I’m so proud to announce that the fourth book (can’t believe we’re at four!) of Women in Horror Anthology series, Hush, Don’t Wake the Monster – Stories Inspired by Stephen King is FINALLY OUT!
A collection of new and exclusive short stories inspired by and in tribute to, Stephen King.
Stephen King is a seminal writer of horror, whose influence transcends the literary sphere, having also taken the cinematic world by storm – and ultimately delivering nightmares to generations for almost five decades.
This fourth anthology of the Women in Horror series edited by Azzurra Nox brings together a diverse group of female writers who contribute their personal twist to the works of Stephen King.
Featured authors include: Andrea Teare, Rachel Bolton, Marnie Azzarelli, Lauri Christopher, Kay Hanifen, Hannah Brown, Kristi Petersen Schoonover, L. E. Daniels, Sealey Andrews, Christabel Simpson, Alisha Galvan, Rebecca Rowland, Cheryl Zaidan, Amy Grech, Jane Nightshade, Trisha Ridinger McKee, and Azzurra Nox.
If you’re a fan of Stephen King, you’re going to LOVE this book!
DID YOU ENJOY WHAT YOU JUST READ? IF YES, THEN SUBSCRIBE TO THE BLOG, GIVE THE POST A LIKE, OR LEAVE A COMMENT! NEW POSTS ARE UP EVERY TUESDAY & THURSDAY!
Maria moved to the city in 1969, leaving her daughter with her family but hoping to save enough to take care of her one day. She worked as a housekeeper, then a caregiver, and later a cleaner, and somehow she was always taking care of someone else. Two generations later, in 2018, Alicia was working at the snack shop in Madrid’s Atocha train station when it overflowed with protestors and strikers. All women—and so many of them—protesting what? Alicia wasn’t entirely sure. She couldn’t have known that Maria was among them. Alicia didn’t have time for marches; she was just trying to hang on until the end of her shift, when she might meet someone to take her away for a few hours, to make her forget.
Readers will fall in love with Maria and Alicia, whose stories finally converge in the chaos of the protests, the weight of the years of silence hanging thickly in the air between them. The Wonders brings half a century of the feminist movement to life, and launches an inimitable new voice in fiction. Medel’s lyrical sensibility reveals her roots as a poet, but her fast-paced and expansive storytelling show she’s a novelist ahead of her time.
DID YOU ENJOY WHAT YOU JUST READ? IF YES, THEN SUBSCRIBE TO THE BLOG, GIVE THE POST A LIKE, OR LEAVE A COMMENT! NEW POSTS ARE UP EVERY TUESDAY & THURSDAY!
Everybody lies. Even the ones you think you know best of all . . .
Olivia Bender designs exquisite home interiors that satisfy the most demanding clients. But her own deepest desire can’t be fulfilled by marble counters or the perfect rug. She desperately wants to be a mother. Fertility treatments and IVF keep failing. And just when she feels she’s at her lowest point, the police deliver shocking news to Olivia and her husband, Park.
DNA results show that the prime suspect in a murder investigation is Park’s son. Olivia is relieved, knowing this is a mistake. Despite their desire, the Benders don’t have any children. Then comes the confession. Many years ago, Park donated sperm to a clinic. He has no idea how many times it was sold—or how many children he has sired.
As the murder investigation goes deeper, more terrible truths come to light. With every revelation, Olivia must face the unthinkable. The man she married has fathered a killer. But can she hold that against him when she keeps such dark secrets of her own?
DID YOU ENJOY WHAT YOU JUST READ? IF YES, THEN SUBSCRIBE TO THE BLOG, GIVE THE POST A LIKE, OR LEAVE A COMMENT! NEW POSTS ARE UP EVERY TUESDAY & THURSDAY!
The thing that has been growing inside me that is not rage and is not spite and is not fear or pain.
PLOT SUMMARY
By day, Maeve Fly works at the happiest place in the world as every child’s favorite ice princess.
