ABOUT NECESSARY DEEDS: Matt Connell, a formerly successful literary agent who’ s been in prison for four years for a crime of passion— homicide by strangulation after learning his wife slept with a friend— receives an early release from Sing Sing to join an FBI undercover investigation of multiple murders in Manhattan. Killings continue to mount as Matt does his best to calm his “ Ferrari brain” — a condition in which his mind accelerates wildly into negative thoughts and worst-case scenarios— even as he falls in love with a suspect, then discovers disturbing truths about his past and hers. When he finds his own life in danger, can he stand up for the Bureau’ s heralded principles of Fidelity, Bravery, and Integrity? Not to mention genuine love?
ABOUT MARK WISH: Mark Wish’s previous novels have been praised by Daniel Woodrell, Delia Ephron, Salman Rushdie, Rebecca Makkai, Ben Fountain, Anne Serling, the Chicago Tribune, and the Los Angeles Times. His short fiction has won a Pushcart Prize and appeared in more than 125 print venues including BEST AMERICAN SHORT STORIES. A renowned book doctor for thirty years, he now edits and publishes COOLEST AMERICAN STORIES, whose inaugural volume went to a third printing.
“What makes Necessary Deeds so irresistible and addictive is that it’s a devilishly inventive murder mystery presented in the finest of sentences and filtered through a mind wonderfully beset at every turn by the dark truths of human desire, ambition, envy, and jealousy—but most of all by love itself. If Mark Wish’s life imitates his art, his gift for storytelling might just get him
murdered. But not before his next book deal, please. In any case, Necessary Deeds is a necessary read.”
—TIM JOHNSTON, New York Times bestselling author of Descent
“By turns tense and tender, Mark Wish’s Necessary Deeds delivers a high-stakes noir and a taut tale of jealousy, murder, and redemption.”
—LAURA MCHUGH, internationally bestselling author of The Weight of Blood
“Necessary Deeds is a tight, tense thriller that explores some of the darkest, twistiest workings of the human mind. Mark Wish asks the question: Who can you trust if you can’t trust yourself?”
— LOU BERNEY, winner of Edgar, Hammet, Anthony, Dagger, and ALA Awards, author of November Road
“Mark Wish’s Necessary Deeds hits the sweet spot: sly, sharp, and satirical. Highly entertaining!”
—ALAN ORLOFF, Anthony, Agatha, Derringer, and two-time Thriller Award Winning author
“Smart and gripping, nuanced and wryly observed, Necessary Deeds is unputdownable, and Wish is clearly a writer at the top of his game. A phenomenal thriller that will leave you breathless.”
—TISH COHEN, author of The Summer We Lost Her
“Bursting at the seams with voice and tension, Mark Wish’s Necessary Deeds reads like the literary lovechild of Bellow, Chandler and Robert Bolaño. This is a literary page-turner, full of life and poetry. A novel to be devoured, then savored.”
—DANIEL TORDAY, two-time winner of the National Jewish Book Award, author of The Last Flight of Poxl West
“In Necessary Deeds’ Matt Connell, Mark Wish has created a diabolically compelling anti-hero—a literary agent with both romance and murder in his heart. As soon as I read the first few lines of this novel, I was all the way in—Wish portrays the high-stakes New York City literary world and the conflicted soul of Connell with humor, pathos, and supreme suspense.”
—Grace Paley Prize Winner CHRISTINE SNEED, author of Little Known Facts
“Smart, exceptionally told, and a pleasure to read, this mystery by Mark Wish is complemented by dialogue brimming with emotional insights, whether about the foreboding passion between a man and a woman, or the rage of a wounded husband. Necessary Deeds is the kind of book you read in a rush but remember long after.’
—E. A. AYMAR, bestselling author of No Home for Killers
“I was hooked by the first sentence—one of the best I’ve read—and followed Mark Wish’s tale on and on. Wish knows how to tell a story, and in Necessary Deeds, he has given us a varied, surprising, and irresistibly engaging one.”
—Pulitzer Prize winner TIM PAGE, author of Parallel Play
“Necessary Deeds is a captivating, spiraling story that doesn’t let up off the throttle. When it was over, I found myself wanting—no, needing—that speed again. Wish has created a stunning narrative with so much drive and power. Any reader would love this.”
—PEN Award winner MORGAN TALTY, national bestselling author of Night of the Living Rez
“Necessary Deeds is a rarity: A murder mystery that keeps you guessing until the very end, and most important, is a lot of fun. Mark Wish has written a witty page-turner that’s necessary reading.”
—LELAND CHEUK, author of No Good Very Bad Asian
“Mark Wish’s Necessary Deeds is a deliciously gleeful send-up of the New York literary world, a wildly satirical removal of the veil over High Art. Most notably, it’s a genuine whodunnit: Who is murdering the Talented Writers in the city (with their outsized advances)? Intertwined throughout is a noir love story and humor, but also a clear-eyed gaze at what has happened to notions of Integrity, Literature…and Fame. The twist at the end took me by surprise while making perfect wicked sense.”
—Drue Heinz Literature Prize winner KATHERINE VAZ, author of Fado and Other Stories
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This trip is going to be Dylan’s big break. Her geologist friend Clay has discovered an untouched cliff face in the Kentucky wilderness, and she is going to be the first person to climb it. Together with Clay, his research assistant Sylvia, and Dylan’s boyfriend Luke, Dylan is going to document her achievement on Instagram and finally cement her place as the next rising star in rock climbing.
Seven months later, three bodies are discovered in the trees just off the highway. All are in various states of decay: one a stark, white skeleton; the second emptied of its organs; and the third a mutilated corpse with the tongue, eyes, ears, and fingers removed.
But Dylan is still missing—and no trace of her, dead or alive, has been discovered.
Were the climbers murdered? Did they succumb to cannibalism? Or are their impossible bodies the work of an even more sinister force?
This dread-inducing debut builds to a bloodcurdling climax, and will leave you shocked by the final twist.
