For childhood friends Gabe, Xavier, Tavo, Paul, and Bimbo, death has always been close. Hurricanes. Car accidents. Gang violence. Suicide. Estamos rodeados de fantasmas was Gabe’s grandmother’s refrain. We are surrounded by ghosts. But this time is different. Bimbo’s mom has been shot dead. We’re gonna kill the guys who killed her Bimbo swears. And they all agree.
Feral with grief, Bimbo has become unrecognizable, taking no prisoners in his search for names. Soon, they learn Maria was gunned down by guys working for the drug kingpin of Puerto Rico. No one has ever gone up against him and survived. As the boys strategize, a storm gathers far from the coast. Hurricanes are known to carry evil spirits in their currents and bring them ashore, spirits which impose their own order.
Blurring the boundaries between myth, mysticism, and the grim realities of our world, House of Bone and Rain is a harrowing coming of age story; a doomed tale of devotion, the afterlife of violence, and what rolls in on the tide.
GRADE: A
REVIEW:
I’ve read Gabino Iglesias’ Bram Stoker-winning debut novel and enjoyed it very much. So I was very excited when I received an ARC for his latest novel. I decided to go in blind, not reading the plot summary because I feel like his books are a real treat if you experience them as the protagonist does, learning on the way. In House of Bone and Rain, Gabe gets lured into avenging the death of his best friend Bimbo’s mother, Maria. Coincidentally, the hurricane that’s approaching Puerto Rico is also named Maria. Residents of Puerto Rico have a lot of trauma when it comes to hurricanes, as mentioned in the book, it devastates whole populations, kill so many, and keeps the island without electricity and water for months.
Prior to the hurricane, Gabe along with his friends Tavo, Paul, and Xavier helped Bimbo gain more info about who killed his mother – but someone is now targeting the friend group, and it looks like Gabe might be next. The horrors of the book are both real and supernatural, as they intermingle and you can’t decide what’s worse, the horror done by humans or the ones brought by the supernatural, because they’re both equally horrifying.
This is a tale of grief, processing colonialism and racism, and coming of age. I love how Gabino writes his characters and how they act how one realistically would, meaning that there isn’t a character that is only good and one that is only bad, they all have good traits but also are heavily flawed because of their loyalty to each other (which I can’t blame them because a strong friendship won’t have you bailing when things get tough). Although this book is fiction, I feel like there are a lot of living situations that the writer experienced himself and it shows, which makes the book even more poignant and powerful.
I recommend this book for those who love fast-paced thrillers with supernatural elements woven into the plot.
*Thank you so much to NetGalley and Mulholland Books for the digital copy of this book in exchange for an honest review!
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Be happy you weren’t there. Be happy you’re only reading about it.
PLOT SUMMARY:
1989, Lamesa, Texas. A small west Texas town driven by oil and cotton—and a place where everyone knows everyone else’s business. So it goes for Tolly Driver, a good kid with more potential than application, seventeen, and about to be cursed to kill for revenge. Here Stephen Graham Jones explores the Texas he grew up in, the unfairness of being on the outside, through the slasher horror he lives but from the perspective of the killer, Tolly, writing his own autobiography. Find yourself rooting for a killer in this summer teen movie of a novel gone full blood-curdling tragic.
GRADE: A
REVIEW:
All hail the slasher king. Stephen Graham Jones is to horror books as Wes Craven was to horror movies. Meaning that he absolutely knows the genre and all the tropes of said genre. I love that the book was written in a confessional sort of way, with Tolly, the protagonist, trying to have us understand what happened that summer of 1989. With book is steeped in nostalgia and feelings – but at the same time is hella hilarious. I love that Jones is a huge fan of slashers and that he knows how to deliver unhinged violence, but at the same time truly tug at our hearts.
This book is filled with all the fun of a horror film, but also all the feelings of a coming-of-age novel. I loved Tolly’s friendship with Amber because the friendships of your youth are never quite the same as an adult. Childhood friendships are so intense, and truly ride and die – and I loved how that was presented and explored.
