Series Review: Firefly Lane

Recently, I was asked to view an advanced screening of Firefly Lane, the newest series to hit Netflix in February, based off of the New York Times best-selling author Kristin Hannah’s 2008 novel of the same name. I purposely didn’t read a plot summary before diving in, but I did decide to watch it based off of the fact that Katherine Heigl (Grey’s Anatomy fame and early aughts rom-com queen) and Sarah Chalke (Scrubs and Rick & Morty) star as the two best friends, Tully Hart and Kate Mularkey.

The show is split in three time frames, present 2007, past 1982, and childhood past 1974. The show, like the novel, shows the spanning of a 30-years-old friendship between two best friends who first met at the pivotal age of 14 when living on the same street, Firefly Lane.

Tully Hart has always been ambitious and beautiful, the stark contrast of Kate Mularkey who’s intelligent but mousy. The two have always envied the life of the other. Tully envies Kate’s family, while Kate envies Tully’s beauty and charisma.

I only got to view the first two episodes, but episode one shows us meeting the protagonists at their lowest points. Tully is a successful talkshow host but is worried that her beauty is diminishing and feels like her talent is wasted on the talkshow, while Kate is trying to deal with a divorce and trying to navigate work again after being out of the workforce for the past fourteen years.

FIREFLY LANE (L to R) ALI SKOVBYE as YOUNG TULLY and ROAN CURTIS as YOUNG KATE in episode 102 of FIREFLY LANE. Cr. COURTESY OF NETFLIX © 2020

Both actresses excel in their roles and compliment one another. My favourite aspect about this show is the enduring friendship between the two protagonists and how even the possibility of a love triangle doesn’t seem to derail how they feel about each other. If anything, this series focuses on how maybe your soulmate is your best friend and not your romantic partner, and that the greatest love story you’ll ever live is the one you have with your childhood best friend. At a time when women are always seen competing against one another on shows or movies, this is refreshing. Again, I’ve only viewed the first two episodes, so I ope that they continue on this course and don’t derail into the normal tropes that I despise about female friendships.

One of the moments I loved best about the show is when Tully, noticing that Kate is feeling frumpy, decides to swap dresses with her so that her best friend can feel beautiful in a more attention-seeking dress. Or when Tully is speaking with Kate’s daughter, and Kate’s daughter is complaining about her mom and calls her a bitch and Tully stops her and says, “Hey, don’t talk about my best friend like that. Your mom is nice, she was nice at 14 and no one is nice at that age.”

If you’re someone who loves friendship stories, I think you’re really going to love this series and you should definitely check it out.

*Thank you to Netflix for advance screening!

Watch Firefly Lane starting February 3, Netflix.

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Book Review: Survivor Song by Paul Tremblay

survivorsong

 “This is not a fairy tale. It is a song.”

Release Date: July 3, 2020

Pre-Order on Amazon!

Publisher: William Murrow

Price: $27.99 (hardcover)

Plot Summary:

In a matter of weeks, Massachusetts has been overrun by an insidious rabies-like virus that is spread by saliva. But unlike rabies, the disease has a terrifyingly short incubation period of an hour or less. Those infected quickly lose their minds and are driven to bite and infect as many others as they can before they inevitably succumb. Hospitals are inundated with the sick and dying, and hysteria has taken hold. To try to limit its spread, the commonwealth is under quarantine and curfew. But society is breaking down and the government’s emergency protocols are faltering.

Dr. Ramola “Rams” Sherman, a soft-spoken pediatrician in her mid-thirties, receives a frantic phone call from Natalie, a friend who is eight months pregnant. Natalie’s husband has been killed—viciously attacked by an infected neighbor—and in a failed attempt to save him, Natalie, too, was bitten. Natalie’s only chance of survival is to get to a hospital as quickly as possible to receive a rabies vaccine. The clock is ticking for her and for her unborn child.

