I am the Indian who can’t die. I’m the worst dream America ever had.

PLOT SUMMARY:

A diary, written in 1912 by a Lutheran pastor is discovered within a wall. What it unveils is a slow massacre, a chain of events that go back to 217 Blackfeet dead in the snow. Told in transcribed interviews by a Blackfeet named Good Stab, who shares the narrative of his peculiar life over a series of confessional visits. This is an American Indian revenge story written by one of the new masters of horror, Stephen Graham Jones.

GRADE: A

REVIEW:

Stephen Graham Jones is known for his sharp storytelling and his ability to blend horror with cultural commentary, and Buffalo Hunter Hunter is no exception. In this novel, Jones introduces a fresh, new take on vampires, turning the genre on its head with a unique narrative structure and an exploration of identity, family, and survival. Written in an epistolary format—through the use of diary entries—the book offers an intimate, and at times unsettling, journey into the world of vampirism that’s anything but ordinary. This novel is a slow burn compared to Jones’ previous novels, but once we’re introduced to Good Stab, the story flows in a way that we can’t help but wish to know more of.

The epistolary format is one of the book’s most engaging features. Jones uses this structure to create a sense of immediacy and emotional depth, drawing readers into the protagonist’s thoughts and feelings. The story is told through the journal entries of the main character, whose struggle with their own identity and their relationship with the world around them unfolds gradually, revealing layers of complexity with every new entry. It’s a brilliant technique that allows the reader to feel as if they’re uncovering secrets alongside the protagonist, rather than being told a story from a distance.

But what truly sets Buffalo Hunter Hunter apart is its fresh take on vampires. Gone are the brooding, glamorous immortals we’re used to in modern vampire tales. Instead, Jones introduces vampires who are connected to a larger cultural narrative, one that’s rooted in historical trauma, displacement, and the resilience of indigenous communities. The vampires in this novel aren’t just bloodsuckers; they’re symbolic of the larger struggles that people face, and Jones deftly uses the supernatural to explore themes of survival and transformation.

At the heart of the novel is the tension between the Lutheran priest’s curiousity and the vampire Good Stab. Good Stab’s inner conflict is explored with great sensitivity, allowing the reader to feel the weight of their transformation not just physically, but emotionally. It’s a story about grappling with identity and legacy, and the challenges of reconciling personal history with the person you’re becoming.

Jones also delivers plenty of action, suspense, and moments of dark humor throughout the novel, ensuring that it’s not just a thought-provoking piece, but an entertaining one as well. The narrative, while contemplative, doesn’t shy away from the sharp edges of horror, offering thrills alongside its deep philosophical questions.

In conclusion, Buffalo Hunter Hunter is a compelling, innovative take on the vampire genre, presented in a format that’s both engaging and thought-provoking. Stephen Graham Jones masterfully blends supernatural horror with cultural commentary, and the epistolary format adds an extra layer of intimacy to this unique, thrilling story. If you’re looking for a fresh perspective on vampires with a deep, emotional core, this novel is a must-read.

*Thank you so much to NetGalley & Saga Press for the digital copy of this book in exchange for an honest review!

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She was lying in the shadows….

PLOT SUMMARY:

It is the twilight of Europe’s bloody bacchanals, of murder and feasting without end. In the nineteenth century, a vampire arrives from Europe to the coast of Buenos Aires and, for the second time in her life, watches as villages transform into a cosmopolitan city, one that will soon be ravaged by yellow fever. She must adapt, intermingle with humans, and be discreet.

In present-day Buenos Aires, a woman finds herself at an impasse as she grapples with her mother’s terminal illness and her own relationship with motherhood. When she first encounters the vampire in a cemetery, something ignites within the two women—and they cross a threshold from which there’s no turning back.

GRADE: A-

REVIEW:

This novel is set up in two portions. In the first half, we follow a vampire (whose name we truly never know, apart from the one she uses for a brief while – Maria) and see her journey from the old world to the new (specifically Buenos Aires). I enjoyed reading about the vampire and how she tried to survive in an ever-changing and evolving world, one that she didn’t really understand or get accustomed to.

The second half of the novel takes place in present time Buenos Aires and it’s about a woman, Alma, who has to deal with the grief of her mother’s sickness and the dissolution of her marriage. Obviously, at one point the protagonist of the second portion of the book comes in contact with the vampire from the first half of the novel.

This novel was well written but it was marketed as a literary vampire romance, and well, I’m not sure if that’s entirely accurate because the romance part comes so very late in the novel, and when it does it rushes full speed. I guess I was expecting more of a slow burn (or at least it occurred earlier in the book).

Overall, I did enjoy the book and enjoyed the vampire character a lot. But if you’re looking for a romantic vampire book I’m not sure if this one exactly fits the bill as one might expect. If you wish to read a character study about a vampire and a woman dealing with grief, then this will be up your alley.

*Thank you so much to NetGalley and Dutton (Penguin Books) for the digital copy of this book in exchange for an honest review!

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