Excerpt from I Love It When You Lie by Kristen Bird

The Sheriff’s Office in Willow Gap, AlabamaOne Week After

STEPHANIE

It would’ve been a touching moment except for the reality of the grave at their feet. Gran’s grave. I shiver just thinking about the three Williams sisters standing in the family cemetery, their arms entwined, gazing up at the sunrise, all that cool Alabama clay piled beside them, their fingernails packed with the red earth, the stench of what they’d done in their nostrils. It was Decoration Sunday, the one day of the year when the entire family descended on Gran’s property to pay respect to the dead and gossip about those still living.

Tara, June, and Clementine Williams are my sisters-in-law. For so long, I’ve waited for the day that their little coven would topple some man’s ivory tower. Now that the time has come, I realize that each of us has a man that we might be better off without, but only one of us is lucky enough to have actually rid ourselves of him. 

Four men: a preacher, a doctor, a professor, and a mayor. One goes missing. It’s like our own little Willow Gap edition of Clue. How charming.

Sheriff Brady Dean, his badge shining in the interrogation lights, brings me back to the moment at hand, the moment of reckoning. The aged sheriff wants to know what I know, wants me to spill all the whys, whens, wheres, and hows of the Williams sisters over the past forty-eight hours.

“I’m sure you know why you’re here, Mrs. Williams.” The words emerge like a sigh. He’s been after this family for more than thirty years, ever since he was first elected. Poor guy. Must be exhausted.

I meet the sheriff eye to eye, tapping my recently painted nails—Los Angeles Latte, the dark bottle of polish had read—against the metal table in the claustrophobic office where he’s brought me for questioning. Not that I’m the one in trouble here.

My husband, Walker Williams, knew Sheriff Dean before Walker and I ever met and married a decade ago. Some say ours was a Yankee seduction, but I don’t care. Walker has been the mayor now for eight years, and they have to put up with me, the damn Yank in their midst.

I think of my three children—Walker Jr. and Auggie and Bella—their features too much like my husband’s. They’re fine, I remind myself. They’re with the nanny while I’m here tying up all of the loose ends. I shake my head to dislodge their faces from my mind. It’s important that I focus. I must get this right.

“Call me Ms. Chadrick. Or Stephanie. I’ll be using my maiden name soon enough,” I tell the sheriff.

Sheriff Dean clears his throat, and I follow his eyes to my hand. I’m still wearing my massive diamond, the one Walker bought for our last anniversary. To ten years, baby, and a lifetime more, he’d said as he slipped it on my finger in our Nashville hotel room. I’m not planning to part with my jewelry just because my husband can’t keep his dick in his pants.

I blink innocently at the sheriff and twist my ring around, pressing the stone into my palm until it bites. “I’m here to tell you what I saw after Gran Williams’s funeral. Isn’t that right?”

“Yes’m.” The sheriff lets out a heavy breath that reaches all the way down to the gut hanging over his belt. “I know these women are your husband’s sisters, but we’re hoping…”

“Soon to be ex-husband,” I fire back, reminding him once again.

“Fine. As I was saying, we’re hoping you’ll be willing to give us an account of the movement of your sisters-in-law these past few days. With a missing person, time is of the essence.”

He gives me one of those indulgent smiles saved only for a wronged woman. He knows about my cheating bastard of a spouse, and I breathe, reminding myself again that I’m in good company. Jackie O., Eleanor Roosevelt, Hillary—all of these fine ladies were cheated on by their infamous yet politically savvy husbands. Remembering them makes it easier for me to deal with the fact that everyone knows about Walker and his lying ways.

When I first moved here from DC, I thought my new husband and his town were adorable, quaint even. As I prepared for Walker’s bid for mayor, I even got a kick out of researching its history at the local library, trying to understand the place where generations of Walker’s family had lived for so long.

Alabama. Some historians say the word is from a Native American language and means “tribal town” or “vegetation gatherers.” My favorite definition of the word, though, was penned by one Alexander Beauford Meek, a highly unreliable 

source, but isn’t that what history is made of? Mr. Meek said that the word means “here we rest.” Alabama: here we rest. It’s deliciously spooky, isn’t it? Like something from one of those Faulkner stories I couldn’t get enough of in college.

To be fair though, my problem isn’t actually with the great state of Alabama. It’s with these people, this town, this family. They forget so easily that I’m a part of them now, for better or worse. They forget that I know where all the bodies are buried, and I’m not just talking about their kinfolk in the family cemetery a couple hundred yards down the hill from Gran’s house.

