HIDING was a very unique, particular book about a teenage boy who has been figuratively hiding all his life, that he’s capable of going unnoticed in plain sight. The whole book takes place within a twenty hour-time frame and explores the various secrets one keeps, and how sometimes surface truths aren’t always the truth, but merely a cover-up to what is truly hiding beneath the surface. This novel will keep you guessing as you try to unravel the truth about why the protagonist’s girlfriend left him, and how the truth affected the whole relationship. A fast-paced YA that ultimately delivers an important message to teens, how precious life is and what it means to be true to yourself. Check this out if you’re into coming of age YA novels, with a protagonist reminiscent of Holden Caulfield.
About The Book:
HIDING tells the story of a teen boy who excels at being unseen and who finds himself in the unlikely predicament of hiding in his ex-girlfriend’s house. There he uncovers carefully concealed truths—about her, her family, and himself—in a breakout mystery both unpredictable and perceptive. Trapped by the alarm in his ex-girlfriend’s house and his own indecision, he’s confronted by how little he knows about Laura and her family—her seemingly perfect life and the reasons she shut him out of it. As he explores the palatial home, he uncovers more than he bargained for. How long can he stay hidden? What will happen if he is found? What will he learn about Laura—and himself—in this house? And what is his true motive for being there?
Turner’s affinity for observant outsiders—and teens who share a desire to hide from nosy adults and judgmental peers—shines in a psychological thriller in which the slow burn of tension keeps readers turning pages to a sudden twist that changes everything.
Short Q & A With The Author:
In your past novel, Ask The Dark and your current novel, Hiding, both books focus on how the protagonists came from lower class families. How important was that detail to the plot and how did it shape the characters and their actions?
In ASK THE DARK the protagonist was from the lower class, financially speaking, but really that’s not the case in HIDING. HIDING’s narrator is middle class, but living in a neighborhood where that category would have wide boundaries and a sliding scale because there’s a lot of variety and nuance to the whole socio-economic scheme of the area. It was important that his lifestyle is in contrast to Laura’s – she’s rich and has had a lot of prestige experiences: she lives in a huge house, attends prep school, travels, and so forth, but he doesn’t. He has every reason to wonder why she is attracted to him and sees value in him, because, in at least external ways, they have very little in common. Hence part of his quest is to learn the reasons of her attraction, which ultimately have nothing to do with their socio-economic positions. Also important is how their lifestyles have influenced how they react to their problems and the development of their coping strategies – the differences of which lead the narrator to his most important discoveries.
Hiding reminded me of a true crime incident where a man in New Orleans hid in his ex’s attic for weeks without her knowledge. Was the novel inspired by true events?
Certain personalities in the story have real-life antecedents, but always in a composite. I used to cut school and hang out at a country club where the waiters would give me drinks – though I never put on the act the narrator does! The central situation was my invention, however, and not based on a true crime.
There was a stark contrast between the protagonist and his girlfriend Laura. Do you think that she was attracted to him because unlike her mother, he wasn’t expecting her to be perfect?
He doesn’t have expectations at all. He sees her in the moment, as she is. He looks past her accomplishments, her beauty, money, athletic success, and connects with what makes her real as a person, and not as a reflection of what she has or does, which, to his way of thinking, are really just obstacles getting in the way of their getting to truly know and love each other. A big part of the story has to do with his convincing her that it’s the innate aspects of herself that are most special about her, not things she has or does that are external to her, and that is losing the meaning she once placed in them.
The novel explores the idea of hiding in plain sight. Do you think that many people, especially teenagers find it easier to hide rather than to bring attention to themselves?
It depends on what they hide; or rather, what they hide behind. I think the narrator uses hiding, or at least his highly adaptable definition of hiding, to take control over how he feels he’s being overlooked and ignored in his neighborhood. Instead of saying, “They can’t see me,” he prefers to think, “I’m hiding from them,” which allows him to preserve his private sense of value and keep it a secret to himself, without the need for external approval or validation. The risk, however, is that at its most dangerous level, the narrator defines hiding in the sense of keeping important aspects of the self-buried, from others as well as from oneself. So the kind of hiding that the narrator discusses is very different from just staying out of sight. It can be that – simply staying concealed so you aren’t noticed – but more subtle and dangerous is using some external trait as one’s identity, as the representation of one’s value, behind which hides the secret self.
There was a feeling of dread throughout the whole novel up until the climax. Do you think that this was necessary for the protagonist’s journey?
In the end, when he realizes what is really happening to Laura and the imminent danger of it all, he feels dread, amped up by feelings of urgency and despair. But earlier, as he walks through the neighborhood, or even in the earlier scenes of him sneaking around inside Laura’s house, the sense is more of isolation and alienation – and there is a lot of humor in his way of looking at things. All throughout the story he talks about being unrecognized and in some instances actually rejected, which certainly can be dreadful, but this was necessary to show that he can maintain his sense of self-worth without external support, praise, validation, etc. That’s really the essence of the book – the revelation that the narrator has developed a coping mechanism that lets him maintain his sense of personal value despite how he’s treated or believes he’s perceived by others.
About The Author:
Henry Turner grew up in Baltimore, Maryland, in Roland Park, where he attended public school. He was always interested in storytelling in one form or another, and as a teenager he started making films with his brother and neighborhood kids.
Henry wound up making five feature films, writing and shooting and cutting them. When his films won awards and attracted industry attention he moved to Los Angeles, after getting a call from a film production company that was looking for scripts. He stayed in L.A. and helped build a fledgling film festival that has since become well-established. He also freelanced in entertainment journalism, interviewing well-known filmmakers such as George Lucas, Brian Grazer, Quentin Tarantino, James Cameron, and many others. All along he was writing stories.
During a year spent in Greece he made a total commitment to writing fiction. Returning to Los Angeles, he met his future wife, who encouraged him to study fiction writing with a novelist he admired – John Rechy. Henry stayed in Rechy’s private writing group for a number of years and also studied privately with Hubert Selby. Since then he and his wife have had a son, Hugo, who is now twelve. Henry Turner is now writing a new novel.
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*I received a free copy of the book for review purposes.
By: Azzurra Nox