6 Feminist Horror Movies

Horror movies aren’t always generous to women. Usually, women in horror movies are depicted as the victims, and if they aren’t such, they’re usually the final girls who survived (only barely) to a number of acts of violence. But there are some horror movies that turn the tables and have the women be in charge. These women aren’t weak. These women aren’t victims. These women are dangerous and make the men in the movies quake in their shoes.

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Dawn goes from cursed to strong in Teeth

Teeth (2007)

Dawn O’Keefe (Jess Weixler) looks like your typical teenager on the outside. She’s a spokesperson for a Christian abstinence group and is an all around good girl. But when one of the boy’s from her abstinence group tries to assault her, she soon finds out that she’s not like all the other girls. In fact, her vagina has teeth, the infamous “vagina dentata.” At first, Dawn sees her teethed vagina as a curse, but before the movie ends, she realizes that her curse is actually her strength and how no man will ever take advantage of her again.

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Sometimes being a teen girl can be a bloodbath as Ginger soon finds out.

Ginger Snaps (2000)

In Bailey Downs, a rash of dog killings have been occurring. Two teenage sisters, Brigitte (Emily Perkins) and Ginger Fitzgerald (Katharine Isabelle) are obsessed with death and take macabre photos depicting various deaths. On the night of Ginger’s first period, she is attacked by seems to be a rapid oversized dog. The creature wounds and bites Ginger, and her sister rescues her. In the days that follow, Ginger’s wounds heal quickly. But the fast healing wounds isn’t the only change that takes place in her. Soon she undergoes both physical and mental transformations. Ginger begins to act aggressively, as hair grows from her wounds, heavily menstruates, and eventually grows a tail. This film juxtaposes the act of becoming a woman with becoming a werewolf.

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Jennifer shows her rapists that they messed with the wrong girl.

I Spit On Your Grave (1978)

Despite the movie being controversial for depicting a 30-minute gang rape, but the fact that the protagonist Jennifer Hills (Camille Keaton) decides to execute revenge towards her rapists is what makes this movie, not your usual horror film. Jennifer kills her rapists in the most savage ways, allowing any rape victim to feel somewhat vindicated in seeing a victim rise above her abuse and take charge.

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The Girl shows no mercy to abusive men. 

A Girl Walks Home Alone At Night (2014)

A young girl (Sheila Vand) wearing a chador stalks the streets at night. She seduces men who were known to be abusive towards women and brutally kills them. This progressive Iranian movie directed by Ana Lily Amirpour gave the world a feminist vampire that was much needed in the horror genre.

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Eli isn’t your typical little girl. She can kick your ass or kill you. 

Let The Right One In (2008)

In this chilling snow infested film, Oskar (Kåre Hedebrant) is a young Scandinavian boy who is constantly bullied at school. But when he befriends Eli (Lina Leandersson) he begins to feel uplifted by this new friend. But Eli isn’t like all the other girls. She doesn’t suffer the cold (as she’s able to walk barefoot in the snow) and tells Oskar to stand up to his bullies and if he can’t do it, she will. Oskar soon finds out that Eli is actually quite strong because she’s a vampire. And when the bullies decide to attack Oskar once again, he soon finds out just how ruthless his friend and crush can really be.

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Asami looks disarming but she’s brutal to the men she encounters.

Audition (1999)

“Where are all the good girls?” Aoyama’s friend asks him. Aoyama (Ryo Ishibashi) is a widow who is planning on remarrying, but he doesn’t know how to meet young women. So Aoyama and his friend devise a plan where they decide to pretend that they’re auditioning young women for a movie when in reality it’s just a way for Aoyama to meet women in a safe environment. He is quickly enchanted by the delicate beauty of Asami Yamazaki (Eihi Shiina). But Asami harbors a dark secret, a former abused child, she has grown up to take revenge on men by maiming and dismembering them through hideous forms of torture. This movie will make men think twice about lying to a woman.

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ScareLA – Summer Screams

pumpkinscareDo you love horror? Do you fall in that group of people that wish Halloween wasn’t just one night a year? If you answered YES to both of these questions, then ScareLA is the perfect convention for you! It celebrates the horror genre, but also the spirit of Halloween with frightening haunts and mazes. I managed to snag Press Passes for this event, and took The Inkblotters to the appropriately darkened convention for some spooky fun!

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The event took place during the weekend of August 25-26. As soon as you entered you were immersed into the scary realm of darkness with a zombie pandemic haunt, which was the only interactive fright zone where we were told that if touched by the zombies, then we were considered “infected.” Luckily, I managed to survive the zombie apocalypse, but the same fate didn’t befall my boyfriend and friend who were both brought into a separate room to be “executed.”

The next haunt we checked out was an asylum dubbed Nightmare Clinic, which wasn’t too creepy unless you fear clowns and tiny spaces (I wouldn’t recommend the maze portion of the haunt for those that suffer from claustrophobia as all your red flags will be flashing wild). The last haunt we checked out was a medieval one called Descension Castle, that had a banshee on the loose. I appreciated the amount of detailed work that was put to create a castle in the middle of the convention floor.

Besides the haunts, ScareLA offered virtual reality, panels, live shows, photo ops, short film viewings, zombie ballet, and many other horrificly fun amusements. Out of the three short films I viewed, my favourite was Holy Fatman’s Please Love Me Forever, wherein a surreal Tim Burtonesque world, Lili 14-year-old albino lives with her strange scientist mother, Claudie, who is constantly replacing aging parts of her face with new younger parts. When Lili declares her love to her handsome neighbor, Lyesse, and he doesn’t reciprocate, Lili decides to take out his heart to understand why the boy doesn’t love her back. The movie was visually stunning and ended with such a bang that I totally recommend watching it!