I don’t want to discuss too much about the plot because I think it’s best to jump into this blindly but rest assured, if you loved SGJ’s The Indian Lake trilogy series, you will absolutely love this novel too. This is top-tier horror at its finest and if you’re new to SGJ it’s a good book to start!
*Thank you so much to Saga Press for the digital copy of this book in exchange for an honest review!
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Roos Beckman has a spirit companion only she can see. Ruth—strange, corpse-like, and dead for centuries—is the light of Roos’ life. That is, until the wealthy young widow Agnes Knoop visits one of Roos’ backroom seances, and the two strike up a connection.
Soon, Roos is whisked away to the crumbling estate Agnes inherited upon the death of her husband, where an ill woman haunts the halls, strange smells drift through the air at night, and mysterious stone statues reside in the family chapel. Something dreadful festers in the manor, but still, the attraction between Roos and Agnes is undeniable.
Then, someone is murdered.
Poor, alone, and with a history of ‘hysterics’, Roos is the obvious culprit. With her sanity and innocence in question, she’ll have to prove who—or what—is at fault or lose everything she holds dear.
GRADE: B+
REVIEW:
The first few chapters completely reeled me in this intriguing and particular story about Roos a girl who holds seances with her mother for money. But when a widow Agnes Knoop comes in for a séance but decides to buy Roos company instead, is when we enter the gothic novel era. All the while, in the present time, we the readers know that something has happened because Roos is being held responsible for the murder and a psychiatrist is trying to figure out exactly what happened.
As much as the writing is lush and descriptive, the pacing kind of lags – but I find myself much more interested in the story when we’re in the present time. Perhaps because the writing is mostly dialogue in those cases and the pacing is swift during those scenes. The mystery is intriguing, and I love the sapphic romance in this – and the two main characters, Roos and Agnes, are very interesting and unique.
I recommend this book if you’re into Gothic literature, love ghost stories, and want a mystery worth reading.
*Thank you so much to NetGalley and Poisoned Pen Press for the digital copy of this book in exchange for an honest review!
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Ji-won’s life tumbles into disarray in the wake of her Appa’s extramarital affair and subsequent departure. Her mother, distraught. Her younger sister, hurt and confused. Her college freshman grades, failing. Her dreams, horrifying… yet enticing.
In them, Ji-won walks through bloody rooms full of eyes. Succulent blue eyes. Salivatingly blue eyes. Eyes the same shape and shade as George’s, who is Umma’s obnoxious new boyfriend. George has already overstayed his welcome in her family’s claustrophobic apartment. He brags about his puffed-up consulting job, ogles Asian waitresses while dining out, and acts condescending toward Ji-won and her sister as if he deserves all of Umma’s fawning adoration. No, George doesn’t deserve anything from her family. Ji-won will make sure of that.
For no matter how many victims accumulate around her campus or how many people she must deceive and manipulate, Ji-won’s hunger and her rage deserve to be sated.
SLEEP ALONE by J.A.W. MCCARTHY
For the past six years, Ronnie has worked selling merch for a perpetually touring band. Late nights, sweaty clubs, dingy motel rooms, endless roads-as rough as it’s been, there is no other way of life for this band of hungry succubi leaving bodies in their wake.
Until she meets the enigmatic Helene.
Helene is just as restless, just as lonely, and just as full of secrets. With Helene in tow, Ronnie and the band make their way across the Pacific Northwest, trying to outrun not only their mistakes, but the mysterious disease stalking the band, a disease that devours succubi from the inside out.
The hunger is as endless as the road, but maybe Ronnie doesn’t always want to sleep alone.
THE VEGETARIAN by HAN KANG
Before the nightmares began, Yeong-hye and her husband lived an ordinary, controlled life. But the dreams—invasive images of blood and brutality—torture her, driving Yeong-hye to purge her mind and renounce eating meat altogether. It’s a small act of independence, but it interrupts her marriage and sets into motion an increasingly grotesque chain of events at home. As her husband, her brother-in-law and sister each fight to reassert their control, Yeong-hye obsessively defends the choice that’s become sacred to her. Soon their attempts turn desperate, subjecting first her mind, and then her body, to ever more intrusive and perverse violations, sending Yeong-hye spiraling into a dangerous, bizarre estrangement, not only from those closest to her, but also from herself.
