation of both Orlok and his victims, but Eggers takes this further, showing how fear and longing can distort reality. The dark, oppressive atmosphere mirrors the emotional isolation of the characters, where the external threats seem to echo internal struggles.

Eggers also plays with the notion of the monstrous as both an outward and inward transformation. Orlok is not just a vampire—he’s a manifestation of our darkest fears, a creature that lurks in the shadows of the human soul. The tension between the supernatural and the human condition makes the story resonate beyond the genre of horror.

The Verdict

Ultimately, Nosferatu (2024) is a triumph of modern horror filmmaking. Eggers has crafted a visually stunning, thematically rich, and deeply unsettling film that successfully reinvents a classic while staying true to the original’s spirit. Bill Skarsgård’s portrayal of Orlok is mesmerizing, and the haunting atmosphere of the film is a testament to Eggers’ prowess as a director.

While the film takes its time to build tension, its slow-burn atmosphere pays off in a finale that is as chilling as it is thought-provoking. Fans of classic horror, as well as those who appreciate more cerebral, atmospheric films, will find much to admire in this 2024 reimagining of Nosferatu. It’s a film that lingers long after the credits roll—both terrifying and beautiful in equal measure.

Rating: ★★★★☆ (4/5)

A masterful reimagining of a classic, Nosferatu (2024) reminds us why horror, when done right, can transcend the realm of pure fright to become something far more profound.

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Book Review: All The Hearts You Eat by Hailey Piper

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What really happened to Cabrina Brite?

PLOT SUMMARY:



Ivory’s life changes irrevocably when she discovers the body of Cabrina Brite on the sands of Cape Morning, along with a mysterious poem. How did she die, and why does it seem she was trying to swim to Ghost Cat Island, the center of so many local mysteries?

Desperate to uncover the answers surrounding Cabrina’s death, and haunted by her discovery, Ivory begins to see the pale ghost of Cabrina, only to shake it off as a mere hallucination. But Ivory is not alone. Cabrina’s closest friends have also seen a similar apparition, and as they toy with occult possibilities, they begin to unravel the truth behind Cabrina’s death.

Because Cape Morning isn’t a ghost town, but a town filled with ghosts, and Ivory is about to discover just what happens when you let one in.

GRADE: A-

REVIEW:

This isn’t your typical vampire novel – Piper brings new lore and a fresh take to the undead and I’m here for it. It’s visceral and raw as it explores the theme of identity. Cape Morning is a small island with not many residents. Tourists flock the island during the summer months, but in the winter the island is less populated. Ivory is a trans woman who lives by the sea, and one morning after swimming sees the body of Cabrina Brite. She soon finds herself enthralled by the mystery of what exactly happened to Cabrina and what caused her to die. The mystery is well done and what kept my interest throughout the novel. I really liked the chapters from Cabrina’s diary. Ivory pushes herself to the brink, endangering herself at times in order to seek out the truth. Then there’s Cabrina’s friends, who, grief-stricken will do anything to find out the mystery that surrounds her death too, even if it means tinkering with the occult.

There’s brutal violence, but told in a way that almost comes across as poetic. I loved how the vampires in this novel were linked to cats and the island Ghost Cat Island. This is a new vibrant take on the vampire lore, and if you love Gothic literature, the gothic vibes are at an all time high in this one. The pages are filled with a brimming rage – but will also break your heart in unexpected ways. A must-read if you love well-rounded characters, diverse horror, atmospheric horror, and can’t get enough of vampires.

*Thank you so much to NetGalley and Titan Books for the digital copy of this book in exchange for an honest review!

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Book Review: Our Own Unique Affliction by Scott J. Moses

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“We’re each dealt our own unique affliction, Alice. Ours is death. Yours? Yours is life.”

PLOT SUMMARY:

Our Own Unique Affliction is the story of Alice Ann, a dejected immortal who longs for her life in the sun. Navigating guilt, loss, family, meaning, murder, and all that comes with the curse of living forever. An existential bleak, quiet until it’s not, hallucination on duality, rife with fangs, empathy, blood, and grief.