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Dreadful Little Things

Another major component of ScareLA were all the vendors. There were shops for anything your macabre heart desired from custom-made corsets and hats, FX makeup, feral kitty adoptions, and rare international horror DVD’s and comics. My favourite shop hands down was Dreadful Little Things, where old dolls were repurposed for a new life. The dolls found in that shop were utterly creepy, making Annabelle look like Barbie in comparison.

Once you got tired of all the walking, you could relax in the lounge area where you could order drinks (I got a cocktail appropriately named Radioactive Embalming Fluid garnished with a gummy eyeball), and rent headphones for free to get in your zone.

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Here I am with George C. Romero

I had a chance to chat with George C. Romero who told me that Rise is going to be a prologue (not prequel as he corrected me) of the Night of Living Dead franchise, that he was hoping to work together with his father George A. Romero, but who sadly passed away. It should be out by November 2019. I also had a chance to interview Robert Mukes of the Rob Zombie House of 1,000 Corpses who was exceptionally nice. I asked him if filming horror movies is more difficult than normal movies, as Robert Englund has always mentioned the struggles horror movies bring to an actor in regards to the makeup and physicality of roles (running, jumping, etc.). However, Mukes stated that for him, he hasn’t noted the difference as he hasn’t had to do extensive makeup like Englund, and that usually his height (a whopping 6’10”!) has been enough to make him appear scary. He’s got a score of movies coming out soon, one of them being a zombie flick entitled Valentine DayZ. Linda Blair of The Exorcist fame was also at the con, but she didn’t seem that keen on wanting to chat, so I didn’t approach her.

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All in all, ScareLA is an immersive experience for those that live and breathe Horror, and I recommend checking it out if you have a chance, you won’t regret it!

For more info check out: SCARELA

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Photos by David Hanger

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Upcoming Books: Betty Bites Back – Horror Stories for Young Feminists

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I’m thrilled to announce that my short story, GOOD SISTER, BAD SISTER is going to be included in the upcoming anthology Betty Bites Back – Horror Stories for Young Feminists (coming out October 2019). This anthology is put together by award-winning badass authors, Demitria Lunetta, Mindy McGinnis, and Kate Karyus Quinn.

Here’s a little teaser of what my story is about:

GOOD SISTER, BAD SISTER by Azzurra Nox

Puberty comes with many changes, but after being bitten by a mysterious animal in the forest, Dilay finds out that some changes may just give her a certain edge she didn’t have before.

Until then, support me and the amazing authors that are going to be included in this awesome anthology by stopping by the Kickstarter Page for it (even if you can’t contribute monetarily, forward the link on your social media so we can spread the word!).

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3 Symbols You Missed While Watching Hereditary

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After the family matriarch passes away, a grieving family is haunted by tragic and disturbing occurrences, and begin to unravel dark secrets.

*SPOILERS ALERT* if you have not seen the movie yet, DO NOT read further!

Hereditary is Ari Aster’s first feature film, hailed as the “scariest horror movie of the year”. The film is packed with unsettling visuals and a creepy atmosphere. The movie sees a superb Toni Collette as the troubled Annie, who has to deal with the recent passing of her mother. But as viewers will soon see, it isn’t that death that is the catalyst moment of the movie, but rather a second more dramatic death that occurs shortly, that of daughter Charlie (Milly Shapiro). This second death is the one that begins to tear the family apart at the seams, pitting Annie against her son Peter (Alex Wolff), and husband Steve (Gabriel Byrne).

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The movie is riddled with symbols and foreshadowing galore. During a class discussion about the flaws of Greek mythology Heracles, a student states: “The characters are all just pawns in this horrible hopelessness.” Which heavily foreshadows how every single character in this movie are simply just pawns of King Paimon, and that they will all be met with tragic deaths.

Here are THREE SYMBOLS that you may have missed whilst watching the movie:

001. Chocolate – Back in the early 1600’s, chocolate was referred to as the Devil’s elixir, hence where the name for the famous chocolate on chocolate cake comes from, Devil’s Food Cake. This symbol is used from the very beginning in the movie, suggesting that Charlie may already have been possessed by King Paimon (one of Hell’s kings) or just a foreshadowing that she will be possessed.

002. The Red Doorknob – Charlie’s room has a red doorknob, similar to the one shown in The Sixth Sense, symbolizing the presence of spirits or possible spirit possessions.

003. King Paimon’s Symbol – This is present from the very beginning of the movie, first seen as a pendant that Annie’s mother is wearing whilst in the casket at the funeral. Another instance where we see this symbol is on the pole that decapitates Charlie the night of the accident, as well as in Joan’s home after she has placed a curse on Annie’s family, and also in blood on the roof of the attic where Annie’s mother’s body has been placed. Lastly, at the very end, when the audience finally sees the idol representation of King Paimon, wearing that same symbol.

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Have you seen this movie? What did you think? Let me know below!

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7 Things I Learned From Directing a Short Horror Film

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In 2016 I embarked on a very ambitious project, I decided to direct, star, and write the screenplay for my very first short horror. Now, being someone who loves the horror genre, and who loves film in general, I wanted to create a horror film where the woman wasn’t only the victim, but that she could also be the villain. So I managed to convince some friends and my boyfriend to help me bring this project to fruition, and that’s how DEVIL IN THE DETAILS became my first short.