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I have been looking forward to seeing this ever since I saw the first trailer for it. February was a weird month, in the sense that I didn’t make it out to the theatre to see it, but I still wanted to see it. I am surprised that it didn’t gross that much during its theatre run and I can’t exactly figure out why. The stars, Katheryn Newton and Cole Sprouse are very popular amongst the younger generation this was Zelda Williams directorial debut and should’ve sparked some interest, and it was a return to horror for screenwriter Diablo Cody.
The premise of the film is a mixture of 80’s teen films like Weird Science and Return of the Living Dead. Lisa (Kathryn Newton) has recently lost her mother and is dealing with a new stepmom and stepsister when the film opens. The only way she has to cope with the loss of her mother is by tending to the grave of a young man who passed away centuries ago. During a lightning storm, said young man (Cole Sprouse) comes back to life thinking that when Lisa says to him she’d want to join him, that she meant she fancied him, and not that she only wants to join him in death.
Thus, begins the hilarious pursuit of trying to conceal having a zombie-like creature in her room whilst also attempting to put him back together again. Newton’s and Sprouse’s chemistry was very tangible and their funny moments are funny. I think the thing that this film did wrong is that they had too much going on for such a short run time – it had body horror, grief horror, and slasher horror – it was almost like they didn’t know which trope to stick to. I also thought that there were few moments in which the characters connected and for being a teen horror, we barely saw Lisa at school. The pacing was a little off, and the party/drug scene lasted way too long.
But this film had a killer soundtrack and it was an overall fun horror movie. I just wish that they had leaned in more towards the comedy aspect since this wasn’t a movie that leaned into the scary elements.
Check it out if you like feminist horror and monster movies.
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For the first time, she understood the liberation of having nothing left to lose.
PLOT SUMMARY
Gracetown, Florida
June 1950
Twelve-year-old Robbie Stephens, Jr., is sentenced to six months at the Gracetown School for Boys, a reformatory, for kicking the son of the largest landowner in town in defense of his older sister, Gloria. So begins Robbie’s journey further into the terrors of the Jim Crow South and the very real horror of the school they call The Reformatory.
Robbie has a talent for seeing ghosts, or haints. But what was once a comfort to him after the loss of his mother has become a window to the truth of what happens at the reformatory. Boys forced to work to remediate their so-called crimes have gone missing, but the haints Robbie sees hint at worse things. Through his friends Redbone and Blue, Robbie is learning not just the rules but how to survive. Meanwhile, Gloria is rallying every family member and connection in Florida to find a way to get Robbie out before it’s too late.
GRADE: A+
REVIEW
This book has been receiving a lot of hype and positive reviews and whenever that is the case for a book, I try to take it in stride – however, this novel is worthy of all the hype and then some! I was so thoroughly captivated by Robbie’s dilemma and trying to find out if his sister Gloria could truly help him get out of the Reformatory that I read it in two days (and this isn’t a short novel!). Despite learning about Jim Crow in my history classes, this book made the reality of that time period very real and honestly, this should be read in literature classes at school so that students get a better idea of what Jim Crow South truly entailed and meant.
Now, the horror aspect of this book was fascinating (who doesn’t like a good ghost story?). I found it very fascinating and although I guessed the plot twist before it actually happened it didn’t lessen my enjoyment of this book. This book is brutal, and will get you in the feels in a way not many books will be able to. It’s a haunting story of survival and coming of age, weaved into a historical setting that aims to shed some light on what actually occurred in these schools for young boys and how many didn’t live to ever make it back out.
This was my first read from Tananarive Due and I can certainly assure you that it won’t be my last – I actually look forward to checking out all of her previously published books.
