“Alex drained her wineglass, then her water glass. The ocean looked calm, a black darker than the sky. A ripple of anxiety made her palms go damp. It seemed suddenly very tenuous to believe that anything would stay hidden, that she could successfully pass from one world to another.”
PLOT SUMMARY:
Summer is coming to a close on the East End of Long Island, and Alex is no longer welcome.
A misstep at a dinner party, and the older man she’s been staying with dismisses her with a ride to the train station and a ticket back to the city.
With few resources and a waterlogged phone, but gifted with an ability to navigate the desires of others, Alex stays on Long Island and drifts like a ghost through the hedged lanes, gated driveways, and sun-blasted dunes of a rarefied world that is, at first, closed to her. Propelled by desperation and a mutable sense of morality, she spends the week leading up to Labor Day moving from one place to the next, a cipher leaving destruction in her wake.
GRADE: C-
REVIEW:
First of all, this book was beautifully written and it’s no surprise since it’s from the author of The Girls, which I never read, cause I don’t like cults or Charles Manson – but I do know it was a bestselling novel. Now to talk about this book, The Guest centers around Alex – a young woman in her early 20’s who becomes a grifter for a week when her older boyfriend breaks up with her after a dinner date gone wrong.
I usually love unlikeable characters and I was invested in Alex’s plight and the ways she uses people for her benefit. But at the end of the day, I don’t get the point of this book. This book abruptly ends at its climax – so everything that has been building up to a certain moment ends up not being resolved and this truly irked me a lot. Especially since not much else happened in this book.
I meandered between boredom and secondhand embarrassment for Alex and yes, Emma Cline can write but does that necessarily make for an engaging plot? Sadly no. I’d forgive this book if it was all vibes and no plot, but it’s no vibes and no plot.
This is a pass for me.
*Thank you so much to NetGalley and Random House for the digital copy of this book in exchange for an honest review!
DID YOU ENJOY WHAT YOU JUST READ? IF YES, THEN SUBSCRIBE TO THE BLOG, GIVE THE POST A LIKE, OR LEAVE A COMMENT! NEW POSTS ARE UP EVERY TUESDAY & THURSDAY!
When Alex and Elana move from smalltown Virginia to El Paso, they are just a young married couple, intent on a new beginning. Mexican by birth but adopted by white American Pentecostal parents, Alex is hungry to learn about the place where he was born. He spends every free moment across the border in Juárez—perfecting his Spanish, hanging with a collective of young activists, and studying lucha libre (Mexican wrestling) for his graduate work in sociology. Meanwhile Elana, busy fighting her own demons, feels disillusioned by academia and has stopped going to class. And though they are best friends, Elana has no idea that Alex has fallen in love with Mateo, a lucha libre fighter.
When Alex goes missing and Elana can’t determine whether he left of his own accord or was kidnapped, it’s clear that neither of them has been honest about who they are. Spanning their journey from Virginia to Texas to Mexico, Mesha Maren’s thrilling follow-up to Sugar Run takes us from missionaries to wrestling matches to a luxurious cartel compound, and deep into the psychic choices that shape our identities. A sweeping novel that tells us as much about our perceptions of the United States and Mexico as it does about our own natures and desires, Perpetual West is a fiercely intelligent and engaging look at the false divide between high and low culture, and a suspenseful story of how harrowing events can bring our true selves to the surface.
DID YOU ENJOY WHAT YOU JUST READ? IF YES, THEN SUBSCRIBE TO THE BLOG, GIVE THE POST A LIKE, OR LEAVE A COMMENT! NEW POSTS ARE UP EVERY TUESDAY & THURSDAY!
I gasp and stagger backward. My hand goes to my mouth, bear- ing down.
My brain screams at me to run. Run.
I can’t at first. Shock and fear hold me captive. They keep me from moving, like a ship that’s dropped anchor. I’m moored to this spot, my eyes gaping in disbelief. My breath quickens and I feel the flailing of my heartbeat in my neck, my throat and in my ears.
Run, my brain screams at me. Go. Fucking run.
There is movement on the ground before me. The sound that comes with it is something heathen and raging, and some part of me knows that if I don’t go now, I may never leave this place alive.
