As much as 2020 was difficult, and however much I stated 2021 felt tougher, I think that 2022 topped it off. Emotionally speaking it was a tough year for me, but there were some good things that did come out of 2022, and that was mostly writing-related (which I’m really happy about).
2022 GOALS & WHAT I ACCOMPLISHED
My goals for 2022 were to publish my short story collection VICIOUS TRADITIONS: TALES OF TERROR & THE GROTESQUE (which I did). I wanted to write another feature screenplay, which I did, but it was the pilot for CRUSH. I wanted to find publishers for I WANT CANDY (which I did, the novella will be released in September 2023 with D&T Publishing) and GIRL THAT YOU FEAR (which I did, the novel will be released this month with Black Bed Sheet Books). I did find a home for “The Unconventional Tea Party,” as it appeared on the Down the Rabbit Hole podcast on Spotify & will appear in the Stephen King inspired anthology I’m putting together entitled, Hush, Don’t Wake the Monster.
The only goals that I didn’t accomplish in 2022 was to be able to sell Terror! to a producer and finish writing my thriller LA DOLCE VITA.
Extra accomplishments were: My screenplay Terror! was Quarter-Finalist, my pilot screenplay Crush was also Quarter-Finalist, and my short screenplay The Violinist was Finalist, and my short screenplay Baby Teeth got accepted in the Sarah of Horror Film Festival and was also nominated for Best Screenplay.
2023 GOALS
*Write a horror feature screenplay.
*Write a play.
*Complete novella I’m currently working on.
*Complete rough draft of my novelization of Crush.
*Edit my novel, WICKED GAME and find a publisher for it.
*Read at least 50 books (I only read 45 this past year).
*Post more frequently on Instagram.
*Try to merge my author site with this blog site so that it’s all one website.
WHAT ARE SOME OF YOUR GOALS FOR THE NEW YEAR?
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I had a ton of illusions, vivid fantasies of what it would be like to score a coveted internship at Van Doren. Deluded old me thought I would be strutting around the stunning tri-story headquarters in single-soled heels, flitting from design concept meetings to on-location photo shoots, living my best fashion-girl life. Instead, I’m in the back corner of the two-thousand-square-foot ready-to-wear samples closet scrubbing fresh vomit from a slinky gown worth double my rent during my lunch hour.
Italian Vogue’s current cover girl borrowed the hand-sewn dress for a red-carpet event last night, and apparently getting it back on a rack without ruining it was too much for one of the other interns to handle. She was so hungover when she came to the office this morning that she vomited all over the dress before making it out of the elevator. But of course this dress needs to be ready for another model to wear to some big extravaganza tonight, and since I’m the designated fuckover intern, I have to clean it by hand because the satin-blend fabric is too delicate to be dry-cleaned.
This is what it takes.
I chant this to remind myself why I’m here as the lactic acid builds up in my biceps. Working for Van Doren has been on my proverbial vision board ever since I reluctantly gave up the idea, in middle school, that I could be Beyoncé. It’s a storm of hauling hundreds of pounds of runway samples around the city and sitting in on meetings with the sketch artists. A glorious, next-to-holy experience when I’m on duty at photo shoots and one of the stylists sends me to fetch another blazer, not a specific blazer, which means I get to use my own vestiary inclinations to make the selection. Which has only happened once, but still.
Just as I get the stain faded by at least seventy percent, I hear the sharp staccato of someone in stilettos approaching. I turn around and see Lexi. Lexi with her bimonthly touched-up white-blond hair and generous lip filler that she’ll never admit to having injected. When she steps closer in her head-to-toe Reformation, I am grateful that I remembered to put on a few sprays of my Gypsy Water perfume. The one that smells like rich people. But the way she’s staring at me right now, it’s clear that no matter how much I try, I am still not on her level. I do not fit in here. She does not see me as her equal, despite the fact that we are both unpaid, unknown, disposable interns. It’s become glaringly obvious that at Van Doren, it’s not actually about what you contribute, but more about how blue your blood is. Lexi doesn’t even know my name, though I’ve been here a solid nine weeks and I’m pretty sure I’ve told her at least a dozen times.
