Excerpt: The Roaring Days of Zora Lily by Noelle Salazar

Washington, DC, 2023

The fluorescent lights blinked on in a domino effect, one after the other, a faint buzzing sound filling the room as I stood squinting in the unnatural light.

I inhaled, taking in my small slice of heaven within the storied walls of the Smithsonian National Museum of American History. The long room with its high ceiling, soothing taupe walls, and wood floors—weathered in spots from years of conservators standing and pacing as they labored over the works of great minds—brought a sense of peace as soon as I stepped inside.

The museum had been my happy place since I was a little girl, when my mother would walk with me from our baby blue–painted row house on Capitol Hill, her slender fingers wrapped around my pudgy ones. We’d wander past sprawling parks, melancholy monuments documenting history, to the austere but magical facade housing wonders my six-year-old eyes could barely comprehend. By the age of eight I knew all the regular exhibits like the back of my hand, and waited anxiously for the monthly newsletter that arrived in our mailbox, telling us what traveling exhibits we could expect next. It was one such exhibit, a gallery of gowns worn by British royalty, that had burrowed itself inside me in such a way that a dream was born. 

“I’m going to work here one day,” I’d told my mother, pushing back a strand of dirty-blond hair as I stared up at a jewel-colored gown once worn by Queen Elizabeth the Second. 

I was twelve. 

I wanted to exist within these walls. It was my church, and I believed in its teachings wholeheartedly. I had drunk the water. Read the great books. And prayed to the gods of knowledge and creativity. I wanted to be part of whatever it took to bring history to life for others. And for the past nine years…that’s exactly what I’d done. 

I stared at the scene sprawled out before me. 

“Sanctuary,” I whispered, tucking a blond-highlighted strand of hair behind my ear. 

Gleaming table after gleaming table sat covered in silk, satin, lace, and velvet. Gowns and dresses and blouses previously only seen on movie screens and in photographs now lay delicately in wait of tending to, their sparkle and sinew in contrast to the stark lights and tepid surroundings. Mannequins, my constant companions, stood at the ready, waiting for their moment. 

Thread in every color imaginable, like a rainbow of rotund spool soldiers on a rolling rack, waited to be chosen. Needles in pincushions, strips of bias tape, shimmering appliqués, ribbons, seam rippers, clear drawers filled with buttons and clasps and snaps, and boxes upon boxes of straight pins, their colorful heads a happy bouquet of tiny plastic globes, were scattered across every surface, peeking from where they’d fallen to the f loor, rolled beneath furniture, and stuck—I bent to pull a pink-headed pin from the rug beneath my feet—in a variety of inconvenient places. 

The door clicked open behind me and I smiled. 

“Good morning, Sylvia,” a familiar voice said.

“Morning, Lu,” I said to the one member of my team who, like me, couldn’t wait to get to work. 

Every day, my friend and fellow fashion-obsessed cohort, Lu Huang, and I arrived within minutes of one another, and a full half hour before anyone else. Working as conservators for the museum was a coveted get for us. A dream job that every morning caused us to rush from our respective homes, grabbing an insufficient breakfast on our way out the door, and wondering hours later why we were so hungry. We lost track of time constantly, surviving on coffee and bags of chips from the vending machine, and leaving friends and family waiting on us as we turned up late to holiday parties, dinners, and events we’d implored others to attend but couldn’t possibly get to on time, and having forgotten to blend the concealer we’d hurriedly dotted on in the train, with paint under our nails and bits of thread or glue on our jacket cuffs. 

In Lu I’d found not only the perfect work companion, but a kindred spirit. Over the nine years we’d worked together, we’d enjoyed laughing over our shared love of no-nonsense ponytails, and waxing poetic about old films and vintage fashion. We sat in her living room or mine, rewatching the movies that had shaped us and sharing stories of our schoolgirl walls plastered with images of iconic women of the silver screen, while our schoolmates favored posters of half-clothed men. So, when the idea for the newest exhibit started floating around our superiors’ offices upstairs, we’d spent many a night poring over which films we’d choose if asked, and then deliberated, scrapped, and chose again until we had the perfect array. 

Out of curiosity, we began to inquire with movie studios about the costumes we’d be interested in displaying, running into new obstacles with each call we made. Several times we chose a beloved film only to find half the costumes had been lost in a fire, were part of a decades-long legal battle, or were just plain lost—a travesty over which we consoled ourselves with a huge plate of nachos and a pitcher of margaritas. Eventually, the decisions about which movies to include boiled down to three simple things: Where were the costumes we’d need? Would they be available to us for the time required? And what kind of shape were they in? 

Once we’d gotten the green light that the exhibit was on, we finalized our list, made the calls, gathered confirmations, and began the design for the wing the costumes would be shown in. And then we waited, barely able to contain ourselves as one by one the garments that would be featured in The Hollywood Glamour Exhibition arrived. 

We chose two movies per decade, going back one hundred years to the 1920s. Every piece that had been worn by the female lead was sent to us from studios, museums, or estates. Once in our possession, my job as costume curator, along with my staff of seven, was to remove each gown or outfit from its protective garment bags or boxes, and go over it with a fine-tooth comb, looking for tears, stains, missing buttons, and the like. We’d been working for months. Some of the more intricate gowns needed extensive rebeading or sequin replacement, and many of the older pieces needing patching inside to hold the outside fabric together. In two cases we’d had to sew exact replicas of the linings, and then carefully fit them inside the original, giving it something to cling to, extending its life. 

A pantsuit from the forties had lost an outside pocket and matching the fabric had been hell. The brim of an iconic straw hat that belonged to another outfit had been scorched by a cigarette and needed to be patched. Each garment presented its own set of unique problems, and we were giddy as we worked to solve each puzzle. 

With our intention for each item to be viewed from all sides, it was crucial they looked as flawless as possible. Thankfully, my team were experts in their field, and excited at the opportunity to handle costumes worn by some of the most famous women in film history. 

“Can’t believe we’re down to the final film,” Lu said, running a finger over a strip of fringe hanging from a black evening gown. “I think this batch is my favorite.” 

I nodded, taking in the room of costumes from the 1928 film The Star. Each piece had been worn by the iconic Greta Garbo and was the epitome of elegance and class. And a notable diversion from the designer’s usual style. 

“It’s so odd Cleménte changed her MO for this one film,” I said, tilting my head as I took in the distinct wide neckline featured in each of the eight pieces. Even a blouse and jacket had been designed to show off the actress’s collarbones. The pieces were alluring, but Cleménte had always been known for a more modest style. 

Michele Cleménte had been a well-known designer in the ’20s and ’30s, her signature style demure, with higher necklines and longer hems. But for this movie, she’d completely diverged. 

“It is strange,” Lu said, frowning. “The studio must’ve wanted something exact.” 

“Then why hire her?” I asked. “Not that she didn’t do a lovely job. The clothing is exquisite. I’d wear them all now.” 

“And look fab doing it.” 

I felt myself blush with pleasure at the compliment. Being tall and willowy had its advantages. Unfortunately for me, I had neither the opportunity nor the bank account to wear clothes as fine as the ones before us. 

