
God is not present in this place.
PLOT SUMMARY:
Sister Rafaela, a newcomer to the cloistered Sisters of Divine Innocence, yearns for redemption from her horrific past. However, her new abbey, bound by a vow of silence and a disturbing burial ritual, hides its own sinister secrets.
When a mysterious stranger arrives and dies soon after, her body resists decomposition, sparking fevered claims of sainthood among the nuns… but Rafaela suspects something far darker.
As the abbey teeters on the edge of madness, Rafaela and local priest Father Bruno race to uncover whether the Sisters of Divine Innocence are graced by a divine miracle—or consumed by unspeakable evil.
GRADE: A-
REVIEW:
This was my first time reading Viggy Parr Hampton and wasn’t sure what to expect. However, I’ve been on a historical horror kick lately and I truly enjoyed this novel. The Rotting Room is an unrelentingly bleak and atmospheric horror novel that grips the reader from the first page. The setting, an isolated convent swallowed by shadows and unspeakable secrets, seeps into every scene with suffocating dread. Hampton masterfully crafts a world where time feels suspended, and every toll of the bell or flicker of candlelight becomes a harbinger of something deeply wrong. The rot isn’t present solely in the literal rotting room, but it’s in the characters, the history, and the very air.
The novel’s sense of unease is nearly unbearable at times, but in the best way. Hampton sustains a tone of quiet terror, opting for psychological unraveling over cheap scares. As the protagonist Rafaela explores deeper into the Sisters of Divine Innocence and the newcomer Berta, the line between reality and hallucination begins to blur. The narrative plays heavily with isolation, guilt, and memory, keeping the reader on edge throughout.
If there’s a flaw, it lies in the repetition of certain scenes, but seeing that a nun’s life is very repetitive, there was no way around it. Still, this minor issue doesn’t undercut the novel’s power. The Rotting Room is a compelling, claustrophobic descent into rot and ruin that lingers long after the final page.

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