GRADE: B+
REVIEW:
This book was inspired by the Dyatlov Pass which I’ve always been fascinated by (if you don’t know what that is, Google it and go down a rabbit hole that will keep you busy for hours). I breezed through the beginning portion of this novel, as I find rock climbing (and mountain climbing) very fascinating (probably because I don’t partake in it so I can live vicariously through characters who do!). The moment the four friends arrive at the valley, strange things begin to happen. I find forests pretty intimidating and scary so the setting was definitely creepy for me and I enjoyed that. I loved the history behind the forest and what occurred before the friends arrived there (that we got to learn later on in the book). There are many scary moments in this novel that horror fans will absolutely love. The only snag I had was that towards the middle mark the novel became a little repetitive when the friends kept going around in circles in the woods (and that’s probably the point) but for a debut, this was a strong novel. Not to mention that I haven’t read too many books that have a sentient forest ready to unleash its fury upon those who dare trespass on it.
Horror fans (especially those who love gore) will love this novel. I think it’d make an excellent movie too!
*Thank you so much to NetGalley and Quirk Books for the digital copy of this book in exchange for an honest review!
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Carter Cho wasn’t really into science experiments.
Otherwise, he might have completed his degree in quantum mechanics. Cooking experiments, though? Totally different, because there was a real joy to that process. But setting a hypothesis, identifying controls, and looking for…stuff?
Seriously, that seemed like such a slog.
Except for this particular Thursday morning, on the corner of a crosswalk and standing across from the world’s biggest, most advanced particle accelerator, a science experiment felt necessary.
He didn’t really have a choice. It seemed to be the only way to possibly understand or even escape his very strange predicament.
Carter checked the time on his phone, waiting for it to tick specifically to twenty-three seconds past 8:22 a.m.
At that moment, the crosswalk light would switch, signaling for pedestrians to go.
Then everything would cascade, a waterfall of specific actions by the world around him:
The person on Carter’s right would step out first.
The person behind him would wait an extra four seconds, eyes stuck on his phone.
Annoyed, the woman next to that person would let out an exaggerated sigh, move around, then rush forward six steps into the street before catching her shoe.
Then she would stumble forward, her coffee spilling. The first time he went through this, he’d noticed the spill just in time to sidestep it before continuing on.
All of these actions sat line by line on the old-fashioned paper notebook in his hands, a checklist of what was to come with the precision delivered by his photographic memory.
Science experiments all led to a result. As for this, he wasn’t quite sure what the result, or even the purpose, might be. He already knew he was in a loop of some sort, something that started the instant he woke up on Monday mornings.
And it always ended up with the huge facility across the street exploding.
The Hawke Accelerator, both a modern marvel of technology circa 2094 and also some sort of weird top-secret project that no one really understood—now also the place that would simply go boom.
Carter should know. The first time he experienced this, he was in the accelerator chamber’s observation room, right in the heart of where the go boom happened at precisely 12:42 p.m. on Thursday. Which was today, again. Just a few hours from now.
He’d been through this six times before, each time expanding his acute understanding of the details surrounding him. Usually he wrote things down at the end of the day, a memory trick he’d learned about himself very early on that helped cement the details into place, so even when he started the loop over without any scribbled notes to organize his thoughts, his photographic memory recalled it.
But this morning, he went in reverse, writing out the exact steps as they were meant to be.
And then he’d make sure it played out that way, bit by bit.
After that, he wasn’t sure. Carter thought of his parents, their usual voices chastising him for his lack of planning and forethought, how his teenage foray into coding and hacking was more about fun than applying himself, and now look at him, simply a technician running tests and tightening screws. Even now that he’d been through this loop several times, he hadn’t bothered to call them back from their birthday messages. Part of him used the excuse that he should stay as close to the original path as possible, but he knew better.
Even if this weird loop existence meant a complete lack of consequences, calling his parents was the last thing he wanted to do.
Carter checked his phone one more time, five seconds remaining until the crosswalk kicked off the sequence. He gripped the notebook, staring at the list of things to come.
A chime came from the crosswalk. And Carter began to move.
The person on the right moved.
The man behind Carter stayed.
An exasperated sigh came from behind him. Carter kept his eyes on his notebook, counting steps in his head. “Ack,” the woman said, right when Carter sidestepped. His focus moved down to the next item on the list, then the next, then the next, not once looking up. Instead, he executed through a combination of memory and instinct, sliding sideways when a cyclist rolled by on the sidewalk and slowing down just enough to follow in a group waiting at the front entrance of Hawke.
Someone coughed, marking a time to pause and wait thirteen seconds, enough time to review the next items on the notebook still in front of him:
Front desk hands out mobile device for the David AI digital assistant.
Security guard says something about visiting group from ReLive project.
Passing scientist asks what time Dr. Beckett’s flight gets in.
He moved through the security gate designated for employees, taking him past the lobby threshold and over to the main hallway that split in three directions. He stopped, leaned against the wall and waited for the final item to come to pass. Nothing special or unique, just the sound of heels walking in a hurried cadence from his right to his left. Carter checked the notebook, waiting for the visitor’s David AI to speak exactly what he wrote.
“Your next meeting starts in two minutes,” the AI said from the small mobile unit in his familiar London accent. “Oops! Looks like you might be late. Should I give the meeting notice of that?”
Carter mouthed the words as the visitor spoke, his voice fading down the hallway. “No, thanks. I’ll just hurry.”
David’s simulated voice could still be heard as Carter put the notebook down, holding it at his side while considering what just happened. He wasn’t particularly religious, though part of him wondered if he’d been condemned to some sort of purgatory. The predictability of it all, the strange exactness of everything he saw playing out as written on the notebook in his hands.
The first few times, he’d felt disbelief. Then curiosity. Then amusement.
This time, well, he guessed that was the purpose of this experiment: to figure out how he felt knowing he could predict every exact movement of every person he encountered.
Disbelief, curiosity, amusement, and now the whole thing was just unnerving.
Nothing out of turn. Nothing different. Nothing unexpected.
He blew out a sigh, hands pushing back his wavy black hair. Something tugged at him, a wish for things to be different. A person walking from his left instead of his right. Or the plant behind him coming to life and biting his arm. Or a piano dropping out of the sky and smashing his foot.
Anything at all to end this.