By the neon night glow of the Sunset Strip, Maeve haunts the dive bars with a drink in one hand and a book in the other, imitating her misanthropic literary heroes.
But when Gideon Green – her best friend’s brother – moves to town, he awakens something dangerous within her, and the world she knows suddenly shifts beneath her feet.
Untethered, Maeve ditches her discontented act and tries on a new persona. A bolder, bloodier one, inspired by the pages of American Psycho. Step aside Patrick Bateman, it’s Maeve’s turn with the knife.
GRADE: A
REVIEW:
This book aches to be a female lead American Psycho type of novel, with protagonist Maeve Fly at the wheel. Maeve is obsessed with Halloween music, doxxing terrible people online, and her job at DisneyLand where she impersonates Elsa from Frozen. Maeve is indifferent to most people except for her best friend Kate and dying grandmother, a former Hollywood silent movie star, Tallulah Fly. I enjoyed Maeve’s journey although sometimes Maeve’s obsessions and edginess seemed forced. Most of the brutal scenes weren’t described in detail – we were only hinted at what would happen and it’d cut to black. For a book promising an edgy, dark character it kind of annoyed me (but I’m probably in the minority here) that we didn’t get to see more gore.
I read Story of the Eye in my early 20’s and have recced this book to many people (is this why they think I’m twisted?), and Maeve is obsessed with this book too. I must say, that I was supremely HAPPY that a certain scene came to fruition after the promise of the book’s cover. I would’ve been annoyed otherwise.
However, I did LOVE this book – so don’t take my little gripes at heart. I just love girl villains so want people to push the envelope when it comes to that. The final line of this novel though is PURE PERFECTION and I absolutely love it. In other words, I will definitely look forward to this author’s next novel!
DID YOU ENJOY WHAT YOU JUST READ? IF YES, THEN SUBSCRIBE TO THE BLOG, GIVE THE POST A LIKE, OR LEAVE A COMMENT! NEW POSTS ARE UP EVERY TUESDAY & THURSDAY!
Being someone who receives many ARCs (advanced reader’s copies) for review purposes for this blog, I read many of the 2023 releases last year. So, these are three books that I didn’t receive ARCs for, but still want to read all the same.
SHE IS A HAUNTING BY TRANG THANH TRAN
When Jade Nguyen arrives in Vietnam for a visit with her estranged father, she has one goal: survive five weeks pretending to be a happy family in the French colonial house Ba is restoring. She’s always lied to fit in, so if she’s straight enough, Vietnamese enough, American enough, she can get out with the college money he promised.
But the house has other plans. Night after night, Jade wakes up paralyzed. The walls exude a thrumming sound while bugs leave their legs and feelers in places they don’t belong. She finds curious traces of her ancestors in the gardens they once tended. And at night Jade can’t ignore the ghost of the beautiful bride who leaves cryptic warnings: Don’t eat.
Neither Ba nor her sweet sister Lily believe that there is anything strange happening. With help from a delinquent girl, Jade will prove this house–the home they have always wanted–will not rest until it destroys them. Maybe, this time, she can keep her family together. As she roots out the house’s rot, she must also face the truth of who she is and who she must become to save them all.
SILVER NITRATE BY SILVIA MORENO-GARCIA
Montserrat has always been overlooked. She’s a talented sound editor, but she’s left out of the boys’ club running the film industry in ’90s Mexico City. And she’s all but invisible to her best friend, Tristán, a charming if faded soap opera star, though she’s been in love with him since childhood.
Then Tristán discovers his new neighbor is the cult horror director Abel Urueta, and the legendary auteur claims he can change their lives—even if his tale of a Nazi occultist imbuing magic into highly volatile silver nitrate stock sounds like sheer fantasy. The magic film was never finished, which is why, Urueta swears, his career vanished overnight. He is cursed.
Now the director wants Montserrat and Tristán to help him shoot the missing scene and lift the curse . . . but Montserrat soon notices a dark presence following her, and Tristán begins seeing the ghost of his ex-girlfriend.