I turn away. It’s instantaneous. One minute I’m unmoving and the next I’m moving so fast that the world comes at me in vague shapes and colors, streaks of brown and blue and green. I barely feel the movement of my legs and my feet as I run. I don’t feel the impact of my shoes colliding with the earth, moving quickly across it. I don’t look back, though I want more than anything to steal a look to know that I’m alone. That I’m not being followed. But I don’t look. It’s too risky. Looking back would cost precious seconds that I don’t know that I have. If I do, those seconds could be my last.
Sounds come, but I’m so disoriented that I don’t know where they come from. Is it only my pulse, the rush of blood in my ears?
Or is someone there?
I feel something tangible against my hair and then my spine. My back arches. I jerk away, pitching forward, landing hard on my hands and knees.
The world stops moving.
I have only two thoughts in that moment: staying alive, and that this isn’t the way it was supposed to happen.
Christian
Lily is sitting on the leather chair in the family room when I come in. Her back is to me. I see her from behind, just her long brown hair spilling down the back of the chair. She stares toward the TV on the opposite wall, but the TV is off. It’s just a black box, and in it, I see a murky reflection of Lily on the screen, though I can’t tell if her eyes are open or shut.
“Hey,” I say, coming in through the garage door, closing it quietly and stepping out of my shoes. I set my phone and keys on the counter, and then ask, “How was your day?”
It’s getting dark in the house. Out the window, the sun is about to set. Lily hasn’t bothered with the lights, and so the in- side of the house is colorless and gray. We face east. Any pretty sunset is the other way. You can’t see it from here, if there even is one to see.
Lily says nothing back. She must have fallen asleep, sitting upright in the chair. It wouldn’t be the first time. She’s been extremely tired lately. The pregnancy is getting the best of her, not to mention that she’s on her feet teaching all day. These two things in combination exhaust her. It used to be that Lily would be in the kitchen, cooking dinner when I got home, but these last few weeks, she comes home from work ready to drop. I don’t mind that she’s not cooking. I’ve never been the kind of person to need a home-cooked meal after work, but that’s the way Lily was raised. Her mother did it for her father, and so she thinks she should do it for me. She’s been apologetic that she hasn’t had it in her to cook dinner, but she’s been queasy, too, and the last thing she needs to be doing is cooking for me. I called from the car and ordered takeout already; it will be here any minute.
I step quietly into the family room. I come around to the other side of Lily to face her. Lily isn’t asleep like I thought. Her eyes are open but her expression is blank. Her skin looks gray, washed-out like the room, and I blame the poor lighting.
Lily’s head turns. She looks up at me as if in slow motion.
“Hey,” I say again, gently, smiling. “You okay? Did I wake you?”
I flip on a side table light, and she winces from the bright- ness of it, her eyes taking time to adjust. I apologize for it, realizing that her pale face had nothing to do with the lack of light.
In the warmth of the lamp’s glow, I see that Lily’s hair is wet. She wears maroon-colored joggers and a sweatshirt. She’s showered and changed since coming home, which is more than she usually does. Usually she falls flat on the couch and doesn’t leave until it’s time to go to bed.
I drop to my knees in front of her. I reach forward and run a hand the length of her hair. “You look exhausted, babe. Do you want to just go to bed? I can help you up. Takeout should be here soon. I’ll bring it up to the room for you when it gets here.”
Lily blinks three times, as if to clear the fog. She finds her voice. It’s husky at first, dry, like after a day of shouting at a football game, which is not that different than a day of teach- ing rowdy high school kids math. “No,” she says, shaking her head, “I’m fine. Just tired. It was a long day.”
“You sure? I wouldn’t mind dinner in bed myself.” I had a long day too, but it doesn’t seem right to compare them when only one of us has another human growing inside of them.
“That sounds messy,” she says.
“I promise I’ll be neat.”
Lily smiles and my heart melts. I love it when she smiles at me. “When are you ever neat?”
“Never,” I say, feeling better if she can still poke fun at me.
I’ve done my research on pregnancy and childbirth. I’ve read that the fatigue women feel during the first trimester is maybe the most tired they’ll feel in their whole lives. Growing a human is exhausting. Caring for one is too, but we’re not there yet.
“You need anything?” I ask, and she shakes her head.
Takeout comes. I convince Lily to come sit on the couch with me, where we both fit. We watch TV and, as we do, I ask her about her day and she asks me about mine. She’s quieter than usual tonight. I do most of the talking. I’m a market research analyst, while Lily teaches high school algebra. We met in college over of our shared love of math. When we tell people that, it makes them laugh. We’re math nerds.