Ten minutes passed with Carter lost in his own thoughts, but that in itself turned out to be a change. Normally, he’d take a walk to clear his head, but the list’s finality wound up freezing him. All the previous loops, he’d tried to follow his original path as closely as possible, always ending back in the observation room where the accelerator started to deteriorate and a massive blast of energy struck him. Perhaps that was the only real difference, as he’d changed spots in those final moments to see exactly where the bolt landed on the floor, even using his photographic memory to draw a precise grid of the floor panels.
What he could do with that information, he wasn’t sure. But it had to mean something.
This time, though, a weight paused him, an all-encompassing blanket that left him pondering far longer than he’d ever done.
And then it hit him: he’d deviated farther from his path than before, and nothing bad had happened.
Heck, if he wanted something bad to happen simply so it could, maybe it’d be best if he pushed farther. Or even went in the complete other direction.
At this point, he’d normally turn right, check in with the technician’s desk, grab his cart of tools and begin going through his assignments for the day. But a sharp, almost foreign defiance grabbed him.
He would turn left. He would not check in with his supervisor. Instead he’d go…
Carter’s eyes scanned, looking for the most opposite thing he could possibly do.
Of course.
His steps echoed as he pressed ahead, a strange jubilance to his feet. He moved around people milling about or talking about actual work things, practically skipping with joy until he turned to the entrance of the Hawke cafeteria and straight to the bakery station and its waft of morning pastries.
Ten minutes passed with Carter lost in his own thoughts, but that in itself turned out to be a change. Normally, he’d take a walk to clear his head, but the list’s finality wound up freezing him. All the previous loops, he’d tried to follow his original path as closely as possible, always ending back in the observation room where the accelerator started to deteriorate and a massive blast of energy struck him. Perhaps that was the only real difference, as he’d changed spots in those final moments to see exactly where the bolt landed on the floor, even using his photographic memory to draw a precise grid of the floor panels.
What he could do with that information, he wasn’t sure. But it had to mean something.
This time, though, a weight paused him, an all-encompassing blanket that left him pondering far longer than he’d ever done.
And then it hit him: he’d deviated farther from his path than before, and nothing bad had happened.
Heck, if he wanted something bad to happen simply so it could, maybe it’d be best if he pushed farther. Or even went in the complete other direction.
At this point, he’d normally turn right, check in with the technician’s desk, grab his cart of tools and begin going through his assignments for the day. But a sharp, almost foreign defiance grabbed him.
He would turn left. He would not check in with his supervisor. Instead he’d go…
Carter’s eyes scanned, looking for the most opposite thing he could possibly do.
Of course.
His steps echoed as he pressed ahead, a strange jubilance to his feet. He moved around people milling about or talking about actual work things, practically skipping with joy until he turned to the entrance of the Hawke cafeteria and straight to the bakery station and its waft of morning pastries.
“Don’t worry about it. It’s totally fine. I, uh,” he said. She bit down on her lip, brow scrunched, though eventually they locked gazes. “I should have watched where I was going.” He gestured at the growing coffee stain on his outfit.
“You sure?”
“Absolutely. It’s work clothes. It gets dirty. No big deal.”
The woman’s expression broke, relief lifting her cheeks into a toothy grin, one of those unexpected sights that made everything a little bit better. She looked back at the group, then the coffee cup in her hands. “Damn it, I spilled a bunch. Is there a place to get a refill?”
“You’re going to the main conference room?”
“Yeah. Spent all week there.”
All week. All the times Carter had been through the loop before, even seen the names of various guest groups on schedules, and yet they’d never crossed paths—not until he did the exact opposite of his routine.
Funny how that worked.
“We finally get to see the observation room, though. In a little bit.” She held up her coffee cup. “Just need a refill somewhere along the way.”
“Café is back there,” he said, thumb pointing behind him. “Way back there.”
“Ah,” she said with furrowed brow, a conflicted look that seemed about much more than a coffee refill. “Probably should meet with the team. Not enough time.”
Not enough time. The concept almost made Carter laugh. “Well,” he said, pulling out a bag, “a donut for making you late?”
She took the bag and peaked inside, cheeks rising with a sudden smile. “I don’t usually like donuts. But these glazed ones. Simple, you know?” She shuffled the bottom of the bag to nudge the donut out the opening. “Are you sure? I spilled coffee on you.”
“Yeah. I’m, uh,” he started, pausing as their gazes lingered. “My fault for running into you.”
The wrapper crinkled as she examined it up close before taking a small bite. “I should get back to my team. Maybe they’ll hand out free coffee by the time we get to the observation room. Thanks for this.”
Carter dipped his chin, a quick farewell as he considered the inevitability of the next few hours, a march toward a chaotic and violent reset. He matched her smile, though as she turned, he pondered saying something.
Normally, he wouldn’t. But with the world exploding soon? He went with the opposite of normal.
“My name’s Carter, by the way,” he said. “Carter, the guy who gives people donuts.”
Her gaze shifted, first looking at the floor, then up at the ceiling, even at the bag on her shoulder before finally locking eyes again. “Mariana,” she said, holding up the donut bag, “the woman always looking for coffee.” She bit down on her lip before glancing around. “I’m going to tell you something completely random.”
“Okay?” Carter said slowly. “About donuts?”
She laughed, an easy, bright laugh, though her eyes carried something far heavier. “No. The group I’m with. We’re touring the facility. But I’m quitting. They don’t know yet. Today’ll be my last day. Science is great until it’s not.” Her shoulders rose and fell with a deep breath. “I don’t know why I’m telling you this. Probably because we’ll never see each other again.” She spun on her heel, an abrupt move followed by determined steps forward.
“Not unless you need another glazed donut.”
She turned, slowing as she walked away backward, this mystery scientist who spilled coffee on him and then caught his attention. Because the idea that someone didn’t like most donuts, well, that was as opposite as anything he’d ever encountered in his life. “Maybe that,” she said with a small grin.
“I’ll remember your name in case we do,” he said. “Mariana.”
Her fingers fluttered in a quick wave, then she turned, and Carter leaned against the wall, ignoring the people who came and went.
Mariana. Maybe he should write that down, just in case she became important. He pulled the notebook out from under his arm, only to find the pages soaked with coffee.