As they work together to unravel the mystery of the film and the obscure occultist who once roamed their city, Montserrat and Tristán may find that sorcerers and magic are not only the stuff of movies.
LOOKING GLASS SOUND BY CATRIONA WARD
In a cottage overlooking the windswept Maine coast, Wilder Harlow begins the last book he will ever write. It is the story of a sun-drenched summer of his youth and of the killer that stalked the small New England town. Of the terrible tragedy that forever bonded him with his friends Nat and Harper in unknowable ways. Of a horror that has followed them over the years.
Wilder has returned to the town decades later in an attempt to recount that summer’s events in his memoirs. But as he writes, Wilder begins to fear his grip on the truth is fading, and events in the manuscript start to chime eerily with the present. He’s even started seeing a dark-haired woman down in the icy waters below the cottage, but nobody else can.
No longer able to trust his own eyes, Wilder begins to fear that this will not only be his last book, but the last thing he ever does…
What are some of the reads you’re looking forward to this year?
DID YOU ENJOY WHAT YOU JUST READ? IF YES, THEN SUBSCRIBE TO THE BLOG, GIVE THE POST A LIKE, OR LEAVE A COMMENT! NEW POSTS ARE UP EVERY TUESDAY & THURSDAY!
As kids, Emily and Chess were inseparable. But by their 30s, their bond has been strained by the demands of their adult lives. So when Chess suggests a girls trip to Italy, Emily jumps at the chance to reconnect with her best friend.
Villa Aestas in Orvieto is a high-end holiday home now, but in 1974, it was known as Villa Rosato, and rented for the summer by a notorious rock star, Noel Gordon. In an attempt to reignite his creative spark, Noel invites up-and-coming musician, Pierce Sheldon to join him, as well as Pierce’s girlfriend, Mari, and her stepsister, Lara. But he also sets in motion a chain of events that leads to Mari writing one of the greatest horror novels of all time, Lara composing a platinum album––and ends in Pierce’s brutal murder.
As Emily digs into the villa’s complicated history, she begins to think there might be more to the story of that fateful summer in 1974. That perhaps Pierce’s murder wasn’t just a tale of sex, drugs, and rock & roll gone wrong, but that something more sinister might have occurred––and that there might be clues hidden in the now-iconic works that Mari and Lara left behind.
Yet the closer that Emily gets to the truth, the more tension she feels developing between her and Chess. As secrets from the past come to light, equally dangerous betrayals from the present also emerge––and it begins to look like the villa will claim another victim before the summer ends.
Inspired by Fleetwood Mac, the Manson murders, and the infamous summer Percy and Mary Shelley spent with Lord Byron at a Lake Geneva castle––the birthplace of Frankenstein––The Villa welcomes you into its deadly legacy.
GRADE: B-
REVIEW:
I did enjoy this book however, the “mystery & thriller” part never quite showed up. The book is told in two timelines, the present where two best friends stay at a villa in Orvieto, Italy, each friend using their time there to pen their new books. The second timeline takes place in 1974 when four Brits stay at the villa during one summer and a murder occurs.
Now the thing about the 1974 time that kind of annoyed me is that it was an absolute rip-off of Mary Shelley’s life, as Mari stood for Mary, Pierce Sheldon for Percy Bysshe Shelley, the rock star Neil Gordon was obviously Lord Byron, and Mari’s stepsister Lara was ripped off from Mary’s stepsister Claire Clairmont. The author used details about Mary Shelley’s life to stand in for Mari’s life (how her father married a next-door neighbor, how her family disowned her when she ran away with the married Percy and even used the death of Mary’s child in Mari’s backstory too). This wasn’t just a little too on the nose, it was a complete sledgehammer. However, if you’re a writer, you might enjoy these tidbits of information.
