3 Horror Books To Read During Asian Heritage Month

THE EYES ARE THE BEST PART by MONIKA KIM

Ji-won’s life tumbles into disarray in the wake of her Appa’s extramarital affair and subsequent departure. Her mother, distraught. Her younger sister, hurt and confused. Her college freshman grades, failing. Her dreams, horrifying… yet enticing. 

In them, Ji-won walks through bloody rooms full of eyes. Succulent blue eyes. Salivatingly blue eyes. Eyes the same shape and shade as George’s, who is Umma’s obnoxious new boyfriend. George has already overstayed his welcome in her family’s claustrophobic apartment. He brags about his puffed-up consulting job, ogles Asian waitresses while dining out, and acts condescending toward Ji-won and her sister as if he deserves all of Umma’s fawning adoration. No, George doesn’t deserve anything from her family. Ji-won will make sure of that. 

For no matter how many victims accumulate around her campus or how many people she must deceive and manipulate, Ji-won’s hunger and her rage deserve to be sated.

SLEEP ALONE by J.A.W. MCCARTHY

For the past six years, Ronnie has worked selling merch for a perpetually touring band. Late nights, sweaty clubs, dingy motel rooms, endless roads-as rough as it’s been, there is no other way of life for this band of hungry succubi leaving bodies in their wake.

Until she meets the enigmatic Helene.

Helene is just as restless, just as lonely, and just as full of secrets. With Helene in tow, Ronnie and the band make their way across the Pacific Northwest, trying to outrun not only their mistakes, but the mysterious disease stalking the band, a disease that devours succubi from the inside out.

The hunger is as endless as the road, but maybe Ronnie doesn’t always want to sleep alone.

THE VEGETARIAN by HAN KANG

Before the nightmares began, Yeong-hye and her husband lived an ordinary, controlled life. But the dreams—invasive images of blood and brutality—torture her, driving Yeong-hye to purge her mind and renounce eating meat altogether. It’s a small act of independence, but it interrupts her marriage and sets into motion an increasingly grotesque chain of events at home. As her husband, her brother-in-law and sister each fight to reassert their control, Yeong-hye obsessively defends the choice that’s become sacred to her. Soon their attempts turn desperate, subjecting first her mind, and then her body, to ever more intrusive and perverse violations, sending Yeong-hye spiraling into a dangerous, bizarre estrangement, not only from those closest to her, but also from herself.

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