Natalie’s fight for life becomes a desperate odyssey as she and Rams make their way through a hostile landscape filled with dangers beyond their worst nightmares—terrifying, strange, and sometimes deadly challenges that push them to the brink.

Grade: A-

Review:

I’ll begin this with the admission that I wasn’t a big fan of Paul’s most popular novel, A Head Full of Ghosts. However, there were genius moments in that novel that made me want to check this new book out. The publishing world is slow, so when the author actually wrote this book he was merely speculating on a long-distance future. However, months into a global pandemic and the future that Tremblay describes in his book is suddenly our reality.

In the novel, a new form of rabies virus has made the jump from animals to humans and the effect is devastating. Since the onset of rabies plays much like flu-like symptoms, this feels very eerily similar to what we’re dealing with right now with COVID-19.

The reader can automatically assume which President the author had in mind when he wrote the following: “A president unwilling and woefully unequipped to make the rational science-based decisions necessary.” Especially given the fact of how our current President has managed the pandemic we’re living.

The novel is very fast-paced as all the events take place within the same day, much like how horror movies do. If you wish to read a fast-paced horror with strong female bonds, then this book is for you.

*Thank you so much to NetGalley and William Murrow for the digital copy of this book in exchange for an honest review!

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Book Review & Author Interview: The Sister Pact by Stacie Ramey

sisterpact

Who holds your secrets?

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Plot Summary:

Allie is devastated when her sister commits suicide-and it’s not just because she misses her. Allie feels betrayed. The two made a pact that they’d always be together, in life and in death, but Leah broke her promise and Allie needs to know why.
Her parents hover. Her friends try to support her. And Nick, sweet Nick, keeps calling and flirting. Their sympathy only intensifies her grief.
But the more she clings to Leah, the more secrets surface. Allie’s not sure which is more distressing: discovering the truth behind her sister’s death or facing her new reality without her.

Grade: A

Review:

Full disclosure: I was attracted to this book for all the wrong triggering reasons. A little backstory: Much like the protagonists Allie and Leah, as teenagers, my cousin Melody and I also had made a “pact” to bail out if life took a turn that we couldn’t handle. Flash forward to 2013, and Melody bails out in the worst way possible but also breaking the pact that had made where we would’ve made the decision together. Now, six years later, I am still trying to figure out what I could’ve done or said to make her not wish to want to go. In a way, in these six years, I’ve tried to experience all the things that I knew Melody wished to experience or travel to places she would’ve wanted to. In other words, I’ve tried to live for both of us.

My first book from Stacie Ramey was It’s My Life, and despite the protagonist having cerebral palsy, it wasn’t as dark or heavy as The Sister Pact. There was a stark contrast between the two novels. In It’s My Life, Jenna had to deal with a chronic illness, however, she had a loving family and friends. But in The Sister Pact, the protagonist Allie has to deal with a highly dysfunctional family and awful friends that betray her. What I’m trying to say is, this book was very, very dark.

Ramey doesn’t sugarcoat anything and instead depicts grief and depression in a very realistic way. At times, Allie’s pain is so palpable and visceral that you can almost feel it as your own. I found it to be a very powerful and moving novel. Which seeing that it was this author’s debut novel to boot, she really came into the writing scene with a serious bang.

And although the subject matter of the novel is extremely dark (suicide, depression, drug abuse) it isn’t dreary for the sake of being so. You understand why Allie makes the bad choices that she does. But ultimately, she finds the strength to want to live, even if her older sister Leah, whom she looked up to, isn’t there with her anymore. The end was uplifting and hopeful. And in a way, it made me feel a little hopeful about my own grief over my cousin’s death.

I recommend this for anyone who wants to read a novel that discusses serious topics and has some real feelings.

Short Q & A With the Author:

Jenna and Allie have dramatically different families. One is very loving and supportive while the other is highly dysfunctional. How do you think their families contributed to your protagonists’ personalities?