Since it was my first short and the only experience I had with film was working in front of the camera and not behind one, I didn’t quite anticipate a lot of the things that came up later in the process. With a bit of arrogance, I thought, if Quentin Tarantino could direct a film without ever stepping foot in a film school, then I too, could create an entertaining short in with grindhouse horror elements.

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The SEVEN THINGS I learned from Directing a Short Horror Film:

  1. Choose your cameramen wisely. When I first started out, I had two cameramen, and I figured that I could rely on them to know how to take good shots and edit. Well, it turns out that it’s easier to direct both actors and crew to get what you want done when you’re literally behind the camera than rather when you’re also acting in scenes. Being both the actor and director turned out to be far more complicated than anticipated. Also, you need to be able to trust that your cameramen are responsible, I made the mistake of not asking for my filmed scenes till I had filmed them all, which caused for some of the footage to be lost when the cameramen were unable to locate one of the SD cards.
  2. You will bruise or get hurt whilst filming. No one realises how intensive it is to be a horror actor. Hats off to all the veterans of horror and scream queens, because I didn’t realise how labor intensive it is to be a horror actor. I had to put up with fleas from being tied to a post, got bruises on my back from being tied to said post and bruises again from pretending to pass out and trying to make it look natural.
  3. Fake blood will haunt you for days. If you’re one of the actors who dies or gets hurt (as my character did in the short) then you will be splattered with fake blood. The funny thing about fake blood is that no matter how many times you’ve showered, you will somehow miss a spot and won’t know till someone randomly mentions to you two days later, “Are you bleeding?” and then you notice that you have a rogue bloodstain on the inner corner of your elbow.
  4. Don’t have a big cast. If someone would’ve told me just how difficult it is to coordinate everyone’s schedules when most people work on a rotating schedule, I wouldn’t have cast so many characters for the short. So my advice is, start small. Have three characters max, not seven like I did, and three crew members (which makes ten people total), cause let me tell you, trying to coordinate the schedule of ten people is difficult (although since I finished the project, not impossible).
  5. Create a budget. There are many expenses you need to consider when making a short. Some people may have to pay actors (I managed to cut that expense by getting my friends to act), you may need to pay for editing services (again, I managed to cut that expense by approaching a friend of mine from high school that works in film to help me with that, and I greatly appreciate the time and sweat he put behind it to deliver the finished project), buy props (most of our money went towards making the fake blood, but we also had to buy costumes, wig, and lights). Some filmmakers have had to pay for the location, I was lucky that my boyfriend allowed me to use his family’s historic barn house as the location of my film, again cutting expenses. Then there are film fest fees. Some film fests aren’t expensive, you can pay as low as $5, but others will ask as much as $20 or $50.
  6. Be realistic. Chances are your first film won’t be selected to play at Sundance, so don’t even bother sending it to that (not to mention having to pay a $50 entrance fee) because Sundance only accepts around 5% of the films sent to them. You’re better off using that money to enter in lesser-known festivals who are more apt to accept your entry. In fact, you should enter the majority of festivals that fit with your specific genre first, and then enter in ones that are close to where you live as more festivals are apt to select people who will be able to attend the actual festival than if they can’t.
  7. Have fun! Remember, you aren’t making films to make money or become famous (although of course, who wouldn’t want both?), but you must remember that you did this because you LOVE film and want to create something original. If you don’t love the world of film, then you won’t be able to survive the lesser fun and glamorous aspects of film.scream queenAlthough my short fell in post-production hell for two years, DEVIL IN THE DETAILS is finally complete and is currently being considered for several film festivals. Let me know if you’re a filmmaker or an aspiring filmmaker and if you have any advice or suggestions in the comments below!

     

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Short Story: Animortis Part III

zombie2Charlie turned his head and spotted the shotgun, rattling unattended in the farthest corner of the carriage floor. He still had one more shot. Gathering his strength, he twisted his shoulders, released his right hand on the girl’s throat and reached for the gun. It wobbled inches from his extended fingertips. He stretched further. The rear of the carriage lurched downward, the broken axel moments from failing. Feeling his left hold falter, Charlie abandoned his efforts and pushed back on her throat again. Desperation mounting, his eyes cut to Baumgart. The Earl remained incapacitated.

The girl wrapped her cold, palms around the back of Charlie’s neck, pulling him closer to her salivating mouth. Glassy, green eyes roved in their sockets. She screeched like a wild animal and snapped her broken, jagged teeth inches from his face. There was nothing human left in this shell of a girl. With a strike of dread in his heart, Charlie realized they were an even match of strength.

“Charles?”

Charlie looked down to his feet as Baumgart blinked back to life.
“My lord!” he strained against the girl.
Distracted, the girl whipped her head back to the Earl.

Charlie bent a leg between him and the girl and kicked her away. She fell back onto her minced knees. With all his force, Charlie brought up his right leg and delivered a smart boot to her face. Blood squirted out in all directions from under the sole of his shoe, accompanied by a chilling crack. The girl’s head recoiled and she grunted from the impact, arms spinning into wild wind-mills as she teetered backward. She fell, her spine bowed backward over carriage side, hands scratching for a hold. Charlie scooped up the shotgun just as the girl’s fingers caught the door latch release. The door flung open behind Baumgart and he tilted, wild-eyed, out of the landau.