When it’s time for bed, Lily goes up to the room before me. From downstairs, I hear the sink run as she washes up. I clean up from dinner. I throw the takeout containers in the trash. There is a package waiting on the front porch. I step outside to get it, where the night is dark, though the sky is clear. It must be a new moon.
Lily is standing at the top of the stairs when I come back in. She’s there in the upstairs hall, standing in the dark, backlit by the bedroom light. Gone are the maroon sweats she wore ear- lier. She has on my flannel shirt now. Her legs are bare, one foot balanced on the other. Her hair is pulled back, her face still wet from washing it.
“Don’t forget to lock the door,” she says down over the rail- ing, patting her face dry with a towel.
I wouldn’t have forgotten to lock the door. I never do. It’s not like Lily to remind me. I turn away from her, making sure the storm door is shut and locked, and then I push the front door closed and lock the dead bolt too.
Our house sits on a large lot. It’s old on the outside, but has a completely revamped, modern interior. It boasts things like a wraparound porch, beamed ceilings, a brick fireplace—which Lily fell in love with the first time she laid eyes on the house, and so I knew I couldn’t say no despite the price—as well as the more modern amenities of a subzero fridge, stainless steel appliances, heated floors and a large soaker tub that I was more enthusiastic about. The house is aesthetically pleasing to say the least, with an enormous amount of curb appeal. It practically broke the bank to buy, but felt worth it at the time, even if it meant being poor for a while.
In the backyard, the river runs along the far edge of the prop- erty, bound by a public hiking and biking trail. We were worried about a lack of privacy when we first moved in, because of the trail. The trail brought pedestrians to us. Strangers. People just passing by. For most of the year, it’s not a problem. The leaves on the trees provide plenty of privacy. It’s only when they fall that we’re more exposed, but the views of the river are worth it for that small sacrifice.
“Done,” I tell her about the locks, and she asks then if I set the alarm. We’ve lived here years and hardly ever set the alarm. I’m taken aback that she would ask.
“Is everything okay?” I ask.
Lily says, “Yes, fine.” She says that we have an alarm. We pay for it. We might as well use it. She isn’t wrong—it’s just that she’s never wanted to before.
I set the alarm. I make my way around the first floor, turning off lights. It takes a minute. When I’m done, I climb the stairs for the bedroom. Lily has the lights off in the room now. She stands at the window in the dark, with her back to the door.
She’s splitting the blinds apart with her fingers and is looking out into the dark night.
I come quietly into the room. I sidle up behind Lily, setting my hand on the small of her back and asking, “What are you looking at?” as I lean forward to set my chin on her shoulder, to see what she sees.
Suddenly Lily reels back, away from the window. She drops the blinds. They clamor shut. I’ve scared her. Instinctively, her hands rise up in self-defense, as if to strike me.
I pull back, ducking before I get hit. “Whoa there, Rocky,” I say, reaching for her arms.
Lily’s hands and arms remain motionless, suspended in air.
“Shit, sorry,” she says, knowing how close she came to im- pact. The realization startles us both.
“What was that?” I ask as I gently lower Lily’s arms. Lily isn’t usually so jumpy. I’ve never seen that kind of reaction from her.
She says, “I didn’t know it was you.”
“Who did you think it was?” I ask, as a joke. She and I are the only ones here.
Lily doesn’t answer directly. Instead she says, “I didn’t hear you come up the stairs. I thought you were still downstairs.”
That doesn’t explain it.
“What are you looking at?” I ask again, gazing past her for the window.
“I thought I heard something outside,” she says.
“Like what?”
She says that she doesn’t know. Just something. We stand, quiet, listening. It’s silent at first, but then I hear the voices of kids rising up from somewhere outside. They’re laughing, and I know there are teenagers clowning around on the trail again. It wouldn’t be the first time. They never do anything too bad, though we’ve found cigarette butts and empty bottles of booze. I don’t get mad about it. I was a stupid teenager once. I did worse.
I go to the bed. I pull the blankets back. “It’s just dumb kids,
Lily. There’s nothing to be afraid of. Come to bed,” I say, but, even as she turns away from the window and slips under the sheets with me, I sense Lily’s hesitation. She’s not so sure.
Excerpted from Just the Nicest Couple @ 2023 by Mary Kyrychenko, used with permission by Park Row Books.
