Film Review: The Hunt

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The Hunt was touted as being one of the “most controversial movies of all time.” So much so, that they halted the release of it, and even the President tweeted about it stating that it “was made in order to inflame and cause chaos.” Truth is, this movie isn’t smart enough to cause chaos or inflame anyone.

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The movie has a lazy script at best. While The Purge franchise (especially the first movie) was a smart social commentary about the rich and poor, this movie merely seems to make fun of both the “elites” and the “deplorables.”

A movie that’s supposed to poke at both sides of the political divide doesn’t really garner any discomfort, questioning, or basically any immediate reaction or gut emotion. The reason for this is because every character in the movie is a caricature of what we think a liberal or conservative is. These characters never become real people to us within the realm of the movie, and thus we can’t take them seriously nor care about their survival. When you’ve got “elite” characters screaming, “Climate change is real!” to a “deplorable,” before trying to off them, you can’t help but think that they’re both loonies.

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The controversy and hype over this movie was way more than what the movie ever merited, to be honest. You’ll leave the theatre feeling like you’re not on either side because none of those characters will resonate with real people. And none of us will care what happens to any of them. The world would be better off with all those horrible caricatures gone, and Blum House should focus on making smarter films with some real horror. There’s never a moment in the movie where you feel the ever-growing sense of dread, and even in a splatter torture film, you wish to be terrified or at least feel some kind of tension or suspense. But there’s none of that. There’s nothing. The Hut was all smoke and no roast. You’re better off watching The Purge.

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Throwback Thursday: House

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From the very beginning, I was a horror fan and also a night owl, which made going to bed at a decent hour once I began school a difficult task for my parents to get me to accomplish. So, the only way they managed to get me to go to sleep on time was for them to promise me that they’d record on the VHS whatever horror movie was playing that night on either Cinemax or HBO so that I could watch it upon my return from school the following day.

One of the movies I loved as a child was House. It was a quintessential 80’s comedy horror with the awesome Kane Hodder (most famous for bearing Jason’s hockey mask in several Friday the 13th movies) as the stunt coordinator.

Not recalling much about this movie (I hadn’t seen it since I was about 6), I decided to take a trip down horror memory lane and see if a recent viewing would garner me with more insight than when I first saw it as a child.

The movie opens with horror writer, Roger Cobb who’s doing a book signing for his latest novel and it seems like they found every weirdo in Los Angeles to be an extra as a fan. His manager tells him he needs to write another book pronto as the fans are hungry for more, but Roger, a Vietnam vet is still plagued by the war and what happened to a fellow soldier, Big Ben. When his aunt commits suicide and he inherits a huge mansion, Roger sees that as an opportunity for him to finally work on his Vietnam memoir. However, thoughts of his missing son and ex-wife start to haunt him as well. Soon he has to deal with his PTSD, grief, and actual supernatural phenomena.

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I don’t know if it’s because it was the 80’s, but House’s supernatural elements come in the forms of campy looking gremlin-like creatures that look like they were repurposed from the set of Critters. However, the plot of juxtaposing supernatural horrors with the actual horror of war was brilliant, and something that I probably didn’t fully catch the meaning of as a child. After all, we’re a generation who’s been living with war for years now (Gulf War, Balkans Wars, War on Terror, etc.). We now know the full effects of PTSD and how that can be a lot scarier than say, having to live in a haunted house full of campy looking gremlins and closet monsters.

So overall, did I enjoy the movie? The short answer is, yes. With so many movies nowadays relying on CGI for special effects it’s nice to see movies where practical effects were used and skilled prop masters and makeup artists were needed to create the monsters that appeared in the movie. Sure, the movie hasn’t aged well when it comes to the campiness of how the characters act or using questionable soundtrack for a horror movie with songs like You’re No Good and Dedicated to the One I Love, just to name a few.

But if you’re not familiar with 80’s creature horrors, then I recommend you check out House. It’s not truly disturbing, being a horror comedy, so one could totally watch it as a Friday night family film.

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