“Thanks, Lu,” I said, bending to peer closer at the large white beaded star on the white satin gown that was to be the centerpiece for the entire show. 

Aside from the star, the rest of the fabric had been left unadorned, letting the beaded element shine before one’s eye went to the skirt, which fell in soft overlapping layers to the floor. It was a stunning piece of art. But a confusing one. Because it 

had no resemblance to any piece ever sewn before by Cleménte. At least not any piece I’d seen in my years of studying the different famous designers. It didn’t have her specific way of hand sewing or her distinctive technique of tying off a knot, or even her tendency toward geometric shapes. But it was the neckline that really threw me off. Cleménte had preferred to leave a lot to the imagination. It was her calling card during a time when everyone else was showing more skin. And yet for these, she’d completely gone off-script. 

The rest of the crew arrived at nine on the dot and the quiet of the room rose to a dull roar as individual desk lights were turned on, loupes donned to scrutinize the tiniest details, and we all began to sew, glue, and chat our way through the day. 

“Syl?” 

I glanced up and winced as my back protested from having been bent over a table for the past hour. Lu stood, her coat over her arm, by the door. Everyone else had vanished. 

“What time is it?” I asked. 

“Nearly seven.” 

“Shit. How does that always happen?” I pulled the loupes from my head. 

“You happen to be in love with a dress,” Lu said. “That’s how.” 

“Story of my life.” 

“Explains so much.” 

“Does it?” 

“I mean, it definitely explains why you haven’t had a date with a real live human in a while. Only—” She gestured to the mannequin beside me. 

We laughed. She wasn’t wrong. 

Lu was the only person who truly understood me. The only person besides my sister who I’d ever allowed to see inside my guest room closet where dozens of scavenged vintage dresses, trousers, jackets, and hats hung, waiting to be delicately cared for like the ones I lovingly handled at work.

“You gonna stay?” Lu asked, watching me as I looked back at the dress spread out before me. 

I rubbed my eyes and stared at the tiny white beads I’d been replacing. We’d named the dress The Diaphanous Star, and I’d been carefully sewing on one bead at a time for the past two hours. It was a delicate task as the fabric they clung to was nearly one hundred years old. I had to work slowly and thoughtfully to keep from shredding it. 

“Yeah,” I said, rotating my head. “I want to get this star done. How’d you do today?” 

I glanced over at the black evening gown she was working on. 

“I’m close,” she said. “You can barely see the snag in the back now, and I should be able to replace the bit of fringe that’s missing tomorrow.” 

“Perfect,” I said, reaching over to wake my laptop and clicking on the calendar. “We are ahead of schedule, which bodes well should we have any catastrophes.” 

Lu knocked a small wooden box holding scissors inside it. 

“Don’t jinx us,” she said and then waved. “See you B and E.” 

“See you B and E,” I said. 

B and E. Bright and early. We’d made it up one day after the youngest woman in our group rattled off a bunch of acronyms as if the rest of us should know what they mean. We used it constantly. She didn’t think it was amusing. This of course made it that much funnier. 

I pulled my loupes back down and resumed placing the beads that formed the shimmering star. Thirty minutes later I sat up, set the magnifying glasses on the table, and arched my back in a well-deserved stretch. 

“Okay, you,” I said to the dress. “Time to get you on a mannequin.” 

Sliding my arms beneath the gown, I lifted it carefully and carried it to the far end of the table where a mannequin with roughly Greta Garbo’s 1927 torso measurements stood in wait, 

minus its arms which would be attached once I got the dress on it. 

Unfortunately, the wide neckline made it hard to secure. 

“You’re pretty,” I muttered, trying to keep the dress from slipping to the floor while I reached for one of the arms. “But a pain in my ass.” 

I clicked an arm into place, moving the capped sleeve over the seam where the appendage attached to the shoulder, and making sure the hand was resting just right on the mannequin’s hip. Satisfied, I reached for the other arm and did the same on the other side. 

“Not bad, headless Garbo,” I said, straightening the gown and smiling at the beaded star glimmering under the lights. 

I grabbed my notepad and made my way around the dress, writing down problems that still needed to be addressed. Loose threads, the unraveling second tier of the skirt, and a bit of fabric that looked like it had rubbed against something and was scuffed. There was a stain on the hem in back, and one of the capped sleeves sagged, leading me to investigate and find a spot inside where the elastic was stretched out of shape. 

My eyes moved along every inch of fabric, bead, and thread, my fingers scribbling notes as I took in what was easier to see with the dress hanging rather than sprawled on a tabletop. As I scrutinized the neckline in back, I noticed the tag was exposed and reached up to tuck it in. But as I pulled the material back, the tag fluttered to the floor. 

With a sigh, I bent to pick it up. I could leave the fix until morning, but as I had nothing but an empty apartment waiting for me, I began the task of detaching the arms of the mannequin and sliding the dress back off and onto the table. 

“Always something with you ladies,” I said, grabbing a needle and thread. “Can’t complain, I guess. Hottest date I’ve had in a while.” 

But as I turned my attention to the spot the tag had fallen 

from, I frowned and pulled the dress closer, peering at a small, elegant stitch no longer than the length of the tag that had covered it. 

“Is that…” 

I grabbed my loupes and looked again, the stitching now magnified and leaving zero doubt that beneath the tag, in white thread and a beautiful freehand stitch, was a name—and it wasn’t Cleménte’s. 

Sitting back, I removed my glasses and stared at the gorgeous dress with its beautiful wide neckline and capped sleeves, the beaded star, the tiered skirt that was so unlike Cleménte in style, and wondered aloud to the empty room— 

“Who the hell is Zora Lily?”

From THE ROARING DAYS OF ZORA LILY by Noelle Salazar. Copyright © 2023 by Noelle Salazar. Published by MIRA, an imprint of HarperCollins.

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Book Review: Delicate Condition by Danielle Valentine

Her body is no longer her own….

PLOT SUMMARY:

Anna Alcott is desperate to have a family. But as she tries to balance her increasingly public life as an indie actress with a grueling IVF journey, she starts to suspect that someone is going to great lengths to make sure that never happens. Crucial medicines are lost. Appointments get swapped without her knowledge. Cryptic warnings have her jumping at shadows. And despite everything she’s gone through to make this pregnancy a reality, not even her husband is willing to believe that someone is playing twisted games with her.

Then her doctor tells her she’s had a miscarriage―except Anna’s convinced she’s still pregnant despite everything the grave-faced men around her claim. She can feel the baby moving inside her, can see the strain it’s taking on her weakening body. Vague warnings become direct threats as someone stalks her through the bleak ghost town of the snowy Hamptons. As her symptoms and sense of danger grow ever more horrifying, Anna can’t help but wonder what exactly she’s carrying inside of her…and why no one will listen when she says something is horribly, painfully wrong.