If you’re going to read only one book this year, make sure it’s this one, it’s an incredible, haunting read that you won’t forget very easily after reading it. The hype is real and I truly hope this book wins all the awards it’s been nominated for.
*Thank you so much to NetGalley and Saga Press for the digital copy of this book in exchange for an honest review!
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Tomorrow, in my experience, is only worth worrying about when there’s something you can do about it.
PLOT SUMMARY:
After their terrifying ordeal at the Usher manor, Alex Easton feels as if they just survived another war. All they crave is rest, routine, and sunshine, but instead, as a favor to Angus and Miss Potter, they find themself heading to their family hunting lodge, deep in the cold, damp forests of their home country, Gallacia.
In theory, one can find relaxation in even the coldest and dampest of Gallacian autumns, but when Easton arrives, they find the caretaker dead, the lodge in disarray, and the grounds troubled by a strange, uncanny silence. The villagers whisper that a breath-stealing monster from folklore has taken up residence in Easton’s home. Easton knows better than to put too much stock in local superstitions, but they can tell that something is not quite right in their home. . . or in their dreams.
GRADE: B+
REVIEW:
This is a sequel to What Moves The Dead and we follow soldier Alex Easton back to his home where he finds that something strange is going on. People are being plagued by a succubus of sorts, that kills men after several nights. Eugenia Potts is back, coming to visit Easton, and if you really loved these characters in the first book you’re going to continue loving them in the sequel too. There are very light hearted and hilarious moments in this novella, as well as some very dark and creepy moments. I don’t want to give much of the plot away as the novella is short – but rest assured that this is an excellent and fun read, and personally I can’t wait to embark on another adventure with Easton and Potts!
This can be read as a stand alone – although there are some references to book one, it’s not vital to have read it to enjoy this book. I recommend this book to those that like horror with a side of hilarity. But if you enjoyed book one, then you will like this one too, although the mystery isn’t as intricate as in the previous book.
*Thank you so much to NetGalley and Tor Nightfire for the digital copy of this book in exchange for an honest review!
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When Case arrives at a run-down, ivy-covered house tucked deep in the West Texas woods, an ashy haze lingers in the air and the sky is tissue-paper pink. Her best friend Drea has been living here with a few classmates Case has never met, and Drea asked her to visit in a letter dated two weeks ago.
But now Drea is nowhere to be found.
Drea’s roommates can’t—or won’t—answer questions, leaving Case to search alone. She finds bits of Drea’s journal hidden in the tiles of the bathroom wall, in a beat-up cooler by the muddy river, wedged into the frame of her closet door. As Case pieces together Drea’s life in this strange house, the roommates’ behavior puts her increasingly on edge—and she’s not the only one. The animals nearby are lashing out, attacking each other, threatening the humans.
Something bad happened in this house. Something that must be connected to Drea’s disappearance. And if she gets too close to the truth, Case just might be next.
GRADE: C
REVIEW:
I was truly anticipating reading this book because I absolutely adored Tigers, Not Daughters so much. Unfortunately, my reading experience with Clever Creatures of the Night wasn’t that good. It did start off promising – Case goes to visit her friend Drea only to find out that she’s not there. Did she go missing? Are her roommates responsible for her absence? The issue is that the book takes place during the course of one day. There’s only so much Case can do to find her friend in a place where they’re located in the middle of nowhere and there’s no cell signal. Initially, the mystery of what happened to her friend had me really invested. The problem is that this book has so much promise and truly could’ve been something amazing, instead we get a really underwhelming reason as to why Drea’s not around. The writing is beautiful, but for a book that was very short (around two hundred pages) it felt impossibly long.
The supporting characters needed to be more interesting to keep this book going for how long it did. Instead, they were rather dull and one-dimensional. This was such a letdown after reading Tigers, Not Daughters.
This book is good for readers who like slow-burn mysteries and literary thrillers. I wouldn’t even call this horror.
*Thank you so much to NetGalley and Algonquin Young Readers for the digital copy of this book in exchange for an honest review!
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This is the meal I’ve been waiting for, and I’m going to savor it.