The present timeline wasn’t as fascinating as the one in 1974, because I really couldn’t stand Em, the cozy-mystery writer who’s too hung up on her best friend Chess’s recent success as a motivational writer. In fact, I don’t even know why these two are friends when they seem to dislike one another.
This book was interesting, I won’t deny that, but at the same time, it didn’t deliver on the thriller aspect that was promised in the beginning. But since I did read the book in about two days, I will say that the author has a way of having you want to stay up to read until you’ve reached the end, so I’ll give her props for that.
All in all, this book is good if you’re looking for a cozy mystery – because it’s in no way a thriller or true mystery. The location is gorgeous and the 1974 timeline of groupies and rockstars was fascinating, despite the blatant rip-off of Shelley’s life.
*Thank you so much to NetGalley and St. Martin’s Press for the digital copy of this book in exchange for an honest review!
DID YOU ENJOY WHAT YOU JUST READ? IF YES, THEN SUBSCRIBE TO THE BLOG, GIVE THE POST A LIKE, OR LEAVE A COMMENT! NEW POSTS ARE UP EVERY TUESDAY & THURSDAY!
Outside a rural Pennsylvania motel, nine-year-old Lulu smokes a cigarette while sitting on the lap of a trucker. Recent art grad Quinn is passing through town and captures it. The photograph, later titled “Lulu & the Trucker,” launches Quinn’s career, escalating her from a starving artist to a renowned photographer. In a parallel life, Lulu fights to survive a volatile home, growing up too quickly in an environment wrought with drug abuse and her mother’s prostitution. Decades later, when Quinn has a retrospective at the Whitney Museum of Art and “Lulu & the Trucker” has sold at auction for a record-breaking amount, Lulu is surprised to find the troubling image of her young self in the newspaper. She attends an artist talk for the exhibition with one question in mind for Quinn: Why didn’t you help me all those years ago? Tell Me One Thing is a portrait of two Americas, examining power, privilege, and the sacrifices one is willing to make to succeed. Traveling through the 1980s to present day, it delves into New York City’s free-for-all grittiness while exposing a neglected slice of the struggling rust belt.
DID YOU ENJOY WHAT YOU JUST READ? IF YES, THEN SUBSCRIBE TO THE BLOG, GIVE THE POST A LIKE, OR LEAVE A COMMENT! NEW POSTS ARE UP EVERY TUESDAY & THURSDAY!
“Alex drained her wineglass, then her water glass. The ocean looked calm, a black darker than the sky. A ripple of anxiety made her palms go damp. It seemed suddenly very tenuous to believe that anything would stay hidden, that she could successfully pass from one world to another.”
PLOT SUMMARY:
Summer is coming to a close on the East End of Long Island, and Alex is no longer welcome.
A misstep at a dinner party, and the older man she’s been staying with dismisses her with a ride to the train station and a ticket back to the city.
With few resources and a waterlogged phone, but gifted with an ability to navigate the desires of others, Alex stays on Long Island and drifts like a ghost through the hedged lanes, gated driveways, and sun-blasted dunes of a rarefied world that is, at first, closed to her. Propelled by desperation and a mutable sense of morality, she spends the week leading up to Labor Day moving from one place to the next, a cipher leaving destruction in her wake.
GRADE: C-
REVIEW:
First of all, this book was beautifully written and it’s no surprise since it’s from the author of The Girls, which I never read, cause I don’t like cults or Charles Manson – but I do know it was a bestselling novel. Now to talk about this book, The Guest centers around Alex – a young woman in her early 20’s who becomes a grifter for a week when her older boyfriend breaks up with her after a dinner date gone wrong.
I usually love unlikeable characters and I was invested in Alex’s plight and the ways she uses people for her benefit. But at the end of the day, I don’t get the point of this book. This book abruptly ends at its climax – so everything that has been building up to a certain moment ends up not being resolved and this truly irked me a lot. Especially since not much else happened in this book.