GRADE: A-

REVIEW:

Full disclosure, I’ve read many of Danielle Valentine’s YA novels (under the name Danielle Vega), her Merciless series being one of the most popular ones. So, I was curious what this author would do in an adult horror novel. I also was curious to read this because the new season of American Horror Story, a series that I really love and watch every year, is going to be based off of this book – and I wanted to read the book prior to viewing the series.

This book explores many things that deal with womanhood and motherhood, and the craziest thing is that what one would think are the horror elements, aren’t really as terrifying as the true elements of the novel. I think I was more horrified by the amount of physical pain and stress the protagonist submitted to during the IVF treatments than when she began having strange cravings (and when I say strange – the cravings are pretty brutal). The men in this novel are mostly trash – so it’s no surprise that they didn’t take any of Anna’s concerns about her body seriously.

This novel is full of twists and turns, and I liked the direction it went rather than going for the tired trope of “evil baby.” I am very curious to see how this book will be adapted in AHS: Delicate and hope that they keep Valentine’s powerful message.

I recommend this book to those who love feminist horror novels that subvert genre expectations.

*Thank you so much to NetGalley and Sourcebooks Landmark for the digital copy of this book in exchange for an honest review!

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Book Review: Whalefall by Daniel Kraus

“Seventy percent of the planet is water. Most of that water is deep ocean. The origin of everything. Less than 5 percent of the deep ocean is mapped. Humans know more about Mars. Anything could be down there. Therefore, everything is.”

PLOT SUMMARY:

Jay Gardiner has given himself a fool’s errand—to find the remains of his deceased father in the Pacific Ocean off the coast of Monastery Beach. He knows it’s a long shot, but Jay feels it’s the only way for him to lift the weight of guilt he has carried since his dad’s death by suicide the previous year.

The dive begins well enough, but the sudden appearance of a giant squid puts Jay in very real jeopardy, made infinitely worse by the arrival of a sperm whale looking to feed. Suddenly, Jay is caught in the squid’s tentacles and drawn into the whale’s mouth where he is pulled into the first of its four stomachs. He quickly realizes he has only one hour before his oxygen tanks run out—one hour to defeat his demons and escape the belly of a whale.

GRADE: A

REVIEW:

I absolutely loved this book – which in a way almost felt like it was two novels in one. One novel is Jay’s battle to escape the various stomachs of the sperm whale he finds himself in, whilst the second novel is Jay’s guilt over his father’s suicide because the two always had a very difficult relationship that only got worse during his father’s cancer – and Jay spent his father’s last few months in life, not living with him or communicating with him. This novel runs against the clock as each chapter notes how much oxygen remains in Jay’s tank, and he’s got very little time to get back out of the whale and up on land before he dies. What I loved about this novel is that it had fast-paced short chapters so reading it was a breeze, but at the same time, it was rich with so many emotions. The reader can’t help but cheer Jay on, wanting him to be freed from the whale, but at the same time, you also hope that Jay can also be freed of his guilt. The novel explores both and I liked the way it ended. I won’t say anything more about it because I think you need to go into this novel blind and experience this journey with Jay.

I recommend this book if you love marine life adventures and character-driven thrillers. I love the ocean so this novel was right up my alley. I’d really love to see this become a film because it would make for an excellent survivalist thriller.

*Thank you so much to NetGalley and Atria and MTV Books for the digital copy of this book in exchange for an honest review!

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Out Now: I Want Candy by Azzurra Nox

A family of witches. A girl in love.

Hidden away in an old, dilapidated Victorian home, the Dresden witches have been making their prized candies for years. Their secret ingredient would make most people squeamish, but for Lollipop it’s just another typical day at home. Lolli spends her days making candies and longing for her classmate Stella. As her infatuation for Stella deepens, Lollipop begins to question her loyalty to her family. Will she choose love or will she do anything it takes to preserve the Dresden legacy at any costs? Does she have what it takes to be the next head witch or will her powers never be strong enough?

Stella Morris has recently moved to Arcana, California after a tragic incident involving her mother. Stella is both beautiful and popular, but she harbors a darkness in her that threatens to make her whole world come undone.

This coming-of-age queer romance is drenched in blood and sugar.

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Book Review: 101 Horror Books to Read Before You’re Murdered by Sadie Hartmann

The Ultimate List of Must-Read Horror!

PLOT SUMMARY:

Curious readers and fans of monsters and the macabre, get ready to bulk up your TBR piles! Sadie “Mother Horror” Hartmann has curated the best selection of modern horror books, including plenty of deep cuts. Indulge your heart’s darkest desires to be terrified, unsettled, disgusted, and heartbroken with stories that span everything from paranormal hauntings and creepy death cults to small-town terrors and apocalyptic disasters. Each recommendation includes a full synopsis as well as a quick overview of the book’s themes, style, and tone so you can narrow down your next read at a glance. Featuring a foreword by New York Times bestselling author Josh Malerman and five brand-new essays from rising voices in the genre, this illustrated reader’s guide is perfect for anyone who dares to delve into the dark.

GRADE: A+

REVIEW:

If you’re a horror enthusiast or just beginning to dip your feet into the genre, this book is the ultimate guide for it. I love that Hartmann doesn’t list books from famed horror authors that we all know about (ie. Stephen King, Dean Koontz, Mary Shelley). But rather exalts and showcases newer horror authors, both traditionally published and indies. The book is broken down into sub-genres such as paranormal, human monsters, supernatural – etc., and within those sub-genres are sub-sub-genres such as coming of age, eco horror, body horror – etc. This is useful if you love a certain genre and sub-genre and want to find books in that area, so the organization of the guide itself is functional and easy. I also loved how each section highlighted an author and had them leave their personal recommendations of horror books they loved. But what really blew me away (apart from Hartmann’s expertise in the genre) is the beautiful, colorful pages – this is a very aesthetically pleasing book that I dare say could easily be used as a coffee book as well. With this guide in tow, it’s obvious that you’ll never run out of books to read – before the knife strikes!

A truly, comprehensive guide for horror books that will come in handy when you’re looking to read a book and can’t decide what else to read. But if you’re a mood reader such as myself, you can easily select a sub-genre and go to that section of the book and see what’s recommended. One thing is for certain, if you’re a book lover and horror lover, you can’t go wrong with this phenomenal guide.

*Thank you so much to the author and Page Street Publishing for the physical copy of this book in exchange for an honest review!

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Excerpt: What You Are Looking For Is In The Library by Michiko Aoyama

 Two days later, I’m standing outside the elementary school with my laptop in hand. I follow the directions from the Community House home page and walk along the school fence until I reach a narrow road. There it is: a two-story white building with a sign over the canopy at the entrance that says “Hatori Community House.”

I go through a glass door and see an old guy with bushy gray hair at the front desk. In the office behind him, a woman with a bandana sits at a desk writing something.

“Um, I’m here for the computer class,” I say to the old guy.

“Put your name down here. It’s in Meeting Room A.” He points at a folder on the countertop. A sheet of paper inside has a table with columns headed Name, Purpose of visit, Time of arrival and Time of departure.