GRADE: A-

REVIEW:

Full disclosure, vampires are my favourite supernatural creature, but since they are my favourite, I usually don’t watch or read many books or movies that feature them because I am personally picky when it comes to vampires. My biggest gripe with most vampire books is the author leans too much on making them romantic heroes that they tend to forget or downplay the monstrous aspects that make these creatures absolutely terrifying. Alice Ann is no such vampire. Yes, she holds some smidgen of humanity but she’s also a brutal monster – and it’s a perfect balance. Alice Ann yearns for a life under the sun – and her memories of her family when she was human are viscerally moving and sad – especially when she sees immortality as a curse. I wasn’t too drawn to the human that essentially drove her and her sister around in a truck everywhere (I’m always iffy about humans that work for vampires or vampires relying on humans – it always seems like an odd relationship that will end up derailing at some point – and in the case of this novella it did just that). Usually, book endings are something that I don’t always like because most are lackluster even when the story has been amazing – however, Moses lands the perfect ending for this book – and it couldn’t have been better.

Read this if you like vampires, philosophical musings about mortality, and grief horror.

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Review: Interview with the Vampire (TV Series)

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Anyone who knows me knows how obsessed I am with Anne Rice’s novel, Interview with the Vampire as well as with the 1994 movie adaptation. There was a time in my life when I watched the movie once a day for nearly three years, and that’s why I can quote the two hours film verbatim even after all these years. So when I learned AMC was going to have a TV series based on Anne Rice’s novel, I was both excited and skeptical. Would I love it? Or would I hate it? Throughout the months I heard about the changes they were going to make (change of the century, Louis is a POC, and Claudia is no longer a young child but a teen). I didn’t know how to feel about these changes, however, I decided to dive into the series.

The first episode felt jarring, these characters I loved for so many years had fresh faces as new actors brought them to life. But the moment we see Lestat (Sam Reid) reach out and kiss Louis (Jacob Anderson) passionately by the end of episode one, I was both seduced and compelled to keep on watching.

The new actors have managed to embody Anne Rice’s characters unlike any other actors before (and I thought Tom Cruise and Brad Pitt did a good job at the time). But there’s something about the way Sam Reid manages to create an accent that would truly be one that Lestat would have, how he manages to be both repulsive with his violent behavior, yet enthralling when he’s charming. Jacob Anderson does an excellent job of showing Louis’s vulnerability and guilt but also demonstrates his inability to truly get away from a toxic relationship.

I think Anne Rice would be proud of this adaptation, especially since we finally get the true toxic romance that she was only able to hint at but couldn’t be completely explicit about (same with the movie).

Meanwhile, I’ve fallen back into my former obsessive tendencies in regard to this book. I’ve already rewatched the series three times, and have lost count of how many times I’ve specifically watched the scene where Louis and Lestat have their final dance.

If you haven’t checked it out, I completely recommend it. After all, as Lestat says, “I’m going to give you the choice I never had.”

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Excerpt: “Boys of Summer” by Azzurra Nox

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The Lost Boys has been my favourite movie ever since I watched it for the very first time at 8 years old. The film has everything I love – vampires, rock music, and a combo of humour and horror. In light of my adoration for The Lost Boys and the fact that I spent most of 2020 writing so I wouldn’t have to deal with the stresses of a global pandemic – I decided to write a short story inspired by The Lost Boy, entitled, “Boys of Summer.”

My only gripe about The Lost Boys was the fact that the whole movie had only TWO female characters – so in my take – I made women the protagonists while I sidelined the boys into the background.

Here’s an excerpt of that story – it drops today and can be found in Little Demon Digest Volume II. You can pick up a copy HERE.

I was halfway into the cave when the drugs finally hit, and I regretted my decision. The scent of mildew, seawater, and copper hit me smack in the face before I had a chance to see the carnage. Before I had an inkling of what was to become of me too. Bugs pirouetted as I tripped over a bone. The candles scattered throughout the cave gave me tiny glimpses of a world that up to that point I never realized existed. The boys behind me laughed, their teasing casual as though I hadn’t just fallen on the remains of a decaying corpse. I screamed as I tried to move away from the maggot-infested body but unable to because the older boy with the bleached mullet and leather trenchcoat placed a hand on my shoulder to stop me.

“They’re only worms, Ashley. There’s nothing to be afraid of.” He laughed.