I’m already on edge because of my assignment, so I jump in before she can ask in her monotone voice. “Brandi.”
“Right,” she says, like she does every time yet still forgets. “Chloé wants the Instagram analytics report for last week. She said she asked you to put it together an hour ago.”
Which is true, but completely unfair since Jenna from marketing also asked me to run to Starbucks to buy thirty-one-ounce cups of liquid crack for her and her entire department for a 9:00 a.m. meeting, an effort that took three trips total, and technically I’m still working on the data sheets I promised Eric from product development. Not to mention the obvious: getting rid of the puke from the dress.
“I’m still working on it,” I tell her.
Lexi stares at me, her overly filled brows lifted, as if she’s waiting for the rest of my excuse. I understand her, but also I’m wondering how she still hasn’t realized this is not a case of Resting Bitch Face I have going on, that I am actually intolerant of her nagging.
Normally, I am not this terse. But nothing about today has been normal. Since this week is my period week, I’m retaining water in the most unflattering of places and the pencil dress I’m wearing has been cutting off the circulation in my thighs for the past couple of hours, and being that I’ve spent most of my break destroying the evidence of someone else’s bad decisions, it is not my fault that I’m not handling this particularly well.
“I’ll send it over as soon as I’m done,” I say to Lexi so she can leave. But she doesn’t.
“HR wants to see you,” she says with what looks like a smirk.
My mouth opens. I have no idea what HR could want, and although I’m still new to this employee thing, I know this can’t be good.
“Like, now,” Lexi barks and pivots away in her strappy, open-toe stilts.
I hang the sample next to the door, and before I leave the room I pause to briefly take in the rest of the dresses stuffed on the racks, each one in that chic, elevated aesthetic that is the cornerstone of Van Doren. This is my favorite part of the day, the chaotic nature of this room a little overwhelming but also inspiring, and I can’t wait for the day that this is my world, not just one I’m peeking my head into. A world in which I command respect.
I cross through the merchandising department, where everyone has their own private office with aerial views of Hell’s Kitchen, Soho and the Garment District, and then move through the maze of the sprawling suite in a mild sort of panic until I remind myself that I have done nothing wrong. Ever since spring semester ended, I’ve been putting in more hours than the sun. I slip in at six-thirty when the building is dark and vaguely ominous, my eyes still puffy with sleep, and when I finally drag myself into the elevator at the end of the day, it’s just as black and quiet outside. I religiously show up in current-season heels despite the blisters, albeit mass-produced renditions of the Fendi, Balenciaga and Bottega Venetas the other summer interns casually strut around in, and mostly stick to myself. I am careful about raising my voice, even if I vehemently disagree with my neurotic supervisor. I keep my tongue as puritanical as a nun’s, even when fucking incel or coddled narcissistic bitch are on the tip of it. I’m not rude or combative. I stay away from gossip. I complete all my tasks with time to spare, which is usually when I check Twitter and help out some of the other interns, even though I’d rather FaceTime Nate in the upstairs bathroom with the magical lighting. I even entertain the gang of sartorially inclined Amy Coopers in the making who insist on obnoxiously complaining to me about all of their first-world, one-percenter problems. I’ve done nothing but consistently given them reasons to think I am a capable, qualified, talented intern who would make an exceptional employee.
I have nothing to worry about.
When I knock on the door to Lauren’s office, she looks up from her desk and waves me in through the glass. I have a feeling this will not go my way when I see that my supervisor, Chloé, one of the more amiable assistants, is also here, fiddling with her six-carat engagement ring in the corner and avoiding eye contact.
“Have a seat, Brandi,” Lauren says, and I tell myself to ignore that her bright pink lipstick extends above her lip on one side.
There is no small talk. No hello or how’s it going? Under alternate circumstances, I would feel slighted, but because I’m growing more anxious by the second, I’m grateful for her smugness.