The sheriff clears his throat and tries again. “As I was sayin’, we’re hopin’ you can give us a clearer account of who all was there and what exactly went on, so we can understand what led to our missing person. He’s an important man, a good man, and the last time anyone laid eyes on him was Saturday evening a few hours after the funeral at Gran Williams’s cabin.”

Our missing person. There’s something so possessive in the phrase. I almost giggle, realizing that this man is handing me my chance on a silver platter, an opportunity to expose every inch of the Williams family drama.

“Sheriff, ask me any question, and I’ll tell you exactly what you want to hear.” I cross my legs and study my cuticles. “Although, if you want to know the whole truth, you need to go a lot further back than the past few days.”

I take a sip of the coffee he brought me earlier and stretch my arms in front of me as if preparing for a catnap. I wonder if the sheriff realizes just how far back he needs to reach, how far down he needs to dig until he hits something like the truth.

The sheriff nods at me to continue, and I notice again the plump circles hanging under his eyes. He sneezes into the crook of his arm and settles in for the real reason why people involved with the Williams family might just disappear.

I sit up straighter. “All right, then. Let’s start with the dead one.”

Excerpted from I Love It When You Lie. Copyright © 2023 by Kristen Bird. Published by MIRA Books.

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Women in Horror Interviews Part II

For the month of March, in order to celebrate Women in Horror, I’ll be highlighting interviews with some of the authors that appear in Hush, Don’t Wake the Monster – Stories Inspired by Stephen King Women in Horror Anthology.

Rachel Bolton author of “Sharp Teeth”

Which Stephen King novel/short story inspired your short story?

Carrie inspired “Sharp Teeth.” I always had sympathy for Carrie, more than Stephen King did. In On Writing he considers her a girl version of Harris and Klebold, which I disagree with. Part of me wanted her to win. For this anthology, I didn’t want to write an exact reinterpretation. I took certain themes from the book and played around with them under different circumstances. The biggest difference is that Ann wanted her powers.

Who’s your favorite modern female author?

My two favorite modern female authors are Carmen Maria Machado and Gretchen Felker-Martin. They both write very differently from each other, but their work is beautiful, frightening, and deeply political. All things great horror should be. All things I want to achieve as a writer. 

Which song would be the soundtrack to your story?

I can’t think of a specific one, but any 50’s pop song would be fitting. Especially if it’s by a girl group. 

What are some of your current writing projects?

Oh boy, I have a lot going on. I’m trying to finish a novella, I have numerous short stories in progress, and there is a full length comic script that desperately needs a full second rewrite. I hope to have a short story collection out in the next few years. I also write a Kennedy themed substack called Trapped in Camelot. 

Who’s your favorite final girl and why?

Ellen Ripley! She’s tough, vulnerable, and always handles herself whenever she’s surrounded by idiots. “Get away from her, you bitch!” Best line ever. 

Jane Nightshade author of “The Sorting”

Which Stephen King novel/short story inspired your short story?

My story The Sorting was loosely inspired by the Loser’s Club from Stephen King’s IT. The Loser’s Club of a gang of misfit kids ring true to the way I grew up in an era where neighborhood kids hung out together and rode all over town without having to tell their parents where they were going. A different time.

Who’s your favorite modern female author?

I don’t know if they qualify as “modern” but the horror stories of Shirley Jackson and Daphne DuMaurier are big favorites.

Which song would be the soundtrack to your story?

Since my short story takes place on Halloween, I’d say it would be a great Halloween song like “Little Ghost” from Paranorman.

What are some of your current writing projects?

Working on a full-length novel that’s an origin story for one of my more successful short tales, Rockin’ Around the Murder Tree. Continuing to write at least one or two short stories a month as well. Also, getting ready for the publication of my collection of short stories, “A Scream Full of Ghosts,” coming out sometime next year from Dark Ink.

Who’s your favorite final girl and why?

My favorite final girl is Olivia Hussey in the original “Black Christmas.” She’s a very good actress.

Read Rachel Bolton & Jane Nightshade’s stories in Hush, Don’t Wake the Monster along with other amazing authors!

Purchase book here!

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Women in Horror Interviews Part I

For the month of March, in order to celebrate Women in Horror, I’ll be highlighting interviews with some of the authors that appear in Hush, Don’t Wake the Monster – Stories Inspired by Stephen King Women in Horror Anthology.