PLOT SUMMARY:
Ji-won’s life tumbles into disarray in the wake of her appa’s extramarital affair and subsequent departure. Her mother, distraught. Her younger sister, hurt and confused. Her college freshman grades, failing. Her dreams, horrifying… yet enticing.In them, Ji-won walks through bloody rooms full of eyes. Succulent blue eyes. Salivatingly blue eyes. Eyes the same shape and shade as George’s, who is Umma’s obnoxious new boyfriend. George has already overstayed his welcome in her family’s claustrophobic apartment. He brags about his puffed-up consulting job, ogles Asian waitresses while dining out, and acts condescending toward Ji-won and her sister as if he deserves all of Umma’s fawning adoration. No, George doesn’t deserve anything from her family. Ji-won will make sure of that.For no matter how many victims accumulate around her campus or how many people she must deceive and manipulate, Ji-won’s hunger and her rage deserve to be sated.
GRADE: A+
REVIEW:
I devoured this book in two days (probably would’ve read it in one sitting if I didn’t have to do life things like work, eat, and sleep). I love how unhinged this book was. When we meet Ji-Won her father has just left his family to get with another woman, leaving her and her sister to deal with her grieving mother on their own. Ji-Won is also beginning her first year of college and once her mother starts dating a new man George (who she’s certain has an Asian girl fetish) things begin to to truly escalate. First of all, Ji-Won becomes obsessed with George’s eyes and her nightmares explore that obsession. As Ji-Won’s life begins to derail (she’s failing in college – her relationship with her sister and mother is strenuous and trying to fit in at college is difficult) – the book takes a very dark and twisted turn that I highly enjoyed.
I don’t want to say much about the plot because I wish you to experience this book the way I did – totally diving into it blind and staying for the wild ride. This is one excellent horror thriller with one of the best endings I’ve ever read (and I’m very picky when it comes to endings – I’m rarely satisfied by them).
Read this if you’re a fan of unhinged female characters ala Maeve Fly or Bunny.
*Thank you so much to NetGalley and Erewhon Books for the digital copy of this book in exchange for an honest review!
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BEGONIA: a favor repaid, a warning foretold, a promise delivered in darkness.
Sussex, England, February 1815
I can feel Betsy watching me from the doorway.
She hovers like a bee, rehearsing some small speech in whispers. I pretend not to notice her fidgeting and instead focus on the vase of narcissi before me, the weight of my pencil in my hand. Betsy clears her throat, twice, but I am already arcing out the path of the dainty stems and unfurling petals. There is something calming about reducing the flowers to splashes of grays and blacks, finding beauty in the absence of light.
Betsy lets out a throaty cough. “You might as well come in and be done with it,” I tell her without looking up.
“Yes, miss.” She drops a curtsy, her gray ringlets bouncing under her cap. “It’s just that there’s a man in the drawing room with your uncle, miss, and your uncle asks that you join them.”
I continue sketching, watching the frilly petals take shape on my paper. “Please make my excuses,” I tell her. Uncle likes to bring me out when he has business meetings, the same way he sets out the good claret and crystal goblets with the old family crest. With no wife and no children of his own, I make a pretty addition and bring a touch of softness to his otherwise hard demeanor. “There’s a cake in the kitchen and cold ham as well that you might bring them,” I add as an afterthought.
But Betsy doesn’t leave. She wrings her hands and tuts about like a fussing hen. “No, miss. He’s for you.”
I carefully set aside my pencil. This is what I was afraid of. Closing my eyes, I rub my temples, wishing that it was anything else besides this. My time is not even my own, and I hate being pulled out of my work just to oblige Uncle.
“Very well.” I dismiss Betsy and take a moment in front of the mirror in the hall. Uncle’s friends and associates are mostly stodgy old men, but there is always the possibility that it could be someone young, someone exciting. I pinch roses into my cheeks and tease out a few of my yellow curls. If have control of nothing else in this house, I at least can take pride in my appearance.
I take a deep breath and let myself into the drawing room. “Betsy said you wanted me, sir?”