DID YOU ENJOY WHAT YOU JUST READ? IF YES, THEN SUBSCRIBE TO THE BLOG, GIVE THE POST A LIKE, OR LEAVE A COMMENT! NEW POSTS ARE UP EVERY TUESDAY & THURSDAY!
I’m so proud to announce that my feminist horror novel GIRL THAT YOU FEAR is finally out! You can order through my publisher’s website, Black Bed Sheet Books, Amazon, or Google Play!
Plot Summary:
It’s the fall of her Senior year and Spencer Torres, next in line for valedictorian of Sacred Heart High, has a perfect life. That is, until her idyllic existence is shattered when a visit to the infamously haunted steamship The Queen Mary causes her to become possessed by an evil demon who encounters her there. But this isn’t your run-of-the-mill demon—Dever is cunning, attractive, and manipulative. Somehow, this possession causes memories of an earlier horrible trauma to resurface.
Nothing will stop Spencer from seeking the truth embedded deep within those memories and most importantly, vengeance….even if it means losing herself completely to the demon’s clutches.
Comp Titles: The Exorcist, Come Closer, and My Best Friend’s Exorcism
If you’re a bookblogger/bookstagrammer/booktoker and wish to receive an ebook copy of the book for a review, just hit me up in the contact section!
EXCERPT:
Madame Zella began to place the five cards accordingly. Spencer watched with curiosity as she recalled the placements of the cards for a book of tarots she and Fallon had read years ago and their significance. The first one at the top was to symbolize the potential, then three cards below that one. The card to the left indicated her past, the middle her present, and the one to her right the future. Madame Zella then placed a final card below the three cards, pointing to reason. Spencer studied Madame Zella’s movements intently as she slowly uncovered the cards, one by one. But as she did, something strange occurred. Each card was dripping with blood as Madame Zella shook her head, frightened.
“What’s going on?” Spencer inquired.
Isla grabbed Spencer’s hand and squeezed it, and she sensed that her sister was just as afraid as Madame Zella was.
“A dark force! It has hold of you!” Madame Zella said, her accent evident with each word. “Too late! Too late!”
“What do you mean? What dark force?” Isla interrupted.
Madame Zella suddenly got up from the table, and the chair fell back with a crash. She stared directly at Spencer and screamed like she was Jamie Lee Curtis in Halloween. It was raw and terrifying. Spencer couldn’t believe what she was seeing. The cards were drenched in blood now, dripping down the table. The table began to shake violently. They both got up from their seats, not understanding what was going on until Spencer looked beyond Madame Zella’s shoulders and saw that behind her was a tiny mirror. In the mirror, she could finally see what the woman was seeing. A dark shadow hovering over her shoulder, its fangs glittered menacingly. No, no, no. She spun to look at Isla, but from her position, she couldn’t see the mirror, couldn’t see if what Spencer was seeing was real.
“You let him in!” Madame Zella told her. “Get out! Get out of here! And don’t come back!”
Isla yanked on Spencer’s wrist pulling her away from the tent. But she couldn’t move, she was transfixed by the blood dripping from the cards, the shadow in the mirror, and that familiar scent of night flowers and musk. Then the cards burst into flames and she snapped out of her fixation as they both hurried out of the tent.
She could still hear Madame Zella’s cries from inside.
“TOO LATE! TOO LATE! YOU’RE DOOMED!” She heard the tarot reader shout from the tent. Spencer looked up at the sky and it seemed to turn into a hideous shade of blood red before, once again, she was struck with a nosebleed and then fell limp against Isla’s arms.
DID YOU ENJOY WHAT YOU JUST READ? IF YES, THEN SUBSCRIBE TO THE BLOG, GIVE THE POST A LIKE, OR LEAVE A COMMENT! NEW POSTS ARE UP EVERY TUESDAY & THURSDAY!
As much as 2020 was difficult, and however much I stated 2021 felt tougher, I think that 2022 topped it off. Emotionally speaking it was a tough year for me, but there were some good things that did come out of 2022, and that was mostly writing-related (which I’m really happy about).