Meeting Room A is on the ground floor. Going past the front desk to the lobby, I turn right and find it im­mediately. Through an open sliding door I can see two students sitting at long tables facing each other with their laptops open: a girl a bit older than me with soft wavy hair and an old guy with a square face.

The teacher turns out to be a woman, not a man. Ms. Gonno is probably in her fifties.

I go over and introduce myself. “Hello, my name is Tomoka Fujiki.”

She gives me a friendly smile. “Please, sit wherever you like.”

I choose to sit at the same table as the girl, but at the other end. She and the old guy are concentrating so hard on their own stuff they take no notice of me. I open up my laptop, which I’d already started up at home since I haven’t used it in ages and which took forever to boot. My fingers feel like bananas on the keyboard, probably because I only ever use a smartphone. I should probably do some practice in Word as well.

“Ms. Fujiki, you want to learn Excel, don’t you?” says Ms. Gonno, glancing down at my computer.

“Yes. But this computer doesn’t have Excel.”

She looks at my screen again and moves the mouse around a bit. “Yes it does. I’ll make a shortcut for you.”

A green icon with an X for Excel appears at the edge of the screen. No way! Excel has been hiding in my computer all along?

“I can see you’ve used Word, so I assume you have Office installed.”

I don’t have a clue what she’s talking about… But I did ask a friend at college to set up Word for me when I couldn’t figure it out for myself. Maybe that’s how it got in there. This is what happens when you leave stuff up to other people.

For the next two hours, I learn all about Excel. Ms. Gonno wanders between me and the other two but I get special attention, because I’m the newcomer, I suppose.

The most amazing thing I learn is how to perform addition by highlighting cells. Just press a key and bam! with one touch they all add up! It impresses me so much I can’t help cheering, which Ms. Gonno seems to find funny.

While practising as instructed, I overhear the conver­sation between Ms. Gonno and the other students. I get the impression they are regulars: the old guy is building a website about wildflowers, while the girl is setting up an online shop. I feel like such a waster. All the time I’ve been lazing around in my apartment doing noth­ing, not far away these two have been getting on with stuff—learning things! The more I think about it, the more pathetic it makes me feel.

When it’s nearly time to finish, Ms. Gonno says, “There’s no set textbook, but I’ll give you a list of rec­ommended titles. Don’t restrict yourself to these, though. Have a browse in a library or bookshop and see what you can find for yourself that’s easy to follow.” She holds up a computer guide and smiles. “You might like to look in the library here in Community House.”

Library. What a nice-sounding word. So comforting. I feel like I’m a student again. Library… “Am I allowed to borrow books?”

“Yes, anybody who lives in the ward can borrow up to six books for two weeks. I think that’s the rule.”

Then the old guy calls for help and Ms. Gonno goes over to him. I make a note of the recommended titles and leave.

~

The library is also on the ground floor. I pass two meeting rooms and a Japanese-style room at the back of the building beside a small kitchen. The door is wide open with a sign on the wall that says “Library.” Rows and rows of bookshelves fill an area about the size of a classroom. A counter to the left of the entrance is marked “Check­outs and Returns.” Near the front counter a petite girl in a dark-blue apron is arranging paperbacks on a shelf.

Feeling shy, I approach her. “Excuse me, where are the books on computers?”

Her head jerks up and she blushes. She has huge eyes and hair tied back in a ponytail that swings behind her. She looks young enough to still be at high school. Her name tag says “Nozomi Morinaga.”

“Over here.” Still holding several paperbacks, Nozomi

Morinaga walks past a reading table and guides me to a large shelf against the wall. “If you need any recommen­dations, the librarian is in the reference corner.”

“Recommendations?”

“You tell her what you’re looking for, then she will do a search and give you recommendations.”

I can’t find any of the books Ms. Gonno recom­mended on the shelf. Maybe I should consult the li­brarian. Nozomi said she was at the back, so I make my way to the front desk, then look toward the rear. That’s when I notice a screen partition with a sign hanging from the ceiling that says “Reference.”

Heading over, I poke my head around the corner, and yikes! My eyes nearly jump out of their sockets. The librarian is huge… I mean, like, really huge. But huge as in big, not fat. She takes up the entire space be­tween the L-shaped counter and the partition. Her skin is super pale—you can’t even see where her chin ends and her neck begins—and she is wearing a beige apron over an off-white, loose-knit cardigan. She reminds me of a polar bear curled up in a cave for winter. Her hair is twisted into a small bun right on top of her head, and she has a cool kanzashi hairpin spiked through her bun with three white flower tassels hanging from it. She is looking down at something, but I can’t see what exactly.

The name tag around her neck says “Sayuri Komachi.” Cute name.

I edge a bit closer and clear my throat. Ms. Komachi’s eyes roll up to look at me, without moving any other part of her body. The whites of her eyes are enormous. She’s stabbing a needle at something the size of a Ping-Pong ball balanced on a mat the size of a handkerchief. What is she doing? Putting a jinx on someone? I almost scream out loud.

“Ah…it’s, ah…it’s okay,” I manage to squeak, but all I want to do is turn tail and get away as fast as possible.

“What are you looking for?”

Her voice…it’s so weird… It nails my feet to the floor. As if it has physically grabbed hold of me somehow. But there’s a warmth in it that wraps itself around me, mak­ing me feel safe and secure, even when it comes from that unsmiling face.

What am I looking for? I’m looking for… A reason to work, something I’m good at—stuff like that. But I don’t think that’s the kind of answer she expects. “Um, I’m looking for books on how to use a computer.”

Ms. Komachi pulls a dark-orange box closer. I rec­ognize the design of white flowers in a hexagon shape. It’s a box of Honeydome cookies. I love these. They’re dome-shaped, with a soft center, and made by Kuremi­yado, a company that specializes in Western-style con­fectionery. They’re not exactly gourmet, but just a little bit special and not something you can just pick up in a convenience store.

When she lifts the lid, I see a small pair of scissors and some needles. She must be using an empty box for her sewing things. Ms. Komachi puts away her needle and ball, then stares at me.

“What do you want to do on the computer?”

“Excel, to begin with. Enough to tick the boxes on a skills checklist.”

“Skills checklist,” Ms. Komachi repeats.

“I’m thinking I might register on a career-change site. I’m not that happy with my current job.”

“What do you do?”

“Nothing great. Just selling ladies clothes in a general department store.”

Ms. Komachi’s head tilts to one side. The flower tas­sels on her hairpin shake and sparkle.

“Is being a sales assistant in a department store really not such a great job?”

I don’t know what to say. Ms. Komachi waits patiently for my reply.

“Well, I mean… Anybody can do it. It’s not like it was my dream job or anything I desperately wanted to do. I just kind of fell into it. But I live on my own, so I have to work to support myself.”

“You managed to find employment, you go to work every day and you can feed yourself. That’s a fine achievement.”

Nobody’s ever summed up my life in this way before. Her answer makes me want to cry. It’s as if she sees me, just as I am.

“But all I do to feed myself is buy stuff from the con­venience store,” I blurt out clumsily, though I know that’s not what she really means by “feed yourself.”