L.E. Daniels author of “Silk”

Which Stephen King novel/short story inspired your short story?

First published in Cavalier magazine in 1972, “The Mangler” was later included in Stephen King’s 1978 Night Shift collection. An industrial laundry press is exposed to magical elements of nightshade, a bat, and virgin’s blood, summoning a demon that possesses the machine and attacks the workers. Also peering into the dark side of industrialization, my story “Silk” explores the conditions of the child workforce in the early twentieth-century New England mills. My grandmother, a child of Italian immigrants, survived polio and worked in such a mill. At five, her first job was pulling dead silk moth caterpillars from their boiled cocoons.

Who’s your favorite modern female author?

Lately, I’ve been reading short story anthologies like Sara Tantlinger’s Chromophobia, James Aquilone’s Classic Monsters Unleashed, and Other Terrors edited by Rena Mason and Vince A. Liaguno and the rising tide of female voices within from these pages is exquisite. If I had to pick a favorite, I’d go with Geneve Flynn. She fearlessly tackles edgy themes within narratives loaded with the residue of intergenerational trauma and deeply-informed cultural nuance. She’s a total badass.

Which song would be the soundtrack to your story?

Since the story spans the 1920s, recording of “America the Beautiful” performed by Louise Homer in 1924 would cast a shadow over images of children working the aisles of the New England mills.

For a sensation of being completely out of control for the big finish, the 1929 recording of “You Were Meant for Me” by Nat Shilkret with Dick Robertson on vocals might also leave us breathless.

What are some of your current writing projects?

This week, I’m currently braiding a few true ghost stories together into one narrative for Kristi Petersen Schoonover’s 34 Orchard literary journal.

Rebecca Rowland author of “The Clawset”

Which Stephen King novel/short story inspired your short story?

“The Clawset” is a feminist reimagining of King’s “The Boogeyman” from his Night Shift (1978) collection. My father was a huge King fan, so his paperbacks filled our bookcase when I was growing up, and I remember reading Night Shift when I was pretty young. I loved a number of the stories in that collection, but “The Boogeyman” flat out terrified me and the imagery stayed with me. Even as a freshman in college, I could not sleep with the closet door ajar.

For the culmination of my graduate degree in English literature, I analyzed King’s female characters in (what was at the time) his more recent releases: Dolores Claiborne, Gerald’s Game, Insomnia, Rose Madder, and Needful Things. So many of his twentieth-century stories portray women as either the victims of men or the monsters who destroy them. I reread “The Boogeyman” recently, and his portrayal of the one woman who appears (tangentially) in it is very telling of the time in which King penned it nearly fifty years ago. I wanted “The Clawset” to be a 2020s version of his tale with an all-female cast, and I named the characters very purposefully. It’s my love letter to Stephen King and the influence his stories had—and continue to have—on my writing.

Who’s your favorite modern female author?

There are so many to choose from, it’s difficult to name one as a favorite. I adore Gwendolyn Kiste’s writing: it’s feminist with a whip smart wit I adore, and I’ll read anything she puts her hand to. As a fan of short fiction in particular, I love seeing the names of women writers whose work I’m familiar with in thematic anthologies and reading their interpretations of those themes, women like KC Grifant, EV Knight, Kenzie Jennings, Ruthann Jagge, Candace Nola, Holly Rae Garcia, Bridgett Nelson, Stephanie Ellis, Hailey Piper, C.O. Davidson, Elin Olausson, and of course, three of the kick ass women I share space with in this anthology: Amy Grech, L.E. Daniels, and Kristi Petersen-Schoonover. The stuff all of these women are crafting is simply genius: it’s horrific and original and more than anything, smart as hell.

What are some of your current writing projects?

My seventh curated anthology, American Cannibal, drops just a few days after this anthology, and it’s a true juggernaut with twenty stories from some of the biggest names writing horror today: I can’t wait for readers to take a bite out of it. My own stories will be appearing in anthologies here and there throughout 2023, including in Sinister Smile Press’ Just a Girl women in horror collection later this month (March 2023). My next novelette, Rock of Ages, debuts in a horror anthology that benefits a Texas-area food bank in June, and my next short fiction collection, White Trash & Recycled Nightmares, drops from Stygian Sky Media in late summer. I maintain a (likely obnoxious) website, RowlandBooks.com, and a (definitely silly) Instagram, @Rebecca_Rowland_books. I hope readers will give them a look.