2022 GOALS & WHAT I ACCOMPLISHED
My goals for 2022 were to publish my short story collection VICIOUS TRADITIONS: TALES OF TERROR & THE GROTESQUE (which I did). I wanted to write another feature screenplay, which I did, but it was the pilot for CRUSH. I wanted to find publishers for I WANT CANDY (which I did, the novella will be released in September 2023 with D&T Publishing) and GIRL THAT YOU FEAR (which I did, the novel will be released this month with Black Bed Sheet Books). I did find a home for “The Unconventional Tea Party,” as it appeared on the Down the Rabbit Hole podcast on Spotify & will appear in the Stephen King inspired anthology I’m putting together entitled, Hush, Don’t Wake the Monster.
The only goals that I didn’t accomplish in 2022 was to be able to sell Terror! to a producer and finish writing my thriller LA DOLCE VITA.
Extra accomplishments were: My screenplay Terror! was Quarter-Finalist, my pilot screenplay Crush was also Quarter-Finalist, and my short screenplay The Violinist was Finalist, and my short screenplay Baby Teeth got accepted in the Sarah of Horror Film Festival and was also nominated for Best Screenplay.
2023 GOALS
*Write a horror feature screenplay.
*Write a play.
*Complete novella I’m currently working on.
*Complete rough draft of my novelization of Crush.
*Edit my novel, WICKED GAME and find a publisher for it.
*Read at least 50 books (I only read 45 this past year).
*Post more frequently on Instagram.
*Try to merge my author site with this blog site so that it’s all one website.
WHAT ARE SOME OF YOUR GOALS FOR THE NEW YEAR?
DID YOU ENJOY WHAT YOU JUST READ? IF YES, THEN SUBSCRIBE TO THE BLOG, GIVE THE POST A LIKE, OR LEAVE A COMMENT! NEW POSTS ARE UP EVERY TUESDAY & THURSDAY!
MAC has always made some excellent limited edition cosmetics, either inspired by fictional icons or real ones, and their collections have never disappointed. Whitney Houston is the newest icon to finally get a limited collection for, and just in time for her biopic that came out on Friday, I Wanna Dance With Somebody.
I was a huuuuuge Whitney Houston fan when I was little, so much so, that the first album I ever bought was Whitney Houston’s Whitney album that had the hit I Wanna Dance With Somebody (Who Loves Me) and Where Do Broken Hearts Go. I know that her later life was littered with personal struggles and her death was tragic, however, I like to remember how she was best, beautiful, upbeat, and with a voice of an angel.
That being said, the moment I realized MAC launched this collection I knew I had to get my hands on a couple of items. I decided to go for the lipsticks (there are four shades in all but I purchased two).
Nippy’s Rose Lipstick looked prettier in the tube than it did on me (at least that’s how I feel about it). It’s a frosty pink, but with a slight blue/violet tint (at least that’s how it looks on my ultra pale lips). I like how it feels and it does last well and it isn’t drying, but I don’t know if I’m a huge fan of the actual shade for me.
Nippy’s Moody Nude Lipstick is a brownie pink nude, which is the sorta nude I prefer, plus it’s creamy, so the lipstick is soft and nourishing. It won’t last all day and will need touch ups, especially if you eat and does leave lipstick marks on cups, but overall I’m very happy with the shade and this is one that I would wear on most days.
The other two lipstick shades they had were red shades, and they look absolutely beautiful. The only reason I didn’t purchase them is because I have many red shades and wanted to try out some new pink and nude shades instead.
DID YOU ENJOY WHAT YOU JUST READ? IF YES, THEN SUBSCRIBE TO THE BLOG, GIVE THE POST A LIKE, OR LEAVE A COMMENT! NEW POSTS ARE UP EVERY TUESDAY & THURSDAY!
What It Is: This SquishKit 2 contains: 3 x Cheeky Cherry Masks, 1 x Flower Power Acne Patch Pack, 1 x Jelly Lip Gloss, 1 x Hair Bobble, 1 x Squish Pouch, & 1 x Postcard.
Makeup-free & chilling with Cheeky Cherry Mask
Review for Cheeky Cherry Masks:
First of all, just look at the cuteness! Also, these feel amazing and although Charli Howard (model and founder of this amazing brand!) claims you can reuse them up to 3 times – I was only able to use my eye masks twice. However, maybe if you keep yours on for the recommended 20 minutes you may get three uses out of this, but I loved how much these masks felt that I didn’t want to remove them, so I kept them on for an hour. I personally don’t have an issue with puffiness but I do think the serum was soothing and smoothed out any fine lines from my perpetual lack of sleep. So I do recommend these if you need to look fresh-faced right away, plus these eye masks come down to your cheeks so if you have puffiness there, it also tackles that.