Ms. Komachi’s head tilts to the other side. “Well, the motive doesn’t matter so much as wanting to learn some­thing new. That’s a good attitude to have.”

She turns to the computer, places both hands on the keyboard and pauses. Then she begins typing, at amaz­ing speed! Shoo‑tatatatata! Her fingers move in a blur and I nearly fall over myself in surprise.

Ta! She gives one final tap, then delicately lifts her wrists from the keyboard. Next moment, the printer springs into action.

“These should be suitable for a beginner on Excel.” Ms. Komachi hands me the sheet. A Step-by-Step Guide to Word and Excel, Excel for Beginners, Excel: Fast Efficient Notebooks, A Simple Introduction to Office. Then I notice, right at the bottom, a title that stands out.

Guri and Gura? I stare at the words. The kids’ picture book about two field mice, Guri and Gura?

“Oh, and this too.” Ms. Komachi swivels on her chair slightly as she reaches below the counter. I lean forward a bit more to sneak a look and see a wooden cabinet with five drawers. She opens the top one, which seems to be stuffed with soft, colorful objects, picks one out and hands it to me. “Here you are—this is for you.”

Automatically I hold out my palm and Ms. Komachi drops a lightweight object on to it. It is round and black, about the size of a large watch face and with a straight bit poking out. A frying pan?

The object in my hand is a felted frying pan with a tiny round clasp on the handle.

“Um, what’s this?”

“A bonus gift.”

“Bonus gift?”

“Yes, something fun, to go with the books.”

I stare at the frying pan…er, bonus gift. It is sort of cute.

Ms. Komachi opens the Honeydome box and takes out her needle and ball again. “Have you ever tried felt­ing?”

“No. I’ve seen it on Twitter and stuff, though.”

She holds up her needle for me to see. The top is bent at a right angle for holding it, while the tip at the end has several tiny hooks sticking out.

“Felting is mysterious,” she says. “All you do is keep poking the needle at a ball of wool and it turns into a three-dimensional shape. You might think that you are simply poking randomly, and the strands are all tangled together, but there is a shape within that the needle will reveal.” She jabs roughly at the ball again.

There has to be a ton of felted things inside that drawer. Are they all bonus gifts to give away? But her attention is now completely focused on her hands, as if to say My job here as librarian is done.

When I return to the shelf of computer books, I find the recommended titles and choose two that seem easy enough to understand. But what about Guri and Gura? Maybe I should get that too. I read it many times when I was in kindergarten. I think I remember my mother reading it to me too. Why would Ms. Komachi recom­mend this book? Did she make a mistake?

The children’s picture books are in a space next to the window sectioned off by low bookshelves. It’s a shoes-off area covered with interlocking rubber floor mat tiles. When I enter and find myself surrounded by lots of cute picture books, I feel peaceful all of a sudden. Calmer, and more relaxed. There are three copies of Guri and Gura. I guess the library keeps multiple copies because it’s such a classic. Maybe I will borrow it… I mean, it’s free, isn’t it?

So I take my two computer books and Guri and Gura over to Nozomi at the checkout counter, show my health-insurance card as ID to apply for a borrower’s card, and check out the books.

Excerpted from What You Are Looking For Is in the Library by Michiko Aoyama. Copyright © 2023 by Michiko Aoyama. Translation from the Japanese copyright © Alison Watts 2022 Published by arrangement with Harlequin Books S.A.

PURCHASE THE BOOK HERE!

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Review: Pure Heals by Nature Village Real Rose Sleeping Mask

What It Is: Moisturizing sleeping mask.

What It Does: Revitalizes dry and stressed skin while sleeping.

Active Ingredients: Rose Petals and Rose Water.

Verdict: This is one of the very few rose products that actually smells like a genuine rose. For someone who has oily skin like me, I absolutely love the gel-like texture of this sleep mask. Not to mention that it actually works in regards to waking up with thoroughly hydrated and plump skin. It’s not sticky, and very light. An excellent mask for year-round, but especially during the summer months when one craves lighter creams. Not to mention that it’s made with some of the best natural ingredients and 100% vegan. I recommend this sleeping mask if you’re looking for a light moisturizer that still has you waking up to the most hydrated, softest skin you’ve ever witnessed.

Price: $35.99

Where To Buy It: Amazon, Walmart, iHerb, and https://www.purehealsusa.com/

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Book Review: Camp Damascus by Chuck Tingle

They’ll scare you straight to hell.

PLOT SUMMARY:

Welcome to Neverton, Montana: home to a God-fearing community with a heart of gold.

Nestled high up in the mountains is Camp Damascus, the self-proclaimed “most effective” gay conversion camp in the country. Here, a life free from sin awaits. But the secret behind that success is anything but holy.

And they’ll scare you straight to hell.

GRADE: A

REVIEW:

I didn’t know what to expect when I dove into this story, but boy did it surprise me numerous times! I thought the beginning was going in one direction and then it completely took another narrative and I loved every single minute of this wild ride. The terrifying moments were creepy AF and I absolutely loved the protagonist Rose, who stepped up and became the most badass final girl. Although the demons were incredibly scary, the scariest aspect for me was the Christian cult mentality from the beginning and the lengths this cult went to obliterate any queerness in someone. This is a very timely book seeing the climate surrounding queer people, and I love that this exists to show how wrong it is to try to “convert” queerness into straightness – no matter what.

I wasn’t aware of Chuck Tingle before this novel (maybe I’ve lived under a rock!) but I’m very happy to say that I’m a full-fledged buckaroo now and will look forward to anything else he puts out (no matter how far out it is!).

Check this book out if you love coming of age, creepy demons and insects, and a badass protagonist.

*Thank you so much to NetGalley and Tor Nightfire for the digital copy of this book in exchange for an honest review!

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Book Review & Author Interview: Open House by Nico Bell

When he looked at the blood, his head began to spin.

PLOT SUMMARY:

Realtor Caleb Birch is on the precipice of earning everything he’s ever dreamed: a partner position at his prestigious realty firm, financial stability that would make his mother proud, and a respectable professional reputation amongst Los Angeles’s wealthy and elite. All he has to do is nail his open house and secure a contract. Enter a mysterious woman with an air of familiarity claiming to be the perfect buyer. Her ruse dissolves revealing nefarious intentions and a twisted game that Caleb must win to survive the night. But she isn’t the only threat lurking behind closed doors. There are skeletons in the closet, and they’re coming out to play.

GRADE: A

REVIEW:

This novella was an action-packed supernatural thriller/horror. It begins with Caleb who is showing off a home that he’s certain if he sells will pretty much settle him into a rich life. Only things go awry when the potential buyer locks him in the Smart Home he was too eager to sell to her. Soon, the novella becomes a cat and mouse chase, as the protagonist tries to survive the night in the Smart Home. There are creepy supernatural elements to this story as well as real-life issues, and they both weave seamlessly well together. I loved how fast paced the novella was and how I wasn’t able to anticipate anything that would happen, which I love when that happens cause I can be just as surprised as the characters when something does happen.

I recommend this novella if you want a short read that is action-packed and filled with some seriously creepy thrills.

