Liz Rocher is coming home . . . reluctantly. As a Black woman, Liz doesn’t exactly have fond memories of Johnstown, Pennsylvania, a predominantly white town. But her best friend is getting married, so she braces herself for a weekend of awkward, passive-aggressive reunions. Liz has grown, though; she can handle whatever awaits her. But on the day of the wedding, somewhere between dancing and dessert, the couple’s daughter, Caroline, disappears—and the only thing left behind is a piece of white fabric covered in blood.
It’s taking.
As a frantic search begins, with the police combing the trees for Caroline, Liz is the only one who notices a pattern: A summer night. A missing girl. A party in the woods. She’s seen this before. Keisha Woodson, the only other Black girl in Liz’s high school, walked into the woods with a mysterious man and was later found with her chest cavity ripped open and her heart removed. Liz shudders at the thought that it could have been her, and now, with Caroline missing, it can’t be a coincidence. As Liz starts to dig through the town’s history, she uncovers a horrifying secret about the place she once called home. Children have been going missing in these woods for years. All of them Black. All of them girls.
It’s your turn.
With the evil in the forest creeping closer, Liz knows what she must do: find Caroline, or be entirely consumed by the darkness.
GRADE: A+
REVIEW:
I’ve always been wary of the forest – in fact, when we lived in Sardinia and our villa had a forest behind it, I always stayed out of it. Even at four years old I had a gut feeling that whatever noise I heard in the forest I should ignore it, and never investigate its origin. Liz returns to Johnstown for her best friend’s wedding, only for her goddaughter Caroline to go missing. But every year for thirty years young Black girls have gone missing – always in the same spot in the forest. This novel is rich with history, terror, and what it means to return home to a place that has never quite felt like your own. The writing is rich and the protagonist Liz is flawed but hopelessly determined. I love folklore and the author masterfully crafted a thriller mystery that weaves folklore with history in a way that you’re left racing through the pages attempting to escape the darkness and rush towards the light. I loved this book, there’s so much one can learn from this about race, class, and history. Read this book even if it scares you, actually read it because it will.
*Thank you so much to NetGalley and Bantam for the digital copy of this book in exchange for an honest review!
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‘How long have we got until the tide comes in?’ Henley was facing the river watching the small waves crashing against the derelict pier. She checked her watch. Nearly two hours had passed since the first 999 call.
‘I checked online, and high tide is at 9.55 a.m.’ Ramouter replied as he stepped around a half-submerged car tire, his eyes glazed with anxiety. ‘Low tide was at 3.15. Sunrise was at 6.32. A three-hour window for someone to dump whoever this is and hope that someone would find it before the tide comes in?’
‘Maybe,’ Henley acknowledged. ‘But for all we know it could have been dumped after sunrise or was dumped earlier upstream before being washed up here.’ She inspected the glass façade of the Borthwick Wharf, empty commercial spaces and work units that opened to the terrace and lacked security cameras. Henley doubted that the local council would have extended their own CCTV cameras to this part of the street. They had been neglecting this part of Deptford for as long as she could remember.
‘Has it been touched?’ Henley asked Anthony who had appeared at her side.
‘As far as I’m aware, it’s in situ. It wasn’t touched by the woman who found it. Matei, your builder, said that he hadn’t touched the legs but unhelpfully, it’s covered in his vomit. I had a quick look at the arms that were found downstream before I came here. From the looks of things, the treasure hunters may have prodded around a bit.’
‘There’s always one.’
The wind dropped and the air softly crackled with the electricity generated from the substation nearby.
‘We’re isolating the recovery of evidence to the direct path from the alleyway to the torso,’ said Anthony. ‘I doubt very much that whoever it was sat here and had a coffee afterwards.’
‘They may not have had a coffee, but if we go with Ramouter’s theory and the body parts have been dumped then whoever it was certainly knows the river,’ Henley replied. ‘We’ll let you get on. Ramouter and I are going to take a walk.’
‘Where are we going?’ asked Ramouter.
‘To meet Eastwood.’
‘And you want to walk it?’
Henley did her best to push aside her frustration when Ramouter pulled out his phone. ‘Google maps says that Greenwich pier is almost a mile away,’ he said.
‘Your body-part dumper isn’t the only one who knows the river,’ Anthony shouted out as Henley began to walk determinedly along the riverbank.
The gold scepters on the twin domed roofs of the Old Royal Naval College pierced the cloudless sky. The bare masts of the restored Cutty Sark completed the historical panoramic view that Greenwich was known for. It was a resplendent, whitewashed version of history that contrasted with the sewage that washed ashore. Henley stopped walking when she realized that she could no longer hear the sounds of Ramouter’s leather soles slipping on wet pebbles.
‘Where are you from?’ Henley asked, waiting for Ramouter to take off his jacket and loosen his tie. She moved closer towards the moss-covered river wall as the tide began to encroach.
‘Born in West Bromwich. Moved to Bradford when I was twelve.’ Ramouter tried to brush off the bits of mud that had stuck to his trousers, but they only smeared more. ‘Lots of moors, no rivers. Surely it would have been quicker in the car.’