It’s certainly easier being a woman in horror today than it was thirty, twenty, or even ten years ago, but it still isn’t a piece of cake: there will always be INCELs and boys’ club naysayers lurking about, trolling social media and slapping blind, one-star reviews on anything they see is penned by a woman. I’m endlessly appreciative of small presses, reviewers, and influencers that take the time to spotlight the women who write horror. We may still be in the minority, but make no mistake: we are a force to be reckoned with.

Read L.E. Daniels & Rebecca Rowland’s stories in Hush, Don’t Wake the Monster along with other amazing authors!

Purchase book here!

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Out Now: Hush, Don’t Wake the Monster – Stories Inspired by Stephen King

I’m so proud to announce that the fourth book (can’t believe we’re at four!) of Women in Horror Anthology series, Hush, Don’t Wake the Monster – Stories Inspired by Stephen King is FINALLY OUT!

A collection of new and exclusive short stories inspired by and in tribute to, Stephen King.

Stephen King is a seminal writer of horror, whose influence transcends the literary sphere, having also taken the cinematic world by storm – and ultimately delivering nightmares to generations for almost five decades.

This fourth anthology of the Women in Horror series edited by Azzurra Nox brings together a diverse group of female writers who contribute their personal twist to the works of Stephen King.

Featured authors include: Andrea Teare, Rachel Bolton, Marnie Azzarelli, Lauri Christopher, Kay Hanifen, Hannah Brown, Kristi Petersen Schoonover, L. E. Daniels, Sealey Andrews, Christabel Simpson, Alisha Galvan, Rebecca Rowland, Cheryl Zaidan, Amy Grech, Jane Nightshade, Trisha Ridinger McKee, and Azzurra Nox.

If you’re a fan of Stephen King, you’re going to LOVE this book!

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Spotlight: The Wonders by Elena Medel

Maria moved to the city in 1969, leaving her daughter with her family but hoping to save enough to take care of her one day. She worked as a housekeeper, then a caregiver, and later a cleaner, and somehow she was always taking care of someone else. Two generations later, in 2018, Alicia was working at the snack shop in Madrid’s Atocha train station when it overflowed with protestors and strikers. All women—and so many of them—protesting what? Alicia wasn’t entirely sure. She couldn’t have known that Maria was among them. Alicia didn’t have time for marches; she was just trying to hang on until the end of her shift, when she might meet someone to take her away for a few hours, to make her forget. 

Readers will fall in love with Maria and Alicia, whose stories finally converge in the chaos of the protests, the weight of the years of silence hanging thickly in the air between them. The Wonders brings half a century of the feminist movement to life, and launches an inimitable new voice in fiction. Medel’s lyrical sensibility reveals her roots as a poet, but her fast-paced and expansive storytelling show she’s a novelist ahead of her time.

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Spotlight: It’s One of Us by J.T. Ellison

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Everybody lies. Even the ones you think you know best of all . . .
 
Olivia Bender designs exquisite home interiors that satisfy the most demanding clients. But her own deepest desire can’t be fulfilled by marble counters or the perfect rug. She desperately wants to be a mother. Fertility treatments and IVF keep failing. And just when she feels she’s at her lowest point, the police deliver shocking news to Olivia and her husband, Park.
 
DNA results show that the prime suspect in a murder investigation is Park’s son. Olivia is relieved, knowing this is a mistake. Despite their desire, the Benders don’t have any children. Then comes the confession. Many years ago, Park donated sperm to a clinic. He has no idea how many times it was sold—or how many children he has sired.
 
As the murder investigation goes deeper, more terrible truths come to light. With every revelation, Olivia must face the unthinkable. The man she married has fathered a killer. But can she hold that against him when she keeps such dark secrets of her own?

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Book Review: Maeve Fly by CJ Leede

The thing that has been growing inside me that is not rage and is not spite and is not fear or pain.

PLOT SUMMARY

By day, Maeve Fly works at the happiest place in the world as every child’s favorite ice princess.

By the neon night glow of the Sunset Strip, Maeve haunts the dive bars with a drink in one hand and a book in the other, imitating her misanthropic literary heroes.

But when Gideon Green – her best friend’s brother – moves to town, he awakens something dangerous within her, and the world she knows suddenly shifts beneath her feet.

Untethered, Maeve ditches her discontented act and tries on a new persona. A bolder, bloodier one, inspired by the pages of American Psycho. Step aside Patrick Bateman, it’s Maeve’s turn with the knife.