Short Q & A With Author

What inspired you to write this novella?

When a friend of mine got her Realtor’s license, my first thought was, “aren’t you afraid to be alone in the house with a bunch of strangers?” That’s where the spark came from. Realtors invite people into homes that they aren’t 100% familiar with, so maybe the house has some secrets, or maybe the potential buyers have dubious intentions. I wanted to explore that setting and see what spooky story manifested.

Caleb is a complex character, he believes he’s doing good although he really isn’t. He’s morally grey. What about him compelled you to tell his story?

Caleb is my first experience writing from the point-of-view of a male protagonist! I considered writing it from the mysterious woman’s experience, but at the end of the day, it was Caleb that needed to be taught a lesson. You’re right. He thinks he’s a good guy. In that way, he’s a bit of a narcissist, but readers quickly learn about the skeletons in his closet. I felt that the only way Caleb would really understand the magnitude of what he did was to make him the star of the show, so to speak.

Novellas are having a golden era right now, especially in the horror genre. Why do you think this format best suited for the genre?

First, I’m THRILLED that novellas are finally getting their time in the spotlight! As a reader, I prefer the shorter length, so give me more novellas!

Horror always seems to work well in shorter lengths whether it’s short stories, novelettes, or even a tight 90 minute movie. The beauty of the shorter form is that it forces writers to focus on what’s really important to the story. Hit the plot beat and move on to the next. Villain attacks hero. Hero reacts. Hero fights back. It’s quick, but it doesn’t jeopardize scene building, story world construction, or character arcs. Really, short form fiction can leave a lot up to the imagination, which adds to the overall suspense, tension, and scary elements of a horror book. In horror, the elements left of the page prove just as haunting as those included.

Do smart homes and robots frighten you or do you find the supernatural more frightening?

Yes! LOL!

Once, I asked Alexa a question and after she responded, I said, “Thank you,” and she replied, “You’re welcome. Have a good day.” Ever since then, I’ve been polite to her because I’m 99% certain she’s secretly becoming human and planning our demise. When she gains full awareness, I want her to remember all the times I was nice to her!

I love supernatural horror! In fact, I have a science fiction horror novella coming out in October 2023 also touches on the supernatural. In real life, I don’t mess with it! No Ouija boards, no haunted house tours, no seances…I’ve seen too many movies and read too many books where characters accidentally conjure a horrific spirit seeking revenge.

No thanks!

What horror books have you recently read that you enjoyed?

I just finished Our Own Unique Affliction by Scott J Moses. It’s a horror novella with vampires, but the heart of the story is emotional and haunting, a truly tragic beautiful story of family and love. I highly recommend!

What are your upcoming projects and where can readers find you?

My science fiction horror novella Static is scheduled for release October 13, 2023 by Aesthetic Press!

Here’s a bit about it:

Ever since her mother’s death, nineteen-year-old Carmen has been seeing black buzzing dots zipping through the air, but are they real or just a figment of her imagination? They escalate in dire fashion, causing Carmen to crash her car, which lands her in a hospital. When Carmen confesses to seeing these hallucinations, psychologist Dr. Barbara MacDonald steps in.

Barbara, a grieving mother, is obsessed with finding a way to communicate and bring back the spirit of her deceased daughter. She believes Carmen’s hallucinations are the key. Under false pretenses, Barbara lures Carmen into her secret laboratory, holds the young woman, and starts conducting unlawful experiments. There’s no one to help Carmen escape; at least, no one alive.

Readers can find me on TikTok, Twitter, Instagram, Substack, Threads, and YouTube all under the handle of @nicobellfiction.

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Excerpt: A Good Man by P.J. McIlvaine

It’s funny/not funny the things you remember about the worst day of your life.

It was a hot, humid, hazy, August afternoon.

We had hot dogs and baked beans for dinner. Later, I had a cosmic orchestra of gas and flatulence. Mom thought it was hilarious. Palmer accused me of being a show-off. He wasn’t entirely wrong.

Afterward, as we did every Sunday night, we watched The Ed Sullivan Show.

I drifted off to sleep as rain pelted the roof. The sky blinked off and on like a flashlight. The roar of thunder filled all the empty spaces.

My brother Palmer—forever thirteen—shook me awake, his hands red and sticky. I thought it was from a cherry ice pop—but I know now it was blood. Our mother’s blood.

Hide, Brooks.” Palmer took in a huge gulp of air. “You know where. And don’t come back, whatever you do. The monster. He’s in the house.”

I ran up to the dunes at Ditch Plains Beach as fast as my stubby legs could carry me, soaked and chilled to the bone.

A week later, I woke up in a hospital bed. A nurse jabbed me with something.

My father gripped my hand. “You’re all right, son,” he whispered. “It’s over.”

But of course, it wasn’t. And I was far from all right. I didn’t know it then, but I do now. You have no idea how deep the rot goes until you bite into the apple and see a wriggling worm.

CHAPTER ONE

Sheldon Adler, my agent at Crown-Hawkins and my brother from another mother, is late as usual. No fucking surprise there. When you’re meeting Sheldon, you have to tack on an hour at least. I’m at our usual table at La Bonne Grenouille, the best little French bistro in Manhattan that no one has ever heard of, sipping a glass of ice-cold watermelon seltzer. Sheldon has been my literary agent—no, make that literary savior—since he read my first published short story that didn’t involve erect penises in The New Yorker. He contacted me out of the blue and suggested Hey, why don’t you write a book and I’ll sell it? I wrote Fallen Angels in twenty-four days in a drug haze. When it was finally published, it sold less than two hundred copies, but Sheldon was so fucking proud you would’ve thought it sold two million. I resigned myself to being a failure. Months later, the book was plucked out of obscurity by the senior literary critic of The New York Times and nominated for a Pulitzer. A tabloid dubbed me “The Heroin Hemingway.” The name stuck, even though I’ve been sober and drug-free for more than twenty-five years.

Sheldon got me my first million-dollar advance. He’s the wolf that other wolves hire, and his reputation is well-earned. My biggest supporter, he stayed with me through the lean, mean years when I wrote truly terrible books. Despite my abysmal marital track record, I’m extremely loyal. I wouldn’t dream of leaving Sheldon and believe me, other agents have tried to poach me. And unless I did or said something unacceptable that blew up on social media—which is why I don’t have any social media accounts—Sheldon wouldn’t kick me to the curb or toss me under the bus. All my skeletons are out there. Well, most of them.

A portly man with a vague resemblance to the great Mafia chronicler Mario Puzo, Sheldon huffs his way to our table. I can’t say it to his face, but Sheldon needs to lose forty—make that fifty—pounds, if not for himself, then for his young children. I’m sixty-five and I can still fit into the jeans I wore when I was nineteen. It takes discipline and willpower, of which I have plenty to spare.

After we order and exchange our typical innocuous pleasantries about the weather, politics, and soccer, for we’re both rabid fans, Sheldon downs a gin and tonic. It’s his first of the day and not his last. “Brooks, how is the book coming along?” he booms in a guttural Brooklyn accent that has other diners turning their heads.