I think that’s the point, isn’t it? I mean, Allie has to overcome a lot of things. Her sister’s suicide. Her parents’ divorce. Her feeling that her world is unraveling. We understand that her family’s struggle has contributed to her issues, but we also see that she’s undergoing complicated grief which is a type of grief where Allie feels slightly complicit in her sister’s death in addition to everything else and she’s not coping well. But we don’t really blame her because it’s really too much for her and that’s what makes it so empowering to see her crawl out of it and find some hope.

As for Jenna, she has tons of support, but she’s stopped believing in herself. She’s given up on herself and haven’t we all done that at some point in our lives? Her family’s support is constant and wonderful, but it’s also something she’s trying to break away from in order to take the next steps in her life. All teens go through this. Jenna struggles with how to accomplish this in the wake of her disability. Some people have described her as self-pitying, but I don’t buy that. I believe that wish-fulfillment fantasy that she has of being a better version of herself is very typical and her response to the limitations of her body is very believable and deserves our witness, not our judgment. Just my opinion.

In both novels, the protagonists are academically smarter than the classes they decide to be in for themselves. Jenna decides to take easier classes because she is absent from school a lot due to her condition, while Allie decides to take lighter courses because she’s distraught over her sister’s suicide. Do you think this was a subconscious effort for both of them to control one aspect of their lives since they had no control any other way?

Yes. They each try to control their lives in any way possible. Teens have a ton of pressure on them these days (I mean they always have but now we expect them to be little adults from the time they can talk and make decisions).

For Allie, some of the adults in her life are trying to ease her burden, although interestingly enough, her parents do not share this viewpoint. They keep looking for reasons to believe Allie is ok and they look to her progression through typical milestones such as graduating on time and staying focused on getting into a high-pressure college as a means for evaluating her condition. I believe they should, instead, as her guidance counselor suggests, take time to heal, but when bad things happen, we tend to want to get back to business as soon as possible. It’s the wrong way, in my opinion.

As for Jenna, she is definitely trying to flex her decision-making muscles here. It’s not a good decision to go into lower classes, and she regrets it, but sometimes we have to allow ourselves to make bad choices in order to figure out what works and what doesn’t. She’s always fought as Daddy’s little warrior, but now she’s trying to work out who she is now and, more importantly, who she wants to be.

What was your inspiration behind both novels?

It’s My Life was actually the first book I ever wrote even though it was the fourth book I sold. I really wanted to tell the story of a girl who has a disability who gives up on herself and then has to work to find herself again. It was important to me that she has a fully supportive family, because I wanted her struggles to be with herself and how she sees herself. While I do not have cerebral palsy or a mobility disorder, I have struggled with invisible disabilities my entire life. I am the youngest of very capable older siblings and have many times felt lost in my life’s course, even while having my family’s support and love and, like Jenna, I’m still trying to figure out who I am supposed to be.

The Sister Pact was based on a few different things, some easy to discuss in this space, some harder. Mostly, I wanted to write the story of two groups of people who both had the same intent-save Allie-but were in complete opposition on how to do that. In this case, it’s kind of Allie vs her parents and even though both sets of people want Allie to heal, initially they don’t understand the other person’s intentions and methods so they work in conflict with each other. It was really an experiment and I’m glad it worked out that both groups could work together. I also wanted to show how mental health issues can look completely different from what we might expect in this case, Allie’s sister is super successful, all the while she’s battling consuming depression, as is Allie’s mother. I wanted to show how we try to act like everything’s ok when it’s all falling apart. Also, I wanted to show sisters who are so close they tell each other everything, except any of the important things.

Are you currently working on a new project?

I am currently writing a retelling of a Yiddush Fairy Tale. It’s a lot of fun.

*Thank you so much to the author for the digital copy of this book in exchange for an honest review!

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Flash Fiction: Catching Sunshine by Erica Ruhe

hole

It had been seven days since the cave in. Two thin and bloodied hands, fingers peeled raw from days of scratching at the immovable rock, protruded through a small crack above the boulder. Autumn sunshine warmed Camille’s battered palms. Her eyes closed to enjoy the sensation and she rested her head on her arm. Inside the abandoned mine, it was black and cold but just beyond two tons of fallen mountainside there was light. There was life.