The others joined him. They were all in on the sick joke except me.

I blinked and saw that the body was gone and my hands weren’t dirty with blood as I thought. As the cave came into clearer view I realized that it was only seaweed tangled in my fingers and seasnails on a broken piece of surfboard ravaged by time.

The blond offered me his hand with a sheepish grin to remind me that they were just teasing. That I was in good company. That I was safe.

But I couldn’t stop thinking about all the vacant expressions of those girls whose photos were plastered all along the boardwalk. I was haunted by the words in bold hovering over their images, HAVE YOU SEEN ME? Only two weeks ago a crazed fan had shot and killed Rebecca Schaeffer, rising star of the popular sit-com My Sister Sam. Natalie and I would always watch the crazy adventures of Sam and Patti curled on the couch with Doritos and slurping Cherry Coke. A sudden dread overcame me as I saw myself as those boys saw me. Petite, lanky, unable to put up a good fight. My mouth felt dry as the aftertaste of chalk lingered on my tongue.

I know I shouldn’t have followed them there. Isolated from the rest of the world. And an isolated girl was always in danger. But I was aching for adventure. I yearned for a little thrill.

Standing up, I looked up at the blond’s unnaturally pale face.

“You never told me your name,” I whispered.

The other boys laughed and mocked me. “Go ahead, tell her your name.”

But he merely smiled without answering me. Instead, he handed me a jewel-encrusted bottle and said, “Drink.”

I knew that I shouldn’t have. But I was thirsty. Anything to rid myself of that awful taste. So I did as I was told.

The faint notes of Madonna’s hit song echoed in the night like a siren luring me back out into the world. Life is a mystery.

A misstep was made. I was never supposed to survive the night. Yet, I did. Life may be a mystery but there’s no greater mystery than death. Those who defy it are basically divine. Or possibly evil.

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Book Review: Certain Dark Things by Silvia Moreno-Garcia

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certaindarkthings

“We are our hunger.”

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Release Date: September 7, 2021

Publisher: Tor Nightfire

Price: $17.99 (paperback)

Plot Summary:

Welcome to Mexico City, an oasis in a sea of vampires. Domingo, a lonely garbage-collecting street kid, is just trying to survive its heavily policed streets when a jaded vampire on the run swoops into his life. Atl, the descendant of Aztec blood drinkers, is smart, beautiful, and dangerous. Domingo is mesmerized.

Atl needs to quickly escape the city, far from the rival narco-vampire clan relentlessly pursuing her. Her plan doesn’t include Domingo, but little by little, Atl finds herself warming up to the scrappy young man and his undeniable charm. As the trail of corpses stretches behind her, local cops and crime bosses both start closing in.

Vampires, humans, cops, and criminals collide in the dark streets of Mexico City. Do Atl and Domingo even stand a chance of making it out alive? Or will the city devour them all?

Grade: A

Review:

I understand there was vampire fatigue when this novel was initially published and that’s a shame because Certain Dark Things resuscitates a very dead genre into something exciting and innovative. I love vampires, but I am highly selective when it comes to watching or reading about them.

First of all, I simply loved the fact that there were subspecies of vampires stemming from various cultures and mythologies in this novel.

The protagonist Atl is a vampire that’s descendent of the Aztec goddesses, meaning she’s a vampire that laso has bird-like wings and feeds with a stinger rather than fangs. What I loved about the novel is that although the vampire and human friend, Domingo have feelings for one another, the author never forgets what would truly happen between a vampire and human.

My fave character was a revenant called Bernardino that gives Domingo the best advice ever when it comes to dealing with vampires, “We are our hunger.” Meaning that vampires will kill you even if they love you because their hunger is stronger than their love.

This isn’t your typical vampire story, this book is packed with violence, loyalty, and what it means to truly love someone.

I highly recommend this to anyone who loves the undead and who wants a vampire story that isn’t the same old rehashed a thousand times.

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Book Review: The Southern Book Club’s Guide to Slaying Vampires by Grady Hendrix

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“Let me tell you something….there’s nothing nice about Southern ladies.”