A pen would rip through those pages. He’d have to trust his memory to recall her name, her voice, her face. On the off chance that they ever met again.
None of it mattered anyway, but as experiments went, this morning did at least prove helpful.
Now Carter knew that he could do anything, even the opposite of normal. And that might just lead to him escaping this thing. Or, at the very least, a lot more pastries.
Mariana disappeared into the sea of people, and as she did, her words echoed in his mind. First her group went to the conference room, then the observation room above the accelerator core. He knew that space well; after all, he’d been in that same room when everything began to explode and—
Wait.
That was it. A possible connection that he’d somehow missed before. He’d been there, of all places, summoned to check some of the power conduits lining the walls as the whole thing fell apart. Could that exact space be important?
Carter’s head tilted up. Maybe the observation room held the key to everything.
And if it did, what would happen if others were caught in it too?
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My parking garage off Fifth was nearly a mile from where I worked at city hall. I could have paid twice as much to park two blocks from my building and avoid the rows of homeless people: the worn tents, the used needles, the stinking garbage, the aura of hopelessness and distrust that filled a corner park and bled down the streets.
I was listening to my favorite podcast, LA with A&I. Amy and Ian started the podcast two years ago to talk about computer gaming, technology, entertainment and Los Angeles. It had blossomed into a quasi news show and they live streamed every morning at seven. They’d riff on tech and local news as if sitting down with friends over coffee. Like me, they were nerds, born and bred in the City of Angels. I’d never met Amy or Ian in real life, but felt like I’d known them forever.
We’d chatted over Discord, teamed up to play League of Legends, and I often sent them interesting clips about gaming or tech that they talked about on their podcast, crediting my gaming handle. Twice, we’d tried to set up coffee dates, but I always chickened out. I didn’t know why. Maybe because I thought they wouldn’t like me if they met me. Maybe because I was socially awkward. Maybe because I didn’t like people knowing too much about my life.
Today while I drove to work, they’d discussed the disaster that was city hall: all the digital files had been wiped out. The news story lasted for about five minutes, but it would be my life for the next month or more as my division rebuilt the data from backups and archives. It was a mess. They laughed over it; I tried to, but I was beginning to suspect the error was on purpose, not by mistake.
Now they were talking about a sweatshop that had been shut down last week.
“We don’t know much,” Amy said. “You’d think after eight days there’d be some big press conference, or at least a frontpage story. The only thing we found was two news clips—less than ninety seconds each—and an article on LA Crime Beat.”
“David Chen,” Ian said, “a Chinese American who allegedly trafficked hundreds of women and children to run his factory in Chinatown, was arraigned on Monday, but according to Crime Beat, the FBI is also investigating the crime. And—get this— the guy is already out on bail.”
“It’s fucked,” Amy said. “Look, I’m all for bail reform. I don’t think some guy with weed in his pocket should have to pay thousands of bucks to stay out of jail while the justice system churns. But human trafficking is a serious crime—literally not two miles from city hall, over three hundred people were forced to work at a sweatshop for no money. They had no freedom, lived in a hovel next door to the warehouse. Crime Beat reported that the workers used an underground tunnel to avoid being seen—something I haven’t read in the news except for one brief mention. And Chen allegedly killed one of the women as he fled from police. How did this guy get away with it? He kills someone and spends no more than a weekend behind bars?”
“According to Crime Beat, LAPD investigated the business for months before they raided the place,” Ian said. “But Chen has been operating for years. How could something like this happen and no one said a word?”
I knew how. People didn’t see things they didn’t want to.
Case in point: the homeless encampment I now walked by.
I paused the podcast and popped my earbuds back into their charging case.
“Hello, Johnny,” I said to the heroin addict with stringy hair that might be blond, if washed. I knew he was thirty-three, though he looked much older. His hair had fallen out in clumps, his teeth were rotted, and his face scarred from sores that came and went. He sat on a crusty sleeping bag, leaned against the stone wall of a DWP substation, his hollow eyes staring at nothing. As usual, he didn’t acknowledge me. I knew his name because I had asked when he wasn’t too far gone. Johnny, born in Minnesota. He hadn’t talked to his family in years. Thought his father was dead, but didn’t remember. He once talked about a sister and beamed with pride. She’s really smart. She’s a teacher in…then his face dropped because he couldn’t remember where his sister lived.
Four years ago, I left a job working for a tech start-up company to work in IT for city hall. It was barely a step up from entry-level and I couldn’t afford nearby parking garages. If I took a combination of buses and the metro, it would take me over ninety minutes to get to work from Burbank, so factoring the combination of time and money, driving was my best bet and I picked the cheapest garage less than a mile from work.
I used to cringe when I walked by the park. Four years ago, only a dozen homeless tents dotted the corner; the numbers had more than quadrupled. Now that I could afford a more expensive garage, I didn’t want it. I knew most of the people here by name.
“Hey, Toby,” I greeted the old black man wearing three coats, his long, dirty gray beard falling to his stomach. He had tied a rope around his waist and attached it to his shopping cart to avoid anyone stealing his worldly possessions when he slept off his alcohol.
“Mizvi,” he said, running my name together in a slur. He called me “Miss Violet” when he was sober. He must have still been coming down off whatever he’d drank last night.
I smiled. Four years ago I never smiled at these people, fearing something undefinable. Now I did, even when I wanted to cry. I reached into my purse and pulled out a bite-size Hershey Bar. Toby loved chocolate. I handed it to him. He took it with a wide grin, revealing stained teeth.
One of the biggest myths about the homeless is that they’re hungry. They have more food than they can eat. That doesn’t mean many aren’t malnourished. Drug and alcohol abuse can do that to a person.
A couple weeks ago a church group had thought they would bring in sandwiches and water as part of community service. It was a nice gesture, sure, but they could have asked what was needed instead of assuming that these people were starving. Most of the food went uneaten, left outside tents to become rat food. The plastic water bottles were collected to return for the deposit, which was used to buy drugs and alcohol.
