“We may be good at burying things. But we aren’t gravediggers.”
Release Date: January 21, 2019
Price: $4
Publisher: Patchwork Press
Plot Summary:
If there’s anything Kala knows, it’s monsters.
Witchcraft and Monsters is a debut poetry collection by Kala Godin.
Kala understands that the human body can be its own kind of monster. She knows the way strangers both see her and don’t.
There is magic in everything we do.
And there are monsters in each of us.
This collection is broken into five parts.
Witchcraft.
Fairytales.
Bodies.
Bad ideas.
Endings.
Grade: A
Review:
Ever since Rupi Kaur and Lang Leav came to the scene, they’ve officially made poetry cool and the rise of poetry collections that can be found today are astounding. Poetry is having a golden age again, mostly thanks to Instagram where people share and repost bite-size poems. Since so many poetry collections have adopted the simplicity that made both Kaur and Leav famous, I was expecting to get relatively short poems in Kala Godin’s Witchcraft and Monsters poetry collection, but that wasn’t the case at all. These poems are a bit lengthier than what the Instagram crowd is used to, but they’re way more up my alley than the tiny four sentence poems that are being vastly shared today over social media.
The book itself is relatively short (roughly 54 pages) but the poems contained within those pages are powerful and thought-provoking. Godin has broken down the collection in five parts: Witchcraft, Fairytales, Bodies, Bad Ideas, and Endings. Many of the poems found within this collection are dark (again a plus for me as I enjoy darker literature) and very relatable and well-written. I have a soft spot for Fairytales and Myths, and in Part 2, Godin explores certain Greek myths and popular fairytales. In The Big Book of Mythology, the poet questions Hera’s decision on remaining with Zeus when he’s a serial cheater and it all boils down to loyalty.
Another section that I enjoyed a lot was Part 3 that dealt with how we see ourselves (our bodies) and how that relates to how we relate with others. One poem in this section explored how someone in a wheelchair likens herself to Medusa because many avoid eye contact with her, just like people did with the Greek monster.
This was a very solid poetry collection, and I actually look forward to reading more poems or any other writing from this author in the future. If you’re into dark and sinister literature, mythology, or feminist-themed poetry, then this collection is simply perfect to add to your collection.
*Thank you so much to NetGalley and Patchwork Press for the digital ARC of this novel in exchange for an honest review!
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