GRADE: A

REVIEW:

This book aches to be a female lead American Psycho type of novel, with protagonist Maeve Fly at the wheel. Maeve is obsessed with Halloween music, doxxing terrible people online, and her job at DisneyLand where she impersonates Elsa from Frozen. Maeve is indifferent to most people except for her best friend Kate and dying grandmother, a former Hollywood silent movie star, Tallulah Fly. I enjoyed Maeve’s journey although sometimes Maeve’s obsessions and edginess seemed forced. Most of the brutal scenes weren’t described in detail – we were only hinted at what would happen and it’d cut to black. For a book promising an edgy, dark character it kind of annoyed me (but I’m probably in the minority here) that we didn’t get to see more gore.

I read Story of the Eye in my early 20’s and have recced this book to many people (is this why they think I’m twisted?), and Maeve is obsessed with this book too. I must say, that I was supremely HAPPY that a certain scene came to fruition after the promise of the book’s cover. I would’ve been annoyed otherwise.

However, I did LOVE this book – so don’t take my little gripes at heart. I just love girl villains so want people to push the envelope when it comes to that. The final line of this novel though is PURE PERFECTION and I absolutely love it. In other words, I will definitely look forward to this author’s next novel!

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3 Horror Novels I Can’t Wait to Read in 2023

Being someone who receives many ARCs (advanced reader’s copies) for review purposes for this blog, I read many of the 2023 releases last year. So, these are three books that I didn’t receive ARCs for, but still want to read all the same.

SHE IS A HAUNTING BY TRANG THANH TRAN

When Jade Nguyen arrives in Vietnam for a visit with her estranged father, she has one goal: survive five weeks pretending to be a happy family in the French colonial house Ba is restoring. She’s always lied to fit in, so if she’s straight enough, Vietnamese enough, American enough, she can get out with the college money he promised.

But the house has other plans. Night after night, Jade wakes up paralyzed. The walls exude a thrumming sound while bugs leave their legs and feelers in places they don’t belong. She finds curious traces of her ancestors in the gardens they once tended. And at night Jade can’t ignore the ghost of the beautiful bride who leaves cryptic warnings: Don’t eat.

Neither Ba nor her sweet sister Lily believe that there is anything strange happening. With help from a delinquent girl, Jade will prove this house–the home they have always wanted–will not rest until it destroys them. Maybe, this time, she can keep her family together. As she roots out the house’s rot, she must also face the truth of who she is and who she must become to save them all.

SILVER NITRATE BY SILVIA MORENO-GARCIA

Montserrat has always been overlooked. She’s a talented sound editor, but she’s left out of the boys’ club running the film industry in ’90s Mexico City. And she’s all but invisible to her best friend, Tristán, a charming if faded soap opera star, though she’s been in love with him since childhood.

Then Tristán discovers his new neighbor is the cult horror director Abel Urueta, and the legendary auteur claims he can change their lives—even if his tale of a Nazi occultist imbuing magic into highly volatile silver nitrate stock sounds like sheer fantasy. The magic film was never finished, which is why, Urueta swears, his career vanished overnight. He is cursed.

Now the director wants Montserrat and Tristán to help him shoot the missing scene and lift the curse . . . but Montserrat soon notices a dark presence following her, and Tristán begins seeing the ghost of his ex-girlfriend.

As they work together to unravel the mystery of the film and the obscure occultist who once roamed their city, Montserrat and Tristán may find that sorcerers and magic are not only the stuff of movies.

LOOKING GLASS SOUND BY CATRIONA WARD

In a cottage overlooking the windswept Maine coast, Wilder Harlow begins the last book he will ever write. It is the story of a sun-drenched summer of his youth and of the killer that stalked the small New England town. Of the terrible tragedy that forever bonded him with his friends Nat and Harper in unknowable ways. Of a horror that has followed them over the years.

Wilder has returned to the town decades later in an attempt to recount that summer’s events in his memoirs. But as he writes, Wilder begins to fear his grip on the truth is fading, and events in the manuscript start to chime eerily with the present. He’s even started seeing a dark-haired woman down in the icy waters below the cottage, but nobody else can.

No longer able to trust his own eyes, Wilder begins to fear that this will not only be his last book, but the last thing he ever does…

What are some of the reads you’re looking forward to this year?

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Book Review: The Villa by Rachel Hawkins

Houses remember….