As I sit down, Chloé shifts in her chair, and I speak before she can. “I’m sorry. The Instagram report is at the top of my task list. I’ll definitely have it to you before I leave today. I just—”
“That’s not why you’re here, Brandi,” Lauren interjects.
“Oh.” I pause, and as she glances down at her notes, I try to make meaningful eye contact with my supervisor, but she is still actively dodging my eyes.
Lauren begins by throwing out a few compliments. My work ethic is admirable and I have great attention to detail, she says, and the whole time my heart is pounding so loud, I can barely make out most of her words. Chloé jumps in to effusively agree, then Lauren finally stops beating around the bush and looks me directly in the eyes.
“We just don’t feel like you’re fitting into the culture here at Van Doren.”
Every word feels like a backhanded slap across the face, the kind that twists your neck and makes the world go still and white for a few disconcerting moments, like an orgasm but not like an orgasm. It’s obvious what they mean, yet can’t quite bring themselves to say.
They just don’t like that I’m black.
They don’t like the way I wear my braids—long and unapologetic, grazing my hips like a Nubian mermaid.
They don’t like that I’m not the smile-and-nod type, willing to assimilate to their idea of what I should be, how I should act.
Culture.
That’s their code for we-can’t-handle-your-individuality-but-since-we-don’t-want-to-seem-racist-we’ll-invent-this-little-loophole.
Black plus exceptional equals threat.
“If we don’t see any improvement in the coming weeks, we’re going to have to let you go,” Lauren says with no irony, her mouth easing into a synthetic smile.
I blink. I cannot believe this is happening right now. It wasn’t supposed to go like this, my internship at Van Doren, the one fashion company whose ethics align with mine. I wasn’t just blowing smoke up Lauren’s ass when I interviewed for this job, though I was looking at her sideways, wondering why she had not a stitch of Van Doren on. I’d splurged on a single-shouldered jumpsuit from this year’s spring collection that I couldn’t really afford just to impress her, while she hadn’t even felt the need to represent the brand at all as she shot out all those futile questions interviewers love propelling at candidates, I’m convinced, just to see them squirm. Even minuscule amounts of power can be dangerous.
This is bullshit, being put on probation, and I’d give anything to have the balls to call them on it. As I sit here paralyzed, Lauren’s words reverberate in my head and I rebuke them, want to suffocate and bury them.
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MAC has always made some excellent limited edition cosmetics, either inspired by fictional icons or real ones, and their collections have never disappointed. Whitney Houston is the newest icon to finally get a limited collection for, and just in time for her biopic that came out on Friday, I Wanna Dance With Somebody.
I was a huuuuuge Whitney Houston fan when I was little, so much so, that the first album I ever bought was Whitney Houston’s Whitney album that had the hit I Wanna Dance With Somebody (Who Loves Me) and Where Do Broken Hearts Go. I know that her later life was littered with personal struggles and her death was tragic, however, I like to remember how she was best, beautiful, upbeat, and with a voice of an angel.
That being said, the moment I realized MAC launched this collection I knew I had to get my hands on a couple of items. I decided to go for the lipsticks (there are four shades in all but I purchased two).
Nippy’s Rose Lipstick looked prettier in the tube than it did on me (at least that’s how I feel about it). It’s a frosty pink, but with a slight blue/violet tint (at least that’s how it looks on my ultra pale lips). I like how it feels and it does last well and it isn’t drying, but I don’t know if I’m a huge fan of the actual shade for me.
Nippy’s Moody Nude Lipstick is a brownie pink nude, which is the sorta nude I prefer, plus it’s creamy, so the lipstick is soft and nourishing. It won’t last all day and will need touch ups, especially if you eat and does leave lipstick marks on cups, but overall I’m very happy with the shade and this is one that I would wear on most days.
The other two lipstick shades they had were red shades, and they look absolutely beautiful. The only reason I didn’t purchase them is because I have many red shades and wanted to try out some new pink and nude shades instead.