But no one gave Toby chocolate, he once told me when he was half-sober. Now, whenever I saw him—once, twice a week—I gave him a Hershey Bar. He would die sooner than he should, so why couldn’t I give him a small pleasure that I could afford? Toby was one of the chronics, a man who’d been on the street for years. He had no desire to be anywhere else, trusted no one, though I thought he trusted me a little. I wished I knew his story, how he came to be here, how I could reach him to show him a different path. His liver had to be slush with the amount of alcohol he consumed. Alcohol he bought because people, thinking they were helping—or just to make themselves feel better—handed him money.
As I passed the entrance to the small park, the stench of unwashed humans assaulted me. The city had put four porta-potties on the edge of the park but they emptied them once a month, if that. They were used more for getting high and prostitution than as bathrooms. The city had also put up fencing, but didn’t always come around to lock the gate. Wouldn’t matter; someone would cut it open and no one would stop them. Trespassing was the least of the crimes in the area.
I dared to look inside the park, though I didn’t expect to see her. I hadn’t seen her for over a week. I found myself clutching my messenger bag that was strapped across my chest. Not because I thought someone would steal it, but because I needed to hold something, as if my bag was a security blanket.
I didn’t see her among the tents or the people sitting on the ground, on the dirt and cushions, broken couches and sleeping bags, among the needles and small, tin foils used to smoke fentanyl. I kicked aside a vial that had once held Narcan, the drug to counteract opioid overdoses. The clear and plastic vials littered the ground, remnants of addiction.
There was nothing humane about allowing people to get so wasted they were on the verge of death, reviving them, then leaving them to do it over and over again. But that was the system.
The system was fucked.
Blue and red lights whirled as I approached the corner. I usually crossed Fifth Street here, but today I stopped, stared at the silent police car.
The police only came when someone was dying…or dead.
Mom.
I found my feet moving toward the cops even though I wanted to run away. My heart raced, my vision blurred as tears flashed, then disappeared.
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“I flinch, sure a hatchet is about to come spinning out of the darkness, sure a scythe is swinging our way.”
PLOT SUMMARY:
It’s been four years in prison since Jade Daniels last saw her hometown of Proofrock, Idaho, the day she took the fall, protecting her friend Letha and her family from incrimination. Since then, her reputation, and the town, have changed dramatically. There’s a lot of unfinished business in Proofrock, from serial killer cultists to the rich trying to buy Western authenticity. But there’s one aspect of Proofrock no one wants to confront…until Jade comes back to town. The curse of the Lake Witch is waiting, and now is the time for the final stand.
GRADE: A+
REVIEW:
I had no doubts that I was going to love this third installment from the Indian Lake trilogy. I loved every moment of this bloody, gory, action-packed novel. Jade Daniels is back and out of prison, and is currently the history teacher in her former high school. Everything seems alright, until the first bodies are found and then Jade must figure out if she’s back in a slasher again, trying to recall all the rules for the third sequel. What this means is that the killer is going to be superhuman, anyone can die, including the the main character, and the past will come to haunt you. Our protagonist has to deal with all those things during the duration of the novel, and at times the reader can’t help but doubt if maybe Jade could somehow be behind the murders this time. This novel kept me on the tip of my toes, and every few pages I couldn’t help but mutter, “Oh f**k.” This novel isn’t for the faint of heart – and it will surely have you teary eyed several times, but I trusted Jones to give us the ending this trilogy deserved and he delivered tenfold. If you haven’t read this series, I urge you to read My Heart is a Chainsaw, especially if you’re a fan of slasher films and horror film history. Obviously, if you have read the previous books from this series, then reading this final installment is a MUST. I absolutely loved this book and the whole trilogy and wasn’t ready to say goodbye to Jade, my only hope is that someone picks this up to become a miniseries in the future.
*Thank you so much to NetGalley and Saga Press for the digital copy of this book in exchange for an honest review!
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From now till Feb. 1, I will be running a giveaway where one winner will win a signed copy of I WANT CANDY, a personalized Valentine’s Day card, and of course – candy!
You can enter in two different ways – hop on over to my Instagram or you can use Rafflecopter . Please note this is open ONLY to U.S. Residents!
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The Velkwood Vicinity was the topic of occult theorists, tabloid one-hour documentaries, and even some pseudo-scientific investigations as the block of homes disappeared behind a near-impenetrable veil that only three survivors could enter—and only one has in the past twenty years, until now.
Talitha Velkwood has avoided anything to do with the tragedy that took her mother and eight-year-old sister, drifting from one job to another, never settling anywhere or with anyone, feeling as trapped by her past as if she was still there in the small town she so desperately wanted to escape from. When a new researcher tracks her down and offers to pay her to come back to enter the vicinity, Talitha claims she’s just doing it for the money. Of all the crackpot theories over the years, no one has discovered what happened the night Talitha, her estranged, former best friend Brett, and Grace, escaped their homes twenty years ago. Will she finally get the answers she’s been looking for all these years, or is this just another dead end?
GRADE: A+
REVIEW:
I absolutely loved this novel. Usually, reading about hauntings isn’t my thing because books with ghosts tend to be so tropey- however, Kiste’s novel is so intriguing and fresh that it takes haunting to a whole new level. A whole neighborhood disappears with the people that lived there and no one can enter it except for the three friends that used to live there and are the only survivors. I love the idea of childhood friends that return to their original home to try to understand what exactly happened twenty years ago. I love the dynamic that Talitha and Brett had, you couldn’t help but root for these childhood friends that realized years ago that maybe their feelings verged more than friendship but in the world they lived in, their love couldn’t ever be front and center. This is a character driven novel, but the lush, Gothic atmosphere will completely seduce you too. I couldn’t put this book down and read it in two days! That’s to say that I was completely mesmerized by the story and just wanted to bask in it, and I loved that it had The Virgin Suicides vibes but being told from the female perspective instead of the male gaze.
I recommend this book if you love hauntings, ghosts, Gothic feels, queer characters, and mystery soaked in suspense.
*Thank you so much to NetGalley and Saga Press for the digital copy of this book in exchange for an honest review!
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There is no body. A fact DC Clements finds both a problem and a tremulous, tantalizing possibility. She’s not a woman inclined to irrational hope, or even excessive hope. Any damned hope, really. At least, not usually.
Kylie Gillingham is probably dead.