‘This is quicker. Unless you fancy sitting in traffic for the next half hour while they raise the Creek Road Bridge.’
‘You know this area well?’
Henley ignored the question. She didn’t see the point in telling him that she could have walked this path with her eyes closed. That this small part of South-East London was ingrained in her. ‘Whoever dumped the torso would have taken this route. It doesn’t make any sense to come down here, go back up to the street level and then drive up to Watergate Street. Out of sight, below street level. Lighting would have been minimal.’
‘Body parts are heavy though,’ Ramouter tried to quicken his step to catch up with Henley. ‘The human head weighs at least eight pounds.’
‘I know.’ Henley pulled out her mobile phone, which had started to ring. She saw who it was and ignored the call.
‘Head, torso, arms, legs. That’s at least six individual body parts.’
‘I know that also. So, tell me, what point are you making?’ Henley waited for Ramouter to reach her before maneuvering him towards the river wall as though she was chaperoning a child.
‘I’m just saying that that’s a lot of dead weight to be carrying around at three in morning.’ Ramouter paused and placed his hand against the wall, trying to catch his breath.
Henley didn’t openly express her agreement. She fished out a black hair band from her jacket pocket and pulled her thick black curls into a ponytail. She had forgotten how much energy it took to walk across the gradient slope of the riverbank. Worse, she felt mentally unprepared for the job ahead, with a trainee struggling behind her who had no idea this was her first time as senior investigator in almost a year.
‘It’s a bit grim, isn’t it?’ DC Roxanne Eastwood shouted out as Henley finally reached the first crime scene. ‘Morning, Ramouter. Not a bad gig for your first day.’
Henley had always thought that Eastwood actually looked and carried herself like a detective. Now, Eastwood was poised on the riverbank, the sleeves of her jacket rolled up with her notebook in her hand. She had come prepared for the river and was wearing a pair of jeans and trainers that had seen better days.
‘Morning, Eastie. How does it feel to be out of the office?’ Henley asked, her eyes drifting to a crime scene investigator who was putting an arm into a black bag.
‘I should be asking you that,’ said Eastwood, with a look of concern.
Henley silently appreciated the empathy and placed her hand on Eastwood’s shoulder.
‘But since you asked, it’s bloody terrible. I think I’ve got sunburn.’ Eastwood rubbed a hand over her reddening forehead. ‘Forensics are going to be wrapping up in a bit. Not that there’s much for them to do. Bag it and tag it.’
‘Where’s Mr Thomas?’
‘Ah, our illustrious treasure hunter. Last time I saw him he was heading towards the shops. Said that he needed to get some water for his dog.’ Eastwood shook her head, obviously not believing a word of it. ‘I’ve got an officer keeping an eye on him. I wouldn’t be surprised if he’d already uploaded pictures of his find onto Instagram.’
‘I want him taken back to the station. Ramouter can take another statement from him.’ Henley said it purposely so that Ramouter would sense she was in control. ‘If he’s like most mudlarkers, he would have been out here first thing this morning waiting for the tide to go out. Where exactly were the arms found?’
‘Just over there.’ Eastwood pulled down her sunglasses and pointed towards the foamed waves created by a passing river bus. The tide had already come in where X had once marked the spot. A sense of urgency filled the air as the river regained its territory.
‘Did he say anything else?’
‘Only that he found the second arm about three feet away from the first.’
‘It’s a sick trail of breadcrumbs,’ said Henley.
‘You’re telling me and before you ask about CCTV, there’re loads of cameras—’
‘But none aimed at this part of the river.’
‘Exactly.’
Henley’s mobile phone began to ring. She pulled it out and answered. After a quick chat, she ended the call.
‘That was Dr Linh Choi. You wouldn’t have met her yet but she’s our go-to forensic pathologist. She’s just arrived,’ Henley explained to Ramouter. She wiped away the sweat from the back of her neck.
‘So, we’ve got two arms, both legs and a torso,’ said Ramouter. ‘Where’s the head?’
Good question. Henley thought of the places between the two locations. A primary school, two nurseries and an adventure playground among the flats and houses. The last thing she needed was to find a head in the kids’ sandpit.
‘Can I have a quick look?’ Henley asked the assistant from Anthony’s CSI team, who had just bagged up the arm and was scribbling in her notebook.
‘Sure.’ The assistant unzipped the bag and pushed the plastic apart.
‘Fuck,’ Henley said under her breath. Her heartbeat quickened, her stomach flipped.
‘Oh,’ said Ramouter as he peered over Henley’s shoulder. One arm was covered with gravel. Slivers of seaweed criss-crossed old scars. The second arm. Slender wrist, the ring finger slightly longer than the index, broken fingernails. Black skin. Henley could hear Pellacia’s words from earlier ringing in her ears.
‘Too early to say if it belongs to the same victim or if it’s more than just one.’
‘Call DSI Pellacia,’ Henley told Ramouter. ‘Tell him that we’ve got two possible murder victims.’