Uncle stands and tugs at his waistcoat. “Cornelia, come in.”
Though not more than fifty years in age, his poor temper and taste for rich food and drink has left my uncle with a ruddy complexion and portly figure. He is not a healthy man, and his jowls are loose, his complexion jaundiced. What he lacks in polished comportment, though, he makes up in his wardrobe, opting for elaborate cravats and showy brocaded waistcoats that never quite fit him but speak of money and an account in good standing at the tailor. Uncle waves me over, impatient. “Come meet Mr. Reeves.”
Obedient, I come and position myself near the window where I know the soft gray light is especially flattering to my fair complexion. The man unfolds himself from his chair. He is tall and spare, his black frockcoat well-cut and his boots shined. He looks familiar, perhaps from church or one of Uncle’s interminable business dinners. I suppose some might consider him handsome, but there is an intensity in his dark eyes that is more predatory than charming. “Miss Cornelia,” he says, taking my hand and bowing over it, “a pleasure.”
“Mr. Reeves.” I withdraw my hand. “I hope my uncle is not boring you with land yields and livestock accounts.”
He shares a confidential look with my uncle. “On the contrary. Our conversation has been on the most enjoyable of topics.”
“He’s here to see you,” Uncle says, plowing straight into the heart of the matter as he always does. “Mr. Reeves comes as a suitor.”
Uncle makes the outcome of this meeting perfectly clear in the sharp downturn of his lips. His patience with the matter of my marital status is wearing thin.
Well, that makes two of us.
I don’t fancy marriage, but I certainly don’t fancy spending one more day than I have to under my uncle’s roof, either. My dreams of publishing a book remain foggy and out of reach, and the money from my illustrations published in a French newspaper under a nom de plume pays only a pittance. It is not enough to live on, and certainly not enough for a young woman who enjoys fine things and an easy life. A husband would solve at least two of my problems, but it would create a host more.
“I’ll leave you two alone to talk,” Uncle says, cutting me with a look that says there will be hell to pay if I emerge from this room without securing an engagement.
The air usually lightens, the room sighing a breath of relief, when Uncle leaves, but Mr. Reeves’s presence prickles me under my stays, makes me fidgety.
Betsy is posted outside the door, her needles softly clacking as she knits some horrid bonnet or muffler. Outside, a fine mist has rolled over the gentle Sussex hills. A smile spreads over Mr. Reeves’s sharp features. “Your uncle says you’re a spirited filly. That you need a strong hand to break you.”
Ah, so it is to go like that, then. I pour a cup of tea, ignoring my guest’s outstretched hand, instead lifting the cup to my lips. “That does sound like the sort of nonsense my uncle would say.”
Mr. Reeves regards me, his dark eyes calculating. “Your uncle was right, but I think he also underestimated you. I can see you possess some wits, so I’ll not mince words.” He crosses his long legs. “I am looking for a wife, and your uncle is looking to expand his landholdings to the south of the county.”
If the man who has sat down across from me was meek, pliable, then perhaps I would have more patience in hearing his suit; I don’t need someone who will get underfoot or try to handle me. Even some doddering old lord who might die quickly and leave me a widow would be acceptable. But Mr. Reeves is irritatingly young and looks to be in good health.
“My uncle was mistaken. I am not in need of a husband.” I offer him a cold smile, my mind already back on my flowers, my fingers itching to hold my pencil. The light has shifted with the gathering clouds, and I will have to rework my shading.
He pours himself a cup of tea. “Come, wouldn’t you like to have a fine house? Be mistress of a whole host of servants? I can see that you enjoy some degree of freedom, and I can give you that. You will have a mare and a generous allowance.”
“I should think it would be terribly lowering to have to lure a wife into one’s home with promises of horses and gowns. Shouldn’t you rather wish her to come of her own volition because she holds you in some esteem?”