“Charles!” Baumgart shouted. His arms sprang wide to either side of the opening, saving himself from a fatal tumble out the doorway.
“Hold fast!” Charlie doubled over and snagged Baumgart’s wrist. Bracing a foot on the side of the carriage, Charlie hauled him up and onto his feet.
“Are you hurt?” he breathed, steadying the Earl’s footing.
“I…” Baumgart’s pallid lips quivered. “I am alive.”

Beside him the maiden regained her balance. She blinked a moment in confusion, dark black blood gushing from her broken nose. Charlie maneuvered in front of the Earl and took aim a final time. The rear of the carriage shifted downward again and the bullet missed and ricocheted with a loud ‘ping’ on the iron carriage frame.

“Damn! C’mon!” he shouted, grabbing Baumgart by his vest lapels and forcing him up toward the coachman’s bench. “We haven’t much time.”

Baumgart scrambled up to the platform and swung over the guardrail. As Charlie pulled his torso up onto the railing, a final fierce shudder up the chassis signaled that the cracked axel had split completely. The back end lurched down with a heavy crash upon the road causing the rear wheels to tilt and spin free of the wood frame. Charlie’s footing slid off the railing and his body whiplashed against the front bench, cracking one of his ribs. He cried out at the sharp pain and hung from the guardrail by his underarms. Behind him, wood paneling scraped and splintered under the friction like a wooden sword put to a stone grinder.

“Take my hand, Charles!” Baumgart extended his arm. Charlie winced and clenched his teeth against the pain.

“Please,” he found a firm foothold, “Rein in the horses, if you can.”
Baumgart turned to the whip socket as Charlie struggled atop the coachman’s bench and planted his seat on the back of the guardrails.

“Oh no.” Baumgart’s mouth fell open and the last bit of color bled from his cheeks. His voice barely broke over the rumble of the pounding hooves. Charlie followed his line of sight up the road as the team cleared a bend in the forest path. His stomach dropped.

“Oh bloody hell.”

At the railway crossing in the distance ahead, a small horse-cart and its driver waited patiently behind the lowered level bar for an approaching train to pass. Charlie glanced to the whip socket. The leather straps were gone. Below, they lashed and slapped under the terrified horse hooves.

A horn blared off in the distance.

Baumgart shook his head and grabbed Charlie by the arm. “The team is lost, Charles,” he shouted over the roar. “We must jump carriage!”
The horses were inconsolable and the flesh-hungry girl was…Charlie felt a hand lock around his ankle. He looked down to see the maiden grinning back. With one hand on the guardrail and the other holding tight at his riding boot, she swayed like a drunk dancer in the disintegrating coach.

“Go, sir!” Charles unhanded himself from Baumgart.

“But—.”

Another loud crack split the air and the rear bench seat dislodged from the carriage, rolling away with a smash that left the maiden’s feet dangling above the speeding road. Charlie braced against the bench at the added weight of the girl. The horses would be dragging their tack in a few minutes more.
“Please, sir!” Charles begged. “Go now!”

His face tight with terror, Baumgart turned and steadied himself at the edge of the platform. He glanced back, “God bless you, Charles,” and threw himself out into the forest, disappearing behind the dark curtain of night before Charlie even saw him strike the ground. Charlie swiveled his head in search of another weapon but there was nothing left to defend himself. The whip was gone, the gun was lost. He had nothing.

Much louder now, the locomotive hailed its coming again. With the fire of pain searing his left rib, Charlie twisted and jerked his leg until he felt his muscles cramp but she would not let go. He never thought his life would end like this, killed on a mundane carriage ride to Coburg by a mad-girl cannibal. No one would believe the tale if he survived to tell it.

Beside him, hot oil from the swinging lanterns splashed onto the bench, setting the wood alight. Charlie’s eyes widened. His brain surged, jolting one last bit of hope into his heart.

Charlie fumbled for the oil lamp behind him.
“Burn in Hell, wretched devil!”

Charlie smashed the hot lamp down upon the girl. Glass shattered and burning oil splashed down over the maiden’s head, anointing her with bright orange fire. An unearthly shriek burst from her throat and her grip loosened. Charlie wormed free, swung his legs over the side of the platform and, with a quick prayer to the Almighty, jumped free of the carriage.

The ground hit him with a breath-stealing impact. Charlie rolled his shoulders with the bruising momentum until he slowed and flopped to a halt under a large tree, dizzy and gasping like a netted fish. He lay there a moment in disbelief until panic struck his gut. He jerked upright to see if he had truly escaped and watched, incredulous, as the disaster unfolded.

The train rounded a wide curve and barreled toward the crossing. Setting dry branches and brush alight as she passed, the maiden thrashed and screamed on the carriage, oblivious to her own fate. Hearing the commotion behind him, the old peddler scrambled down off his cart to rescue his pony. Realizing his goods could not be saved, he unhitched his mare and gave her a hearty slap on the hind quarter. The animal bolted to safety across the tracks and the poor man limped away as fast as he skinny legs would take him. The Greys were just meters from the intersection.

Up the tracks, a shout pierced through the cacophony. Sounds of metal on metal screeched through the forest as the train slammed down on its emergency brakes. The train blared the horn at its inevitable arrival.