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Release Date: April 7, 2020

Publisher: Quirk Books

Price: $15.29 (hardcover)

Plot Summary:

Patricia Campbell’s life has never felt smaller. Her husband is a workaholic, her teenage kids have their own lives, her senile mother-in-law needs constant care, and she’s always a step behind on her endless to-do list. The only thing keeping her sane is her book club, a close-knit group of Charleston women united by their love of true crime. At these meetings they’re as likely to talk about the Manson family as they are about their own families.

One evening after book club, Patricia is viciously attacked by an elderly neighbor, bringing the neighbor’s handsome nephew, James Harris, into her life. James is well traveled and well read, and he makes Patricia feel things she hasn’t felt in years. But when children on the other side of town go missing, their deaths written off by local police, Patricia has reason to believe James Harris is more of a Bundy than a Brad Pitt. The real problem? James is a monster of a different kind—and Patricia has already invited him in. 
 
Little by little, James will insinuate himself into Patricia’s life and try to take everything she took for granted—including the book club—but she won’t surrender without a fight in this blood-soaked tale of neighborly kindness gone wrong.

Grade: B+

Review:

Vampires are hands down, my favourite undead creature there are. But because they’re my favourite, I also tend to be very picky when it comes to books or films that feature them. If I hadn’t previously read Grady Hendrix before and thoroughly enjoyed his books, I probably wouldn’t have given this one a chance, simply because I am that picky with the vampire genre. However, I am glad that I dove into this vampire novel, as I loved the crazy journey. The horror doesn’t immediately begin, and James Harris is a very enigmatic but handsome vampire. Perhaps it’s because the novel begins in the 80’s but I got a very Fright Night vibe from it. I do like the protagonist Patricia, a housewife and voracious reader of true crime novels. I know a lot of people have complained about the women in the novel being housewives and that Hendrix shouldn’t have written them as though it were the 1950’s. But…having grown up in the 80’s, I can only think of one mother I knew of what worked, all of my other friends’ mothers were housewives as well as my own mother. So for me, that part didn’t seem that far-fetched from reality.

If you’re read other Hendrix novels, then you’ll know he’s got a morbid fetish with rats causing havoc and blood. The book spans many years (it ends in the late 90’s). My only issue with it, is that the vampire per se, isn’t very visible. Sure, the protagonist obsesses about him (she’s convinced he’s a vampire but knows how absurd that notion is to share with her family and friends), but after the initial introduction, we rarely have moments with James Harris, and that’s a shame, because in the very beginning he was charming and interesting and I would’ve liked to have known more about him.

The only downfall the novel had was when the women banded together to take down the vampire. In some regards, the vampire appeared almost a weakling that the reader can’t help but think, if it was THAT easy to take him down, why didn’t they do it before?

Apart from that, the novel provided an interesting take of the genre, but I can’t say it’s my favourite vampire novel.

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5 Awesome Vampires You Can Sink Your Teeth Into

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There’s something sensual about a vampire that has always followed the night creature since its very origins. Maybe it has something to do with the manner in which they kill their victims (usually the sucking of blood from the neck) and nothing is more intimate than a death that mimics a kiss, right? Although vampires wouldn’t have the same appeal today if it hadn’t begun with Bram Stoker’s Dracula who managed to capture both the predator and the gentleman within the night creature, I wish to share some of my favorite night crawlers.

Lestat de Lioncourt: He’s the most memorable vampire of Anne Rice’s The Vampire Chronicles. He’s a sexy ex-noble Frenchman with a penchant for expensive clothes and rock music. He’s both feared and loved, since he both tortures his victims but acts doting towards those he loves.

David: The only vampire that I’m aware of that dons a mullet and leather jacket while causing raucous with his rebel gang of undead pals as they zoom around in awesome motorcycles. When he’s not busy seducing unsuspecting young girls and boys, sleeping upside like a bat, or cruising the Santa Carla boardwalk, he can be found headbanging at rock concerts.

The Girl: One of the most badass vampires on this list, The Girl is a skateboarding vigilante that doesn’t think twice about plucking a man’s life if he dares to disrespect women. We could all benefit from having a gal like her in our corner.