The forty-three-year-old woman has been missing nearly two weeks. Ninety-seven percent of the 180,000 people a year who are reported missing are found within a week, dead or alive. She hasn’t been spotted by members of the public, or picked up on CCTV; her bank, phone and email accounts haven’t been touched. She has social media registered under her married name, Kai Janssen; they’ve lain dormant. No perky pictures of carefully arranged books, lattes, Negronis or peonies. Kylie Gillingham hasn’t returned to either of her homes. Statistically, it’s looking very bad.
Experience would also suggest this sort of situation has to end terribly. When a wife disappears, all eyes turn on the husband. In this case, there is not one but two raging husbands left behind. Both men once loved the missing woman very much. Love is just a shiver away from hate.
The evidence does not conclusively indicate murder. There is no body. But a violent abduction is a reasonable proposition—police-speak, disciplined by protocol. Kidnap and abuse, possible torture is likely—woman-speak, fired by indignation. They know Kylie Gillingham was kept in a room in an uninhabited apartment just floors below the one she lived in with husband number two, Daan Janssen. That’s not a coincidence. There is a hole in the wall of that room; most likely Kylie punched or kicked it. The debris created was flung through a window into the street, probably in order to attract attention. Her efforts failed. Fingerprints place her in the room; it’s unlikely she was simply hanging out or even hiding out, as there is evidence to suggest she was chained to the radiator.
Yet despite all this, the usually clear, logical, reasonable Clements wants to ignore statistics, experience and even evidence that suggests the abduction ended in fatal violence. She wants to hope.
There just might be some way, somehow, that Kylie—enigma, bigamist—escaped from that sordid room and is alive. She might be in hiding. She is technically a criminal, after all; she might be hiding from the law. She can hardly go home. She will know by now that her life of duplicity is exposed. She will know her husbands are incensed. Baying for blood. She has three largely uninterested half brothers on her father’s side, and a mother who lives in Australia. None of them give Clements a sense that they are helping or protecting Kylie. She will know who abducted her. If alive, she must be terrified.
Clements’ junior partner, Constable Tanner, burly and blunt as usual, scoffs at the idea that she escaped. He’s waiting for a body; he’d settle for a confession. It’s been four days now since Daan Janssen left the country. “Skipped justice,” as Tanner insists on saying. But the constable is wet behind the ears. He still thinks murder is glamorous and career-enhancing. Clements tries to remember: did she ever think that way? She’s been a police officer for nearly fifteen years; she joined the force straight out of university, a few years younger than Tanner is now, but no, she can’t remember a time when she thought murder was glamorous.
“He hasn’t skipped justice. We’re talking to him and his lawyers,” she points out with what feels like the last bit of her taut patience.
“You’re being pedantic.”
“I’m being accurate.”
“But you’re talking to him through bloody Microsoft Teams,” says Tanner dismissively. “What the hell is that?”
“The future.” Clements sighs. She ought to be offended by the uppity tone of the junior police officer. It’s disrespectful. She’s the detective constable. She would be offended if she had the energy, but she doesn’t have any to spare. It’s all focused on the case. On Kylie Gillingham. She needs to remain clear-sighted, analytical. They need to examine the facts, the evidence, over and over again. To be fair, Constable Tanner is focused too, but his focus manifests in frenetic frustration. She tries to keep him on track. “Look, lockdown means Daan Janssen isn’t coming back to the UK for questioning any time soon. Even if there wasn’t a strange new world to negotiate, we couldn’t force him to come to us, not without arresting him, and I can’t do that yet.”
Tanner knocks his knuckles against her desk as though he is rapping on a door, asking to be let in, demanding attention. “But all the evidence—”
“Is circumstantial.” Tanner knows this; he just can’t quite accept it. He feels the finish line is in sight, but he can’t cross it, and it frustrates him. Disappoints him. He wants the world to be clear-cut. He wants crimes to be punished, bad men behind bars, a safer realm. He doesn’t want some posh twat flashing his passport and wallet, hopping on a plane to his family mansion in the Netherlands and getting away with it. Daan Janssen’s good looks and air of entitlement offend Tanner. Clements understands all that. She understands it but has never allowed personal bias and preferences to cloud her investigating procedures.
“We found her phones in his flat!” Tanner insists.
“Kylie could have put them there herself,” counters Clements. “She did live there with him as his wife.”
“And we found the receipt for the cable ties and the bucket from the room she was held in.”
“We found a receipt. The annual number of cable ties produced is about a hundred billion. A lot of people buy cable ties. Very few of them to bind their wives to radiators. Janssen might have wanted to neaten up his computer and charger cords. He lives in a minimalist house. That’s what any lawyer worth their salt will argue.” Clements rolls her head from left to right; her neck clicks like castanets.
“His fingerprints are on the food packets.”
“Which means he touched those protein bars. That’s all they prove. Not that he took them into the room. Not that he was ever in the room.”
Exasperated, Tanner demands, “Well how else did they get there? They didn’t fly in through the bloody window, did they?” Clements understands he’s not just excitable, he cares. He wants this resolved. She likes him for it, even if he’s clumsy in his declarations. It makes her want to soothe him; offer him guarantees and reassurances that she doesn’t even believe in. She doesn’t soothe or reassure, because she has to stay professional, focused. The devil is in the detail. She just has to stay sharp, be smarter than the criminal. That’s what she believes. “She might have brought them in from their home. He might have touched them in their flat. That’s what a lawyer will argue.”
“He did it all right, no doubt about it,” asserts Tanner with a steely certainty.
Clements knows that there is always doubt. A flicker, like a wick almost lit, then instantly snuffed. Nothing is certain in this world. That’s why people like her are so important; people who know about ambiguity yet carry on regardless, carry on asking questions, finding answers. Dig, push, probe. That is her job. For a conviction to be secured in a court of law, things must be proven beyond reasonable doubt. It isn’t easy to do. Barristers are brilliant, wily. Jurors can be insecure, overwhelmed. Defendants might lie, cheat. The evidence so far is essentially fragile and hypothetical.