Charlie’s beloved Greys, having seen the cart too late, squealed and skittered, their hooves gouging deep into the cold, soft earth as they struggled to veer left, away from the cart. Rigging clanged and wood creaked in protest but the impact was imminent. The wooden draft poles finally snapped under the strain, sending the carriage skidding sideways into the cart. The impact of the royal coach smashing into the back of the peddler’s cart sent it airborne, careening into a wild roll. Three of the horses broke free, galloping madly on toward Coburg. With a horrible crunching sound, the wheeler screamed and stumbled into the back of the cart creating a mass of broken slats. His neck whipped across a jagged board silencing him into instant death.

Forward momentum flung the blazing girl and landau side over side, directly into the path of the oncoming train. The locomotive engine wailed a final warning before crashing through the carriage, exploding it in mid-air with the speed and force of a giant bullet. Fiery splinters flew high into the tree canopies like a firework, the last oil lamp scattering flames up and over the sides of the railcars. The glissando of the train horn suddenly died. Metal squealed and scraped together under the protesting brakes accompanied by the solid, earthy rumble of heavy, iron wheels upon the tracks.

It was only when a small bit of wood struck Charlie’s leg that he remembered to breathe. He shook his head clear and clutched his chest, taking in large draws of air. Debris tumbled and bounced across the ground hundreds of meters in every direction. Bits of the carriage and carnage rained down all around him. Nearby, a delicate, dismembered hand flopped motionless onto the grass. Streams of dark blood oozed from the ends of the curled, claw-like fingers. From the depths of the forest, his name echoed down the road.

“Charles! Charles!”

The train continued to slow, chugging to a stop with labored effort. Surprised shouts from the crew could be heard in the distance. The peddler hobbled to meet him. Charlie tried to stand but his knees wavered like sheets in the wind. A throbbing pain swallowed his torso and seeped up his chest. Bewildered and numb, his mind faded into the cold, grey fog of shock. It was only when his knees gave out and Charlie plopped back down against the oak tree that he realized one of his legs was broken. He wheezed in disbelief at the fiery wreckage waiting for the flood of pain from his fractured femur to reach his brain. There was no movement near the horrific aftermath that lay scattered over the crossroad. Charlie was struck by the absurdity that the girl might have survived the crash. After all, she had survived everything else.

“Mein Gott, Charles!” Earl Baumgart reached his side, giving his cheek a few hearty slaps. “Keep awake now. We’ll have the doctors here, straightaway!” Charlie felt the familiar tide of nausea ebb up his stomach. It was an odd and uncomfortable reassurance that he was indeed still alive.

“God have mercy!” Earl Baumgart’s cry evaporated into the hollow shell of Charlie’s head. “God have mercy!”

THE END

READ PART I HERE

READ PART II HERE

By: Erica Ruhe

 