PLOT SUMMARY:

As kids, Emily and Chess were inseparable. But by their 30s, their bond has been strained by the demands of their adult lives. So when Chess suggests a girls trip to Italy, Emily jumps at the chance to reconnect with her best friend.

Villa Aestas in Orvieto is a high-end holiday home now, but in 1974, it was known as Villa Rosato, and rented for the summer by a notorious rock star, Noel Gordon. In an attempt to reignite his creative spark, Noel invites up-and-coming musician, Pierce Sheldon to join him, as well as Pierce’s girlfriend, Mari, and her stepsister, Lara. But he also sets in motion a chain of events that leads to Mari writing one of the greatest horror novels of all time, Lara composing a platinum album––and ends in Pierce’s brutal murder.

As Emily digs into the villa’s complicated history, she begins to think there might be more to the story of that fateful summer in 1974. That perhaps Pierce’s murder wasn’t just a tale of sex, drugs, and rock & roll gone wrong, but that something more sinister might have occurred––and that there might be clues hidden in the now-iconic works that Mari and Lara left behind.

Yet the closer that Emily gets to the truth, the more tension she feels developing between her and Chess. As secrets from the past come to light, equally dangerous betrayals from the present also emerge––and it begins to look like the villa will claim another victim before the summer ends.

Inspired by Fleetwood Mac, the Manson murders, and the infamous summer Percy and Mary Shelley spent with Lord Byron at a Lake Geneva castle––the birthplace of Frankenstein––The Villa welcomes you into its deadly legacy.

GRADE: B-

REVIEW:

I did enjoy this book however, the “mystery & thriller” part never quite showed up. The book is told in two timelines, the present where two best friends stay at a villa in Orvieto, Italy, each friend using their time there to pen their new books. The second timeline takes place in 1974 when four Brits stay at the villa during one summer and a murder occurs.

Now the thing about the 1974 time that kind of annoyed me is that it was an absolute rip-off of Mary Shelley’s life, as Mari stood for Mary, Pierce Sheldon for Percy Bysshe Shelley, the rock star Neil Gordon was obviously Lord Byron, and Mari’s stepsister Lara was ripped off from Mary’s stepsister Claire Clairmont. The author used details about Mary Shelley’s life to stand in for Mari’s life (how her father married a next-door neighbor, how her family disowned her when she ran away with the married Percy and even used the death of Mary’s child in Mari’s backstory too). This wasn’t just a little too on the nose, it was a complete sledgehammer. However, if you’re a writer, you might enjoy these tidbits of information.

The present timeline wasn’t as fascinating as the one in 1974, because I really couldn’t stand Em, the cozy-mystery writer who’s too hung up on her best friend Chess’s recent success as a motivational writer. In fact, I don’t even know why these two are friends when they seem to dislike one another.

This book was interesting, I won’t deny that, but at the same time, it didn’t deliver on the thriller aspect that was promised in the beginning. But since I did read the book in about two days, I will say that the author has a way of having you want to stay up to read until you’ve reached the end, so I’ll give her props for that.

All in all, this book is good if you’re looking for a cozy mystery – because it’s in no way a thriller or true mystery. The location is gorgeous and the 1974 timeline of groupies and rockstars was fascinating, despite the blatant rip-off of Shelley’s life.

*Thank you so much to NetGalley and St. Martin’s Press for the digital copy of this book in exchange for an honest review!

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Spotlight: Tell Me One Thing by Kerri Schlottman

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Outside a rural Pennsylvania motel, nine-year-old Lulu smokes a cigarette while sitting on the lap of a trucker. Recent art grad Quinn is passing through town and captures it. The photograph, later titled “Lulu & the Trucker,” launches Quinn’s career, escalating her from a starving artist to a renowned photographer. In a parallel life, Lulu fights to survive a volatile home, growing up too quickly in an environment wrought with drug abuse and her mother’s prostitution. Decades later, when Quinn has a retrospective at the Whitney Museum of Art and “Lulu & the Trucker” has sold at auction for a record-breaking amount, Lulu is surprised to find the troubling image of her young self in the newspaper. She attends an artist talk for the exhibition with one question in mind for Quinn: Why didn’t you help me all those years ago? Tell Me One Thing is a portrait of two Americas, examining power, privilege, and the sacrifices one is willing to make to succeed. Traveling through the 1980s to present day, it delves into New York City’s free-for-all grittiness while exposing a neglected slice of the struggling rust belt.

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