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What It Is: This SquishKit 2 contains: 3 x Cheeky Cherry Masks, 1 x Flower Power Acne Patch Pack, 1 x Jelly Lip Gloss, 1 x Hair Bobble, 1 x Squish Pouch, & 1 x Postcard.
Makeup-free & chilling with Cheeky Cherry Mask
Review for Cheeky Cherry Masks:
First of all, just look at the cuteness! Also, these feel amazing and although Charli Howard (model and founder of this amazing brand!) claims you can reuse them up to 3 times – I was only able to use my eye masks twice. However, maybe if you keep yours on for the recommended 20 minutes you may get three uses out of this, but I loved how much these masks felt that I didn’t want to remove them, so I kept them on for an hour. I personally don’t have an issue with puffiness but I do think the serum was soothing and smoothed out any fine lines from my perpetual lack of sleep. So I do recommend these if you need to look fresh-faced right away, plus these eye masks come down to your cheeks so if you have puffiness there, it also tackles that.
Look at that shine! Experience the incredible softness that is Jelly Lip Gloss!
Review for Jelly Lip Gloss:
Charli told me in a comment that this lipgloss was underrated and definitely NOT sticky, so I was eager to try it out. But I also took that comment with a grain of salt, as I’ve always been let down by glosses in the past, even ones claiming to be not sticky, ultimately were still tacky. I’m happy to state that I was most definitely proven wrong meaning that YES THIS GLOSS ISN’T STICKY in any shape or form. First of all, this gloss feels more like an emollient cloud of softness on your lips, much like a rich lip balm. But the best part is that this gloss has shine for days! Finally, a gloss that manages to give incredible shine without the stickiness that 99.9% of the glosses I’ve ever tried had. You’re gonna want this if you’ve always been a gloss lover but hated the feel of gloss, now you can have the best of both worlds.
Why Choose Squish: Cruelty-free, vegan, and female-owned company
Ed Note: I wasn’t able to review the Flower Power Acne Patch Pack cause fortunately I haven’t had any pimples in the past month, so I’ll write a review as soon as I have one! But can we admire how incredibly adorable these patches are though? I can’t wait to try them!
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Anyone who knows me knows how obsessed I am with Anne Rice’s novel, Interview with the Vampire as well as with the 1994 movie adaptation. There was a time in my life when I watched the movie once a day for nearly three years, and that’s why I can quote the two hours film verbatim even after all these years. So when I learned AMC was going to have a TV series based on Anne Rice’s novel, I was both excited and skeptical. Would I love it? Or would I hate it? Throughout the months I heard about the changes they were going to make (change of the century, Louis is a POC, and Claudia is no longer a young child but a teen). I didn’t know how to feel about these changes, however, I decided to dive into the series.
The first episode felt jarring, these characters I loved for so many years had fresh faces as new actors brought them to life. But the moment we see Lestat (Sam Reid) reach out and kiss Louis (Jacob Anderson) passionately by the end of episode one, I was both seduced and compelled to keep on watching.
The new actors have managed to embody Anne Rice’s characters unlike any other actors before (and I thought Tom Cruise and Brad Pitt did a good job at the time). But there’s something about the way Sam Reid manages to create an accent that would truly be one that Lestat would have, how he manages to be both repulsive with his violent behavior, yet enthralling when he’s charming. Jacob Anderson does an excellent job of showing Louis’s vulnerability and guilt but also demonstrates his inability to truly get away from a toxic relationship.
I think Anne Rice would be proud of this adaptation, especially since we finally get the true toxic romance that she was only able to hint at but couldn’t be completely explicit about (same with the movie).
Meanwhile, I’ve fallen back into my former obsessive tendencies in regard to this book. I’ve already rewatched the series three times, and have lost count of how many times I’ve specifically watched the scene where Louis and Lestat have their final dance.
If you haven’t checked it out, I completely recommend it. After all, as Lestat says, “I’m going to give you the choice I never had.”