SHORT STORY: ANIMORTIS Part II

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Like a hunter who had flushed its prey from hiding, the gory maiden let out a horrid screech and burst into a run towards the carriage. The terrified Greys screamed and tossed their heads, bolting forward into the darkness. Charlie’s top hat took flight as the cold breeze turned to a freezing gust under the burst of horsepower.
“What in God’s sacred Creation was that creature?” Earl Baumgart shouted above the deafening rumble of the carriage as it bumped and rattled away at full speed down the rugged road. The spooked horses were at a full sprint now.
“I don’t know, sir,” Charlie replied, fighting to regain control of the petrified team. “But we’re safe away!”
Charlie twisted his head and looked down the path, seeking reassurance that the wild girl straggled far behind them in the growing distance. Earl Baumgart also turned round in his bench seat but the road behind them was nothing more than a gaping black void in the night.
“Yield, my lads!” Charlie pulled firm on the lines.
But the horses did not give.
Charlie arched his back and threw his whole body behind the reins once more. “Yield, boys! Yield, I say!” The team ignored his order and, instead, returned his efforts with a fresh burst of speed. A second flash of panic sparked in his gut.
“Verdammt!” Baumgart shouted.
Charlie’s head whipped around. The breath whooshed from his lungs. There was the girl, clinging one-handed to the wheel’s mudguard, scratching and clawing her way up the side. Her legs dragged limply over the speeding ground under her, shredding the skirts and skin into bloody, tattered swags of flesh. To his surprise, pain was not the expression on her face. It was hatred and hunger that burned from her gnashing teeth and mad eyes. She possessed a strength and voraciousness that he had never witnessed before. The true harm she might be capable of struck down on Charlie like a bell hammer. The Earl’s life was in jeopardy.
The girl’s slender, pale arm grappled over the back of the folded canvas cover, inches from Earl Baumgart’s head. Wrapping the reins around one hand, Charlie unhitched the shotgun from under his bench.
“My lord!” Charlie shouted, struggling to keep steady against the bucking carriage. “Move away!”
Baumgart caught sight of the weapon. “Charles! No! You can’t kill this girl!”
The maiden’s other hand slapped over the edge, her flayed fingers catching a firm hold of the Earl’s arm.
“Back!” Charlie ordered as he cocked the hammer.
“Miss, please!” The Earl struggled to free himself. The girl rose over the side, blood-streaked strands of blonde locks lashing and whipping about her lacerated face.
“I’m warning you!” Charlie narrowed his aim.
She opened her mouth wide and snapped her teeth inches from Baumgart’s forearm.
“Mein Gott!” Baumgart exclaimed. Then to Charlie, “Shoot her! Shoot her!”
Charlie sucked in a breath and pulled the trigger. The shot exploded the ridge of trapezius muscle between her throat and collarbone. Blood sprayed through the air, her shoulder bucking backward, arm flinging out behind her. Baumgart shouted in horror. The Greys screamed again.
But still she remained. Dumbfounded, Charlie paused, his aim wavering. That wound would have stopped even a battle-hardened soldier. The girl slopped her limp arm back over the seat and this time, grabbed Baumgart’s shoulder. Her shattered clavicle bristled bright white above the wash of fresh blood that poured down her chest. Charlie gritted against the violent rattle of the carriage. Tucking the butt of the gun under his tethered arm he ejected the spent cartridge.
Baumgart wriggled and squirmed, trying to slide out of his coat. “Let go, you demon!”
Returning the shotgun up to aim, Charlie braced himself for the kickback but paused and eased his finger off the trigger. The girl had slithered closer, her mouth agape and eyes flared. Red drool poured over her chin and onto Baumgart’s shoulder. A clean shot without harm to the Earl was impossible.
“Charles!”
Earl Baumgart struggled out of his overcoat, peeling his arm and shoulder free of her grasp. He dove to the front quarter seat behind the coachman’s bench at the same instant the front wheel struck a large rock, sending a violent impact crashing through the landau chassis. His footing slipped and he struck his temple on the edge of the carriage door. Baumgart crumpled into a heap. Charlie’s hand smashed against the cold guardrails. The gun clattered to the coach floor as the maiden pitched backward off the side of the landau.
“My lord!” Charlie called again. “Are you all right?”
Baumgart held his bleeding head and brought his back to rest against the carriage door, too dazed to reply. His eyes rolled back and his body melted under the weight of unconsciousness.
Charlie cradled his throbbing fist under his arm. Assured that such a sudden shock through the vehicle would have sent the girl tumbling onto the ground, he glanced back to the rear canvas cover. Instead, he saw a single bloodied hand firmly anchored over the same door that Earl Baumgart now lay slumped upon.
Then, with a lurch and snapping of wood, the rear axle cracked.
Calculating the risks, Charlie whirled back to the wild, squealing Greys. Frightened into a mindless lather, they dragged the coach without concern, bashing it over every pit and rock, like careless boys running with a toy wagon. Loosened, broken spokes flew from the wooden wheels like spears. In a last desperate attempt, Charlie wound his hands down the leather reins, braced his feet on the iron front-board and pulled with all the might he could muster.
“For the love of Mother Mary, yield, you bloody beasts!” he screamed. “Yield!”
The panic in his voice was all the team heard. Their alarm confirmed the horses thundered blindly onward. Shaking, Charlie’s arms drooped with exhaustion. His eyes darted back to the unconscious Earl sprawled on the floor of the carriage. Above him, the maiden had pulled her torso back onto the ledge side. She was nearly inside the coach.
Leaping to his feet, Charlie pulled in the reins, knotted them tight around the whip socket and snatched them up the long, leather switch. He swung a leg over and straddled the coachman’s seatback, one hand on the iron railings the other poised to deliver a firm lash of the whip.
“Oy!” Charlie shouted to avert her attention.
The girl’s head jostled violently but her eyes snapped up at his voice.
Charlie secured his balance and released a nasty crack of the whip against the girl’s arm. “Back, you devil!”
She flinched from the noise but was undaunted by the new wound on her purple skin.
Charlie raised the whip and gave her another swift, discouraging snap across the side of her neck. The thin flesh burst apart with a mist of blood but still, she continued. Charlie released a few more cracks across her arms and chest but the girl had now gained a leg over the side. He tried a final time, across her head. The whip slapped at the soft, fleshy cut on her cheek, enlarging the wound into a flap of skin that hung limply from her face. At this, she inhaled and let out an ear-splitting scream.
“C’mon then!” he challenged.
Charlie straightened, stepping down into the carriage when something hard struck his back, tossing him onto the back of the rear bench. In a blur, a low-hanging branch swept over the open carriage, just missing the maiden’s head. Charlie lolled low and dangerous over the ground. Dust and small pebbles kicked up from the broken rear wheels pelted his face. He yelped in pain, squeezed his eyes tight and forced his body back into the carriage.
Winded and blinded, Charlie realized the whip was no longer in his hand. Tears flooded his gritty, burning eyes. He swiped a coat sleeve over his face and rolled over just in time to catch the maiden as she launched herself onto him. They landed flat on the seat and she opened her mouth wide for a large bite of the soft pulsing flesh near Charlie’s jugular.
Charlie caught a handful of her blood-stiffened hair and yanked her head backward. With his other hand, he caught her shinning, red jaw at the throat, pinning her arm’s-length above him. The girl wriggled and thrashed with rage, nails raking at his hands. He blinked back his blurred sight as she gurgled, frustrated, her teeth working the air behind the exposed tendons in her jaw. Fatigue burned down his arms, the muscles yearning for release. Adrenaline flooded his brain as he deliberated.

By: Erica Ruhe

Check in next Thursday for the final installment!

READ PART ONE HERE.

Short Story: ANIMORTIS

a scary undead zombie girl

Germany, 1861

“Easy! Easy, I say!” Charlie commanded and cajoled the four Windsor Greys to an amble with a firm pull on the reins. The bridles clanged and rigging groaned as the team clambered over each other in confused panic. “Steady, boys.”

The open-top landau creaked and slowed, halting in the middle of the dark forest road. Dusk had slipped away to a heavy indigo of evening, the small oil lanterns on either side of the carriage offering little beyond their stunted diameters of golden light. Charlie squinted into the surrounding shadows, searching for the source of the team’s unease.