Zachary Quinto as Charlie Manx – NOS4A2 _ Season 1, Episode 5 – Photo Credit: Zach Dilgard/AMC

Charlie Manx: He’s not your typical vampire, but like most vampires, he comes with a set of impressive wheels. Charlie Manx’s powers are somehow linked to his beloved Rolls Royce Wraith, that he uses to abduct small children so that he can consume their energy to remain perpetually young, but also to help populate his nightmarish Christmasland.

Carmilla: Predating Bram Stoker’s Dracula by 26 years, Carmilla is the charismatic protagonist of the novel by its own name. She’s predatory yet sexy, and one of the few queer representations during the 18th Century.

What are some of your favorite vampires? Let me know!

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Book Review: Mayhem by Estelle Laure

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mayhem

“One thing I never could stomach about Santa Maria, all the goddamn vampires.”

Release: July 14, 2020

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Publisher: Wednesday Books

Price: $18.99 (hardcover)

Plot Summary:

It’s 1987 and unfortunately, it’s not all Madonna and cherry lip balm. Mayhem Brayburn has always known there was something off about her and her mother, Roxy. Maybe it has to do with Roxy’s constant physical pain, or maybe with Mayhem’s own irresistible pull to water. Either way, she knows they aren’t like everyone else.

But when May’s stepfather finally goes too far, Roxy and Mayhem flee to Santa Maria, California, the coastal beach town that holds the answers to all of Mayhem’s questions about who her mother is, her estranged family, and the mysteries of her own self. There she meets the kids who live with her aunt, and it opens the door to the magic that runs through the female lineage in her family, the very magic Mayhem is next in line to inherit and which will change her life for good.

But when she gets wrapped up in the search for the man who has been kidnapping girls from the beach, her life takes another dangerous turn and she is forced to face the price of vigilante justice and to ask herself whether revenge is worth the cost.

From the acclaimed author of This Raging Light and But Then I Came Back, Estelle Laure offers a riveting and complex story with magical elements about a family of women contending with what appears to be an irreversible destiny, taking control and saying when enough is enough.

Grade: B+

Review:

First things first, anyone who knows me knows that The Lost Boys has been one of my favourite movies since I first watched it at 8 yrs old. In fact, I’ll admit that it’s probably my favourite vampire movie ever. And you know there have been a lot of movies made about those alluring bloodsuckers. Having stated that, it was a total no brainer for me to want to join the book tour for this novel as it had been marketed as a cross between The Lost Boys and The Craft. What I hadn’t expected was to find actual characters from The Lost Boys in the novel! What does that mean? It means that we run into the Frog Brothers (notorious for being vampire slayers) and we even get to witness a sax solo by Sax Man (if you’ve seen the movie then you know exactly who I’m referring to). If seeing characters from the movie wasn’t enough, we’re also treated with the exploration of the infamous cave from the movie.

The book is filled with so much 80’s nostalgia that I don’t know if the author was aiming to win the hearts of 30-yrs olds who lived during the ’80s or to make today’s teens (after all this is a YA novel and supposedly teens are the targeted audience) yearn for a time they never got to live through the experience.

I didn’t mind the movie references too much, because like I said I LOVE The Lost Boys. I also liked the protagonist Mayhem a lot. She managed to talk her mom into leaving her abusive step-dad and return to her hometown of Santa Maria. Now if you think that this novel is about vampires, well you’re only halfway right. The novel offers a different perspective on the supernatural, where, much like in the Anne Rice Werewolf series, the supernatural entity uses its powers for the good of the community rather than for evil. But even when you’re ridding the town of evil people, the question that looms over Mayhem’s head is, is it moral to decide who gets to live or die, even if the person they’re killing has done terrible things? The novel tries to grapple with that along with the question of, can one break free from one’s lineage and familial curse? Or does one embrace the curse and view as a gift?

For the vast majority, I enjoyed the novel although I feel as though it moved a bit too slow at first, to truly escalate towards the end. Overall, I felt as though this novel deserved more in regards to delving into the mythology of the Brayburn family and to perhaps do more into depth about the curse that spanned generations of Brayburn women.

Again, because I love The Lost Boys so much, I adored being part of this universe yet again, albeit in a different form. But if you take all the homages to The Lost Boys away, the overall plot is pretty flimsy. That’s not to say that this book isn’t worth your time. It is enjoyable, but it just lacked in certain areas.