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Let’s be honest, sometimes the happiest season of the year can be rather downright scary. Stores overrun with people, last minute gift-shopping, having to deal with problematic relatives, trying to avoid cringe-worthy office parties, I could go on and on. These movies explore the horrors of the Christmas season, packing a scary punch!
BLACK CHRISTMAS
Forget about the remakes, they all suck. The original with Olivia Hussey (best known for her role as Juliet) is the one to watch. As winter break begins, a group of sorority sisters, including Jess (Olivia Hussey) and the often inebriated Barb (Margot Kidder), begin to receive anonymous, lascivious phone calls. Initially, Barb eggs the caller on, but stops when he responds threateningly. Soon, Barb’s friend Claire (Lynne Griffin) goes missing from the sorority house, and a local adolescent girl is murdered, leading the girls to suspect a serial killer is on the loose. But no one realizes just how near the culprit is.
SILENT NIGHT, DEADLY NIGHT
An orphan raised by nuns (Lilyan Chauvin, Gilmer McCormick) grows up to be a killer toy-store Santa Claus. At the time, this movie was a box office hit, earning 2.5 million out of a $250,000 budget.
THE LODGE
Not gonna lie, this is probably one of my favorite Christmas themed movies out there. During a family retreat to a remote winter cabin over the holidays, the father is forced to abruptly depart for work, leaving his two children in the care of his new girlfriend, Grace. Isolated and alone, a blizzard traps them inside the lodge as terrifying events summon specters from Grace’s dark past.
THE ADVENT CALENDAR
This was so creepy and twisty, I watched it for the first time last year and was left wanting more. When Eva receives an antique wooden advent calendar, it seems at first that it only guarantees a countdown to Christmas filled with sweets. However, with the calendar comes a set of rules and the promise of wish fulfillment for those who follow them.
WIND CHILL
If you want suspense with a dash of creepy then you might want to check this one out.
Just before their university campus goes quiet for the winter break, a young woman (Emily Blunt) asks a classmate (Ashton Holmes) for a lift home. The two students set off on their trip and begin to get to know each other. But, when a reckless motorist drives them off the road, they find themselves stranded in the snow on a remote highway. As the night grows colder, the two are confronted by a horde of menacing apparitions — and struggle to escape with their lives.
INSIDE
I don’t know what it is about the French when it comes to horror, but they really go above and beyond. This may fall in the category of “torture porn” but it’s still worth the watch. A scissor-wielding psychopath (Béatrice Dalle) terrorizes a pregnant widow (Alysson Paradis) on Christmas Eve.
SILENT NIGHT
Watch this for the ensemble cast alone, as it’s got some of the best Brit actors. A couple invites their closest friends to join their family for Christmas dinner at their idyllic home in the English countryside. As the group comes together, it feels like old times — but behind all of the laughter and merriment, something isn’t quite right. The world outside is facing impending doom, and no amount of gifts, games or wine can make mankind’s imminent destruction go away. Surviving the holidays just got a lot more complicated.
KRAMPUS
More of a horror comedy than full-on horror. While the holiday season represents the most magical time of year, ancient European folklore warns of Krampus, a horned beast who punishes naughty children at Christmastime. When dysfunctional family squabbling causes young Max (Emjay Anthony) to lose his festive spirit, it unleashes the wrath of the fearsome demon. As Krampus lays siege to the Engel home, mom (Toni Collette), pop (Adam Scott), sister (Stefania LaVie Owen) and brother must band together to save one another from a monstrous fate.
P2
Who doesn’t like to see Wes Bentley being creepy? Just me? Angela (Rachel Nichols) is working late on Christmas Eve. When she finally decides to leave, she goes down to the parking garage to get her car, but it won’t start. Thomas (Wes Bentley), the garage’s security guard, offers to help. He also invites Angela to dinner, but she refuses. Thomas, crazed, knocks her out. She wakes up in Thomas’ office, chained to a chair and in different clothes. Now Angela must fight for her life in order the escape from the garage.