“Is there a problem, Charles?”
Charlie turned to the passenger behind him with a respectful tip of his top hat. “No, sir.”
“Then why have we stopped?” the Earl asked the tone in his German accent as weary as his blue eyes.
The bitter October breeze carried an unusual quiet through the trees. Charlie shivered.

“I’ll get them back on their way.” Eager to dismiss the anxiety growing in his gut, Charlie snapped a smart nod of his head and turned back to the Greys. Assured all was under control, Earl Baumgart angled his book back to the lamplight and returned to his reading.

Charlie’s leader horses pawed at the spongy earth, grousing and chewing at their bits. Behind them, the soft, pointed ears of the wheelers twitched, straining to hear beyond their clinking tack. Charlie gripped the thick leather reins, digging frigid fingers into his palms to fight off the numbing fatigue.
“Alright, boys.” He clicked his tongue. “Be on, now.”

Defiant, the horses tossed their heads and snorted, refusing to move.
“Stroll on,” he gave a good snap on the straps, his patience waning. A few hours travel still lay ahead before they reached the Earl’s brother in Coburg. Every moment standing here in the autumn cold was another moment of delay from a full belly and a warm bed.

“Oy!” Charlie slapped the reins now. “I said get!” He gritted his teeth, pulling the riding whip from the socket.

The sudden snap of a twig and crunch of dry leaves halted Charlie, whip held above his head. On their guard, the horses remained rigid, listening. Charlie stuffed the whip back into the socket, unlatched a lamp from its post and stood, peering as far into the darkness as he could manage. Only emaciated shadows of barren trees swayed in the wind.

“Charles,” the Earl whispered and thumped his book closed, “is someone lurking about?”

Charlie wrapped the reins in a loose knot around the whip socket and disembarked from the coach bench. With the lamp in hand and caution in his feet, he stepped to the front of the team.

“Perhaps it’s only a small animal, sir.” He hunched his shoulders against the night chill and exhaled, cold vapor billowing over his unshaven face. A long moment passed. Nothing stirred.

“What is it, Titan?” Charlie muttered, patting down the wheeler’s broad neck and shoulder, breathing in the familiar, earthy scent of cold, damp horse. Titan blew a heavy gust from his large nostrils and tossed his head away, annoyed and distracted. His wide eyes roved toward a dark corner in the forest ahead.
Then, on the soft breeze, came a deep, guttural sigh.

Again, velvet ears snapped forward, this time with unnerving precision. Charlie eased further into the darkness, certain his mind wasn’t playing tricks.
“Hallo?” the word scratched in his throat as he raised the lamp. Pierced with the pungent odor of kerosene, the night air smelled sharp and inauspicious. Charlie swallowed. Crisp, naked branches creaked in the wind. “I say, is anyone there?”

Charlie held his breath. Fear seeped its way down his taut back. His heart thrummed in his ears. The whooshing of his blood blurred his senses. The miserable chill settled deeper into his bones.

A ragged moan flowed down the path in answer, low, monotonous.
“Sh-show yourself!” Charlie demanded through numb lips. Shielding his sight from the glare of the lamp, he tromped a few feet ahead of his team. His eyes snagged upon a curious shadow wading through the shrubbery.

“You there!” Charlie’s voice broke in a most unflattering manner.
The figure inched forward. She was an odd girl. Seventeen, perhaps, but her footing was awkward and unsure like a babe’s first step. Her head hung low, the lower half of her face shrouded in the shadows. Her eyes were sunken; merely two, dark pools reflecting the lamplight. Jagged branches teased and pulled at her disheveled blonde braids as she neared. She was the frail silhouette of a beggar girl. His courage restored, Charlie lowered the lamp and planted an authoritative fist on his hip.

“Do you get a jolly out of spooking travelers and their horses?”
The girl did not answer.

“You should get a good wallop on the backside for a prank like this! And what, in God’s name, are you doing out here in the forest at this late hour? What kind of a father would allow his daughter to wander about unescorted? And have you a coat? You haven’t—.” Charlie trailed off at the observation, appalled. “You haven’t even a coat,” he muttered to himself, strangely and suddenly compassionate. “You poor creature.”

He took notice of her red dress, the thin fabric torn and muddy. She remained silent as she shuffled forward into the outer reaches of the lamplight. It cast faint upon her visage, revealing her pitiful state. Her face was soiled, a cut stretching across her forehead. She inhaled and exhaled with effort, the raspy sound suggesting fluid in her lungs. Charlie’s tone softened as he realized she was hurt.

“I say, are you alright, miss? You must be freezing in this cold.”
She sucked in a laborious breath and dragged another foot forward, emerging from the brush and onto the edge of the road. Her head twitched to the side, revealing a large tuft of hair that had been ripped out of her scalp. The horses groused again. Her wide, glossy eyes stared, emotionless yet transfixed. Charlie’s compassion melted back into unease.

A smell hit him.

It was illness, and yet, something grotesquely viler. He swallowed down a gag and reached for a handkerchief to cover his nose. She stank of death.
“Gott in Himmel!” Earl Baumgart exclaimed, opening his carriage door and kicking down the metal folding step. “Come! I have a warm blanket. We’ll give you a ride to town! Where is your family?”