I meandered between boredom and secondhand embarrassment for Alex and yes, Emma Cline can write but does that necessarily make for an engaging plot? Sadly no. I’d forgive this book if it was all vibes and no plot, but it’s no vibes and no plot.
This is a pass for me.
*Thank you so much to NetGalley and Random House for the digital copy of this book in exchange for an honest review!
DID YOU ENJOY WHAT YOU JUST READ? IF YES, THEN SUBSCRIBE TO THE BLOG, GIVE THE POST A LIKE, OR LEAVE A COMMENT! NEW POSTS ARE UP EVERY TUESDAY & THURSDAY!
When Alex and Elana move from smalltown Virginia to El Paso, they are just a young married couple, intent on a new beginning. Mexican by birth but adopted by white American Pentecostal parents, Alex is hungry to learn about the place where he was born. He spends every free moment across the border in Juárez—perfecting his Spanish, hanging with a collective of young activists, and studying lucha libre (Mexican wrestling) for his graduate work in sociology. Meanwhile Elana, busy fighting her own demons, feels disillusioned by academia and has stopped going to class. And though they are best friends, Elana has no idea that Alex has fallen in love with Mateo, a lucha libre fighter.
When Alex goes missing and Elana can’t determine whether he left of his own accord or was kidnapped, it’s clear that neither of them has been honest about who they are. Spanning their journey from Virginia to Texas to Mexico, Mesha Maren’s thrilling follow-up to Sugar Run takes us from missionaries to wrestling matches to a luxurious cartel compound, and deep into the psychic choices that shape our identities. A sweeping novel that tells us as much about our perceptions of the United States and Mexico as it does about our own natures and desires, Perpetual West is a fiercely intelligent and engaging look at the false divide between high and low culture, and a suspenseful story of how harrowing events can bring our true selves to the surface.
DID YOU ENJOY WHAT YOU JUST READ? IF YES, THEN SUBSCRIBE TO THE BLOG, GIVE THE POST A LIKE, OR LEAVE A COMMENT! NEW POSTS ARE UP EVERY TUESDAY & THURSDAY!
I gasp and stagger backward. My hand goes to my mouth, bear- ing down.
My brain screams at me to run. Run.
I can’t at first. Shock and fear hold me captive. They keep me from moving, like a ship that’s dropped anchor. I’m moored to this spot, my eyes gaping in disbelief. My breath quickens and I feel the flailing of my heartbeat in my neck, my throat and in my ears.
Run, my brain screams at me. Go. Fucking run.
There is movement on the ground before me. The sound that comes with it is something heathen and raging, and some part of me knows that if I don’t go now, I may never leave this place alive.
I turn away. It’s instantaneous. One minute I’m unmoving and the next I’m moving so fast that the world comes at me in vague shapes and colors, streaks of brown and blue and green. I barely feel the movement of my legs and my feet as I run. I don’t feel the impact of my shoes colliding with the earth, moving quickly across it. I don’t look back, though I want more than anything to steal a look to know that I’m alone. That I’m not being followed. But I don’t look. It’s too risky. Looking back would cost precious seconds that I don’t know that I have. If I do, those seconds could be my last.
Sounds come, but I’m so disoriented that I don’t know where they come from. Is it only my pulse, the rush of blood in my ears?
Or is someone there?
I feel something tangible against my hair and then my spine. My back arches. I jerk away, pitching forward, landing hard on my hands and knees.
The world stops moving.
I have only two thoughts in that moment: staying alive, and that this isn’t the way it was supposed to happen.
Christian
Lily is sitting on the leather chair in the family room when I come in. Her back is to me. I see her from behind, just her long brown hair spilling down the back of the chair. She stares toward the TV on the opposite wall, but the TV is off. It’s just a black box, and in it, I see a murky reflection of Lily on the screen, though I can’t tell if her eyes are open or shut.
“Hey,” I say, coming in through the garage door, closing it quietly and stepping out of my shoes. I set my phone and keys on the counter, and then ask, “How was your day?”
