A precocious young girl with an unusual imagination is sent on an odyssey into the depths of depravity. After her father dies violently, young Mara is surprised to find her mother welcoming a new guest into their home, claiming that he will protect them from the world of devastation and destruction outside their door.
A grotesque and thrilling dark fantasy, We Can Never Leave This Place is a harrowing portrait of inherited grief and familial trauma.
GRADE: A-
REVIEW:
I’m still trying to make sense of this fever dream that reads like a horror induced Alice in Wonderland tale. Mara has just lost her father, and she lives with her abusive mother who’s expecting a baby, while an unexpected visitor shows up and wreaks havoc in their lives. We’re frequently told that Mara is an expert storyteller throughout the novella (or liar as her mother likes to chide), so take what happens within the pages of this novella with a grain of salt. What is real and what is fantasy? And ultimately, does it really matter to know the difference? LaRocca weaves a dreadful tale soaked in trauma and grief that is easily gulped in one sitting, but that leaves the reader feeling a bit disorientated. If you’re a fan of Kafka, I think you might enjoy this horror novella very much.
*Thank you so much to Nightworms & the author for the digital copy of this book in exchange for an honest review!
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A whirlpool of darkness churns at the heart of a macabre ballet between two lonely young women in an internet chat room in the early 2000s—a darkness that threatens to forever transform them once they finally succumb to their most horrific desires.
What have you done today to deserve your eyes?
Grade: A-
Review:
This dark tale begins with Agnes looking to sell an antique apple peeler and Zoe contacting her to buy said peeler. I know, I found the way the two protagonists virtually met strange for a horror novella, but it was very intriguing how their bond slowly grows. As the days go by the two women forge a tight relationship which slowly descends to sadomasochism and careens to absolute horrific madness.
The writing is very engaging and very vivid, creating a visceral rollercoaster that will leave you wondering WTF did you experience. It’s told in epistolary format of email exchanges and IM’s, making the reader feel that extra layer of voyeurism that ramps up the creepiness factor. I recommend reading this book in one sitting – it’s much more impactful that way as the tension and dread increases with each passing page.
The ending is a masterclass of true horror and one that readers won’t easily forget. Read this novella for a violent, wild ride full of debauchery and horror.
*Thank you so much to the author for the digital copy of this book in exchange for an honest review!
SHORT Q & A WITH AUTHOR
What inspired you to write the novella in the format that you did?
I’ve always been fascinated by books with unconventional formatting. I admire any opportunity to tell a story in a way that might be unique for the reader. The reason I chose this particular format for the novella was because I wanted the reader to feel voyeuristic in their reading, as if they were reading something they knew they shouldn’t be reading. That’s profoundly unsettling to me as a highly desensitized lover of horror. I shudder when I think of accidentally stumbling upon something that wasn’t meant for me to see—something horrible, something truly disturbing. I’ve been dabbling in unconventional formatting for many years now and this novella seemed like a natural progression for me and my work.
The novella establishes that the two protagonists are women – but the internet being the internet I was suspicious whether one of them or both were being truthful about their identities and their genders since it was commonplace in the 2000s to find men trying to pass off as women in lesbian chatrooms. The fact that the two protagonists never see each other through webcam nor exchange photos kind of makes you wonder if one of them is being catfished. Was it a conscious decision to create that suspicion in the reader?
That’s a fascinating reaction to the work. I actually had never considered that before and I’m quite disappointed in myself for not thinking of it first. I approached this concept quite literally when I first wrote it. In my head, they were always two women interacting with one another across the infinite gulf of the internet. As I was working on this piece, I definitely wanted there to be a sense of suspicion—a sense of distrust in the reader when considering the two main characters. Who can you trust? Who is telling the truth? Which one of them is the real monster? Of course, Zoe is less than savory for asking Agnes to perform such horrible acts. However, is Agnes a monster as well for being so agreeable?
What are your current fave horror books that you recommend?
Oh, so many to list. I’ll try to be brief. Lately I’ve been recommending Hauntedby Chuck Palahniuk quite a bit to fellow readers. I’ve read that book several times and it always unsettles me. I also heartily recommend Gwendolyn Kiste’s phenomenal The Rust Maidensif you’re looking for truly poignant body horror. Lastly, I usually recommend I’m Thinking of Ending Things by Ian Reid. Such an inspiring tale of existential dread.
Do you have any other projects that you’re currently working on and are going to be released soon?
I’m currently at work on a bunch of different writing projects. Most of them involve contracts, so unfortunately I’m unable to share full details until the publisher makes the official announcement on social media. I’m so happy to report that I’ll have work being consistently published over the course of the next few years and I certainly hope my readers stick with me as I continue to release new material.
Honestly, this is too good not to ask but what have you done today to deserve your eyes?
Nice try, Zoe . . . Just kidding. But seriously. Kindness. The answer is always kindness. Whether it’s showing kindness to another living thing or receiving kindness gracefully, that should be our priority as human beings every day we’re on this planet.
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