“Sir?” Charlie tried to control the rising alarm in his voice as he stepped back toward the coach. “I think we should be on our way.”
“And leave this unfortunate soul to freeze to death out here alone?” Earl Baumgart continued down the carriage step, flabbergasted. “Have you gone mad, Charles?”
The young girl raised her head with a renewed strength and sniffed the air. Charlie’s heartbeat broke into a gallop. He dropped the handkerchief from his face. An eerie, tight breath gurgled past her blood-covered lips. Thin, delicate fingers curled into trembling, stiffened claws.
Charlie squelched the rising urge to turn and run for fear of startling the horses. Instead, he continued his slow retreat back to the landau, choking down a gasp of terror. A splash of bright red cascaded down the girl’s chin and throat. It was as though she had bit her tongue right out of her mouth. The Greys blew strong gusts of air from their flared nostrils, catching wind of the horrid stench. They shuffled their heavy hooves, jostling the carriage. Charlie felt for the lantern hook and slipped the lamp back on to its rung.
“Sir,” Charlie urged, anchoring a foot onto the coachman’s step. “She appears to be,” he faltered, not knowing how best to describe her condition, “ill.”
Baumgart paused, a peculiar expression creeping across his face.
Charlie glanced back once more. Rivulets of blood stained the girl’s bruise-dappled arms. A shred of white ribbon hung tangled in the end of a loosened braid. Rouge smudged her cheek. The glint of a golden locket flashed bright around her neck. Charlie noticed her tattered, red dress once more.
He felt his breath catch in his chest.
Halfway down the skirt, it shone of fine white silk. The top was completely dyed red with blood. This was not a common beggar girl. She did not seem to be in pain. She did not seem to be coherent at all.
“We’ll…send someone back for you,” Earl Baumgart managed in a whisper, back-peddling to the landau.
The girl turned her head toward the sound. Her jaw went slack, arms reaching out as if to embrace him. Blood bubbled into froth around her mouth.
Charlie looked back and the two men nodded in unspoken, wide-eyed agreement. They scurried aboard, Charlie nearly missing a step and Earl Baumgart clapping the superfluous carriage door closed with a loud clack of the latch. Snatching up the reins and snapping a hard crack against the team’s backsides, Charlie cried out a desperate plea, “Run on!”

To be continued. Look for part two, next Thursday!

By: Erica Ruhe

 

Review: Channel Zero – No-End House

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Much like American Horror Story, Channel Zero is a horror anthology series which each season differing from another. Last year, it was Channel Zero: Candle Cove, this year SyFy series returned with Channel Zero: No-End House. Unlike other series that are either based off of books, original screenplays, or graphic novels, this series is based off of Internet-borne stories infamously known as creepypasta (they’re the sames stories that birthed the legend of Slender Man). Unlike American Horror Story, Channel Zero gives a seriously dose of creepy vibes with its visceral, almost nightmare-inducing visuals.

Channel Zero: No-End House is centered upon a haunted house. But this haunted house is unlike any other you’ve ever been in as entering all six rooms will leave you emotionally disturbed (if you even make it through to the other side). The show centers around the protagonist, Margot (Amy Forsyth) a young woman who’s still dealing with the untimely death of her father (John Carroll Lynch). One night, her best friend Jules (Aisha Dee) proposes to go out for the night to help pull her friend out of her dark spot. The two end up in a bar where they meet fellow friend J.D. (Seamus Patterson) and alluring new boy Seth (Jeff Ward) who dare the girls to join them to walk through a haunted house infamous for leaving anyone who enters it utterly disturbed. The two friends agree, and once they enter the house that’s when things go awry.

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What follows isn’t necessarily outwardly disturbing per se at first glance, only that the final room of the house brings the group to a neighborhood, much like the one they’re from (almost like an alternate universe of sorts) only that the people who inhabit that place may look like your loved ones, but are far from being those people. (Such as the protagonist Margot seeing her father living there and he’s alive, when in her world he’s dead). At first glance, the people inhabiting the house may appear innocuous but they actually harbor a dark secret. Mere food doesn’t nourish these creatures, rather they feed off of someone’s memories (quite literally, as your memories manifest into either a person or pet and the house’s inhabitants tear into them, devouring every morsel of your past).

The show was directed by Steven Piet (known mostly for the crime mystery Uncle John on Netflix). Channel Zero: No-End House is full of long pans such as the film It Follows, not quite revealing to the viewer right away what exactly it is that we need to be paying attention to. There’s a strange sense of dread in every scene, and the suspense and terror is palpable. The viewer is filled with a terrible sense of unease throughout the whole series, and for some of you less brave folks out there, you may need to sleep with the light on once you’re through with this.

By: Azzurra Nox

My American Nightmare – Giveaway & Book Launch!

My American Nightmare 2

October had me uber busy between Halloween events (I was at a new event every weekend cause I LOVE Halloween) and launching my horror anthology MY AMERICAN NIGHTMARE – WOMEN IN HORROR ANTHOLOGY.

This anthology is a bit of a passion project where I selected short stories from a vast amount of entries to bring readers the very best of horror (and all the nuances of the genre) and incredible new voices that I wish to showcase.

For two weeks now the book has been featured on Amazon’s bestselling list in short stories, and I couldn’t be more proud of these ladies that helped my dream of compiling an anthology come true!

So support women writers by purchasing a copy of the book: HERE (or if you have Amazon Kindle Unlimited you can read the book for FREE!).

ALSO: Don’t forget to enter the giveaway I have for my book launch HERE (where you have a chance to win a $15 Amazon Giftcard & amazing book themed swag!)

P.S. For a limited time my book DOLL PARTS: Tales of Twisted Love is being offered FREE HERE!

By: Azzurra Nox