“You are naive if you think that marriage is anything other than a business transaction. You are a young woman of beauty and some small means but a drain on your guardian. I am an enterprising man, with successful business dealings and a good bloodline looking for a wife who will elevate his status and ornament his home. I hold a commission in the army and anticipate traveling to the Continent shortly. It is a good deal for you, and you would be hard-pressed to find a better one, especially with your lack of polish and manners.”
“It’s a little late to be going over to the Continent, isn’t it? I believe we quite vanquished Napoleon.”
Irritation animates his dark eyes before he glances away, taking what I suspect is an intentionally long sip of his tea.
I study him over the rim of my cup, imagining the way I would draw the sharp angle of his chin, the aquiline nose, before finally placing where I’ve seen him. “You were married before, were you not?”
There is an almost imperceptible stiffening of his body. “Yes, I make no secret of the fact that I am a widower,” he says shortly.
“And how, exactly, did your first wife die?” The roses in the vase on the table beside me are vibrating, warning me. I pretend not to notice, pretend that I am a normal young woman who does not receive messages from flowers.
His lips thin. “An unfortunate fall.”
“Mm. She did not bear you any children, did she?”
“Barren.” He tugs at his cravat, irritated. “You would do well not to let your ear wander to every housemaid that has a piece of gossip to peddle,” he says coldly.
“In any case, I am not interested.” I move to put my cup down, but a hand closes around my wrist, hard. I look up to find that he has leaned in close, his breath hot on my neck.
“Perhaps you’ve also heard that I have certain…proclivities.”
The roses in the vase strain toward me, singing, setting my teeth on edge. My fingers begin to tremble, but I do not let him see it. “Why would you tell me that?”
“Because I think, dear girl, that you are under the impression that I would use you poorly.” He leans back, but only slightly, the air around him still charged and menacing. “I can be a very hard man when I’m tested, but I can take my pleasures elsewhere, so long as my wife is obedient.”
His gaze is sharp, his grip painful, and I realize that here is a dangerous man, one who is not just a brute but also clever. He cannot be fobbed off with witty barbs or batting eyelashes.
“This conversation bores me,” I tell him, standing. “I will not be your wife. I’m sorry that you wasted your time in coming here.”
But he makes no move to stand, his cool gaze sliding over me in a way that leaves me feeling horribly exposed. “I’ve seen you often, Cornelia. In church, sitting so demurely with your hands folded in your lap. You may think to have everyone else fooled, but I see the spirit in your eyes. A woman like you can never be satisfied with the life of a spinster, put on a shelf here in Sussex. I can offer you fine things, take you to exciting places abroad with me.”
And I’ve seen you, I think. I’ve seen how cruelly you used your first wife, the bruises on her pretty face. The way she faded little by little every week in church, until she was just a ghost in a dress, her final service that of her funeral. That will not be me.
“Surely there are other young ladies that would be flattered by your attentions,” I tell him.
“None so beautiful, none that I would take so much pleasure in breaking. The more you deny me, the more determined I am. Ask your uncle. I am a man who gets what he wants, one way or another.”
All the promise of gold or Continental trips would not be enough to tempt any marriage-minded mama to let her daughter enter into an arrangement with a man like Mr. Reeves. But of course, I have no mama to arrange such matters for me, to keep me safe.
“Then, perhaps it was time you lose for a change. Do you not find it dull to always get what you expect?”
He stands, drawing close and jabbing a finger into my bodice. It takes some great force of will to stand my ground and not let him see my fear. “You may think yourself clever, but this visit was just a courtesy. Your uncle and I have all but drawn up the contract already.”
He storms out, and the room grows quiet in the wake of the front door slamming. Betsy startles from her seat where she had fallen to dozing. I close my eyes, take a breath, wait until my heartbeat grows even again. Then I return to my waiting drawing in the parlor.
If I work quickly, I can still finish it and have it ready for tomorrow’s post. But for now, there is no waiting publisher, no silly French pseudonym; it is just the light and the shadows and me, a silent dance as I commit them to paper. Mr. Reeves and his odious proposal quickly fade away from my mind.
But then a raised voice shatters the silence, breaking my concentration, and there is the thundering velocity of Uncle coming down the hall.
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