“Great,” I reply cheerfully. “It couldn’t be going any better.

Gold, pure gold.”

He tilts his head. “Cassie says you haven’t been sleeping well.”

Cassie’s my third and—if I have anything to say about it—last wife. She interviewed me for a puff piece and months later, when the pregnancy test was positive, I knew I’d met my Waterloo, no thanks to Abba. An abortion was out of the question. Now we have two children under six, our lives are a merry-go-round of sweet chaos. Last fall, I had a vasectomy so there will be no more miniature Andersons polluting the planet.

I finish my seltzer and signal for another. “You know I never sleep well when I’m writing. I do my best work after midnight.” In the old days, that didn’t necessarily apply to writing.

The waitress delivers our meals: me, a grilled chicken Caesar salad with extra feta, and Sheldon a porterhouse with crispy julienne potatoes and parmesan creamed spinach. I eye his steak with unconcealed envy, but Cassie’s always after me to eat healthier. I sigh and add more dressing to my salad. Cassie would be pleased.

“Yeah, I know. You have the constitution of fucking Secretariat. You did drugs with Keith Richards and Lou Reed.” Sheldon cut into his steak; it’s not just blue, it’s bloody raw. Just looking at it makes me queasy. “But this is different. You’re writing about your goddamn family.”

“I can be objective.”

Sheldon puts his fork down. “Not about this, Brooks. Come on. The cold-blooded executions of your mother and brother—”

I suddenly lose my appetite. Sheldon means well. Cassie does, too. But this quasi-intervention is the last thing I need. “Sheldon, you know as well as Cassie that I had no choice. I wasn’t going to let that fucking guttersnipe drag my mother through the mud.” The fucking guttersnipe in question is Marshall Reagan (no relation to the former president), a douchebag posing as a journalist. His brand is writing scandalous, unauthorized biographies of the rich and famous because he knows he can get away with it. No dirt, no sleaze, is beneath him. And when he can’t find anything salacious, he makes shit up and pulls it out of his ass like saltwater taffy.

“You don’t know that.”

“Oh, but I do know. I know exactly the angle he’d take. That my mother was having an affair with Julian.” Julian Broadhurst, born in Lancaster, England, in 1942. An artist who was supposedly the protégé of Peter Max. Julian had long blond hair and drove a robin’s-egg-blue Aston Martin. Palmer and I loathed him. “And when Mom wanted to end it, he killed her. But that wasn’t enough, fuck no. When my brother tried to protect her, Julian killed him, too.” I shake my head, the bile percolating like a fresh pot of coffee. “My mother was brilliant. Graduated from Mount Holyoke with honors. And she was utterly devoted to my father. To us. The idea that she’d have a summer fling with that bohemian scumbag—” I choke on the words (or is it a sliver of chicken that went down the wrong pipe?). “And you know damn well that when that cocksucker Reagan’s done tarring and feathering her, he’ll start in on my father, who has been nothing less than a fucking saint. Saint Bernard.” I rap my fist on the table. “It’s fucking ludicrous.”

Sheldon nods, sympathy oozing from every pore. “All I’m saying is that you have a lot on your plate. The book. The next book. Your father’s gala. You’re writing a speech for that, right? Jesus fucking Christ, Brooks. You’re not Superman. It’s bound to take a toll on you.”

“So, what are you suggesting? I can’t return the advance. It’s already spent.” Six million gone in a heartbeat. Lawyers. Trust funds. The new house in Water Mill. And I was finally able to get my ex-wives off my back with a tidy lump sum. For the first time in years, no alimony to shill out every goddamn month. All thanks to Sheldon, who hadn’t budged an inch during the multi- house book auction. He earned his commission ten times over.

“No one’s suggesting that. That’s crazy.” Sheldon’s halfway through his steak. “But we can ask to push the deadline back by a couple of months.”

“No.” I’m a stubborn son of a bitch. If there’s one thing I’m known for, it’s living up to my contractual obligations. I’ve never missed a deadline. I could be fucking pushing up daisies and I’d still deliver.

Sheldon sighs. “Why are you being so goddamn obstinate?” “I’m well into the book now, it’s just a matter of research.” “Really?” He gives me a side-eye. “Cassie says you’ve barely written the first chapter.”

I’m annoyed. Mostly because Cassie’s right. “It’s all in my head, Sheldon. Don’t worry.”

“Well, I do. Worry, I mean.” Sheldon furrows his bushy eyebrows; he looks like a caterpillar on meth. “I know how good you can be, Brooks. But you push yourself way too hard.”

I make a half-hearted stab at my chicken. He could’ve added— but tactfully didn’t—that he also knows how bad I can be. My books still sold phenomenally well, even that fucking godawful picture book Rocco the Stinky Raccoon, nominated for a Caldecott. I was ecstatic when it didn’t win.

By the time we say our goodbyes, it’s three o’clock. If I hurry, I can see the kids for a minute before they’re trundled off to gymnastics or karate or whatever activity Cassie has planned. Mark loves Star Wars and Hulk. Audra’s obsessed with unicorns. I buy them far too many toys. I love my children desperately, but I don’t pretend to understand them. That’s Cassie’s deal. She’s the hardass. I’m the marshmallow man.

We live in the Dakota on the UWS (upper west side) close to Central Park. Our apartment has a bird’s-eye view of the park. The Dakota’s where John Lennon was shot. We still have tourists who make pilgrimages. I wasn’t there the night it happened, but I’d like to think I’d have stopped Mark Chapman in his tracks. I’d bought into the Dakota with the advance I’d gotten for Fallen Angels. I never would’ve been able to afford it otherwise. That book’s the gift that keeps on giving. It’s been optioned by movie production companies at least a dozen times but it’ll never get made. I’ve reconciled myself to that.

“Daddy’s home!” I shout as I enter the foyer.

The kids always run to see what I’ve bought. Today I have a Baby Yoda electronic gizmo for Mark and a big unicorn doll for Audra. But no excited squeals greet me. Instead, there are two packed suitcases by the door. I walk into the living room and marvel once again at our panoramic views of Central Park.

Cassie, her eyes red, sits on the sofa.

“Bad day with the kids, baby?” I bend down to kiss her. She turns her head. This isn’t a good sign.

“Where are the munchkins?” I toss my suit jacket on a chair. “With my sister in Providence.” Her voice is flat.

I’m surprised. Tammy’s coming down on the weekend. Why would she have come early and taken the kids?

Cassie stares at me. If her eyes were bullets, I’d be a corpse. “Dr. Schultz’s office called. They said you missed your six-month check-up.”

Dr. Schultz. Shit. I try to act casual but my heart thumps like a boom box. I can talk myself out of this one. I’ve done it before. “Damn, I guess I forgot to give them my new cell number. I’ll call in the morning, they’re probably closed now.”

“Kind of like how you forgot to tell me about your vasectomy?” Her voice rises an octave.

I cringe. I’m in for it now. And I fucking deserve it. “I’m not stupid, Brooks.”