“I said, didn’t I. Right at the beginning, I said it’s always the husband that’s done it,” Tanner continues excitedly. He did say as much, yes. However, he was talking about Husband Number 1, Mark Fletcher, at that point, if Clements’ memory serves her correctly, which it always does. And even if her memory one day fails to be the reliable machine that it currently is, she takes notes—meticulous notes—so she always has those to rely on. Yes, Tanner said it was the husband, but this case has been about which husband. Daan Janssen, married to Kai: dedicated daughter to a sick mother, classy dresser and sexy wife. Or Mark Fletcher, husband to Leigh: devoted stepmother, conscientious management consultant and happy wife? Kai. Leigh. Kylie. Kylie Gillingham, the bigamist, had been hiding in plain sight. But now she is gone. Vanished.
“The case against Janssen is gathering momentum,” says Clements, carefully.
“Because Kylie was held captive in his apartment block.”
“Yes.”
“Which is right on the river, easy way to lose a body.”
She winces at this thought but stays on track. “Obviously Mark Fletcher has motive too. A good lawyer trying to cast doubt on Janssen’s guilt might argue that Fletcher knew about the other husband and followed his wife to her second home.”
Tanner is bright, fast; he chases her line of thought. He knows the way defense lawyers create murky waters. “Fletcher could have confronted Kylie somewhere in the apartment block.”
“A row. A violent moment of fury,” adds Clements. “He knocks her out cold. Then finds an uninhabited apartment and impetuously stashes her there.”
Tanner is determined to stick to his theory that Janssen is the guilty man. “Sounds far-fetched. How did he break in? This thing seems more planned.”
“I agree, but the point is, either husband could have discovered the infidelity, then, furious, humiliated and ruthless, imprisoned her. They’d have wanted to scare and punish, reassert control, show her who was boss.” They know this much, but they do not know what happened next. Was she killed in that room? If so, where is the body hidden? “And you know we can’t limit this investigation to just the two husbands. There are other suspects,” she adds.
Tanner flops into his chair, holds up a hand and starts to count off the suspects on his fingers. “Oli, Kylie’s teen stepson. He has the body and strength of a man…”
Clements finishes his thought. “But the emotions and irrationality of a child. He didn’t know his stepmum was a bigamist, but he did know she was having an affair. It’s possible he did something rash. Something extreme that is hard to come back from.”
“Then there’s the creepy concierge in the swanky apartment block.”
“Alfonzo.”
“Yeah, he might be our culprit.”
Clements considers it. “He has access to all the flats, the back stairs, the CCTV.”
“He’s already admitted that he deleted the CCTV from the day Kylie was abducted. He said that footage isn’t kept more than twenty-four hours unless an incident of some kind is reported. Apparently the residents insist on this for privacy. It might be true. It might be just convenient.”
Clements nods. “And then there’s Fiona Phillipson. The best friend.”
“Bloody hell. We have more suspects than an Agatha Christie novel,” says Tanner with a laugh that is designed to hide how overwhelmed and irritated he feels. His nose squashed up against shadowy injustice, cruel violence and deception.
“Right.”
“I still think the husband did it.”
“Which one?”
“Crap. Round and round in circles we go.” He scratches his head aggressively. “Do you want me to order in pizza? It’s going to be a long night.”
“Is anyone still doing deliveries? I don’t think they are,” points out Clements. “You know, lockdown.”
“Crap,” he says again, and then rallies. “Crisps and chocolate from the vending machine then. We’ll need something to sustain us while we work out where Kylie is.”
Clements smiles to herself. It’s the first time in a long time that Tanner has referred to Kylie by name, not as “her” or “the bigamist” or, worse, “the body.” It feels like an acceptance of a possibility that she might be somewhere. Somewhere other than dead and gone.
Did she somehow, against the odds, escape? Is Kylie Gillingham—the woman who dared to defy convention, the woman who would not accept limits and laughed in the face of conformity—still out there, somehow just being?
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“When Dad had been sentenced, I had been orphaned, practically and emotionally, at a much younger age than I had anticipated being parentless. I had been thrust into a new phase of life, a lonely phase, an unguided phase, which was both terrifying and oddly liberating.”
PLOT SUMMARY:
Morgan always knew her father, Owen, never murdered her mother, and has spent the last six years campaigning for his release from prison. Finally he is set free, but they can no longer live in the house that was last decorated by her mother’s blood. Salvation comes in the form of a tall, dark and notorious decorative granite tower on the Cornish coastline known only as ‘The Folly’. The owner makes them an offer: take care of the Folly, and you can live there. It’s an offer too good to refuse.
At first the Folly is idyllic, but soon a stranger arrives who acts like Morgan’s mother, talks like her mother, and wears her dead mother’s clothes. Is this stranger hell-bent on vengeance, in touch with her restless mother’s spirit itself, or simply just deranged? And, most importantly, what exactly happened the night Morgan’s mother died?
GRADE: A
REVIEW:
I usually enjoy Amor’s books, and this was no exception. I got invested really fast to the daughter/father relationship, especially since it explored a strained relationship caused by the father having been in jail for the murder of her mother for many years. However, Morgan never believed he was at fault. But once they begin to live at The Folly – a residence near a coastal town, strange things begin to happen. Morgan can’t figure out if her mother is trying to contact her through the possession of a stranger, or if the stranger is simply trying to mess with them. Family secrets left buried come to the surface and it changes everything. I liked this take on possession and I personally love it when someone can make a perfectly “happy-sounding” song creepy such as in the case of Abba’s Waterloo.
This was a fast read (because of impeccable pacing and short nature) so if you’re looking for a novella that explores father/daughter relationships, the meaning of family, grief, and a new take on possession then I recommend you pick this up as it’ll be the perfect read for you!
*Thank you so much to the author for the digital copy of this book in exchange for an honest review!
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SUNDAY, October 15—Multiple people have been reported dead at the Van Ness Winery after an altercation late Saturday night, our Eyewitness Team reports. Police were dispatched around 1:00 a.m. on Sunday morning after a 9-1-1 call from the estate’s main house, but they were delayed hours getting to the scene because of the torrential rainstorm that flooded Rte. 8 and many of the small roads leading up to the winery.