BETTER WATCH OUT
Another dark comedy with a psychological horror twist. Ashley travels to the suburban home of the Lerners to babysit their 12-year-old son Luke during the holidays. She must soon defend herself and the young boy when unwelcome intruders announce their arrival.
Which ones are you going to be checking out?
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What It Is: A detoxifying eye cream that helps visibly plump and tighten, fill fine lines, and restore clarity to tired eyes.
Active Ingredients: Rose and Vegan Collagen
Verdict: I love how this eye cream feels both applying the cream and how it feels on my skin. This is why I’m conflicted – I love how it makes my skin feel – it dries fast – and yet I don’t feel like it hydrates as much as it should. Maybe it’s best suited for humid summers when you need a lighter cream, but as far as dry winters go, I don’t feel that it’s as hydrating as maybe one needs for this time of year. However, I do love how luxurious it feels and will probably use it during the warmer season for sure.
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It’s the summer of 1994, and all smart-mouthed Maeve Murray wants are good final exam results so she can earn her ticket out of the wee Northern Irish town she has grown up in during the Troubles. She hopes she will soon be in London studying journalism—away from her crowded home, the silence and sadness surrounding her sister’s death, and most of all, away from the violence of her divided community.
As a first step, Maeve’s taken a job in a shirt factory working alongside Protestants with her best friends. But getting the right exam results is only part of Maeve’s problem—she’s got to survive a tit-for-tat paramilitary campaign, iron 100 shirts an hour all day every day, and deal with the attentions of Handy Andy Strawbridge, her slick and untrustworthy English boss. Then, as the British loyalist marching season raises tensions among the Catholic and Protestant workforce, Maeve realizes something is going on behind the scenes at the factory. What seems to be a great opportunity to earn money turns out to be a crucible in which Maeve faces the test of a lifetime. Seeking justice for herself and her fellow workers may just be Maeve’s one-way ticket out of town.
Bitingly hilarious, clear-eyed, and steeped in the vernacular of its time and place, Factory Girls tackles questions of wealth and power, religion and nationalism, and how young women maintain hope for themselves and the future during divided, violent times.
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This was my third time going to Comic-Con LA and I had a blast! It’s definitely the place to be if you love comics, artists, fandoms, and just want to have a fun weekend. There were so many incredible booths and amazing costumes! I even spied a Lady Oscar cosplay, but unfortunately didn’t manage to capture it in a photo. Hands down the best, costume for me was the girl who dressed as Dani in Ari Aster’s Midsommar. It was gorgeous and the girl herself gave me total Elle Fanning vibes (she should totally do a cosplay of Neon Demon or The Great!).
Hot Topic had the best Photo Op section, transforming a good portion of the Con into Nightmare Before Christmas graveyard. It was cute and very Tim Burton-like. However, I really missed Crypt TV being there! I really loved their promo materials and photo Op in the past. In fact, it seemed like this time there weren’t as many or as creative Photo Op areas in the Con, although I did think they had a lot more awesome shops and brands there. There was even a massage section where the masseuse was dressed as Geralt from The Witcher.
I also enjoyed the variety of food trucks they had at the Con. I ate lunch at Love Bird Fried Chicken, and I’m not joking when I say it was hands down the best fried chicken sandwich I ate in my life, ever. So props for that.
This time I stayed a lot longer at the Con than the previous years, so much so, that I ended up racking up 12,189 steps! Yes, I was completely dead the following day, just so ya know.
I didn’t find many comics I was interested in, and a lot of the horror comics were on the pricier side (maybe because they were vintage originals from the 70’s). But I was excited to have found the comic version of A Girl Walks Home Alone At Night, because I am a HUGE fan of the movie and its vibes. I also was excited that I found a Candyman mug (not even a bad price $10!) and Emily the Strange Lipstick in Rebel Red.
All in all, it was a fun time, but I really hope that next year Crypt TV will be back, because there were very few horror peeps otherwise. But I’m looking forward to next year’s Comic-Con (by then I’ll be ready to walk another 12k steps!).
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