No. That’s one thing Cassie isn’t. She’s brilliant in every respect, far more than I could ever hope or aspire to be. I’m painfully aware that I’m the reason she hasn’t gotten the jobs and accolades. I’m the anchor that weighs her down. “We talked about it, Cassie.”

“No. You talked about it. Not me. Not ever.” Cassie’s so mad her body trembles. “Who else knows?”

“Dad.”

“Of course. I bet he was thrilled.” My father wasn’t in favor of this marriage. It was nothing against Cassie. He’d been against all my marriages. When I told him Cassie was pregnant, he was apoplectic. You can’t be serious, he said. You’re too old to be a father. And too fucked-up, he could’ve added. But he eventually came around.

“Who else?”

“Nobody. I mean, nobody important,” I stumble. “Look, I’m sorry.”

“Sorry that you had it done or sorry that I found out?”

The truth was both, but I’d done enough damage for one evening. “Baby, I admit, it was a stupid thing to do. I wasn’t thinking clearly. But you know, maybe not going to the check-up was a good thing. Maybe it didn’t take. And if it did, I can get it reversed. If they can reattach a penis, they can fix this, right?” I nervously chuckle. That’s my default posture. When in a difficult situation, I make a feeble attempt at humor. Usually, it worked. Not this time.

“I’m going to stay at Tammy’s. I don’t know for how long.”

I try not to make a face and fail. Tammy hates me. Well, maybe hate is too mild: detests, loathes, abhors. Tammy would revel in this. “Please, honey. Don’t do that. We can work this out.”

Cassie holds up her hand. “Since you began this book”—the book she and Dad were vehemently against from the start, probably the only thing in the universe they agree on— “you haven’t been the same.”

“That’s not true,” I protest.

“It is true even if you don’t want to admit it. You got the book advance and then a vasectomy. And you don’t see that’s a huge problem? What about last night?”

I give her a look. “What about it?”

“I found you in Audra’s room at two in the morning. Over her bed holding a baseball bat.”

What? I shiver as if I’ve fallen through a river of ice. Water fills my lungs, and I can barely breathe. “That’s preposterous!” I gasp.

“Muttering about monsters. And it wasn’t the first time.” She shot me a look I knew all too well from my boarding school days. I hated it then and I hate it even more now. “You almost had me convinced that writing about what happened to you would be a catharsis. Exorcizing old ghosts and demons. But the opposite is happening, and it scares the shit out of me. It kills me to say this, but I have to protect the kids and I’m not sure they’re safe around you right now.”

Cassie’s words hang in the air. Jesus fucking Christ. Talk about a gut punch. The kids aren’t safe around me? I adore Mark and Audra. I’d die for them in the blink of an eye, with no hesitation. I cut Mark’s umbilical cord. I spent weeks in the neonatal unit with Audra. I changed diapers, I rocked them to sleep, they lacked for nothing materially. “You don’t mean that,” I retort. “You’re upset and angry about the vasectomy.”

“That’s a separate issue. But fuck yeah, I’m angry. I’m fucking livid.”

No one says “fuck” quite the way Cassie does. To my shame, I feel myself getting hard. Embarrassed, I cover myself with a sofa pillow and hope she doesn’t notice.

She does and averts her eyes. “This is a problem, it’s a huge fucking problem. This is beyond my field of expertise, Brooks. I’m a freelance editor, not a therapist.”

“Therapists,” I jeer. I’d had my fill of them. Never again. They’re the modern-day equivalent of leeches. “I sleepwalk. You knew that from day one. I never hid it.”

“This is more than sleepwalking. I want to help you, but I can’t if you won’t admit it’s a problem.”

“And your way of helping is talking to Sheldon?”

“Not just Sheldon. I spoke to Bernard, too. He’s worried about you. He’s noticed the change in you, we all have. Your father and I, we’re never going to be best friends, but I’m telling you, we’re united on this.”

My throat tightens as if someone’s wrapped a cord around my neck. I’m that eight-year-old kid shivering in the dunes, peeing on myself. “It’s been a rough winter. When I’m writing I can be an ogre. Maybe this vacation is what you and the kids need. The kids—” I stop myself. “I’ll call them in the morning. Better yet, why don’t I drive you there and I can tell them goodbye in person.”

Cassie picks up her handbag, the one I gave her last Christmas. A trendy, expensive designer label. To me they all look alike, so I asked the saleslady to give me the most popular one. I take that to mean Cassie isn’t entirely through with me yet. My marriage hung on this fucking bag. That’s how desperate I am. “I can drive myself.” Of course she can. We got his and hers matching Priuses with the book advance.

Cassie walks to the front door.

I follow and sniff her perfume like a love-sick puppy. “It’s getting late. Why don’t we order a very expensive meal, chill out with an old Bogie movie, and you can leave first thing.” I smile, in full Errol Flynn rogue mode.

Determined, she shakes her head. “You can’t fuck your way out of this one, Brooks.” She slams the door behind her so forcefully that my framed certificate from Caldecott falls off the fucking wall.

Immediately, my cell phone buzzes. I ignore Dad’s call. I’m not in the mood for another St. Bernard lecture on what a fucking mess I’ve made of my life. It’s suddenly very hot in the apartment. Or is it me? I tell Alexa to lower the temperature by five degrees, her calm demeanor a stark reminder of how quiet the apartment is without the kids screaming in the background. He pulled my hair! She grabbed my crayon!

I go upstairs into my writing lair. I must compartmentalize what just happened, otherwise, my head will detonate into a thousand pieces. Cassie and I have weathered worse. She’ll come back. She has to. I’ll call Dr. Schultz and fix this mess. For now, I must work on Dad’s speech. I pull out the desk chair and find it’s already occupied by one of Audra’s unicorn dolls.

Dad’s receiving a prestigious humanitarian award from the United Nations. Now pushing eighty-two or eighty-six depending on how many martinis he’s drunk, he’s evolved into an elder statesman on retainer as a crisis handler/negotiator. He advised LBJ on Vietnam. Nixon, too, although Dad couldn’t stand the prick. Dad begged Ford not to pardon Nixon because the voters and history would judge Ford harshly. Dad was right. Clinton made him a Special Envoy to Sarajevo. GW Bush called on him to head the 9/11 Commission, but Dad declined due to other “commitments”. Obama had him on speed dial. Dad has brokered peace agreements between nations and factions that were considered impossible. No one deserves this award more. I’ve been allotted roughly fifteen minutes to tell the world how I feel about him. I’d need fifteen years.

I touch a computer key. In Google Drive, the opening lines to my father’s speech flash on. “My beloved father, Bernard Stewart Anderson, is a generous, kind, honorable, decent man who embodies everything fine and good in this world. A man who has earned the respect of world leaders no matter their political persuasion. A man who goes out of his way to help the weak and oppressed. And he’s also a man who bore the ultimate tragedy with dignity and grace. No one knows Bernard Anderson better than I, his surviving son.”

Excerpted from A GOOD MAN by PJ McIlvaine, © 2023 by PJ McIlvaine, used with permission from Bloodhound Books. 

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