Look at that shine! Experience the incredible softness that is Jelly Lip Gloss!
Review for Jelly Lip Gloss:
Charli told me in a comment that this lipgloss was underrated and definitely NOT sticky, so I was eager to try it out. But I also took that comment with a grain of salt, as I’ve always been let down by glosses in the past, even ones claiming to be not sticky, ultimately were still tacky. I’m happy to state that I was most definitely proven wrong meaning that YES THIS GLOSS ISN’T STICKY in any shape or form. First of all, this gloss feels more like an emollient cloud of softness on your lips, much like a rich lip balm. But the best part is that this gloss has shine for days! Finally, a gloss that manages to give incredible shine without the stickiness that 99.9% of the glosses I’ve ever tried had. You’re gonna want this if you’ve always been a gloss lover but hated the feel of gloss, now you can have the best of both worlds.
Why Choose Squish: Cruelty-free, vegan, and female-owned company
Ed Note: I wasn’t able to review the Flower Power Acne Patch Pack cause fortunately I haven’t had any pimples in the past month, so I’ll write a review as soon as I have one! But can we admire how incredibly adorable these patches are though? I can’t wait to try them!
DID YOU ENJOY WHAT YOU JUST READ? IF YES, THEN SUBSCRIBE TO THE BLOG, GIVE THE POST A LIKE, OR LEAVE A COMMENT! NEW POSTS ARE UP EVERY TUESDAY & THURSDAY!
What It Is: A detoxifying eye cream that helps visibly plump and tighten, fill fine lines, and restore clarity to tired eyes.
Active Ingredients: Rose and Vegan Collagen
Verdict: I love how this eye cream feels both applying the cream and how it feels on my skin. This is why I’m conflicted – I love how it makes my skin feel – it dries fast – and yet I don’t feel like it hydrates as much as it should. Maybe it’s best suited for humid summers when you need a lighter cream, but as far as dry winters go, I don’t feel that it’s as hydrating as maybe one needs for this time of year. However, I do love how luxurious it feels and will probably use it during the warmer season for sure.
DID YOU ENJOY WHAT YOU JUST READ? IF YES, THEN SUBSCRIBE TO THE BLOG, GIVE THE POST A LIKE, OR LEAVE A COMMENT! NEW POSTS ARE UP EVERY TUESDAY & THURSDAY!
What It Does: Hydrates oily skin without clogging pores.
Active Ingredients: Green Tea, Rice, Algae, Leopard Lily, and Wild Rose.
Verdict: This cream has been hyped so much, and usually when there’s too much hype it goes in two ways, either it’s overrated or the product actually really is that good. Having oily skin, it’s always hard to find a moisturizer that isn’t heavy, but at the same time isn’t watery too. This hydrating cream, despite its name, isn’t watery at all. It actually is very hydrating and rich but in a non-oily or heavy way, which is perfect for all of us that deal with oily skin and breakouts. I use it at night and wake up with nourished, moisturized skin in the morning. I recommend it if you have oily to combo skin that’s prone to breakouts.
DID YOU ENJOY WHAT YOU JUST READ? IF YES, THEN SUBSCRIBE TO THE BLOG, GIVE THE POST A LIKE, OR LEAVE A COMMENT! NEW POSTS ARE UP EVERY TUESDAY & THURSDAY!
What It Does: Promotes relaxation and depuffs eyes.
Verdict: Cold compress masks never seem to work for me, and I always grab those that self-heat over any of those that are made to stick in the freezer. This mask not only helps you relax, but if you use it when you have a headache or head cold, it really helps alleviate the pain. I recently used this while having a headache and it really worked wonders. Not to mention that the heat was so cozy, that on a cold November day it really felt like a godsend. There isn’t a time limit for how long the warmth lasts, but for me, it actually lasted past an hour, enough time to relax and take an afternoon nap.
Bonus: Female-found and run brand, Cruelty-free, designed in London
DID YOU ENJOY WHAT YOU JUST READ? IF YES, THEN SUBSCRIBE TO THE BLOG, GIVE THE POST A LIKE, OR LEAVE A COMMENT! NEW POSTS ARE UP EVERY TUESDAY & THURSDAY!