It’s getting dark in the house. Out the window, the sun is about to set. Lily hasn’t bothered with the lights, and so the in- side of the house is colorless and gray. We face east. Any pretty sunset is the other way. You can’t see it from here, if there even is one to see.
Lily says nothing back. She must have fallen asleep, sitting upright in the chair. It wouldn’t be the first time. She’s been extremely tired lately. The pregnancy is getting the best of her, not to mention that she’s on her feet teaching all day. These two things in combination exhaust her. It used to be that Lily would be in the kitchen, cooking dinner when I got home, but these last few weeks, she comes home from work ready to drop. I don’t mind that she’s not cooking. I’ve never been the kind of person to need a home-cooked meal after work, but that’s the way Lily was raised. Her mother did it for her father, and so she thinks she should do it for me. She’s been apologetic that she hasn’t had it in her to cook dinner, but she’s been queasy, too, and the last thing she needs to be doing is cooking for me. I called from the car and ordered takeout already; it will be here any minute.
I step quietly into the family room. I come around to the other side of Lily to face her. Lily isn’t asleep like I thought. Her eyes are open but her expression is blank. Her skin looks gray, washed-out like the room, and I blame the poor lighting.
Lily’s head turns. She looks up at me as if in slow motion.
“Hey,” I say again, gently, smiling. “You okay? Did I wake you?”
I flip on a side table light, and she winces from the bright- ness of it, her eyes taking time to adjust. I apologize for it, realizing that her pale face had nothing to do with the lack of light.
In the warmth of the lamp’s glow, I see that Lily’s hair is wet. She wears maroon-colored joggers and a sweatshirt. She’s showered and changed since coming home, which is more than she usually does. Usually she falls flat on the couch and doesn’t leave until it’s time to go to bed.
I drop to my knees in front of her. I reach forward and run a hand the length of her hair. “You look exhausted, babe. Do you want to just go to bed? I can help you up. Takeout should be here soon. I’ll bring it up to the room for you when it gets here.”
Lily blinks three times, as if to clear the fog. She finds her voice. It’s husky at first, dry, like after a day of shouting at a football game, which is not that different than a day of teach- ing rowdy high school kids math. “No,” she says, shaking her head, “I’m fine. Just tired. It was a long day.”
“You sure? I wouldn’t mind dinner in bed myself.” I had a long day too, but it doesn’t seem right to compare them when only one of us has another human growing inside of them.
“That sounds messy,” she says.
“I promise I’ll be neat.”
Lily smiles and my heart melts. I love it when she smiles at me. “When are you ever neat?”
“Never,” I say, feeling better if she can still poke fun at me.
I’ve done my research on pregnancy and childbirth. I’ve read that the fatigue women feel during the first trimester is maybe the most tired they’ll feel in their whole lives. Growing a human is exhausting. Caring for one is too, but we’re not there yet.
“You need anything?” I ask, and she shakes her head.
Takeout comes. I convince Lily to come sit on the couch with me, where we both fit. We watch TV and, as we do, I ask her about her day and she asks me about mine. She’s quieter than usual tonight. I do most of the talking. I’m a market research analyst, while Lily teaches high school algebra. We met in college over of our shared love of math. When we tell people that, it makes them laugh. We’re math nerds.
When it’s time for bed, Lily goes up to the room before me. From downstairs, I hear the sink run as she washes up. I clean up from dinner. I throw the takeout containers in the trash. There is a package waiting on the front porch. I step outside to get it, where the night is dark, though the sky is clear. It must be a new moon.
Lily is standing at the top of the stairs when I come back in. She’s there in the upstairs hall, standing in the dark, backlit by the bedroom light. Gone are the maroon sweats she wore ear- lier. She has on my flannel shirt now. Her legs are bare, one foot balanced on the other. Her hair is pulled back, her face still wet from washing it.
“Don’t forget to lock the door,” she says down over the rail- ing, patting her face dry with a towel.