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I wonder who thought it was a good idea that placing a book cover that displayed black characters on books that RARELY had any characters IN the book, and weren’t written by black authors, was the best way to celebrate Black History Month. How could’ve the CEO of Barnes and Nobles and the head of Penguin sit in meetings and think this was such a grand idea? I guess if you figure that the majority of the publishing world is made up of white men, then you can quickly see how this idea was ever conceived.
Personally, I think that the right way to Black History Month as a bookstore would’ve been to republish amazing classics written by authors because simply having classics written by white authors in blackface covers only shows how ignorant you really about what is being celebrated.
These are my top 10 classics written by black authors. I’m pretty sure someone on Penguin’s team could’ve come up with a similar list along the way (but I digress).
Dana, a modern black woman, is celebrating her twenty-sixth birthday with her new husband when she is snatched abruptly from her home in California and transported to the antebellum South. Rufus, the white son of a plantation owner, is drowning, and Dana has been summoned to save him. Dana is drawn back repeatedly through time to the slave quarters, and each time the stay grows longer, more arduous, and more dangerous until it is uncertain whether or not Dana’s life will end, long before it has a chance to begin.
Narrative of the Life of Frederick Douglass is an 1845 memoir and treatise on abolition written by famous orator and former slave Frederick Douglass. It is generally held to be the most famous of a number of narratives written by former slaves during the same period. In factual detail, the text describes the events of his life and is considered to be one of the most influential pieces of literature to fuel the abolitionist movement of the early 19th century in the United States.
First published in 1923, Jean Toomer’s Cane is an innovative literary work―part drama, part poetry, part fiction―powerfully evoking black life in the South. Rich in imagery, Toomer’s impressionistic, sometimes surrealistic sketches of Southern rural and urban life are permeated by visions of smoke, sugarcane, dusk, and fire; the northern world is pictured as a harsher reality of asphalt streets. This iconic work of American literature is published with a new afterword by Rudolph Byrd of Emory University and Henry Louis Gates Jr. of Harvard University, who provide groundbreaking biographical information on Toomer, place his writing within the context of American modernism and the Harlem Renaissance, and examine his shifting claims about his own race and his pioneering critique of race as a scientific or biological concept.
In 1761, a young girl arrived in Boston on a slave ship, sold to the Wheatley family, and given the name Phillis Wheatley. Struck by Phillis’ extraordinary precociousness, the Wheatleys provided her with an education that was unusual for a woman of the time and astonishing for a slave. After studying English and classical literature, geography, the Bible, and Latin, Phillis published her first poem in 1767 at the age of 14, winning much public attention and considerable fame. When Boston publishers who doubted its authenticity rejected an initial collection of her poetry, Wheatley sailed to London in 1773 and found a publisher there for Poems on Various Subjects, Religious and Moral.
Being very desirous that one of the race, so long distinguished in the cause of freedom for her intellectual worth as Mrs. Harper has had the honor of being, should not at this late date in life make a blunder which might detract from her own good name, I naturally proposed to await developments before deciding too quickly in favor of giving encouragement to her contemplated effort.
This novel, associated with the Harlem Renaissance, is considered groundbreaking for its exploration of colorism and racial discrimination within the black community, where lighter skin was often favored, especially for women. The novel tells the story of Emma Lou Morgan, a young black woman with dark skin. It begins in Boise, Idaho and follows Emma Lou in her journey to college at USC and a move to Harlem, New York City for work. Set during the Harlem Renaissance, the novel explores Emma Lou’s experiences with colorism, discrimination by lighter-skinned African Americans due to her dark skin. She learns to come to terms with her skin color in order to find satisfaction in her life.
This classic groundbreaking work of American literature first published in 1903 is a cornerstone of African-American literary history and a seminal work in the field of sociology.
W.E.B. Du Bois, who drew from his own experiences as an African-American living in American society, explores the concept of “double-consciousness”―a term he uses to describe living as an African-American and having a “sense of always looking at one’s self through the eyes of others.”
A first novel by an unknown writer, it remained on the bestseller list for sixteen weeks, won the National Book Award for fiction, and established Ralph Ellison as one of the key writers of the century. The nameless narrator of the novel describes growing up in a black community in the South, attending a Negro college from which he is expelled, moving to New York and becoming the chief spokesman of the Harlem branch of “the Brotherhood”, and retreating amid violence and confusion to the basement lair of the Invisible Man he imagines himself to be.
Milkman Dead was born shortly after a neighborhood eccentric hurled himself off a rooftop in a vain attempt at flight. For the rest of his life he, too, will be trying to fly. With this brilliantly imagined novel, Toni Morrison transfigures the coming-of-age story as audaciously as Saul Bellow or Gabriel García Márquez. As she follows Milkman from his rustbelt city to the place of his family’s origins, Morrison introduces an entire cast of strivers and seeresses, liars and assassins, the inhabitants of a fully realized black world.
In this extraordinary novel, Paul Laurence Dunbar tells the story of a displaced Southern family’s struggle to survive and prosper in early Harlem. “The Sport of the Gods” was one of the first novels to depict the harsh realities of ghetto life and the revolutionary truths it uncovered still resonate today.
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The Inkblotters 