“Camille…”

She turned to the weak call.

“I’m here, Ana,” she replied and climbed down the incline of loose gravel. She stepped over the rail tracks and knelt beside her friend, breathing hard from the small exertion. Anastasia did not move, as if the flat of her back had become rooted to the floor. Camille tucked Ana’s exposed arm back under her burgundy coat blanket.

“I caught you some sunshine,” she said and placed her palms on Ana’s cold, dirt-streaked cheeks. Her friend’s chapped lips closed, her throat squeezing down nothing more than dry, dusty air. Licking morning dew from the exposed rocks day after day had not been enough to sustain them.

“Warm…” Ana croaked.

Their breath rasped loud in their suffocating confines. They spoke barely above whispers, their vocal cords strained and silenced days ago from the endless hours of screaming for help.

Ana cracked open her eyes.

“Do you think they’ll…ever find us?”

A tear trembled on the ledge of her sharpened cheekbone. Her skin had shrunk around her already slender body. Camille moved a palm to Ana’s forehead and the other to her chest, absorbing fresh chill from her skin.

“Yes,” she gave a weak nod. “One day.”

Crevices of dirt around Ana’s eyes deepened in question and the tear plummeted to the waves of her matted braid. Camille lightened the weight of concern in her expression.

“One day, we’ll be someone’s archeological find. We’ll be a treasure unearthed in a thousand years. They’ll discover our bodies, arms embraced around each other, and they will mourn for our unknown lives. They’ll make up histories for us and give us pretty new names.”

Camille stroked her thumb along the blood caked on Ana’s brow.

“They’ll lovingly preserve our bones in a life-size diorama and we will become an exhibit in their museum of ancient history. We’ll be enshrined in glass and admired by millions. We’ll live forever, Ana.”

“You’re so…dramatic.”

A smile tinted Ana’s words but it was too weak to reach her lips. Camille coughed and lowered her head to Ana’s shoulder, snuggling under the torn coat. Ana sighed.

“At least you have…a sweetheart to mourn you, Camille. I’ve never even had my first kiss yet. I never…dreamed that I would die without my first kiss.”

“A first kiss can be a horrid thing, Ana,” Camille teased. “Peter nearly drowned me.”

The girls shared a frail giggle. Ana closed her eyes again.

“Oh, the people I would have loved. The places…I would have traveled to. Perhaps our spirits will escape from this tomb. One day…”

Camille nestled closer.

“Perhaps a small sparrow will find us first,” Camille continued, adrift on Ana’s thoughts. “Perhaps she’ll leave behind dandelions on our chests and as we decompose, the seeds will catch just enough sun and dew to sprout and flower out of us.”

She twisted a loose buckhorn button.

“Perhaps the wind will carry our fragmented bodies back out to the wild. It will be spring, warm and bright. We’ll float over the mountain meadows and along the rushing rivers of melted snow. We’ll float over our town and look down upon our aging families. And we will sweep past their ears and whisper “we love you so very much but we cannot stay” and somehow they’ll know it is us and it will bring them happiness.”

She sniffled.

“We’ll live on as memories. Then the wind will take us again and we’ll be free.”

Camille lifted her head.

“Ana?”

Only stillness.

“Ana?”

She shook her friend’s shoulder but Ana’s expression did not move. There was no breath in her mouth. Her chest did not rise. Camille tried to hold down the rising emotion in her throat but her grief, unlike everything else in the darkened mine, could not be contained. Soft sobs choked her. Tears carved deep ravines through the dirt on her face revealing clean, frigid skin beneath.

Exhausted, Camille watched the last ray of the afternoon seep across the toes of Ana’s boots. She lifted her hand to the sunlight and let the dust motes waltz and twirl between her flayed fingers.

“We’ll live forever, Ana.”

sunshine

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