Our news team is on-site but has not been able to verify details with officials, who are still investigating the scene. It appears the damaged substation in Parnell affected power to the estate as well as a number of neighboring homes and businesses in the Finger Lakes area.
This tragedy is the latest to befall the Van Ness family, whose matriarch, investor and philanthropist Katrina Van Ness, died earlier this year of pancreatic cancer at the age of sixty-eight.
The Van Ness winery, known for producing high-quality, award-winning wines, has been owned by the Van Ness family for several generations. The family started the business in the 1950s, after selling their Arizona-based copper mining company founded by Benson Van Ness. The 985- acre winery and estate is now managed by the Van Ness siblings, who live full-time in New York City. Their family investment office owns interests in multiple different real estate holdings and industrial and manufacturing enterprises. The siblings are believed to have been visiting the estate for the weekend for a family celebration.
We will report more as details are confirmed.
THURSDAY
Two Days before the Party
LAUREN
Ever since Zach told me about The Weekend, it’s all I’ve been able to focus on. Most people would naturally be at least a little nervous to meet their significant other’s family for the first time.
But most people aren’t dating a Van Ness.
“Earth to Lauren.” Zach snaps his fingers, grinning over at me. He left work early to get on the road sooner and didn’t have time to change, so he’s still wearing his suit, purple tie slightly askew but knotted even after hours of driving.
“Sorry,” I say, tugging the ends of my hair. “Zoning out.”
“You look like I’m driving you to your death,” he says, then grabs my hand and squeezes. “Don’t worry. I promise it’ll be fun. Even if my family’s there.”
All I can see out my window are trees and fields and cows, my cell phone bars ticking steadily down. We must be close. Zach is taking care on the steep, curvy roads. One bad turn could send our car into a deep ditch or crashing into a thick tree trunk.
It’s so beautiful up there, my best friend Maisie said when I told her about the invitation. She had that wicked look in her eye. All the rolling hills. A vineyard. Starry sky. Super romantic. Perfect place to propose. My stomach flips at the thought, and I breathe in deep. This weekend is not about us. It’s a birthday party for Zach’s older siblings, Harper and Richard, the twins, an annual tradition to celebrate at the family’s winery. I can’t get ahead of myself.
We drive up a winding gravel road, through patches of dense trees. Taller ones have already gone barren for the winter, but some of the smaller trees arch over the road, their branches meeting and entangling like fingers, blotting out the remaining light.
“Ladies and gentlemen, we are now approaching the famous Van Ness estate,” Zach says in a booming voice as the car’s headlights flick on. “Please, no photographs, and keep all hands and feet inside the moving vehicle at all times.”
Zach had told me the estate was large—a thousand acres— but I didn’t grasp what that meant until the tunnel of trees ends and the view opens to a sprawling expanse of green fields and rolling hills, stretching endlessly against the purple-hued sky. We cross a small stone bridge that extends over a stream, then bump along a rocky road. The vineyards creep closer to us now, eerie in their precise organization, each plant in a perfect row. We’re inching toward winter, and all the grapes must have already been picked for the season, pressed and bottled, because the vines are bare and withered.
When I first moved to New York and waited tables at an Italian restaurant, we served the Van Ness wine. I remember those dark purple labels, the name stamped big and bold on the front. A brand that said, We are too good for you. But Zach is nothing like that, like the Van Nesses you read about online. Sometimes I forget he’s part of that family in the day-to-day rhythm of our lives. He doesn’t talk about them much, offers the scantest of information, or cracks a joke, or completely changes the subject when I bring them up. All I know of them is from the press, fleeting and superficial, like the pages of a glossy magazine, but hazy enough that I can imagine slicing open my finger on the sharp edges if I’m not careful.
“Tell me about them,” I say now, when there’s no evading the topic.
He glances over at me. “My family? What more do you need to know?”
“I don’t know. How can I win them over so they all love me forever and ever?” I say, trying to hide my nerves.
He laughs. “They’re impossible to win over.”
“Oh perfect,” I say. “That makes it easy then.”
“Nah, they aren’t that bad. They’re…particular is all.”
We head up a slight incline. To the right, there’s a gravel path marked Private—Staff Only. We pass it and stop in front of a large metal gate. Zach rolls down his window, fetches a key card from the glove compartment. “We had this installed years ago for extra security,” he says. Once the machine reads his card, the gates swing open soundlessly. I turn to watch them rotate back and slam into place.
As we round a corner, I finally catch a glimpse of the house, a stone mansion, stoic on the hill. The long driveway curves up to an overhang in front, flanked by a series of round potted trees.
“Here we are,” says Zach as we pull up. He shuts off the car, taps the digital clock on the dashboard. “And on time for dinner, too. Elle will be pleased.”
My stomach does another flip.
Breathe deep.
Project confidence.
They’re going to love you.
I get out. The air is chilly—it’s dropped at least ten degrees since we left the city. I wrap my arms across my body.
The massive wooden front door opens, and an older man walks out, gray hair and beard, a deep purple polo shirt with the Van Ness logo stitched on the pocket, two flutes of sparkling wine in his hands.
“Bill! You are the man.” Zach trades him the keys to the car for the glasses. “Lauren, Bill and his wife Linnet have been taking care of the estate—and us—since I was a snotty-nosed kid.”
As Bill heads for the trunk to unload our baggage, I survey the house. My eyes follow the three short steps up to a wide entryway with pillars, to the archway above the door, and then outward to the wings on either side. Greenery climbs up the stonework between the windows, and I imagine Bill must trim it often to keep it so nice. I touch a pillar next to me and feel its cool smoothness.
“Where’s everyone else?” Zach asks Bill. For him, this is business as usual. I doubt he even notices the grandness anymore.
“Oh, they’re around,” he says. “Miss Elle says dinner at 6:30, and you can all meet in the library.”
I smooth down the gold silk top Zach picked out for me, hugging and hiding in all the right places, like expensive clothes do. What would my parents say if they saw me? They would never guess I’d be weekending with a famous family like this. They never thought I’d make it in New York, thought I’d come crawling back begging to return to my night shift writing obituaries at our small-town paper.
But I’m never going back.
I take a sip of the sparkling wine. The bubbles pop, cold and hard against the back of my throat.
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