Pick this book up if you wish to take a dive into the 80’s nostalgia, or like me, you’re a huge fan of The Lost Boys.

*Thank you so much to NetGalley and Wednesday Books for the digital copy of this book in exchange for an honest review!

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6 Feminist Horror Movies

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Horror movies aren’t always generous to women. Usually, women in horror movies are depicted as the victims, and if they aren’t such, they’re usually the final girls who survived (only barely) to a number of acts of violence. But there are some horror movies that turn the tables and have the women be in charge. These women aren’t weak. These women aren’t victims. These women are dangerous and make the men in the movies quake in their shoes.

teeth

Dawn goes from cursed to strong in Teeth

Teeth (2007)

Dawn O’Keefe (Jess Weixler) looks like your typical teenager on the outside. She’s a spokesperson for a Christian abstinence group and is an all around good girl. But when one of the boy’s from her abstinence group tries to assault her, she soon finds out that she’s not like all the other girls. In fact, her vagina has teeth, the infamous “vagina dentata.” At first, Dawn sees her teethed vagina as a curse, but before the movie ends, she realizes that her curse is actually her strength and how no man will ever take advantage of her again.

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Sometimes being a teen girl can be a bloodbath as Ginger soon finds out.

Ginger Snaps (2000)

In Bailey Downs, a rash of dog killings have been occurring. Two teenage sisters, Brigitte (Emily Perkins) and Ginger Fitzgerald (Katharine Isabelle) are obsessed with death and take macabre photos depicting various deaths. On the night of Ginger’s first period, she is attacked by seems to be a rapid oversized dog. The creature wounds and bites Ginger, and her sister rescues her. In the days that follow, Ginger’s wounds heal quickly. But the fast healing wounds isn’t the only change that takes place in her. Soon she undergoes both physical and mental transformations. Ginger begins to act aggressively, as hair grows from her wounds, heavily menstruates, and eventually grows a tail. This film juxtaposes the act of becoming a woman with becoming a werewolf.

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Jennifer shows her rapists that they messed with the wrong girl.

I Spit On Your Grave (1978)

Despite the movie being controversial for depicting a 30-minute gang rape, but the fact that the protagonist Jennifer Hills (Camille Keaton) decides to execute revenge towards her rapists is what makes this movie, not your usual horror film. Jennifer kills her rapists in the most savage ways, allowing any rape victim to feel somewhat vindicated in seeing a victim rise above her abuse and take charge.

girl

The Girl shows no mercy to abusive men. 

A Girl Walks Home Alone At Night (2014)

A young girl (Sheila Vand) wearing a chador stalks the streets at night. She seduces men who were known to be abusive towards women and brutally kills them. This progressive Iranian movie directed by Ana Lily Amirpour gave the world a feminist vampire that was much needed in the horror genre.

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Eli isn’t your typical little girl. She can kick your ass or kill you. 

Let The Right One In (2008)

In this chilling snow infested film, Oskar (Kåre Hedebrant) is a young Scandinavian boy who is constantly bullied at school. But when he befriends Eli (Lina Leandersson) he begins to feel uplifted by this new friend. But Eli isn’t like all the other girls. She doesn’t suffer the cold (as she’s able to walk barefoot in the snow) and tells Oskar to stand up to his bullies and if he can’t do it, she will. Oskar soon finds out that Eli is actually quite strong because she’s a vampire. And when the bullies decide to attack Oskar once again, he soon finds out just how ruthless his friend and crush can really be.

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Asami looks disarming but she’s brutal to the men she encounters.

Audition (1999)

“Where are all the good girls?” Aoyama’s friend asks him. Aoyama (Ryo Ishibashi) is a widow who is planning on remarrying, but he doesn’t know how to meet young women. So Aoyama and his friend devise a plan where they decide to pretend that they’re auditioning young women for a movie when in reality it’s just a way for Aoyama to meet women in a safe environment. He is quickly enchanted by the delicate beauty of Asami Yamazaki (Eihi Shiina). But Asami harbors a dark secret, a former abused child, she has grown up to take revenge on men by maiming and dismembering them through hideous forms of torture. This movie will make men think twice about lying to a woman.

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