I wouldn’t have forgotten to lock the door. I never do. It’s not like Lily to remind me. I turn away from her, making sure the storm door is shut and locked, and then I push the front door closed and lock the dead bolt too.
Our house sits on a large lot. It’s old on the outside, but has a completely revamped, modern interior. It boasts things like a wraparound porch, beamed ceilings, a brick fireplace—which Lily fell in love with the first time she laid eyes on the house, and so I knew I couldn’t say no despite the price—as well as the more modern amenities of a subzero fridge, stainless steel appliances, heated floors and a large soaker tub that I was more enthusiastic about. The house is aesthetically pleasing to say the least, with an enormous amount of curb appeal. It practically broke the bank to buy, but felt worth it at the time, even if it meant being poor for a while.
In the backyard, the river runs along the far edge of the prop- erty, bound by a public hiking and biking trail. We were worried about a lack of privacy when we first moved in, because of the trail. The trail brought pedestrians to us. Strangers. People just passing by. For most of the year, it’s not a problem. The leaves on the trees provide plenty of privacy. It’s only when they fall that we’re more exposed, but the views of the river are worth it for that small sacrifice.
“Done,” I tell her about the locks, and she asks then if I set the alarm. We’ve lived here years and hardly ever set the alarm. I’m taken aback that she would ask.
“Is everything okay?” I ask.
Lily says, “Yes, fine.” She says that we have an alarm. We pay for it. We might as well use it. She isn’t wrong—it’s just that she’s never wanted to before.
I set the alarm. I make my way around the first floor, turning off lights. It takes a minute. When I’m done, I climb the stairs for the bedroom. Lily has the lights off in the room now. She stands at the window in the dark, with her back to the door.
She’s splitting the blinds apart with her fingers and is looking out into the dark night.
I come quietly into the room. I sidle up behind Lily, setting my hand on the small of her back and asking, “What are you looking at?” as I lean forward to set my chin on her shoulder, to see what she sees.
Suddenly Lily reels back, away from the window. She drops the blinds. They clamor shut. I’ve scared her. Instinctively, her hands rise up in self-defense, as if to strike me.
I pull back, ducking before I get hit. “Whoa there, Rocky,” I say, reaching for her arms.
Lily’s hands and arms remain motionless, suspended in air.
“Shit, sorry,” she says, knowing how close she came to im- pact. The realization startles us both.
“What was that?” I ask as I gently lower Lily’s arms. Lily isn’t usually so jumpy. I’ve never seen that kind of reaction from her.
She says, “I didn’t know it was you.”
“Who did you think it was?” I ask, as a joke. She and I are the only ones here.
Lily doesn’t answer directly. Instead she says, “I didn’t hear you come up the stairs. I thought you were still downstairs.”
That doesn’t explain it.
“What are you looking at?” I ask again, gazing past her for the window.
“I thought I heard something outside,” she says.
“Like what?”
She says that she doesn’t know. Just something. We stand, quiet, listening. It’s silent at first, but then I hear the voices of kids rising up from somewhere outside. They’re laughing, and I know there are teenagers clowning around on the trail again. It wouldn’t be the first time. They never do anything too bad, though we’ve found cigarette butts and empty bottles of booze. I don’t get mad about it. I was a stupid teenager once. I did worse.
I go to the bed. I pull the blankets back. “It’s just dumb kids,
Lily. There’s nothing to be afraid of. Come to bed,” I say, but, even as she turns away from the window and slips under the sheets with me, I sense Lily’s hesitation. She’s not so sure.
Excerpted from Just the Nicest Couple @ 2023 by Mary Kyrychenko, used with permission by Park Row Books.
DID YOU ENJOY WHAT YOU JUST READ? IF YES, THEN SUBSCRIBE TO THE BLOG, GIVE THE POST A LIKE, OR LEAVE A COMMENT! NEW POSTS ARE UP EVERY TUESDAY & THURSDAY!